{"title":"Abstraction","description":"","products":[{"product_id":"robert-motherwell-untitled-letter-a-lithograph","title":"ROBERT MOTHERWELL \"BASQUE SUITE #7\", 1971","description":"\u003cdiv id=\"id6\"\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca title=\"Toronto art gallery collection featuring artwork by iconic abstract expressionist, Robert Motherwell\" href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell\" data-mce-href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell\" data-mce-fragment=\"1\"\u003eRobert Motherwell\u003c\/a\u003e (1915-1991), alongside Jackson Pollock, Mark Rothko, and \u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/willem-de-kooning\" title=\"Willem de Kooning prints Caviar20\" data-mce-href=\"https:\/\/www.caviar20.com\/collections\/willem-de-kooning\" data-mce-fragment=\"1\"\u003eWillem de Kooning\u003c\/a\u003e, made up the quartet of abstract painters that radically defined Modern painting in America and established New York City as the new center of the art world.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMotherwell was the unofficial spokesman of the New York School, writing, editing a journal, and lecturing on behalf of the movement, his fellow artists, and the merits of abstraction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhile Motherwell's contribution to the art historical canon as a painter is undisputed, his role as a printmaker is arguably as important. Motherwell is one of the most experimental and courageous printmakers of the 20th century. He was always searching for new techniques to express or expand his ideas and aesthetics.\u003c\/p\u003e\n\u003cp\u003e\"Basque Suite\", is a series of 10 iconic prints. The group features \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMotherwell's signature ink-black gestural forms complemented by\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003edense stretches of monochromatic color and breaks of negative space. \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis print is a paradigm of Motherwell's oeuvre: aggressive black forms create a confidant abstract arrangement, softened by decorative and soothing shades of blue.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell\/products\/robert-motherwell-basque-suite-2-untitled-b-screenprint-1971\" title='Robert Motherwell \"Basque Suite\" series'\u003eClick here\u003c\/a\u003e to see another example from this iconic series.\u003c\/p\u003e\n\u003cp\u003eThe complete set of \"Basque Suite\" can be found in many museum's permanent collections including \u003ca href=\"https:\/\/www.tate.org.uk\/art\/artworks\/motherwell-the-basque-suite-65429\" data-mce-href=\"https:\/\/www.tate.org.uk\/art\/artworks\/motherwell-the-basque-suite-65429\"\u003ethe Tate\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e. Visit our Toronto gallery on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" title=\"Contact information for Caviar20, Toronto fine art gallery\"\u003eThursdays or by appointment\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\"Basque Suite #7\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLondon, 1971\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eColor screenprint on J. B. Green paper \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInitialed and inscribed \"Artist's proof I\" in pencil, lower margin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist's proof, aside from an edition of 150.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e29.75\"H 23.5\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e42\"H 34.25\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003ePublished by Marlborough Graphics, Inc., London.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Robert Motherwell","offers":[{"title":"Default Title","offer_id":94898332,"sku":"12-22","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Robert-Motherwell-Basque-Suite-7_icon_8a197810-2101-4c35-8e78-b0ebe7a2da6f.jpg?v=1670857876"},{"product_id":"sol-lewitt-olympic-centennial-screenprint-1992","title":"SOL LEWITT \"OLYMPIC CENTENNIAL\" SCREENPRINT, 1992","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/sol-lewitt\"\u003eSol LeWitt\u003c\/a\u003e (1928-2007) is an important contributor to the 20th century's most cerebral \"isms\" notably minimalism and conceptual art. \u003c\/p\u003e\n\u003cp\u003eHis infamous large-scale \"wall drawings\" destabilized and expanded the conventional definition of authorship. Many of his works were created as the result of elaborate and detailed instructions rather than his own hand or labor. Furthermore these classic \"wall drawings\" were often temporary - only lasting the duration of an exhibition. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.diaart.org\/exhibitions\/main\/88\" title=\"Sol LeWitt at DIA:Beacon\" target=\"_blank\"\u003e\u003c\/a\u003eIn 1992, LeWitt was commissioned to create this screenprint for the 100th anniversary of the Olympic games. The work was included in the \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOlympic Centennial Suite portfolio, which featured works by 50 international artists. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003eFive Pointed Star with Color Bands\" is a paradigm of LeWitt's work from the 80s and 90s. During this period, LeWitt embraced a palette of rich autumnal colors often realized in gouache. He continued to be fascinated by shapes, grids, and their relationship to color. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis hypnotic and playful star is a recurring motif throughout the artist's oeuvre and stands as an excellent example of his signature hard-edge abstraction and unwavering exploration of geometry. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSol LeWitt's work is represented in numerous public institutions including the MoMA (New York), the Tate Modern (London), the National Gallery of Art (Washington, D.C.), and the Centre Pompidou (Paris), among others.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eQuestions about this piece? \u003ca data-mce-fragment=\"1\" href=\"mailto:troy@caviar20.com\" data-mce-href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call \u003ca data-mce-fragment=\"1\" href=\"tel:4167041720\" data-mce-href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e. Visit our Toronto gallery on \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" data-mce-href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eThursdays or by appointment\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003eFive Pointed Star with Color Bands\"\u003c\/p\u003e\n\u003cp\u003eUSA, 1992\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eColor screenprint on Arches Cover White\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSigned and numbered in pencil, lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 250\u003c\/p\u003e\n\u003cp\u003e32.75\"H 22.25\"W (work)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted by Keizo Tasaka, Watanabe Studio, Ltd., Brooklyn. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Puma Trading, Paris, or Editiones Catalanes, Barcelona, for the International Olympic Committee, with the blind stamp lower center.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNote: this work is sold unframed. \u003c\/span\u003e\u003c\/p\u003e","brand":"Sol LeWitt","offers":[{"title":"Default Title","offer_id":367546173,"sku":"09-13-06-23","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Cavioar20_Sol-LeWitt-Five-Pointed-Star-with-Color-Bands_icon_00128ed8-cdd3-477c-824a-907644ff5dcc.jpg?v=1689270198"},{"product_id":"frank-stella-conspiracy-lithograph-1971","title":"FRANK STELLA \"CONSPIRACY\" LITHOGRAPH, 1971","description":"\u003cp\u003eCaviar20 is proud to be offering this exceptional example of Frank Stella's work.\u003c\/p\u003e\n\u003cp\u003eStella's work references many of the key developments or movements in post-war American painting; Op Art, hard-edge abstraction and Minimalism.\u003c\/p\u003e\n\u003cp\u003eStella was one of the first artists to dismiss the idea of using paint in an expressive form in the creation of abstract art. Furthermore there was no allusion to the material world or an emotional state. Stella's geometric paintings, were simply that - paintings.  \u003c\/p\u003e\n\u003cp\u003eHe was prominently featured, if not the star of MoMA's seminal \"Sixteen Americans\" exhibition in 1960. \u003c\/p\u003e\n\u003cp\u003eWhile the exhibition also featured works by Jasper Johns and Louise Nevelson - Stella became an art world star at the age of 23 based on his all black hard-edge abstract paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1970 the Museum of Modern Art, New York presented a retrospective of Stella's work making him the youngest artist at the time to receive such a distinction.\u003c\/p\u003e\n\u003cp\u003eStella began working in printmaking in the mid-sixties and it would continue to be an important part of his practice. \u003c\/p\u003e\n\u003cp\u003eThis work entitled \"Angriff\" was part of the \"Conspiracy Portfolio\" - protesting the Vietnam war.\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e \u003cspan data-mce-fragment=\"1\"\u003eor call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated 1971 by the artist \u003c\/p\u003e\n\u003cp\u003eLithograph, from an edition of 150.\u003c\/p\u003e\n\u003cp\u003e18\"H 24\"W (work)\u003c\/p\u003e\n\u003cp\u003e22.2\"H 29.7\"W (framed)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Frank Stella","offers":[{"title":"Default Title","offer_id":623419381,"sku":"03-14x2-06-16x3-07-17x4-01-19","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Frank-Stella-Conspiracy-Angriff-1971_icon_6713d336-5dac-4e76-8eb1-189edc1b0787.jpg?v=1571438538"},{"product_id":"alexandra-luke","title":"ALEXANDRA LUKE \"UNTITLED (EAGLE)\" ACRYLIC ON PAPER","description":"\u003cp\u003eWhether in Canada, or virtually anywhere else in the world during the 1950's it was a considerable challenge for a woman to be taken seriously as an artist.\u003c\/p\u003e\n\u003cp\u003eAlexandra Luke (1901-1967) had to overcome not only the (art) world's inherent sexism but a bias and resentment regarding her background of privilege. \u003c\/p\u003e\n\u003cp\u003eHer entire life was dedicated to the creation, scholarship and exhibition of art.\u003c\/p\u003e\n\u003cp\u003eA student at the Banff Centre and the Hans Hoffman School of Art in New York, Luke returned to Toronto with an inspiration to promote Abstract Expressionism in Toronto and beyond. \u003c\/p\u003e\n\u003cp\u003eDuring the fifties Luke either directly or jointly organized several group exhibitions of abstract art.\u003c\/p\u003e\n\u003cp\u003eHer own work was widely exhibited and received decent reviews. However unlike Jack Bush or Harold Town, she struggled to sell her creations. \u003c\/p\u003e\n\u003cp\u003eGradually by the beginning of the 1960's she was invited to join various Artist societies as her reputation solidified. This was timely as the dissolution of Painters Eleven in 1960.\u003c\/p\u003e\n\u003cp\u003eThis is a curious example of Luke's work. While it possesses the vitality and strong palette that she is known for, there seems to be a possible and very rare figurative element in the work: an eagle and its wing. However, this is open to interpretation. \u003c\/p\u003e\n\u003cp\u003eAn ideal piece for a collector interested in Painters Eleven.\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003e\u003cspan\u003eContact us\u003c\/span\u003e\u003c\/a\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned by the artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWatercolor, acrylic and pencil on paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCanada, circa 1960\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e28\"H 22\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Alexandra Luke","offers":[{"title":"Default Title","offer_id":764642205,"sku":"05-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/untitled-243.jpg?v=1571438541"},{"product_id":"copy-of-josef-albers-homage-to-the-square-serigraph-1967","title":"JOSEF ALBERS \"I-S VV 1\" SCREENPRINT, 1971","description":"\u003cp class=\"p1\"\u003eAn important image in Albers' oeuvre, \"I-S VV I\" first appeared in 1940 as a painting.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile everyone is familiar with Albers' endless exploration of the square - there are a small number of geometric compositions that he created...and revisited during his lifetime.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis work (and the example Caviar20 is offering) was created as a large silkscreen published in 1971.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt is a classic Albers' geometric construction - where simple lines create dynamic and three-dimensional forms. The viewer can be easily lost in trying to understand the interaction of color. \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eArt Historians credit Albers for fusing elements of American and European abstraction while influencing minimalism, hard-edge painting and Op art. This work is a paradigm of his contribution. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eIt is remarkable to think that Albers not only influenced several generations of artists, but he actually taught many major artists including Cy Twombly and Eve Hesse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eInstantly recognizable and collected internationally, an abstract work by Albers is essential for the established or novice collector.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eJosef Albers: historically important, hypnotic, instantly recognizable and sophisticated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"I-S VV I\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, numbered 42\/100 and dated '71 by the artist.\u003c\/p\u003e\n\u003cp\u003eSilkscreen\u003c\/p\u003e\n\u003cp\u003eUSA, 1971\u003c\/p\u003e\n\u003cp\u003e31.5\"W 18.5\"H (sheet)\u003c\/p\u003e\n\u003cp\u003e25.5\"W 12.5\"H (image)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":883427285,"sku":"08-14S07-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-JosefAlbers-GrayBlack-icon.jpg?v=1571438544"},{"product_id":"ronald-bloore-untitled-1979","title":"RONALD BLOORE \"UNTITLED\" 1979","description":"\u003cmeta charset=\"utf-8\"\u003e\r\n\u003cp\u003eRonald Langley Bloore (typically referred to as \"Ron Bloore\") is one of the most distinctive Canadian painters of the 20th century.\u003c\/p\u003e\r\n\u003cp\u003eAn important educator and one of the few minimalist painters in Canada, Bloore is renowned for his highly original and sparse white paintings. \u003c\/p\u003e\r\n\u003cp\u003eBloore, along with \u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/kenneth-lochhead-blue-extension-lithograph\" title=\"Kenneth Lochhead\"\u003eKenneth Lochhead\u003c\/a\u003e was a part of the \"Regina Five\" - an important exhibition at the National Gallery (Ottawa) featuring this group of Regina-based abstract painters. \u003c\/p\u003e\r\n\u003cp\u003eThe group would stay affiliated together until 1966 which coincided Bloore's move from the prairies to Toronto.\u003c\/p\u003e\r\n\u003cp\u003eThere is the assumption that Bloore's development of all white canvases was a response to the stark Saskatchewan winters with its blinding snow and intense light. Bloore would correct this point that he was more responding to antiquity.\u003c\/p\u003e\r\n\u003cp\u003eThis work is a paradigm of his oeuvre; dynamic, minimal and monochromatic.\u003c\/p\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/www.gallery.ca\/en\/see\/collections\/artwork.php?mkey=6792\" title=\"Roanld Bloore at the National Gallery, Ottawa\"\u003eTo see another fine example of his work, in the permanent collection of the National Gallery, click here.\u003c\/a\u003e \u003c\/p\u003e\r\n\u003cp\u003eLike most minimal masterpieces, this work demands first-hand inspection.\u003c\/p\u003e\r\n\u003cp\u003eWe welcome you to make an appointment to see this work in person at the Caviar20 loft. \u003c\/p\u003e\r\n\u003cmeta charset=\"utf-8\"\u003e\r\n\u003cp class=\"p1\"\u003eQuestions about this artwork? \u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\r\n\u003cp\u003eOil on canvas board\u003c\/p\u003e\r\n\u003cp\u003eCanada, 1979\u003c\/p\u003e\r\n\u003cp\u003eSigned verso\u003c\/p\u003e\r\n\u003cp\u003e35.5”H  47”W \u003c\/p\u003e\r\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Ronald Bloore","offers":[{"title":"Default Title","offer_id":936453597,"sku":"09-14","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-RonaldBloore-Untitled-12.jpg?v=1571438544"},{"product_id":"copy-of-alexandra-luke-untitled-eagle-acrylic-on-paper","title":"ALEXANDRA LUKE \"AUTUMN\"","description":"\u003cp\u003eWhether in Canada, or virtually anywhere else in the world during the 1950's it was a considerable challenge for a woman to be taken seriously as an artist.\u003c\/p\u003e\r\n\u003cp\u003eAlexandra Luke (1901-1967) had to overcome not only the (art) world's inherent sexism but a bias and resentment regarding her background of privilege. \u003c\/p\u003e\r\n\u003cp\u003eHer entire life was dedicated to the creation, scholarship and exhibition of art.\u003c\/p\u003e\r\n\u003cp\u003eA student at the Banff Centre and the Hans Hoffman School of Art in New York, Luke returned to Toronto with an inspiration to promote Abstract Expressionism in Toronto and beyond. \u003c\/p\u003e\r\n\u003cp\u003eDuring the fifties Luke either directly or jointly organized several group exhibitions of abstract art.\u003c\/p\u003e\r\n\u003cp\u003eHer own work was widely exhibited and received decent reviews. However unlike Jack Bush or Harold Town, she struggled to sell her creations. \u003c\/p\u003e\r\n\u003cp\u003eGradually by the beginning of the 1960's she was invited to join various Artist societies as her reputation solidified. This was timely as the dissolution of Painters Eleven in 1960.\u003c\/p\u003e\r\n\u003cp\u003eThis is a curious example of Luke's work. While it possesses the vitality and strong palette that she is known for, there seems to be a possible and very rare figurative element in the work: an eagle and its wing. However, this is open to interpretation. \u003c\/p\u003e\r\n\u003cp\u003eAn ideal piece for a collector interested in Painters Eleven.\u003c\/p\u003e\r\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003e\u003cspan\u003eContact us\u003c\/span\u003e\u003c\/a\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eSigned by the artist.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eWatercolor, acrylic and pencil on paper\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eCanada, circa 1960\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e28\"H 22\"W (work)\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Alexandra Luke","offers":[{"title":"Default Title","offer_id":1051324808,"sku":"05-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-LUKE-AUTUMN-ICON.jpg?v=1571438546"},{"product_id":"copy-of-frank-stella-purple-series-lithograph-1972","title":"FRANK STELLA \"PURPLE HOLLIS\" LITHO, 1972","description":"\u003cp\u003eIn 1970 the Museum of Modern Art, New York presented a retrospective of \u003ca href=\"https:\/\/www.caviar20.com\/collections\/frank-stella\" target=\"_blank\" title=\"Frank Stella Toronto Art Gallery Collection\" rel=\"noopener noreferrer\"\u003eFrank Stella\u003c\/a\u003e's work, making him the youngest artist at the time to receive such a distinction.\u003c\/p\u003e\n\u003cp\u003eStella began printmaking in 1967 - and it immediately became an essential part of his oeuvre. \u003c\/p\u003e\n\u003cp\u003eThe \"Purple Series\" is significant as, while it alludes to the success of his shaped canvases, the consistent use of the slightly muted grape-colored purple is unique and not mirrored in his paintings.\u003c\/p\u003e\n\u003cp\u003eThere were nine works in the \"Purple Series\" and each work bears the name of an individual in the New York art world that was important in Stella's life. This example entitled \"Hollis Frampton\" (1936-1984) was named after the important avant-garde artist and filmmaker,  who was an early contributor to the nascent digital art field.  \u003c\/p\u003e\n\u003cp\u003eIn terms of process the \"Purple Series\" is the second and the last group of prints to be created from lithographic stones.  Like most of Stella's prints from the late 1960s and 1970s - these too can be found in the permanent collection of many institutions including the Met and the MoMA amongst many others.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e. Visit our Toronto gallery on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eThursdays or by appointment\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Hollis Frampton\" (from the Purple Series)\u003c\/p\u003e\n\u003cp\u003eSigned, numbered, and dated 1972 by the artist \u003c\/p\u003e\n\u003cp\u003ePublished by \u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eGemini G.E.L., Ltd., Los Angeles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 100\u003c\/p\u003e\n\u003cp\u003eLithograph.\u003c\/p\u003e\n\u003cp\u003e16\"H 22\"W (work)\u003c\/p\u003e\n\u003cp\u003e20\"H 26\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Frank Stella","offers":[{"title":"Default Title","offer_id":1119522680,"sku":"11-14x2-10-20","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Frank-Stella-Purple-Series-Holis-Frampton-1972_icon_ad9f92a6-5004-4442-ba5d-c7abe9dca2fe.jpg?v=1602177880"},{"product_id":"copy-of-josef-albers-homage-to-the-square-serigraph-1968","title":"JOSEF ALBERS \"GRAY INSTRUMENTATION II\" SCREENPRINT, 1974","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Gray Instrumentation II\" is one of Albers' most important series related to his chief motif - variations on homage to the square. In this example, which is a rare screenprint in an edition of only 36, Albers reminds us that he is one of the most important practitioners of minimalism and hard-edge abstraction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eJosef Albers (1888-1976)\u003c\/span\u003e is remarkably affiliated with, or an active participant within numerous movements that have defined visual culture in the 20th century. \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAlbers was a student and later a professor at the Bauhaus in Germany. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAfter the prestigious academy was closed by the Nazis, Albers and his wife Anni (a noted textile designer) emigrated to the United States. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eWhile Albers is best known for his series “Homage to the Square”, he was a significant mentor and taught major artists including Robert Rauchenberg, Cy Twombly and Eve Hesse at Black Mountain College and Yale.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eArt Historians credit Albers for fusing elements of American and European abstraction while influencing minimalism, hard-edge painting and Op art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eHis work is instantly recognizable and collected internationally. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eWhile the “Homage to the Square” series is compositionally simple, it is an excellent starting point for understanding the history, ideology and merits of abstraction in the 20th century. \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eJosef Albers: historically important, calming, instantly recognizable and sophisticated.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe entire portfolio (encompassing 12 works) is in the permanent collection of the Museum of Modern Art (NYC).\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIt is quite rare to find single works from this important portfolio.\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003e\"Gray Instrumentation II d\"\u003c\/p\u003e\n\u003cp\u003eSigned and numbered 33\/36 by the artist.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScreenprint \u003c\/span\u003ein a plexiglass box frame\u003c\/p\u003e\n\u003cp\u003eUSA, 1974\u003c\/p\u003e\n\u003cp\u003e11\"H 11\"W (square)\u003c\/p\u003e\n\u003cp\u003e20\"H 20\"W framed\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":1127064288,"sku":"01-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-ALBERS-ICON.jpg?v=1571438547"},{"product_id":"copy-of-josef-albers-gray-instrumentation-ii-screenprint-1974","title":"JOSEF ALBERS \"VARIANT II\" SILKSCREEN, 1966","description":"\u003cp class=\"p1\"\u003eJosef Albers (1888-1976) \"Ten Variants\" series is one of his most complex and iconic creations.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExecuted in 1966, Albers had recently begun to explore the possibilities of printmaking using silkscreens. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlbers continued his creative relationship with Ives-Sillman, with whom he had been printing with since the early 1960's\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn \"Ten Variants\" Albers combines both a colored grid and rectangles. Similar to his \"Homage to the Square\" the positioning of contrasting or similar colors together creates additional dynamic shapes. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn this series the composition has a lower vanishing point which creates an optical illusions that there is actually overlapping color within the structure. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSilkscreen, rather than serigraph or woodcut, was the ideal medium to create flat, dense and dynamic shapes of color. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis work is a paradigm of Albers' signature aesthetic; the influence of both American and European abstraction that anticipates minimalism, hard-edge painting and Op art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe series was created during the apex of Albers' career. Beginning in 1965 and continuing through 1967 a major retrospective was organized and debuted at MoMA (New York City) that would travel to eight museums across the United States and 12 in Latin America.  \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/copy-of-josef-albers-homage-to-the-square-serigraph-1968\" title=\"Josef Albers Gray Instrumentation\"\u003eTo see another prime example of his work, and to learn more about Josef Albers, click here. \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003e\"Variant II\"\u003c\/p\u003e\n\u003cp\u003eSigned, titled and numbered 69\/200 by the artist.\u003c\/p\u003e\n\u003cp\u003eColor silkscreen\u003c\/p\u003e\n\u003cp\u003eUSA, 1966\u003c\/p\u003e\n\u003cp\u003e11\"H 11\"W (work)\u003c\/p\u003e\n\u003cp\u003e17\"H 17\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":1252873412,"sku":"03-15S07-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-ALBERS-VARIANTII-ICONII.jpg?v=1571438550"},{"product_id":"josef-albers-adv-lime-silkscreen-1969","title":"JOSEF ALBERS \"ADV LIME\" SILKSCREEN, 1969","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis is an inimitable example of Josef Alber's mastery of color; a sharp lime green central square hovers above a dove gray square which rests on larger square in Dior gray.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHypnotic, simple and striking Albers uses color and geometry to maximum affect. Another reminder that he is is one of the most important practitioners of minimalism and hard-edge abstraction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eJosef Albers (1888-1976)\u003c\/span\u003e is remarkably affiliated with, or an active participant within numerous movements that have defined visual culture in the 20th century. \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAlbers was a student and later a professor at the Bauhaus in Germany. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAfter the prestigious academy was closed by the Nazis, Albers and his wife Anni (a noted textile designer) emigrated to the United States. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eWhile Albers is best known for his series “Homage to the Square”, he was a significant mentor and taught major artists including Robert Rauchenberg, Cy Twombly and Eve Hesse at Black Mountain College and Yale.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eArt Historians credit Albers for fusing elements of American and European abstraction while influencing minimalism, hard-edge painting and Op art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eHis work is instantly recognizable and collected internationally. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eWhile the “Homage to the Square” series is compositionally simple, it is an excellent starting point for understanding the history, ideology and merits of abstraction in the 20th century. \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eJosef Albers: historically important, calming, instantly recognizable and sophisticated.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003e\"ADV\"\u003c\/p\u003e\n\u003cp\u003eSigned and numbered 105\/125 and dated 69 by the artist.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSilkscreen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUSA, 1969\u003c\/p\u003e\n\u003cp\u003e21.5\"H 21.5\"W (work)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":1538633604,"sku":"05-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-ALBERS-ADV-21.jpg?v=1571438551"},{"product_id":"zao-wou-ki-composition-jaune-noir-12-1968","title":"ZAO WOU-KI \"JAUNE NOIR 12\" 1968, ETCHING","description":"\u003cp\u003eZao Wou-Ki (1920-2013) is one of the most successful Chinese painters.\u003c\/p\u003e\n\u003cp\u003eIn the last two years, over a dozen of his works have achieved more than $4 million at auction. \u003c\/p\u003e\n\u003cp\u003eHis work is a fascinating synthesis of Chinese calligraphy and Abstract Expressionism with an influence of Paul Klee. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZao Wou-Ki was born in Beijing and studied calligraphy throughout his childhood. After studying painting in the 1930s at the China Academy of Art, Zao moved to Paris where his work was praised by the likes of Picasso.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eWhile the aesthetic connection to the Abstract Expressionists is undeniable, the artist\u003c\/span\u003e was more influenced by Paul Klee (1879 – 1940), the Swiss-German painter whose individual style drew influence in movements such as expressionism, cubism, and surrealism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin his work there is also a strong connection to the history of Chinese art \u003c\/span\u003eand calligraphy as India ink is one of the artist's preferred medium. \u003c\/p\u003e\n\u003cp\u003eThis is a prime example of Zao Wou-Ki's prints - conveying the energy and dynamic color that he is renowned for. \u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eQuestions about this piece?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\"Composition 1968 \/ Jaune Noir 12\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eSigned, dated 1968 and numbered 17\/95 by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eColor etching and aquatint \u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e29\"W 15.5\"W (work - image)\u003c\/p\u003e\n\u003cp\u003e42\"W 29\"H (framed)\u003c\/p\u003e\n\u003cp\u003eFramed with plexiglass\u003c\/p\u003e\n\u003cp\u003eExcellent condition\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Zao Wou-Ki","offers":[{"title":"Default Title","offer_id":3385528900,"sku":"07-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-KI-JN-3.jpg?v=1571438552"},{"product_id":"frank-stella-york-factory-lithograph-1968","title":"FRANK STELLA \"YORK FACTORY I\" SCREENPRINT, 1971","description":"\u003cp\u003eIn stark contrast to his prints of the late sixties, notably examples from the \u003ca title=\"Frank Stella Black Series Delphine\" href=\"http:\/\/caviar20.com\/products\/frank-stella-delphine-lithograph-1967\"\u003eBlack Series\u003c\/a\u003e, \"York Factory\" shows a remarkably softer side of \u003ca title=\"Frank Stella Toronto Art Gallery Collection\" href=\"https:\/\/www.caviar20.com\/collections\/frank-stella\" target=\"_blank\"\u003eFrank Stella\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003eThis wonderfully understated work, described in the catalog raisonné as made of \"confectioner's colors\",  is in fact one of the most elaborate and labor-intensive prints Stella created.\u003c\/p\u003e\n\u003cp\u003e\"York Factory\" is a screenprint (rather than a lithograph) and was created with over 40 screens and finished with a subtle gloss varnish. Soft colors - but hard work. \u003c\/p\u003e\n\u003cp\u003eThe composition is based on a painting from the Newfoundland Series (completed in 1969-70) however unlike most of Stella's prints this work was conceived individually rather than in a series that experimented with different colors applied to an identical composition. \u003c\/p\u003e\n\u003cp\u003eThe title, another curious geographical reference, is the name of an abandoned settlement established in a remote part of Manitoba by the Hudson's Bay Company. (Stella's \"\u003ca title=\"Frank Stella Copper Series\" href=\"http:\/\/caviar20.com\/collections\/all\/products\/frank-stella-ouray-copper-series-lithograph-1970\"\u003eCopper Series\u003c\/a\u003e\" was similarly named after abandoned mining towns in Colorado)\u003c\/p\u003e\n\u003cp\u003eCaviar20 is excited to be offering this important and iconic Frank Stella work.\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e. Visit our Toronto gallery on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eThursdays or by appointment\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"York Factory I\"\u003c\/p\u003e\n\u003cp\u003eUSA, 1971\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated by the artist  \u003c\/p\u003e\n\u003cp\u003eScreenprint.\u003c\/p\u003e\n\u003cp\u003e17\"H 44.5\"W (work)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: this work is sold unframed, additional images coming soon\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Frank Stella","offers":[{"title":"Default Title","offer_id":3831880836,"sku":"07-15-12-15x2-07-18x3-06-20","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Frank-Stella-York-Factory-1971_09_grande_2_400x_d0ddb36d-12b1-4616-a71c-d9e36dfd164a.jpg?v=1593204716"},{"product_id":"copy-of-josef-albers-variant-ii-silkscreen-1966","title":"JOSEF ALBERS \"IS VA I\" 1969","description":"\u003cp class=\"p1\"\u003eCaviar20 is pleased to be offering this very rare large example from Alber's \"Variants\" series.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBegun in 1966 and executed in 1969, Albers had recently begun to explore the possibilities of printmaking using silkscreens. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis series of six \"Variants\" was executed in a much larger size than the previous \u003ca href=\"http:\/\/caviar20.com\/collections\/sale\/products\/copy-of-josef-albers-gray-instrumentation-ii-screenprint-1974\" title=\"Josef Albers Ten Variants\"\u003e\"Ten Variants\"\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlbers continued his creative relationship with Ives-Sillman, with whom he had been printing with since the early 1960's\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith the \"Variants\" Albers combines both a colored grid and rectangles. Similar to his \"Homage to the Square\" the positioning of contrasting or similar colors together creates additional dynamic shapes. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn this series the composition has a lower vanishing point which creates an optical illusions that there is actually overlapping color within the structure. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSilkscreen, rather than serigraph or woodcut, was the ideal medium to create flat, dense and dynamic shapes of color. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis work is a paradigm of Albers' signature aesthetic; the influence of both American and European abstraction that anticipates minimalism, hard-edge painting and Op art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe series was created during the apex of Albers' career. Beginning in 1965 and continuing through 1967 a major retrospective was organized and debuted at MoMA (New York City) that would travel to eight museums across the United States and 12 in Latin America.  \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/copy-of-josef-albers-homage-to-the-square-serigraph-1968\" title=\"Josef Albers Gray Instrumentation\"\u003eTo see another prime example of his work, and to learn more about Josef Albers, click here. \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003e\"IS VA 1\"\u003c\/p\u003e\n\u003cp\u003eSigned, titled and numbered 60\/150 by the artist.\u003c\/p\u003e\n\u003cp\u003eColor silkscreen\u003c\/p\u003e\n\u003cp\u003eUSA, 1969\u003c\/p\u003e\n\u003cp\u003e25.75\"H 22.25\"W (image)\u003c\/p\u003e\n\u003cp\u003e36\"H 28\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":3873485380,"sku":"07-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-ALBERS-10.jpg?v=1571438554"},{"product_id":"jack-youngerman-green-around-1968","title":"JACK YOUNGERMAN \"GREEN AROUND\" LITHO, 1968","description":"\u003cp\u003eLately there has been a renewed interest, both within institutions and the commercial world,  in re-evaluating artists from the years following WWII to well into the 1970's.\u003c\/p\u003e\n\u003cp\u003eWe are seeing museum and gallery shows mounted and prices rise for a host of artists who have been under the radar over the last 20 years including Frank Stella, Paul Jenkins, Jules Olitski, Sheila Hicks and Lee Bontecou to mention a few. \u003c\/p\u003e\n\u003cp\u003eJack Youngerman \u003cmeta charset=\"utf-8\"\u003e(1926–2020) has had a long and prolific career with major museum shows at the Guggenheim and the MoMA amongst others. We came across one of his graphic large-scale paintings recently at an art fair and was immediately transfixed.\u003c\/p\u003e\n\u003cp\u003eYoungerman is known for his large-scaled boldly colored compositions that alternate between pure abstraction and highly stylized depictions of flowers. Youngerman often synthesizes the best characteristics of Robert Motherwell and Ellsworth Kelly creating something highly original and confident. \u003c\/p\u003e\n\u003cp\u003eYoungerman studied in Paris in the late 1940's on the GI Bill and was greatly influenced by the European modernists notably the precise (and surreal?) cutout shapes of Jean Arp or the saturated colors and stylized florals of Henri Matisse.\u003c\/p\u003e\n\u003cp\u003e\"Green Around\" is a distinctive and perfect example of Youngerman's aesthetic. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/jack-youngerman-blue-yellow-litho-1968\" title=\"Jack Youngerman\"\u003eClick here to see another example of Jack Youngerman's work. \u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, dated and numbered by the artist.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 75\u003c\/p\u003e\n\u003cp\u003eLithograph\u003c\/p\u003e\n\u003cp\u003eUSA, 1968\u003c\/p\u003e\n\u003cp\u003e38\"H 26\"W \u003c\/p\u003e\n\u003cp\u003eCondition: consistent but minor discoloration to paper.\u003c\/p\u003e\n\u003cp\u003eMinor surface wear on black element, overall very good condition.\u003c\/p\u003e\n\u003cp\u003eProvenance: The Quaker Oats Collection \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"JACK YOUNGERMAN","offers":[{"title":"Default Title","offer_id":4284637956,"sku":"09-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-YOUNGERMAN-6_icon_2_b32d664f-eb92-4bba-98c3-9c423d01e5f1.jpg?v=1571438554"},{"product_id":"jacques-hurtubise-twiggy-silkscreen-1967","title":"JACQUES HURTUBISE \"TWIGGY\" SILKSCREEN, 1967","description":"\u003cp\u003eJacques Hurtubise (1939-2014) was a pivotal figure in the post-Riopelle generation of artists in Quebec. \u003c\/p\u003e\n\u003cp\u003eHurtubise studied at the École des beaux-arts de Montréal and after graduation had an eight month séjour in New York City (after winning a Max Beckman scholarship). It was 1960\/61 and the influence of the Abstract Expressionists, especially DeKooning, made a huge impact on his aesthetic and process. \u003c\/p\u003e\n\u003cp\u003eUpon his return to Quebec, at the young age of 21, he was feted with a solo exhibition at the Montreal Museum of Arts. During the 60's Hurtubise achieved significant awards and accolades. His success can be attributed to the fact that his creations alluded conforming to any of the expectations of the emerging aesthetic genres of the 1960's - they are not exactly Op art, nor Pop and too dynamic or irreverent to fit perfectly amongst the Plasticiens. \u003c\/p\u003e\n\u003cp\u003eRenowned for boldly colored hard-edged abstractions, this Hurtubise silkscreen is a paradigm of his oeuvre. \u003c\/p\u003e\n\u003cp\u003eQuestions about this artwork? \u003ca href=\"mailto:info@caviar20.com\"\u003e\u003cspan\u003eContact us\u003c\/span\u003e\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003eSigned, titled, numbered and dated 67 in pencil by the artist\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 100\u003c\/p\u003e\n\u003cp\u003e39.5”H 23.75” W (Framed)\u003c\/p\u003e\n\u003cp\u003e31.5”H 16” W (Artwork - visible) \u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Caviar20","offers":[{"title":"Default Title","offer_id":4756395524,"sku":"09-15S11-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-HURTUBISE-TWIGGY-17.jpg?v=1571438554"},{"product_id":"josef-albers-yellow-levels-wls-i-1966","title":"JOSEF ALBERS \"YELLOW LEVELS\" WLS-I, 1966","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eJosef Albers's (1888-1976) iconic explorations of color and form, specifically his variations of his \"Homage to the Square\" compositions, are arguably the most important and distinctive creation of 20th century abstraction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAlbers's works are both the product of Bauhaus and a forefather of minimalism and hard-edge abstraction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eArt Historians credit Albers for fusing elements of American and European abstraction while influencing minimalism, hard-edge painting and Op art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn addition to being an influence on numerous artists, he was also a significant mentor and taught major artists including Robert Rauchenberg, Cy Twombly and Eve Hesse at Black Mountain College and Yale.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis is a classic and instantly recognizable example of an Alber's signature motif from the 1960's.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"WLS - I\"\u003c\/p\u003e\n\u003cp\u003eTitled, dated 1966, signed and numbered 81\/125 by the artist.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 125 \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScreenprint \u003c\/span\u003ein a plexiglass box frame\u003c\/p\u003e\n\u003cp\u003eUSA, 1966\u003c\/p\u003e\n\u003cp\u003e21\"H 21\"W \u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":4768791108,"sku":"09-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-ALBERS-5_b223fbd8-a4fb-4260-8439-7910e845a986.jpg?v=1571438554"},{"product_id":"gershon-iskowitz-sky-blue-1-1971","title":"GERSHON ISKOWITZ \"SKY BLUE #1\", 1971","description":"\u003cp\u003eIt is somewhat hard to reconcile Gershon Iskowitz's (1921-1988) aesthetic with his personal history.\u003c\/p\u003e\n\u003cp\u003eBorn to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jewish religious studies) in order to study art independently and later briefly at the Academy of Fine Arts in Warsaw. The outbreak of war forced him to return to his hometown where he was shortly after conscripted to force labor. In 1944 Iskowitz was transferred to \u003ca title=\"Buchenwald Concentration Camp\" href=\"https:\/\/en.wikipedia.org\/wiki\/Buchenwald_concentration_camp\"\u003eBuchenwald\u003c\/a\u003e, one of the first and most notorious Nazi concentration camps.\u003c\/p\u003e\n\u003cp\u003eUpon liberation Iskowitz spent nearly 9 months in hospital recuperating. Amazingly he would study for six months at the Academy of Fine Art in Munich with Oskar Kokoschka.\u003c\/p\u003e\n\u003cp\u003eIskowitz would eventually immigrate to Canada. For most of the 1950's he incorporated representation into his art. By the 60's he had established a modest reputation and joined the Gallery Moos stable in 1964. \u003c\/p\u003e\n\u003cp\u003eThe legend goes that in 1967 thanks to a Canadian Council grant, Iskowitz took a helicopter tour of the north. The experience of seeing the massive expanse of trees from above inspired a major redirection of his aesthetic and approach. \u003c\/p\u003e\n\u003cp\u003eThis painting is a perfect example of Iskowitz's iconic style. Painted in 1971 it is from an important and fruitful period of the artist's life, just prior to the artist representing Canada at the Venice Biennale. \u003c\/p\u003e\n\u003cp\u003eMany of Iskowitz's canvases are larger and often in a square format. This is a lovely sized and scaled work from the most desirable period of the artist's oeuvre.\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Sky Blue #1\"\u003c\/p\u003e\n\u003cp\u003eSigned, titled and dated by the artist verso\u003c\/p\u003e\n\u003cp\u003eOil on canvas.\u003c\/p\u003e\n\u003cp\u003eCanada, 1971\u003c\/p\u003e\n\u003cp\u003e21.5\"H 15.5\"W \u003c\/p\u003e\n\u003cp\u003eFramed\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cdiv\u003eProvenance: The Art Gallery of Ontario Rental Program \u003c\/div\u003e","brand":"Gershon Iskowitz","offers":[{"title":"Default Title","offer_id":5849314372,"sku":"10-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-ISKOWITZ-2.jpg?v=1571438555"},{"product_id":"ellsworth-kelly-black-with-white-a-9","title":"ELLSWORTH KELLY \"BLACK WITH WHITE A.9\" LITHO, 1964","description":"\u003cp\u003eEllsworth Kelly (b. 1923) is one of the masters of American minimalism.\u003c\/p\u003e\n\u003cp\u003eHe is collected internationally and renowned for his signature hypnotic shapes realized in single colors. \u003c\/p\u003e\n\u003cp\u003eLike many artists who had served in the US military during WWII, Kelly took advantage of the G.I. Bill and moved to Paris in the late 1940s only to return to the US in 1954.\u003c\/p\u003e\n\u003cp\u003eKelly was one of the first artists, along with Frank Stella, to use oddly shaped canvases and contributed to the nascent genre of Minimalism. \u003c\/p\u003e\n\u003cp\u003eSimilar to Stella, Kelly began to explore printmaking in the late 1960s and it became an essential part of his practice. \u003c\/p\u003e\n\u003cp\u003eHis first prints, from which this work is included, were created in a series entitled \"Suite of Twenty-Seven Lithographs\" and published by \u003cspan\u003eMaeght Éditeur in Paris. (Maeght also worked with Riopelle) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKelly's work can be found in every major American museum's permanent collection in addition to the Centre Pompidou (Paris) the Museo Nacional Centro de Arte Reina Sofia (Madrid), Tate Modern (London) and the National Gallery (Ottawa)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Black with White (A.9)\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLithograph on Rives BFK paper \u003c\/p\u003e\n\u003cp\u003eSigned and numbered by the artist\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 75.\u003c\/p\u003e\n\u003cp\u003e33”H 23.5”W (work)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Ellsworth Kelly","offers":[{"title":"Default Title","offer_id":6082435204,"sku":"10-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-KELLY-3.jpg?v=1571438555"},{"product_id":"frank-stella-fortin-de-las-flores-1967","title":"FRANK STELLA \"FORTIN DE LAS FLORES\" SCREENPRINT, 1967","description":"\u003cp\u003eOne interesting characteristic of many of \u003ca title=\"Toronto art gallery collection featuring geometric abstract artwork by famous American artist, Frank Stella.\" href=\"https:\/\/www.caviar20.com\/collections\/frank-stella\"\u003eFrank Stella\u003c\/a\u003e's early prints is their trompe d'oeil effect. \u003c\/p\u003e\n\u003cp\u003eThis is one of Stella's earliest prints and was done on English vellum graph paper. At first glance, many people assume that it is actually a watercolor rather than a multiple.\u003c\/p\u003e\n\u003cp\u003e1967 marks the year that Stella really begins to explore the possibilities of printmaking.\u003c\/p\u003e\n\u003cp\u003eStella was at the forefront of the revival of American printmaking and inspired\/test-drove new innovations at studios like Gemini and Petersburg Press.\u003c\/p\u003e\n\u003cp\u003eThis work was a part of the \"Ten from Leo Castelli\" portfolio which included prints by Jasper Johns, Andy Warhol, and Donald Judd to mention a few. \u003c\/p\u003e\n\u003cp\u003eStella's work references many of the key developments or movements in post-war American painting; geometric abstraction, color field painting, and Minimalism.\u003c\/p\u003e\n\u003cp\u003eThis is a fantastic example of his work and ideal for a new collector or a seasoned buyer.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuestions about this piece? \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"mailto:troy@caviar20.com\" data-mce-href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e or call\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"tel:4167041720\" data-mce-href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Visit our Toronto gallery on\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" title=\"Contact information for Caviar20, Toronto fine art gallery\" data-mce-href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eThursdays or by appointment\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Fortin de las Flores\"\u003c\/p\u003e\n\u003cp\u003eUSA, 1967\u003c\/p\u003e\n\u003cp\u003eScreenprint in 14 colors\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated 1967 by the artist \u003c\/p\u003e\n\u003cp\u003eFrom an edition of 200\u003c\/p\u003e\n\u003cp\u003e17\"H 22\"W (work)\u003c\/p\u003e\n\u003cp\u003e21.5\"H 26\"W (framed)\u003c\/p\u003e\n\u003cp\u003eWork has been archivally lined\u003c\/p\u003e\n\u003cp\u003eDetailed condition report by request. Very good condition\u003c\/p\u003e\n\u003cp\u003ePrinted by Tanglewood Press, NYC.\u003c\/p\u003e","brand":"Frank Stella","offers":[{"title":"Default Title","offer_id":6478067140,"sku":"10-15x08-23","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Cavair20_Frank-Stella-Fortin-de-las-Flores-1967_icon_3b2d2928-8e18-46de-a0fd-2979a10506f4.jpg?v=1692131984"},{"product_id":"jack-youngerman-blue-yellow-litho-1968","title":"JACK YOUNGERMAN \"BLUE\/YELLOW\" LITHO, 1968","description":"\u003cp\u003eJack Youngerman \u003cmeta charset=\"utf-8\"\u003e(1926–2020) is one of our favorite American abstract artists.\u003c\/p\u003e\n\u003cp\u003eWe believe that he is ripe for a re-evaluation. (As we've seen happen with many of his peers including Frank Stella, Paul Jenkins, Jules Olitski, Sheila Hicks and Lee Bontecou to mention a few.)\u003c\/p\u003e\n\u003cp\u003eYoungerman has had a long and prolific career with major museum shows at the Guggenheim and the MoMA amongst others. \u003c\/p\u003e\n\u003cp\u003eWorking in bold saturated colors, Youngerman often reduces common forms from nature to their simplest shape. This iconic and uplifting work is a paradigm of his practice. \u003c\/p\u003e\n\u003cp\u003eYoungerman often synthesizes the best characteristics of Robert Motherwell and Ellsworth Kelly creating something highly original and confident. \u003c\/p\u003e\n\u003cp\u003eYoungerman studied in Paris in the late 1940's on the GI Bill and was greatly influenced by the European modernists notably the precise cutout shapes of Jean Arp and the primary colors and stylized florals of Henri Matisse.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/jack-youngerman-green-around-1968\" title=\"Jack Youngerman\"\u003eClick here to see another example of Youngerman's work. \u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, dated and numbered by the artist.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 144\u003c\/p\u003e\n\u003cp\u003eLithograph\u003c\/p\u003e\n\u003cp\u003eUSA, 1968\u003c\/p\u003e\n\u003cp\u003e35\"H 25\"W (work) \u003c\/p\u003e\n\u003cp\u003eExcellent condition \u003c\/p\u003e\n\u003cp\u003eProvenance: Gallery West, Buffalo NY\u003c\/p\u003e\n\u003cp\u003eThe Art Gallery of Ontario, Rental Program\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"JACK YOUNGERMAN","offers":[{"title":"Default Title","offer_id":10116614660,"sku":"11-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-YOUNGERMAN-BLUE_YELLOW-15.jpg?v=1571438556"},{"product_id":"abstract-pink-red-yellow-orange","title":"WALASSE TING \"FIREWORKS\" LITHO, 1974","description":"\u003cp\u003eWalasse Ting (1929-2010) was an accomplished painter, poet and publisher. \u003c\/p\u003e\n\u003cp\u003eDuring his lifetime he was a both a friend and colleague of many of the most important avant-garde abstract painters, in both New York City and in Europe.\u003c\/p\u003e\n\u003cp\u003eTing moved to Paris in 1952 and was affiliated with the members of \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/COBRA_(avant-garde_movement)\" title=\"Cobra\"\u003eCobra\u003c\/a\u003e, notably Pierre Alechinsky and \u003ca href=\"http:\/\/caviar20.com\/products\/karl-appel-bedized-pudding-1978\" title=\"Karl Appel\"\u003eKarel Appel\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003eIn 1957 Ting moved to New York City. He would become a close friend of \u003ca href=\"http:\/\/caviar20.com\/products\/sam-francis-untitled-etching-1992\" title=\"Sam Francis\"\u003eSam Francis\u003c\/a\u003e. It is easy to see the influence of both artists' on the other's work. \u003c\/p\u003e\n\u003cp\u003eIn the 1970's his work became increasingly figurative and was influenced by traditional Chinese painting methods. His aesthetic, highly stylized and dedicated to exuberant pastels and jewel tones, is instantly recognized for its combination of Chinese stylings and expressionism. \u003c\/p\u003e\n\u003cp\u003eThis work, created in 1974 for the Print Club of Cleveland, is exemplary of the influence of Sam Francis had on Ting. With its gestural splatters of of pale yellow, Sunkist orange and lava red it posses an energy and optimism evocative of Ting. \u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned by the artist.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 250\u003c\/p\u003e\n\u003cp\u003eLithograph\u003c\/p\u003e\n\u003cp\u003eUSA, 1974\u003c\/p\u003e\n\u003cp\u003e22\"W 15\"H  (work) \u003c\/p\u003e\n\u003cp\u003eVery good condition \u003c\/p\u003e\n\u003cp\u003eNote: this work is sold unframed\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Walasse Ting","offers":[{"title":"Default Title","offer_id":10212317956,"sku":"11-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-ABSTRACT-11.jpg?v=1584732090"},{"product_id":"max-bill-screenprint","title":"MAX BILL, UNTITLED SCREENPRINT, 1970","description":"\u003cp\u003eIf you're like us, and share our passion for the colorful and dynamic hard-edge abstraction from the 1970's then you'll love Max Bill (1908-1994).\u003c\/p\u003e\n\u003cp\u003eBill was a student at the original Bauhaus in the late 1920's after completing an apprenticeship in silversmithing. He became one of the most versatile and influential artist\/designers of the era. He advanced Modernism in several different disciples from both realized and theoretical projects in architecture, graphic design, fine art and product design. \u003c\/p\u003e\n\u003cp\u003eBill was also an accomplished lecturer and scholar and wrote significant texts on assorted leaders of European Modernism including Kandinsky, Mies van der Rohe and Le Corbusier to mention a few. \u003c\/p\u003e\n\u003cp\u003eMax Bill has several impressive public sculptures in Switzerland and other European cities, however most collectors look for his works of brightly colored geometric compositions. This untitled screenprint is a dynamic and optimistic paradigm of his oeuvre.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eUntitled\u003c\/p\u003e\n\u003cp\u003eScreenprint\u003c\/p\u003e\n\u003cp\u003eSigned by the artist.\u003c\/p\u003e\n\u003cp\u003e22\"H 15\"W (work)\u003c\/p\u003e\n\u003cp\u003e27\"H 20\"W(framed)\u003c\/p\u003e\n\u003cp\u003eSwitzerland, 1970\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Default Title","offer_id":11601637828,"sku":"11-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-MAXBILL-21.jpg?v=1571438556"},{"product_id":"gordon-house-orange-matinees","title":"GORDON HOUSE \"ORANGE MATRICES\" 1968","description":"\u003cp\u003eGordon House (1933-2004) was an important English graphic designer and artist.\u003c\/p\u003e\n\u003cp\u003eHe was accomplished in both arenas. With design he was credited with helping British galleries establish a consistent and formal way of presenting their artists and communicating as established businesses. He set new standards for catalogues, exhibition posters and other forms of advertising. Many English artists collaborated with him for their exhibitions. \u003c\/p\u003e\n\u003cp\u003eHouse also designed for other creative realms including album covers for the Beatles and Paul McCarthy's Wings. \u003c\/p\u003e\n\u003cp\u003eAs an artist he was successful for his graphic, vaguely futuristic abstractions that flirt with both Op art and hard-edge abstraction. Similar to Josef Albers and Frank Stella, House would embrace a motif and that realize it in different color combinations.\u003c\/p\u003e\n\u003cp\u003eGordon House is well represented in English institutions. The Tate, for example, holds over 100 examples of his work. \u003ca href=\"http:\/\/www.tate.org.uk\/art\/artists\/gordon-house-1312\" title=\"Gordon House in the Tate's permanent collection\"\u003eClick here to see House's work in the Tate's permanent collection (including this work \"Orange Matrices\")\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated 1968 by the artist  \u003c\/p\u003e\n\u003cp\u003eProof 4\u003c\/p\u003e\n\u003cp\u003eScreenprint.\u003c\/p\u003e\n\u003cp\u003e19.5\"H 20\"W (image)\u003c\/p\u003e\n\u003cp\u003e28\"H 28\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Gordon House","offers":[{"title":"Default Title","offer_id":11605399236,"sku":"12-15-S07-15S11-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-HOUSE-ORANGE-3.jpg?v=1571438556"},{"product_id":"ben-nicholson","title":"BEN NICHOLSON \"JUNE 1937\" LITHOGRAPH, 1983","description":"\u003cp\u003eBen Nicholson (1894-1982) was one of the leading British Modernist artists who had a significant influence on the direction of sculpture. \u003c\/p\u003e\n\u003cp\u003eThis iconic print was made after his eponymous masterpiece, titled after a meeting with Mondrian. \u003c\/p\u003e\n\u003cp\u003eThe original canvas, which measures nearly seven feet wide, has been in the permanent collection of the Tate (London) since 1955.\u003c\/p\u003e\n\u003cp\u003eIn his paintings, Nicholson was interested in exploring how flat simple shapes of pure color could create the illusion of depth and greater forms. This work epitomizes these types of aesthetic explorations. \u003c\/p\u003e\n\u003cp\u003eNicholson is credited with further expanding the possibilities of Modernism. He was able to extract and elaborate on key ideas from early Modernist contributing movements, whether Constructivism or Cubism.\u003c\/p\u003e\n\u003cp\u003eAlongside Barbara Hepworth (Nicholson's ex-wife) and Henry Moore, the trio are the key figures of British Modernist sculpture.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003e\"June 1937\"\u003c\/p\u003e\n\u003cp\u003eCirca 1983\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLithograph\u003c\/p\u003e\n\u003cp\u003ePublished by the Tate (London)\u003c\/p\u003e\n\u003cp\u003e28\"H 23\"W (sheet)\u003c\/p\u003e\n\u003cp\u003eGood condition.\u003c\/p\u003e\n\u003cp\u003eNote: this work is sold unframed.\u003c\/p\u003e","brand":"Ben Nicholson","offers":[{"title":"Default Title","offer_id":11812662724,"sku":"02-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Ben-Nicholson-June-1937-Lithograph_01-icon.jpg?v=1659983951"},{"product_id":"copy-of-gershon-iskowitz-sky-blue-1-1971","title":"GERSHON ISKOWITZ \"SPRING DRAWING\", 1969","description":"\u003cp\u003eIt is somewhat hard to reconcile Gershon Iskowitz's (1921-1988) aesthetic with his personal history.\u003c\/p\u003e\n\u003cp\u003eBorn to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jewish religious studies) in order to study art independently and later a brief stint at the Academy of Fine Arts in Warsaw.\u003c\/p\u003e\n\u003cp\u003eThe outbreak of war forced him to return to his hometown where he was shortly after conscripted to forced labor. In 1944 Iskowitz was transferred to \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Buchenwald_concentration_camp\" title=\"Buchenwald Concentration Camp\"\u003eBuchenwald\u003c\/a\u003e, one of the first and most notorious Nazi concentration camps.\u003c\/p\u003e\n\u003cp\u003eUpon liberation Iskowitz spent nearly 9 months in hospital recuperating. Amazingly he would study for six months at the Academy of Fine Art in Munich with Oskar Kokoschka.\u003c\/p\u003e\n\u003cp\u003eIskowitz would eventually immigrate to Canada. For most of the 1950's he incorporated representation into his art. By the 60's he had established a modest reputation and joined the Gallery Moos stable in 1964. \u003c\/p\u003e\n\u003cp\u003eThe legend goes that in 1967 thanks to a Canadian Council grant, Iskowitz took a helicopter tour of the north. The experience of seeing the massive expanse of trees from above inspired a major redirection of his aesthetic and approach. \u003c\/p\u003e\n\u003cp\u003eThis delicate work on paper is a perfect example of Iskowitz's iconic style.\u003c\/p\u003e\n\u003cp\u003eCreated in 1969 it is from the key period of the artist's life, as his style comes to maturity. \u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUntitled (\"Spring Drawing\")\u003c\/p\u003e\n\u003cp\u003eSigned and dated by the artist\u003c\/p\u003e\n\u003cp\u003eWatercolor and mixed-media on paper.\u003c\/p\u003e\n\u003cp\u003eCanada, 1969\u003c\/p\u003e\n\u003cp\u003e27\"W 21\"H \u003c\/p\u003e\n\u003cp\u003e34\"W 28.5\"H (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Gershon Iskowitz","offers":[{"title":"Default Title","offer_id":14994009284,"sku":"2-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-GershonIskowitz-Drawing-1969-01-Update.jpg?v=1606498776"},{"product_id":"copy-of-josef-albers-adv-lime-silkscreen-1969","title":"JOSEF ALBERS \"INTAGLIO SOLO\", 1962","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis is the earliest and most minimal work by Josef Albers that Caviar20 has handled.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWhile Albers' influence on a number of major 20th century artists and movements is well-document, his anticipation of the Minimalist movement arguably does not receive the attention it deserves. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis inkless intaglio is a fine example of Josef Alber's mastery of geometric form; rectangles and parallelograms interact dance-like creating new forms that appear open and in motion. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHypnotic, simple and striking Albers uses geometry to maximum affect. Another reminder that he is is one of the most important practitioners of minimalism and hard-edge abstraction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eJosef Albers (1888-1976)\u003c\/span\u003e is remarkably affiliated with, or an active participant within numerous movements that have defined visual culture in the 20th century. \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAlbers was a student and later a professor at the Bauhaus in Germany. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAfter the prestigious academy was closed by the Nazis, Albers and his wife Anni (a noted textile designer) emigrated to the United States. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eWhile Albers is best known for his series “Homage to the Square”, he was a significant mentor and taught major artists including Robert Rauchenberg, Cy Twombly and Eve Hesse at Black Mountain College and Yale.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eArt Historians credit Albers for fusing elements of American and European abstraction while influencing minimalism, hard-edge painting and Op art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eHis work is instantly recognizable and collected internationally. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/copy-of-josef-albers-variant-ii-silkscreen-1966\" title=\"Josef Albers prints \"\u003eInterested in Albers? Take a look at this work where form and color interact\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003e\"Intaglio Solo XII\"\u003c\/p\u003e\n\u003cp\u003eSigned and numbered 14\/35 and dated 62 by the artist.\u003c\/p\u003e\n\u003cp\u003eInkless Intaglio from a brass plate on Arches deckled paper\u003c\/p\u003e\n\u003cp\u003ePrinted at Yale University\u003c\/p\u003e\n\u003cp\u003eUSA, 1962\u003c\/p\u003e\n\u003cp\u003e14\"H 22\"W (work)\u003c\/p\u003e\n\u003cp\u003e20\"H 27.5\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":16576115780,"sku":"03-16S11-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-JosefAlbers-IntaglioSolo-1962-01.jpg?v=1622838526"},{"product_id":"harold-town-gray-stretch-1971","title":"HAROLD TOWN \"GREY STRETCH\" 1971","description":"\u003cp\u003e\u003ca title=\"Harold Town Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/harold-town\"\u003eHarold Town\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1924-1990) is renowned across Canada for his eclectic and dynamic body of work. \u003c\/p\u003e\n\u003cp\u003eIn the 1950s, Town established his reputation with a series of abstract monotypes (called\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/harold-town-before-harvest-single-autographic-print\" title=\"Harold Town Single Autographic Prints\"\u003e\"Single Autographic Prints\"\u003c\/a\u003e). He would exhibit these works at the Venice Biennale to great fanfare in Europe and at home. By the 1960s, he was considered the most famous artist in Canada.  \u003c\/p\u003e\n\u003cp\u003eAs an artist he fearlessly experimented with different media and aesthetics - consider how different his \"\u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/copy-of-harold-town-toy-horse-11-1978\" title=\"Harold Town Toy Horse\"\u003eToy Horse\u003c\/a\u003e\" is from his \"\u003ca href=\"http:\/\/caviar20.com\/products\/copy-of-harold-town-french-postcard-drawing-1974\" title=\"Harold Town Single Autographic Print\"\u003eSingle Autographic Prints\u003c\/a\u003e\" or even his \"\u003ca href=\"http:\/\/caviar20.com\/products\/harold-town-gracie-slick-framed-litho-1970\" title=\"Harold Town Superstar\"\u003ePop Star\/Icon\u003c\/a\u003e\" works. In every decade, Town would switch gears and embark on new series with courage and conviction. \u003c\/p\u003e\n\u003cp\u003eWhile Town's abstract works had traditionally been critically and commercially embraced, the \"Stretch\" series, and the response, was a major departure from his previous work. Was Town responding to emerging trends in the art world (such as Minimalism and hard-edge abstraction)? Town's oeuvre has little connection to minimalism, and he can arguably be understood as a maximalist, always aiming for extravagance, layers, and bravado. \u003c\/p\u003e\n\u003cp\u003eInterestingly when he debuted the \"Stretch\" series it was met with critical ambivalence and the production was short-lived. \u003c\/p\u003e\n\u003cp\u003eThis example is far more understated than its siblings. The grey-on-grey palette has a quiet elegance and a subtle dynamism that is still unmistakably Harold Town. \u003c\/p\u003e\n\u003cp\u003eToday, the \"Stretch\" series looks remarkably contemporary. For the uninitiated, many assume this body of work to be brand new. The series offers young collectors an exceptional entry point into the artist's remarkably rich and diverse oeuvre.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720 \u003c\/p\u003e\n\u003cp\u003eVisit our Toronto gallery on Thursdays or by appointment.\u003c\/p\u003e\n\u003cp\u003eSigned, dated and numbered by the artist.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 99.\u003c\/p\u003e\n\u003cp\u003eLithograph\/Serigraph.\u003c\/p\u003e\n\u003cp\u003eCanada, 1971\u003c\/p\u003e\n\u003cp\u003e40\"H 29\"W (work)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: The Estate of Harold Town \u003c\/p\u003e\n\u003cp\u003eNote: this work is sold unframed for $1,950. Available example is a different number in the edition than in the photographs. \u003c\/p\u003e\n\u003cp\u003eThis print is available framed in white with non-reflective museum glass for $2,450.\u003c\/p\u003e","brand":"Harold Town","offers":[{"title":"Default Title","offer_id":17312982148,"sku":"04-16x210-18","price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Harold-Town-Stretch-Grey_thumbnail.jpg?v=1727224326"},{"product_id":"gershon-iskowitz-rise-watercolor-1977","title":"GERSHON ISKOWITZ \"RISE\" WATERCOLOR, 1977","description":"\u003cp\u003eIt is somewhat hard to reconcile Gershon Iskowitz's (1921-1988) aesthetic with his personal history.\u003c\/p\u003e\n\u003cp\u003eBorn to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jewish religious studies) in order to study art including a brief stint at the Academy of Fine Arts in Warsaw.\u003c\/p\u003e\n\u003cp\u003eThe outbreak of war forced him to return to his hometown where he was conscripted to forced labor. In 1944 Iskowitz was transferred to \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Buchenwald_concentration_camp\" title=\"Buchenwald Concentration Camp\"\u003eBuchenwald\u003c\/a\u003e, one of the first and most notorious Nazi concentration camps.\u003c\/p\u003e\n\u003cp\u003eUpon liberation Iskowitz spent nearly 9 months in hospital recuperating. Amazingly he would study for six months at the Academy of Fine Art in Munich with Oskar Kokoschka.\u003c\/p\u003e\n\u003cp\u003eIskowitz would eventually immigrate to Canada. For most of the 1950's he incorporated representation into his art. By the 60's he had established a modest reputation in Toronto and beyond and joined the Gallery Moos stable in 1964. \u003c\/p\u003e\n\u003cp\u003eThe legend goes that in 1967 thanks to a Canadian Council grant, Iskowitz took a helicopter tour of the north. The experience of seeing the massive expanse of trees from above inspired a major redirection of his aesthetic and approach. \u003c\/p\u003e\n\u003cp\u003eThis confident watercolor is a perfect example of Iskowitz's iconic style and his celebration of pure, uplifting primary colors. \u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: Gallery Moos, Toronto\u003c\/p\u003e\n\u003cp\u003eUntitled (\"Rise\")\u003c\/p\u003e\n\u003cp\u003eSigned and dated 77 by the artist\u003c\/p\u003e\n\u003cp\u003eWatercolor and mixed-media on paper.\u003c\/p\u003e\n\u003cp\u003eCanada, 1977\u003c\/p\u003e\n\u003cp\u003e21.5\"W 17\"H (work)\u003c\/p\u003e\n\u003cp\u003e28\"W 23\"H (framed)\u003c\/p\u003e\n\u003cp\u003eFramed with museum glass\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Gershon Iskowitz","offers":[{"title":"Default Title","offer_id":18575799236,"sku":"5-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Gershon-Iskowitz-Watercolour2-01.jpg?v=1606498692"},{"product_id":"adolph-gottlieb-pink-ground-screenprint-1972","title":"ADOLPH GOTTLIEB \"PINK GROUND\" SCREENPRINT, 1972","description":"\u003cp\u003eWhile in recent years, Adolph Gottlieb has been overshadowed by his friend and colleague Mark Rothko, Gottlieb is still one of the most important and influential American abstract painters. \u003c\/p\u003e\n\u003cp\u003eWhile Gottlieb had been dedicated to art making since he was a teenager, his aesthetic breakthrough came around 1940 where he establishes his signature abstract symbolic pictorial language.\u003c\/p\u003e\n\u003cp\u003eWithin a few years he was one of the key contributors to the group that would define Abstract Expressionism including Arshile Gorky, Hans Hoffmann, Jackson Pollock and Mark Rothko (with whom he had been working with since 1929)\u003c\/p\u003e\n\u003cp\u003eGottlieb was one of the first Abstract Expressionist painters to be acquired by major institutions including the Museum of Modern Art (NYC) in 1946 followed by the Guggenheim in 1948.\u003c\/p\u003e\n\u003cp\u003eHis work is noted for his iconic forms including \"bursts\", circles and \"labyrinths\" - while they appear to be expressionist forms they are often highly symbolic and inspired by primitive art. \u003c\/p\u003e\n\u003cp\u003eGottlieb is an exceptional colorist and \"Pink Ground\" is a paradigm of his legacy. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this artwork? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScreenprint\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated 1972 by the artist. \u003c\/p\u003e\n\u003cp\u003eFrom an edition of 150\u003c\/p\u003e\n\u003cp\u003e24\"H 17.5\"W (work)\u003c\/p\u003e\n\u003cp\u003e37.5”H 30.5”W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eProvenance: The Mira Godard Gallery, Toronto\u003c\/p\u003e","brand":"adolph gottlieb","offers":[{"title":"Default Title","offer_id":19264583940,"sku":"05-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Adolph-Gottlieb-PinkGround_01.jpg?v=1586976772"},{"product_id":"josef-albers-variant-mma-3-1970","title":"JOSEF ALBERS \"VARIANT MMA-3\" 1970","description":"\u003cp class=\"p1\"\u003eWhile Josef Albers is synonymous with his influential \"Homage to the Square\" series, his \"Variant\" motif is his other highly sought after and super iconic work. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith the \"Variants\" Albers combines both a colored grid and rectangles, by positioning contrasting or similar colors, he creates dynamic off-kilter and hypnotic shapes. The entire composition has a lower vanishing point which creates an optical illusions that there is actually overlapping color within the structure. Albers would ultimately create ten different color combinations in the motif. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis example, in black, elephant gray, ghost white, charcoal and a bright blue that would make Yves Klein jealous. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor this silkscreen Albers continued working with the legendary Ives-Sillman printing studio. However it was produced to celebrate the Metropolitan Museum of Art's 100 year anniversary. \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/copy-of-josef-albers-homage-to-the-square-serigraph-1968\" title=\"Josef Albers Gray Instrumentation\"\u003eTo see another prime example of his work, and to learn more about Josef Albers, click here. \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003e\"Variant MMA-3\"\u003c\/p\u003e\n\u003cp\u003eSigned, titled, numbered and dated 70 by the artist.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMetropolitan Museum blindstamp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 100\u003c\/p\u003e\n\u003cp\u003eColor silkscreen on Arches paper \u003c\/p\u003e\n\u003cp\u003eUSA, 1970\u003c\/p\u003e\n\u003cp\u003e24.5\"H 26.5\"W (work)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003ePlease contact us for a detailed condition report\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":19265992900,"sku":"05-16S11-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-JosefAlbers-Variant-MMA-3_01.jpg?v=1571438560"},{"product_id":"helen-frankenthaler-red-lines-screenprint-1970","title":"HELEN FRANKENTHALER \"RED LINES\" SCREENPRINT, 1970","description":"\u003cp\u003eHelen Frankenthaler (1928-2011) is one of the most revered and influential abstract painters of the 20th century in addition to being one of the most successful and collected female artists.\u003c\/p\u003e\n\u003cp\u003eFrankenthaler is credited with the evolution (or demise) of Abstract Expressionism. Elaborating on techniques made famous by Jackson Pollock, specifically pouring paint directly on to (frequently) unprimed canvas, Frankenthaler was the driving force of the next major movement in American abstraction: Color Field painting. \u003c\/p\u003e\n\u003cp\u003eFrankenthaler had a tremendous influence on numerous artists of her generation and their successors including Kenneth Noland, Morris Lewis and \u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/jules-olitski-orange-lithograph-1970\" title=\"Jules Olitski\"\u003eJules Olitski\u003c\/a\u003e to mention a few. \u003c\/p\u003e\n\u003cp\u003eFrankenthaler was married to fellow painter Robert Motherwell from 1958-1971. Not surprisingly during this period of just over a decade both artists immersed themselves in experimental printmaking. Frankenthaler tried and completed lithography, etchings, woodcuts and screenprints. \u003c\/p\u003e\n\u003cp\u003eThis screenprint is a fantastic example of her work; reminding of her mastery of negative space, her use of color and shapes that may or may not be sexualized.  As an artist Frankenthaler had a curious relationship to color; at times her palettes are cohesive, others discordant and even confusing. We love this work for its simplicity - yet its conveys many of the characteristics found in her largest and most impressive canvases. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.moma.org\/collection\/works\/68507?locale=en\" title=\"Helen Frankenthaler at the Moma\"\u003eThis work can be found in the permanent collection of the MoMA (New York City). \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuestions about this piece? \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"mailto:troy@caviar20.com\" data-mce-href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"What Red Lines Can Do\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated '70 by the artist.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 75 \u003c\/p\u003e\n\u003cp\u003eScreenprint\u003c\/p\u003e\n\u003cp\u003eUSA, 1970\u003c\/p\u003e\n\u003cp\u003e38.5\"H 26\"W (work)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003e41\"H 28.5\"W)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eLiterature: Harrison 24\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Helen Frankenthaler","offers":[{"title":"Default Title","offer_id":19630269892,"sku":"05-16x206-21","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Helen-Frankenthaler_icon_c1e49751-2d3f-4101-a184-9e01e220a7a0.jpg?v=1633103077"},{"product_id":"adolph-gottlieb-green-halo-screenprint-1966","title":"ADOLPH GOTTLIEB \"GREEN HALO\" SCREENPRINT, 1966","description":"\u003cp\u003eCompared with his peers, the original Abstract Expressionist posse, including Arshile Gorky, Hans Hoffmann, Jackson Pollock and Mark Rothko, Gottlieb arguably created the most easily recognized paintings.\u003c\/p\u003e\n\u003cp\u003eHis signature forms include bursts, circles and \"labyrinths\" - while they appear to be expressionist forms they are often highly symbolic and inspired by primitive art. \u003c\/p\u003e\n\u003cp\u003eWhile they are the result of gestural painting, they also posses a calm and almost contemplative energy that is often at odds with the work of Gorky, Hoffmann and Pollock (whose canvases can be heavy with angst)\u003c\/p\u003e\n\u003cp\u003eWhile in recent years, Adolph Gottlieb has been overshadowed by his friend and colleague Mark Rothko, Gottlieb is still one of the most important and influential American abstract painters...and one of Caviar20's favorites.\u003c\/p\u003e\n\u003cp\u003eThis iconic screenprint combines two of Gottlieb's most famous forms: the ring and the splatter, using two of his preferred colors: ink black and a dense, rich forest green. \u003c\/p\u003e\n\u003cp\u003eAs Gottlieb's paintings are selling for upwards of $6 million, his fine screenprints are a must have for the young collector passionate about American Abstract Expressionism. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuestions about this artwork? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\" data-mce-fragment=\"1\" data-mce-href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e or call +1.416.704.1720  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScreenprint\u003c\/p\u003e\n\u003cp\u003ePublished by Marlborough Graphics\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated 1972 by the artist. \u003c\/p\u003e\n\u003cp\u003eFrom an edition of 50\u003c\/p\u003e\n\u003cp\u003e24\"H 18\"W (work)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"adolph gottlieb","offers":[{"title":"Default Title","offer_id":19918113476,"sku":"06-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Gottlieb-GreenHalo_icon_bdae6724-b014-427e-8043-e807ebdc1a2a.jpg?v=1586976780"},{"product_id":"jack-youngerman-ukiyo-e-blue-chalk-screenprint-1976","title":"JACK YOUNGERMAN \"UKIYO-E BLUE CHALK\" SCREENPRINT, 1976","description":"\u003cp\u003eLately there has been a renewed interest, both from institutions and the commercial world, in re-evaluating artists producing during the years following WWII to well into the 1970's.\u003c\/p\u003e\n\u003cp\u003eWe are seeing museum and gallery shows mounted and prices rise for a host of artists who have been under the radar over the last 20 years including Frank Stella, Paul Jenkins, Jules Olitski, Sheila Hicks, Sam Gilliam and Lee Bontecou to mention a few. \u003c\/p\u003e\n\u003cp\u003eJack Youngerman \u003cmeta charset=\"utf-8\"\u003e(1926–2020) has had a long and prolific career with major museum shows at the Guggenheim and the MoMA amongst others. We came across one of his graphic large-scale paintings recently at an art fair and was immediately transfixed.\u003c\/p\u003e\n\u003cp\u003eYoungerman is known for his large-scaled boldly colored compositions that alternate between pure abstraction and highly stylized depictions of flowers. Youngerman often synthesizes the best characteristics of Robert Motherwell and Ellsworth Kelly creating something highly original and confident. \u003c\/p\u003e\n\u003cp\u003eYoungerman studied in Paris in the late 1940's on the GI Bill and was greatly influenced by the European modernists notably the precise (and surreal?) cutout shapes of Jean Arp or the saturated colors and stylized florals of Henri Matisse.\u003c\/p\u003e\n\u003cp\u003eThis work is from a portfolio entitled \"Ukiyo-E\" which takes its inspiration from the Japanese woodblock prints that were created beginning in the late 17th century.  \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/jack-youngerman-blue-yellow-litho-1968\" title=\"Jack Youngerman\"\u003eClick here to see another example of Jack Youngerman's work. \u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, dated and numbered by the artist.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 150\u003c\/p\u003e\n\u003cp\u003eScreenprint with lithograph\u003c\/p\u003e\n\u003cp\u003eUSA, 1976\u003c\/p\u003e\n\u003cp\u003e33\"H 39\"W \u003c\/p\u003e\n\u003cp\u003eVery good condition \u003c\/p\u003e\n\u003cp\u003eNote: Please contact us to see images of the other three works from the portfolio\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"JACK YOUNGERMAN","offers":[{"title":"Default Title","offer_id":19943817796,"sku":"06-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/JackYoungerman-UkiyoE_ChalkSlateBlue_ReEdited.jpg?v=1571438561"},{"product_id":"josef-albers-organic-yellow-screenprint-1970","title":"JOSEF ALBERS \"ORGANIC YELLOW\" SCREENPRINT, 1970","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eJosef Albers (1888-1976)\u003c\/span\u003e is remarkably affiliated with, or an active participant within numerous movements that have defined art history in the 20th century.  He is one of the most important practitioners of minimalism and hard-edge abstraction.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAlbers was a student and later a professor at the Bauhaus in Germany. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAfter the prestigious academy was closed by the Nazis, Albers and his wife Anni (a noted textile designer) emigrated to the United States. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eWhile Albers is best known for his series “Homage to the Square”, he was a significant mentor and taught major artists including Robert Rauchenberg, Cy Twombly and Eve Hesse at Black Mountain College and Yale.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eArt Historians credit Albers for fusing elements of American and European abstraction while influencing minimalism, hard-edge painting and Op art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eHis work is instantly recognizable and collected internationally. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eWhile the “Homage to the Square” series is compositionally simple, it is an excellent starting point for understanding the history, ideology and merits of abstraction in the 20th century. \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eJosef Albers: historically important, calming, instantly recognizable and sophisticated.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003eFor this silkscreen Albers continued working with the legendary Ives-Sillman printing studio and was produced to celebrate the Metropolitan Museum of Art's 100 year anniversary. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003eHomage to the Square: MMA-1\u003c\/span\u003e\"\u003c\/p\u003e\n\u003cp\u003eSigned,dated and numbered by the artist.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 100\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScreenprint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUSA, 1970\u003c\/p\u003e\n\u003cp\u003e24\"H 24\"W (sheet)\u003c\/p\u003e\n\u003cp\u003eGood condition.\u003c\/p\u003e\n\u003cp\u003eDetailed condition report by request\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":20150162756,"sku":"06-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-JosefAlbers-Variant-MMA-1_01.jpg?v=1571438561"},{"product_id":"richard-anuskiewicz-rosafied-screenprint-1971","title":"RICHARD ANUSZKIEWICZ \"ROSAFIED\" SCREENPRINT, 1971","description":"\u003cp\u003eOne of our favorite American artists, Richard \u003cspan\u003eAnuszkiewicz \u003c\/span\u003e(b. 1930) is a major player in both Op Art and Hard-Edge Abstraction. His work is typically composed of neon candy colors in strict geometries. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs the artist explained “\u003cb\u003eI’m interested in making something romantic out of a very, very mechanistic geometry. Geometry and color represent to me an idealized, classical place that’s very clear and very pure.\u003c\/b\u003e“\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNot surprisingly, Josef Albers was a mentor of \u003c\/span\u003eAnuszkiewicz's. However the student pushed his teacher's theories further, creating compositions that were more dynamic with colors more electric. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis vibrant screenprint is a paradigm of \u003c\/span\u003eAnuszkiewicz's aesthetic and is instantly recognizable. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis work can be found in every major American museum \u003c\/span\u003eincluding the Art Institute of Chicago, the MoMA (New York), the Guggenheim (New York), the Whitney (New York) and the Albright-Knox Art Gallery (Buffalo) to mention a few. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Rosafied\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated '70 by the artist.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 150\u003c\/p\u003e\n\u003cp\u003eScreenprint\u003c\/p\u003e\n\u003cp\u003eUSA, 1971\u003c\/p\u003e\n\u003cp\u003e36\"H 26\"W (work)\u003c\/p\u003e\n\u003cp\u003eOverall very good condition.\u003c\/p\u003e\n\u003cp\u003eDetailed condition report by request. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Caviar20","offers":[{"title":"Default Title","offer_id":21305393732,"sku":"07-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Richard-Anuszkiewicz-Rosafied-1971_01.jpg?v=1571438561"},{"product_id":"adolph-gottlieb-black-field-screenprint-1972","title":"ADOLPH GOTTLIEB \"BLACK FIELD\" SILKSCREEN, 1972","description":"\u003cp\u003eCompared with his peers, the original Abstract Expressionist posse, including Arshile Gorky, Hans Hoffmann, Jackson Pollock and Mark Rothko, Gottlieb arguably created the most easily recognizable paintings.\u003c\/p\u003e\n\u003cp\u003eHis signature forms include bursts, circles and \"labyrinths\" - while they appear to be expressionist forms they are often highly symbolic and inspired by primitive art. \u003c\/p\u003e\n\u003cp\u003eWhile they are the result of gestural painting, they also posses a calm and almost contemplative energy that is often at odds with the work of Gorky, Hoffmann and Pollock (whose canvases can be heavy with angst, aggression and torment)\u003c\/p\u003e\n\u003cp\u003eWhile in recent years, Adolph Gottlieb has been overshadowed by his friend and colleague Mark Rothko, Gottlieb is still one of the most important and influential American abstract painters...and one of Caviar20's favorites.\u003c\/p\u003e\n\u003cp\u003eThis iconic screenprint combines two of Gottlieb's most famous forms: the ring and the cloud.\u003c\/p\u003e\n\u003cp\u003eAs Gottlieb's paintings are selling for upwards of $6 million, his fine screenprints are a must have for the young collector passionate about American Abstract Expressionism. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this artwork? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSilkscreen\u003c\/p\u003e\n\u003cp\u003ePublished by Marlborough Graphics\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated 1972 by the artist. \u003c\/p\u003e\n\u003cp\u003eFrom an edition of 150\u003c\/p\u003e\n\u003cp\u003e24\"H 18\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"adolph gottlieb","offers":[{"title":"Default Title","offer_id":21404190468,"sku":"06-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Gottlieb-Black-Field_01.jpg?v=1586976792"},{"product_id":"jack-youngerman-ukiyo-e-blue-chalk-screenprint-1977","title":"JACK YOUNGERMAN \"UKIYO-E BLUE CHALK\" SCREENPRINT, 1976","description":"\u003cp\u003eLately there has been a renewed interest, both from institutions and the commercial world, in re-evaluating artists producing during the years following WWII to well into the 1970's.\u003c\/p\u003e\n\u003cp\u003eWe are seeing museum and gallery shows mounted and prices rise for a host of artists who have been under the radar over the last 20 years including Frank Stella, Paul Jenkins, Jules Olitski, Sheila Hicks, Sam Gilliam and Lee Bontecou to mention a few. \u003c\/p\u003e\n\u003cp\u003eJack Youngerman \u003cmeta charset=\"utf-8\"\u003e(1926–2020) has had a long and prolific career with major museum shows at the Guggenheim and the MoMA amongst others. We came across one of his graphic large-scale paintings recently at an art fair and was immediately transfixed.\u003c\/p\u003e\n\u003cp\u003eYoungerman is known for his large-scaled boldly colored compositions that alternate between pure abstraction and highly stylized depictions of flowers. Youngerman often synthesizes the best characteristics of Robert Motherwell and Ellsworth Kelly creating something highly original and confident. \u003c\/p\u003e\n\u003cp\u003eYoungerman studied in Paris in the late 1940's on the GI Bill and was greatly influenced by the European modernists notably the precise (and surreal?) cutout shapes of Jean Arp or the saturated colors and stylized florals of Henri Matisse.\u003c\/p\u003e\n\u003cp\u003eThis work is from a portfolio entitled \"Ukiyo-E\" which takes its inspiration from the Japanese woodblock prints that were created beginning in the late 17th century.  \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/jack-youngerman-blue-yellow-litho-1968\" title=\"http:\/\/caviar20.com\/collections\/all\/products\/jack-youngerman-ukiyo-e-blue-chalk-screenprint-1976\"\u003eClick here to see another example of Jack Youngerman's work from this series. \u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, dated and numbered by the artist.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 150\u003c\/p\u003e\n\u003cp\u003eScreenprint with lithograph\u003c\/p\u003e\n\u003cp\u003eUSA, 1976\u003c\/p\u003e\n\u003cp\u003e33\"H 39\"W \u003c\/p\u003e\n\u003cp\u003eVery good condition \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"JACK YOUNGERMAN","offers":[{"title":"Default Title","offer_id":21479891908,"sku":"07-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/JackYoungerman-UkiyoE-CreamBlue_ReEdited.jpg?v=1571438561"},{"product_id":"adolph-gottlieb-levitation-screenprint-1969","title":"ADOLPH GOTTLIEB \"LEVITATION\" SCREENPRINT, 1969","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"Levitation\" is arguably the most ambiguous and distinctive print Adolph Gottlieb (1903-1974) created. It has the essential elements of a classic Gottlieb: richly-colored monochromatic circular forms juxtaposed with a dynamic organic shape...But what does it mean and what do you see? \u003c\/p\u003e\n\u003cp\u003eCaviar20 has handled this distinctive print before and we've been amazed at some of the interesting interpretations of the work, from a disassembled hamburger to the face of a menacing creature. Yet how do we explain the title that Gottlieb gave to the work, and what is actually levitating here and what is affixed to the ground? \u003c\/p\u003e\n\u003cp\u003eWhile Gottlieb is one of the \u003cmeta charset=\"utf-8\"\u003eoriginal Abstract Expressionist artists (along with Arshile Gorky, Hans Hoffmann, Jackson Pollock and Mark Rothko) works such as this one position him closer to the Color Field painters such as Kenneth Noland or Dan Christensen. \u003c\/p\u003e\n\u003cp\u003eWhile Gottlieb's work is the result of gestural painting, his work also posses a calm and almost contemplative energy that is often at odds with the aggressive and tumultuous images of his peers associated with Abstract Expressionism. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eToday Gottlieb's paintings are selling for upwards of $6 million at auction.  His iconic and elegant prints are a must-have for the young collector passionate about Abstract Expressionism. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this artwork? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScreenprint\u003c\/p\u003e\n\u003cp\u003ePublished by Marlborough Graphics\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated 1969 by the artist. \u003c\/p\u003e\n\u003cp\u003eFrom an edition of 90\u003c\/p\u003e\n\u003cp\u003e30\"H 22\"W (work)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e37.25\"H 28.75\"W \u003c\/span\u003e(framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"adolph gottlieb","offers":[{"title":"Default Title","offer_id":21482442820,"sku":"07-16x2-01-22","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Adolph-Gottlieb-Levitation-1969_icon_752ea525-1691-4892-9095-a13d4b463bbb.jpg?v=1644242440"},{"product_id":"lee-krasner-free-space-blue-screenprint-1975","title":"LEE KRASNER \"FREE SPACE - BLUE\" SCREENPRINT, 1975","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe essence of Lee Krasner's (1908-1984) biography is familiar to anyone who has studied women's role in 20th century art history: An accomplished artist whose own output gets eclipsed or compromised because she devoted herself to supporting and promoting her husband's artwork. \u003c\/p\u003e\n\u003cp\u003eFortunately in recent years, there has been a concerted effort, by scholars, dealers and curators to reexamine and expand the cannon in hopes of including more female artists. \u003c\/p\u003e\n\u003cp\u003eOne of the artists that has been at the forefront of this new mentality is Lee Krasner.\u003c\/p\u003e\n\u003cp\u003eHow and why has she been marginalized from the narrative surrounding the development and importance of Abstract Expressionism is finally being addressed. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.amazon.com\/Lee-Krasner-Biography-Gail-Levin\/dp\/0061845272\/ref=sr_1_1?s=books\u0026amp;ie=UTF8\u0026amp;qid=1472054876\u0026amp;sr=1-1\u0026amp;keywords=lee+krasner+biography\" title=\"Gail Levin Lee Krasner biography\"\u003eWe highly recommend the Gail Levin's biography of Lee Krasner\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003eWe are pleased to be offering this dynamic screenprint by Lee Krasner. This work is a prime example of her preferred forms; Matisse-inspired dense shapes surrounded by more gestural forms and outlines. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/forward.com\/culture\/429172\/lee-krasner-eye-is-the-first-circle-sothebys-auction-theft-1990-unsolved\/\" title=\"Lee Krasner auction record Sotheby's\"\u003eAs Krasner's auction record stands at 11.6 million\u003c\/a\u003e, her fine screenprints are a must have for the young collector passionate about American Abstract Expressionism. \u003c\/p\u003e\n\u003cp\u003eQuestions about this artwork? \u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eVisit our Toronto gallery on \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" data-mce-href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003e\u003cspan class=\"s2\"\u003eThursdays or by appointment\u003c\/span\u003e\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Free Space - Blue\"\u003c\/p\u003e\n\u003cp\u003e1975\u003c\/p\u003e\n\u003cp\u003eScreenprint\u003c\/p\u003e\n\u003cp\u003eSigned and numbered PP 2\/3 by the artist. \u003c\/p\u003e\n\u003cp\u003e(2\/3 Printer's Proofs)\u003c\/p\u003e\n\u003cp\u003e19\"H 26\"W (work)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Lee Krasner","offers":[{"title":"Default Title","offer_id":24992676168,"sku":"08-16x2-10-24","price":7500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Lee-Krasner-Free-Space-Blue-Green_thumbnail.jpg?v=1730394854"},{"product_id":"gershon-iskowitz-rainbow-watercolor-1977","title":"GERSHON ISKOWITZ \"RAINBOW\" WATERCOLOR, 1977","description":"\u003cp\u003eIt is somewhat hard to reconcile Gershon Iskowitz's (1921-1988) aesthetic with his personal history.\u003c\/p\u003e\n\u003cp\u003eBorn to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jewish religious studies) in order to study art including a brief stint at the Academy of Fine Arts in Warsaw.\u003c\/p\u003e\n\u003cp\u003eThe outbreak of war forced him to return to his hometown where he was conscripted to forced labor. In 1944 Iskowitz was transferred to \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Buchenwald_concentration_camp\" title=\"Buchenwald Concentration Camp\"\u003eBuchenwald\u003c\/a\u003e, one of the first and most notorious Nazi concentration camps.\u003c\/p\u003e\n\u003cp\u003eUpon liberation Iskowitz spent nearly 9 months in hospital recuperating. Amazingly he would study for six months at the Academy of Fine Art in Munich with Oskar Kokoschka.\u003c\/p\u003e\n\u003cp\u003eIskowitz would eventually immigrate to Canada. For most of the 1950's he incorporated representation into his art. By the 60's he had established a modest reputation in Toronto and beyond and joined the Gallery Moos stable in 1964. \u003c\/p\u003e\n\u003cp\u003eThe legend goes that in 1967 thanks to a Canadian Council grant, Iskowitz took a helicopter tour of the north. The experience of seeing the massive expanse of trees from above inspired a major redirection of his aesthetic and approach. \u003c\/p\u003e\n\u003cp\u003eThis confident watercolor is a perfect example of Iskowitz's iconic style and his celebration of pure, uplifting primary colors. \u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: Gallery Moos, Toronto\u003c\/p\u003e\n\u003cp\u003eUntitled (\"Rainbow\")\u003c\/p\u003e\n\u003cp\u003eSigned and dated 77 by the artist\u003c\/p\u003e\n\u003cp\u003eWatercolor and mixed-media on paper.\u003c\/p\u003e\n\u003cp\u003eCanada, 1977\u003c\/p\u003e\n\u003cp\u003e21.5\"W 17\"H (work)\u003c\/p\u003e\n\u003cp\u003e28\"W 23\"H (framed)\u003c\/p\u003e\n\u003cp\u003eFramed with museum glass\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Gershon Iskowitz","offers":[{"title":"Default Title","offer_id":25172180808,"sku":"9-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Gershon-Iskowitz-Watercolor-Rainbow_01.jpg?v=1606498733"},{"product_id":"rita-letendre-sina-painting-1972","title":"RITA LETENDRE \"SINA\" PAINTING, 1972","description":"\u003cp\u003eRita Letendre (b.1928) is one of Canada’s leading female abstract painters...and one of Caviar20's favorite artists. \u003c\/p\u003e\n\u003cp\u003eWhile Letendre was initially associated with Les Automatistes in Montreal (including Borduas, Riopelle amongst others) she established her reputation with her unique style of painting that combined hard-edge abstraction with color field aesthetics. \u003c\/p\u003e\n\u003cp\u003eWe are particularly interested in her work once she meets, and then marries, the sculptor \u003ca href=\"http:\/\/caviar20.com\/products\/koso-eloul-elusive-framed-lithograph-1971\" title=\"Kosso Eloul Caviar20\"\u003eKosso Eloul\u003c\/a\u003e in the mid 1960's. Together they seem to evolve simultaneously, each artist influencing the other. \u003c\/p\u003e\n\u003cp\u003eLetendre's \"Arrow\" or \"Chevron\" paintings (\"Sina\" here is a paradigm) have a sleek geometry shared by Kosso Eloul. \u003c\/p\u003e\n\u003cp\u003eLetendre's compositions and bold palettes are instantly recognizable and have an undeniable uplifting energy.\u003c\/p\u003e\n\u003cp\u003eThis painting from 1972 is from the artist's prime period of hard-edge abstraction and is an exceptional example of her work. \u003c\/p\u003e\n\u003cp\u003eNearly every major institution in Canada has examples of her work in their permanent collections including the National Gallery, the Montreal Museum of Fine Arts and the Art Gallery of Ontario.\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCustom framing option by Caviar20 available by request\u003c\/p\u003e\n\u003cp\u003eSigned, titled and dated by the artist\u003c\/p\u003e\n\u003cp\u003eGallery Moos (Toronto) label\u003c\/p\u003e\n\u003cp\u003eAcrylic on canvas\u003c\/p\u003e\n\u003cp\u003eCanada,1972\u003c\/p\u003e\n\u003cp\u003e19\"H 60\"W\u003c\/p\u003e\n\u003cp\u003eExcellent condition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rita Letendre","offers":[{"title":"Default Title","offer_id":25330938120,"sku":"09-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Rita-Letendre_01.jpg?v=1571438562"},{"product_id":"victor-pasmore-points-of-contact","title":"VICTOR PASMORE \"POINTS OF CONTACT\" SCREENPRINT, 1972","description":"\u003cp\u003eVictor Pasmore (1908-1988) was one of the leading figures in British post-war abstraction. \u003c\/p\u003e\n\u003cp\u003eA tireless educator, architect, painter and printmaker Pasmore expanded and promoted many of the ideals of Constructivism and the Bauhaus. Pasmore's practice and ideology was much inspired by Ben Nicholson. \u003c\/p\u003e\n\u003cp\u003ePasmore represented Britain at the Venice Biennale in 1961 which led to numerous international exhibitions. \u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Points of Contact C.26\" 1972\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScreenprint on wove paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePrinted by Kelpra Studio, London\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned and numbered by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom an edition of 60\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e36\"H 24\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e27.5\"H 18\"W (work) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eProvenance: Marlborough Godard, Montreal\u003c\/p\u003e","brand":"Caviar20","offers":[{"title":"Default Title","offer_id":25515144264,"sku":"09-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Victor-Pasmore-Points-of-Contact_01.jpg?v=1571438563"},{"product_id":"rita-letendre-electric-dreams-litho-1969","title":"RITA LETENDRE \"ELECTRIC DREAMS\" SILKSCREEN, 1969","description":"\u003cp\u003eRita Letendre (b.1928) is one of Canada’s leading female abstract painters...and one of Caviar20's favorite artists. \u003c\/p\u003e\n\u003cp\u003eLetendre first established her reputation through her association with Les Automatistes in Montreal (including Borduas, Riopelle amongst others) during the 1950's. \u003c\/p\u003e\n\u003cp\u003eHowever we would argue that Letendre really hits her stride once she embraces hard-edge abstraction.\u003c\/p\u003e\n\u003cp\u003eThis evolution in style has a lot to do with the artist meeting (and eventually marrying) \u003ca href=\"http:\/\/caviar20.com\/products\/koso-eloul-elusive-framed-lithograph-1971\" title=\"Kosso Eloul Elusive\"\u003eKosso Eloul\u003c\/a\u003e the Romanian-Israeli sculptor in the early 1960's. \u003c\/p\u003e\n\u003cp\u003eTogether they seem to mature simultaneously, each artist influencing the other, becoming one of Canada's most formidable art couples. \u003c\/p\u003e\n\u003cp\u003eWhile we have offered her iconic hard-edge prints in the past, we are excited to be presenting an example of one of her earliest prints from 1969. The influence of \u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/copy-of-kosso-eloul-elusive-ii-framed-litho-1970\" title=\"Kosso Eloul Time multiple Kingston\"\u003eKosso Eloul\u003c\/a\u003e is undeniable. \u003c\/p\u003e\n\u003cp\u003eLetendre's compositions, made of chevrons or arrows, and bold palettes are instantly recognizable. We love their undeniable uplifting energy.\u003c\/p\u003e\n\u003cp\u003eNearly every major institution in Canada has examples of her work in their permanent collections including the National Gallery, the Montreal Museum of Fine Arts and the Art Gallery of Ontario.\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSilkscreen\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated by the artist\u003c\/p\u003e\n\u003cp\u003eCanada,1969\u003c\/p\u003e\n\u003cp\u003e26.5\"H 19.5\"W (work)\u003c\/p\u003e\n\u003cp\u003e27.5\"H 21.5\"W (framed)\u003c\/p\u003e\n\u003cp\u003eFramed with museum glass\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rita Letendre","offers":[{"title":"Default Title","offer_id":25673748680,"sku":"09-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Rita-Letendre-ElectricDreams-1969_01.jpg?v=1571438563"},{"product_id":"rita-letendre-construction-silkscreen-1969","title":"RITA LETENDRE \"CONSTRUCTION\" SILKSCREEN, 1969","description":"\u003cp\u003eRita Letendre (b.1928) is one of Canada’s leading female abstract painters...and one of Caviar20's favorite artists. \u003c\/p\u003e\n\u003cp\u003eLetendre first established her reputation through her association with Les Automatistes in Montreal (including Borduas, Riopelle amongst others) during the 1950's. \u003c\/p\u003e\n\u003cp\u003eHowever we would argue that Letendre really hits her stride once she embraces hard-edge abstraction.\u003c\/p\u003e\n\u003cp\u003eThis evolution in style has a lot to do with the artist meeting (and eventually marrying) \u003ca href=\"http:\/\/caviar20.com\/products\/koso-eloul-elusive-framed-lithograph-1971\" title=\"Kosso Eloul Elusive\"\u003eKosso Eloul\u003c\/a\u003e the Romanian-Israeli sculptor in the early 1960's. \u003c\/p\u003e\n\u003cp\u003eTogether they seem to mature simultaneously, each artist influencing the other, becoming one of Canada's most formidable art couples. \u003c\/p\u003e\n\u003cp\u003eWhile we have offered her iconic hard-edge prints in the past, we are excited to be presenting an example of one of her earliest prints from 1969. The influence of \u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/copy-of-kosso-eloul-elusive-ii-framed-litho-1970\" title=\"Kosso Eloul Time multiple Kingston\"\u003eKosso Eloul\u003c\/a\u003e is undeniable. \u003c\/p\u003e\n\u003cp\u003eLetendre's compositions, made of chevrons or arrows, and bold palettes are instantly recognizable. We love their undeniable uplifting energy.\u003c\/p\u003e\n\u003cp\u003eNearly every major institution in Canada has examples of her work in their permanent collections including the National Gallery, the Montreal Museum of Fine Arts and the Art Gallery of Ontario.\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request.  \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSilkscreen\u003c\/p\u003e\n\u003cp\u003eSigned, numbered and dated by the artist\u003c\/p\u003e\n\u003cp\u003eCanada,1969\u003c\/p\u003e\n\u003cp\u003e26.5\"H 19.5\"W (work)\u003c\/p\u003e\n\u003cp\u003e27.5\"H 21.5\"W (framed)\u003c\/p\u003e\n\u003cp\u003eFramed with museum glass\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003e Note: pictured with \u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/kosso-eloul-eternal-flame-sculpture-1974\" title=\"Kosso Eloul Eternal Flame sculpture\"\u003eKosso Eloul's \"Eternal Flame\" sculpture\u003c\/a\u003e.\u003c\/p\u003e","brand":"Rita Letendre","offers":[{"title":"Default Title","offer_id":25674217160,"sku":"09-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Rita-Letendre-Construction-1969_01.jpg?v=1571438564"},{"product_id":"gene-davis-smithsonian","title":"GENE DAVIS \"SMITHSONIAN\" SCREENPRINT, 1975","description":"\u003cp\u003eWe are pleased to be offering another fantastic work by Gene Davis, whom we've nicknamed King of Stripes.\u003c\/p\u003e\n\u003cp\u003eGene Davis (1920-1985) is an important artist associated with the Color Field movement and the Washington Color School. \u003c\/p\u003e\n\u003cp\u003eHe is noted for his minimalist compositions that favored saturated colors presented in vertical stripes. \u003c\/p\u003e\n\u003cp\u003eBeginning in the late sixties he had an international reputation and was particularly celebrated in the United States. \u003c\/p\u003e\n\u003cp\u003eIn addition to his iconic paintings Davis also executed a number of very large public art projects notably \"Franklin's Footpath\" in 1972.\u003c\/p\u003e\n\u003cp\u003eAt the time of its creation it was considered the world's largest painting; executed on the street surrounding the Philadelphia Museum of Art it was realized using Davis' signature abstract striped composition.  \u003c\/p\u003e\n\u003cp\u003eAs alluded to before, Davis' work is characterized by exploring the relationship and affects of contrasting bands of color, tightly placed in alternating thicknesses. \u003c\/p\u003e\n\u003cp\u003eGene Davis had an important relationship with the Smithsonian. This was the first of three commissions that celebrated their Resident Program. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/caviar20.com\/products\/gene-davis-series-1-screenprint-on-canvas-1969\" title=\"Gene Davis prints\"\u003eClick here to see another example of Gene Davis' work from the late 1960's\u003c\/a\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Smithsonian Resident Associate Program - Tenth Anniversary, 1975\"\u003c\/p\u003e\n\u003cp\u003eScreenprint\u003c\/p\u003e\n\u003cp\u003eSigned and numbered by the artist verso. \u003c\/p\u003e\n\u003cp\u003eFrom an edition of 200\u003c\/p\u003e\n\u003cp\u003e34”H 25.5”W (sheet)\u003c\/p\u003e\n\u003cp\u003e30\"H 23.5\"W (image)\u003c\/p\u003e\n\u003cp\u003e41\"H 31\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eMinor wear to frame, new matting and glass\u003c\/p\u003e\n\u003cp\u003eNote: We have matted the work covering the Smithsonian title, but have included images of the work with out the matting. Please contact us for more unmated images if interested. \u003c\/p\u003e","brand":"Gene Davis","offers":[{"title":"Default Title","offer_id":25737432008,"sku":"09-16S11-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Gene-Davis-Smithsonian-Resident-1975_ICON_1.jpg?v=1571438564"},{"product_id":"gershon-iskowitz-caterpillar-watercolor-1977","title":"GERSHON ISKOWITZ \"CATERPILLAR\" WATERCOLOR, 1977","description":"\u003cp\u003eIt is somewhat hard to reconcile Gershon Iskowitz's (1921-1988) aesthetic with his personal history.\u003c\/p\u003e\n\u003cp\u003eBorn to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jewish religious studies) in order to study art including a brief stint at the Academy of Fine Arts in Warsaw.\u003c\/p\u003e\n\u003cp\u003eThe outbreak of war forced him to return to his hometown where he was conscripted to forced labor. In 1944 Iskowitz was transferred to \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Buchenwald_concentration_camp\" title=\"Buchenwald Concentration Camp\"\u003eBuchenwald\u003c\/a\u003e, one of the first and most notorious Nazi concentration camps.\u003c\/p\u003e\n\u003cp\u003eUpon liberation Iskowitz spent nearly 9 months in hospital recuperating. Amazingly he would study for six months at the Academy of Fine Art in Munich with Oskar Kokoschka.\u003c\/p\u003e\n\u003cp\u003eIskowitz would eventually immigrate to Canada. For most of the 1950's he incorporated representation into his art. By the 60's he had established a modest reputation in Toronto and beyond and joined the Gallery Moos stable in 1964. \u003c\/p\u003e\n\u003cp\u003eThe legend goes that in 1967 thanks to a Canadian Council grant, Iskowitz took a helicopter tour of the north. The experience of seeing the massive expanse of trees from above inspired a major redirection of his aesthetic and approach. \u003c\/p\u003e\n\u003cp\u003eThis confident watercolor is a perfect example of Iskowitz's iconic style and his celebration of pure, uplifting primary colors. \u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003eProvenance: Gallery Moos, Toronto\u003c\/p\u003e\n\u003cp\u003eUntitled (\"Caterpillar\")\u003c\/p\u003e\n\u003cp\u003eSigned and dated 77 by the artist\u003c\/p\u003e\n\u003cp\u003eWatercolor and mixed-media on paper.\u003c\/p\u003e\n\u003cp\u003eCanada, 1977\u003c\/p\u003e\n\u003cp\u003e21.5\"W 17\"H (work)\u003c\/p\u003e\n\u003cp\u003e28\"W 23\"H (framed)\u003c\/p\u003e\n\u003cp\u003eFramed with museum glass\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Gershon Iskowitz","offers":[{"title":"Default Title","offer_id":27660982801,"sku":"11-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Gershon-Iskowitz-Watercolor-Caterpillar_01.jpg?v=1571438565"},{"product_id":"copy-of-jack-youngerman-ukiyo-e-blue-chalk-screenprint-1976","title":"JACK YOUNGERMAN \"STUDY #20\" GOUACHE, 1967","description":"\u003cp\u003eWe are excited to be offering this exemplary drawing by one of Caviar20's favorite mid-century American artists: Jack Youngerman. \u003c\/p\u003e\n\u003cp\u003eLately there has been a renewed interest, both from institutions and the commercial world, in re-evaluating artists who were active during the years following WWII to well into the 1970's.\u003c\/p\u003e\n\u003cp\u003eWe are seeing museum and gallery shows mounted and prices rise for a host of artists who have been under the radar over the last 20 years including Frank Stella, Paul Jenkins, Jules Olitski, Sheila Hicks, Sam Gilliam and Lee Bontecou to mention a few. \u003c\/p\u003e\n\u003cp\u003eJack Youngerman \u003cmeta charset=\"utf-8\"\u003e(1926–2020) has had a long and prolific career with major museum shows at the Guggenheim and the MoMA amongst others. \u003c\/p\u003e\n\u003cp\u003eYoungerman is known for his boldly colored compositions that alternate between pure abstraction and highly stylized depictions of flowers or other elements from nature. Youngerman often synthesizes the best characteristics of Robert Motherwell and Ellsworth Kelly creating something highly original and confident. Youngerman's work always feels fresh, vibrant and optimistic. \u003c\/p\u003e\n\u003cp\u003eYoungerman studied in Paris in the late 1940's on the GI Bill and was greatly influenced by the European modernists notably the cutout shapes of \u003ca href=\"http:\/\/caviar20.com\/products\/jean-arp-gris-noir-lithograph-1960\" title=\"Jean Arp\"\u003eJean Arp\u003c\/a\u003e and the saturated colors and stylized florals of Henri Matisse.\u003c\/p\u003e\n\u003cp\u003eThis gouache is ideal for a young collector looking to acquire a unique work from Youngerman's prime period.  \u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned and dated by the artist.\u003c\/p\u003e\n\u003cp\u003eGouache on paper \u003c\/p\u003e\n\u003cp\u003eUSA, 1967\u003c\/p\u003e\n\u003cp\u003e7.5\"H 12\"W (work)\u003c\/p\u003e\n\u003cp\u003e15.5\"H 19.5\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition \u003c\/p\u003e\n\u003cp\u003eNote: original (blue!) acrylic frame, minor wear to surface\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Jack Youngerman","offers":[{"title":"Default Title","offer_id":27752902545,"sku":"11-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Jack-Youngerman-StudyNo.20-1967_01.jpg?v=1571438566"},{"product_id":"gershon-iskowitz-black-coral-watercolor-1977","title":"GERSHON ISKOWITZ \"BLACK CORAL\" WATERCOLOR, 1977","description":"\u003cp\u003eIt is somewhat hard to reconcile Gershon Iskowitz's (1921-1988) aesthetic with his personal history.\u003c\/p\u003e\n\u003cp\u003eBorn to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jewish religious studies) in order to study art including a brief stint at the Academy of Fine Arts in Warsaw.\u003c\/p\u003e\n\u003cp\u003eThe outbreak of war forced him to return to his hometown where he was conscripted to forced labor. In 1944 Iskowitz was transferred to \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Buchenwald_concentration_camp\" title=\"Buchenwald Concentration Camp\"\u003eBuchenwald\u003c\/a\u003e, one of the first and most notorious Nazi concentration camps.\u003c\/p\u003e\n\u003cp\u003eUpon liberation Iskowitz spent nearly 9 months in hospital recuperating. Amazingly he would study for six months at the Academy of Fine Art in Munich with Oskar Kokoschka.\u003c\/p\u003e\n\u003cp\u003eIskowitz would eventually immigrate to Canada. For most of the 1950's he incorporated representation into his art. By the 60's he had established a modest reputation in Toronto and beyond and joined the Gallery Moos stable in 1964. \u003c\/p\u003e\n\u003cp\u003eThe legend goes that in 1967 thanks to a Canadian Council grant, Iskowitz took a helicopter tour of the north. The experience of seeing the massive expanse of trees from above inspired a major redirection of his aesthetic and approach. \u003c\/p\u003e\n\u003cp\u003eThis confident watercolor is a perfect example of Iskowitz's iconic style and his celebration of pure, uplifting primary colors. \u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: Gallery Moos, Toronto\u003c\/p\u003e\n\u003cp\u003eUntitled (\"Black Coral\")\u003c\/p\u003e\n\u003cp\u003eWatercolor and mixed-media on paper.\u003c\/p\u003e\n\u003cp\u003eCanada, 1977\u003c\/p\u003e\n\u003cp\u003e21.5\"W 17\"H (work)\u003c\/p\u003e\n\u003cp\u003e28\"W 23\"H (framed)\u003c\/p\u003e\n\u003cp\u003eFramed with museum glass\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Gershon Iskowitz","offers":[{"title":"Default Title","offer_id":27790424593,"sku":"S11-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Gershon-Iskowitz-Watercolour4-01.jpg?v=1606498621"},{"product_id":"william-perehudoff-yellow-zone-1984","title":"WILLIAM PEREHUDOFF \"YELLOW ZONE\" 1984","description":"\u003cp\u003eWilliam Perehudoff (1918-2013) is one of the most cherished and collected Canadian abstract painters. His work is a prime example of how color field painting was expressed in Canada. Like some of his contemporaries, he was encouraged and guided by legendary New York critic Clement Greenberg.\u003c\/p\u003e\n\u003cp\u003ePerehudoff is known for his simple and exuberant canvases that celebrate color. He spent several summers at the University of \u003cspan\u003eSaskatchewan\u003c\/span\u003e's legendary Emma Lake Artist's Workshop where he worked and studied with Jules Olitski and Kenneth Noland during the 1960's. \u003c\/p\u003e\n\u003cp\u003eDuring his lifetime Perehudoff had recognition across Canada (and beyond). Today his works can be found in major public collections across the country. Even during his heyday, Perehudoff stayed in Saskatchewan preferring to paint at his family's farm.\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAcrylic on canvas\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned and dated by the artist verso.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e42\"H 18\"W (work)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNote: this work can also be hung horizontally \u003c\/span\u003e\u003c\/p\u003e","brand":"Caviar20","offers":[{"title":"Default Title","offer_id":27909275153,"sku":"11-16","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_William_Perehudoff-Yellow_Sone_1984_01.jpg?v=1571438566"}],"url":"https:\/\/www.caviar20.com\/collections\/abstraction.oembed?page=10","provider":"Caviar20","version":"1.0","type":"link"}