{"title":"Latest Acquisitions","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArt resale experts, Caviar20 focuses on the 20th century with an emphasis on works on paper. Troy Seidman, the owner and director, has a particular interest in sculpture, works on paper, and photography created between the late 1960's to the turn of the millennium. Of course, we always have special things that are either a little older, or a little more contemporary... Artists we regularly offer: Frank Stella, Helen Frankenthaler, Andy Warhol, Robert Motherwell, Harold Town, Joyce Wieland, Jules Olitski, Gershon Iskowitz, Rita Letendre, Louise Nevelson, Sorel Etrog, Sam Francis, General Idea, Barbara Kruger, Jenny Holzer, Edward Burtynsky, Weegee, Cindy Sherman and Nan Goldin\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"gershon-iskowitz-indigo-watercolor-1968","title":"GERSHON ISKOWITZ \"INDIGO\" WATERCOLOR, 1968","description":"\u003cp\u003e\u003cspan\u003eIt is hard to reconcile \u003c\/span\u003e\u003ca title=\"GERSHON ISKOWITZ PAINTING 1988 CAVIAR20\" href=\"https:\/\/www.caviar20.com\/collections\/gershon-iskowitz\"\u003eGershon Iskowitz's\u003c\/a\u003e\u003cspan\u003e (1921-1988) aesthetic with his personal history. He survived the darkest side of humanity and built a life dedicated to creating beautiful art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jewish religious studies) in order to study art independently. The outbreak of war forced him to return to his hometown where he was conscripted to forced labor, then transferred to \u003ca title=\"Buchenwald Concentration Camp\" href=\"https:\/\/en.wikipedia.org\/wiki\/Buchenwald_concentration_camp\"\u003eBuchenwald\u003c\/a\u003e in 1944, one of the first and most notorious Nazi concentration camps. \u003c\/span\u003e\u003cspan\u003eUpon liberation, Iskowitz spent nearly 9 months recuperating in the hospital. He then studied at the Academy of Fine Art in Munich before immigrating to Canada.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor most of the 1950s, he incorporated representation into his art. By the 60's he had established a modest reputation in Toronto and beyond,  joining the Gallery Moos stable in 1964. The legend goes that in 1967 thanks to a Canadian Council grant, Iskowitz took a helicopter tour of the north. The experience of seeing the massive expanse of trees from above inspired a major redirection of his aesthetic and material and approach. \u003c\/p\u003e\n\u003cp\u003eIskowitz embraced watercolors during two distinct chapters of his career; in 1968-69 as his career gained significant momentum and about a decade later, during 1977-78, as a major monograph of his work was being published and a touring retrospective began. \u003cbr\u003e\u003cbr\u003eMade by dropping paint onto dampened paper, his watercolours offer floating blips and colourful clusters that vibrate across the page. Iskowitz was measured in his process so that each chromatic patch came across clearly, not muddied with one another.\u003c\/p\u003e\n\u003cp\u003eHere, Iskowitz applies complimentary shades of indigo, green, and marigold--one of his favorite colors of the era. The result is a thoughtful cacophony of colour, shape, and process. Despite its fullness, the composition is quite meditative and soothing.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIskowitz received six Canada Council grants for his work, establishing him as a Canadian painter in his own right. He represented Canada at the Venice Biennial in 1972. A retrospective of his work was held in 1984 at the Art Gallery of Ontario, AGO, travelling through Canada as well as to Canada House in London, England. His work remains in the permanent collections of the \u003ca href=\"https:\/\/ago.ca\/agoinsider\/mystery-gershon-iskowitz\"\u003eAGO\u003c\/a\u003e and the \u003ca href=\"https:\/\/www.gallery.ca\/collection\/artist\/gershon-iskowitz\"\u003eNational Gallery of Canada,\u003c\/a\u003e among others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call \u003c\/span\u003e\u003ca href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVisit our Toronto gallery on \u003c\/span\u003e\u003ca title=\"Caviar20 Toronto art gallery contact information\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eThursdays or by appointment\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUntitled (Indigo)\u003c\/p\u003e\n\u003cp\u003eCanada, 1977\u003c\/p\u003e\n\u003cp\u003eWatercolour\u003c\/p\u003e\n\u003cp\u003eSigned and dated by artist, lower right\u003c\/p\u003e\n\u003cp\u003e24.5\"H 18.5\"W (work)\u003c\/p\u003e\n\u003cp\u003e30.25\"H 24.25\"W (framed)\u003c\/p\u003e\n\u003cp\u003eFramed with Museum Glass\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Gershon Iskowitz","offers":[{"title":"Default Title","offer_id":47211872354540,"sku":"01-26","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_GershonIskowitz_unframed__01.jpg?v=1768332433"},{"product_id":"bridget-riley-coloured-greys-screenprint-1972","title":"BRIDGET RILEY \"COLOURED GREYS\" SCREENPRINT, 1972","description":"\u003cp class=\"p1\"\u003eBridget Riley (b. 1931) is an influential British abstract painter who came to prominence in the 1960's as the Op Art movement emerged.\u003c\/p\u003e\n\u003cp\u003eRiley first gained international recognition in 1965 when her work was exhibited in the MoMA group-exhibition \u003ca title=\"Bridget Riley MoMA the Responsive Eye\" href=\"https:\/\/www.moma.org\/calendar\/exhibitions\/2914\"\u003e\"The Responsive Eye.\"\u003c\/a\u003e Her artwork creates illusions of movement from strict graphic patterns. She was one of the only women working in this genre and her practice evolved alongsideVictor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly to mention a few.  \u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:902e11da-23ce-4e16-86e3-90d346d1a427-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"800f22c9-2086-4662-afca-9f073599903e\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"593\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eWorking with purely abstract, geometric forms, Op artists developed visual patterns designed to stimulate the optic nerves, generating the illusion of complex three-dimensional space on an otherwise flat surface. In her early work, Riley often relied on black and white or restricted monochrome palettes to achieve these effects, frequently producing series focused on a single motif.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"593\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIn \u003cem data-start=\"440\" data-end=\"456\"\u003eColoured Greys\u003c\/em\u003e, color is restrained and subtle, yet essential to the play of light and movement, suggesting rhythms and shifts reminiscent of the sea.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003eIn 1968, Riley represented Great Britain at the Venice Biennale where she became the first woman to win the International Prize for painting. \u003c\/p\u003e\n\u003cp\u003e\"Coloured Greys\" is held in the permanent collections of the \u003ca href=\"https:\/\/www.tate.org.uk\/art\/artworks\/riley-coloured-greys-i-p01578\"\u003eTate\u003c\/a\u003e, London; the \u003ca href=\"https:\/\/buffaloakg.org\/artworks\/p19754-coloured-greys-i\"\u003eBuffalo AKG Art Museum\u003c\/a\u003e; the \u003ca href=\"https:\/\/collections.vam.ac.uk\/item\/O157083\/coloured-greys-i-print-riley-bridget\/\"\u003eVictoria \u0026amp; Albert Museum\u003c\/a\u003e, London; the \u003ca href=\"https:\/\/walkerart.org\/collections\/artworks\/coloured-greys\"\u003eWalker Art Center\u003c\/a\u003e, Minneapolis; among others.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Coloured Greys I\" \u003c\/p\u003e\n\u003cp\u003eEngland, 1972\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eColored screenprint on wove paper\u003c\/p\u003e\n\u003cp\u003ePrinted by Kelpra Studio, London\u003c\/p\u003e\n\u003cp\u003eTitled and numbered in pencil, lower left\u003c\/p\u003e\n\u003cp\u003eSigned and dated in pencil, lower right\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 125\u003c\/p\u003e\n\u003cp\u003e29.25\"H 27.5\"W (sheet)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eArtwork is framed in a period plexi-box. Minor wear to plexi typical of age. \u003c\/p\u003e\n\u003cp\u003eReference: KS 16\u003c\/p\u003e","brand":"Bridget Riley","offers":[{"title":"Default Title","offer_id":47256037261548,"sku":"02-26","price":21500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Bridget-Riley-Coloured-Greys-1972_01.jpg?v=1769528524"},{"product_id":"ryan-mcginley-cyclone-2008","title":"RYAN MCGINLEY \"CYCLONE\" 2008","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/ryan-mcginley\" title=\"Ryan McGinley Crash 2001\"\u003eRyan McGinley\u003c\/a\u003e (b. 1977) is arguably the most renowned photographer of his generation. In 2003 at 25 years of age, McGinley became the youngest artist to ever have a solo show at the Whitney.\u003c\/p\u003e\n\u003cp\u003eOver the past two decades, McGinley has proven himself to be the successor to both Nan Goldin and Larry Clark with a unique documentary style that portrays the idealisms and realities of a generation. His work captures the optimism, rebellion and hedonism experienced by friends and lovers in and around New York City. Artists like the late Dash Snow and Dan Colen regularly make appearances in his images.\u003c\/p\u003e\n\u003cp\u003eA decisive shift took place in McGinley's work when, in summer 2003, a collector loaned their Vermont country house to the artist. McGinley invited friends and acquaintances to the house each week. Away from the density of New York City, he captured his subjects cinematically in this raw, bucolic setting. This moment inspired a series of summer road trips in the following years, which resulted in several new bodies of work and would come to mark an important period in his oeuvre.\u003c\/p\u003e\n\u003cp\u003eThis image is surreal, playful, and iconically Ryan McGinley. Against a sweeping sky of mauve spotted with clouds, a nude figure with a blunt, blonde bob tumbles across the composition. The figure is lit with a strobe, making her stand out against the clouds, despite her small scale. The title plays into the dreamy scene, implying that the figure is being swept away by a cyclone.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWhile McGinley established his photographic reputation in the early 2000s, he has gradually evolved into one of the most sought-after portrait photographers. Today, his work regularly appears in magazines including Vanity Fair and the New York Times magazine. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Cyclone\"\u003c\/p\u003e\n\u003cp\u003e2008\u003c\/p\u003e\n\u003cp\u003eChromogenic color print mounted to plexiglass\u003c\/p\u003e\n\u003cp\u003e16\"H 24\"W (work)\u003c\/p\u003e\n\u003cp\u003e17\"H 25\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eLiterature: \u003cem\u003e\u003cspan data-cel-widget=\"productTitle\" data-csa-c-id=\"9iz11j-tng3w3-173rj7-4c48n3\" class=\"a-size-large celwidget\" id=\"productTitle\"\u003eRyan McGinley: Whistle for the Wind.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-cel-widget=\"productTitle\" data-csa-c-id=\"9iz11j-tng3w3-173rj7-4c48n3\" class=\"a-size-large celwidget\" id=\"productTitle\"\u003e Rizzoli, 2012. (p. 174)\u003c\/span\u003e\u003c\/p\u003e","brand":"Ryan McGinley","offers":[{"title":"Default Title","offer_id":47256089198828,"sku":"02-26","price":5500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Ryan-McGinley-Cyclone_01.jpg?v=1769530436"},{"product_id":"robert-polidori-salle-de-xviiieme-6-2005","title":"ROBERT POLIDORI \"SALLE DE XVIII #6\" 2005","description":"\u003cp\u003eRobert Polidori (b. 1951) is world-renowned for his photographs of human habitats and environments. His images depict a range of sites and subjects from around the world ranging from decadent to decrepit. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eHe produces images with a large-format view camera and a single long exposure, using natural lighting. This process lends itself to capturing an astounding amount of detail, and his tendency to use light as a character in his compositions.\u003c\/p\u003e\n\u003cp\u003ePolidori's career started in the 1980's. Since then, he has established himself as an esteemed practitioner of large scale photography with an emphasis on interiors, urban design and architecture.\u003c\/p\u003e\n\u003cp\u003eHis Versailles series is arguably his most recognizable. Since the 1980s, Polidori has been photographing the halls of this legendary palace throughout its extended restoration. His photographs document and explore historical revisionism, highlighting the ambiguity involved in a restoration. This image is particularly interesting as it features a hallway, highlighting the depth and sheer size of the palace.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNo detail is unintentional, as Polidori offers vibrant, authentic, enchanting scenes, asking his viewers to ask questions about the spaces that he photographs. Like many of Polidori's images, there is a complete absence of human presence–except for the portraits which add a certain uncanny element to the otherwise vacant halls.\u003c\/p\u003e\n\u003cp\u003eRobert Polidori has published eleven books. In 2006, he was commissioned by the MET to photograph the aftermath of Hurricane Katrina. His work is in the collections of the MET and the MOMA in New York, the LACMA, the Victoria \u0026amp; Albert Museum in London, the and the Centre Pompidou in Paris, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"Salle de XVIIIeme #6, Chateau de Versailles\"\u003c\/p\u003e\n\u003cp\u003eFrom the Chateau de Versailles series\u003c\/p\u003e\n\u003cp\u003e2005\u003c\/p\u003e\n\u003cp\u003eSigned on gallery label, verso\u003c\/p\u003e\n\u003cp\u003eChromogenic print\u003c\/p\u003e\n\u003cp\u003eEdition: 5\/10\u003c\/p\u003e\n\u003cp\u003e54\"H 40\"W (work)\u003c\/p\u003e\n\u003cp\u003e55\"H 41\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eLiterature: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eR. Polidori,\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e Parcours Muséologique Revisité, Volume 1\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, Göttingen: Steidl, 2009, p. 136\u003c\/span\u003e\u003c\/p\u003e","brand":"Robert Polidori","offers":[{"title":"Default Title","offer_id":47264017973484,"sku":"01-26","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Robert-Polidori-Salle-de-XVIIIeme_6-2005_01.jpg?v=1769725427"},{"product_id":"louise-nevelson-collegiate-1974","title":"LOUISE NEVELSON \"COLLEGIATE\" 1972","description":"\u003cp\u003eCaviar20 is excited to be offering this fantastic tabletop sculpture by the inimitable \u003ca title=\"Louise Nevelson Collegiate 1972\" href=\"https:\/\/www.caviar20.com\/collections\/louise-nevelson\"\u003eLouise Nevelson\u003c\/a\u003e - one of the most revered and unique sculptors of the 20th century.\u003c\/p\u003e\n\u003cp\u003eIn the 1970's Nevelson began to \"work smaller\" and created a handful of editioned sculptures in both metal or acrylic. Nevelson was notably curious about working in other materials and she had a brief but fruitful exploration with acrylic and plexiglass. \u003c\/p\u003e\n\u003cp\u003e\"Collegiate\" is a striking table-top sculpture that appears to be a decal or award from some future society. Like the best of Nevelson's work, there are allusions to tribal art and utopian or post-apocalyptic architecture.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe are especially impressed with the condition of this work. The acrylic frame is in very good condition, which is exceptionally hard to come by considering that this work is over fifty years old. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional images available by request.\u003c\/p\u003e\n\u003cp\u003eIncised signature, date, and numbered \"130\/150\" on verso base. \u003c\/p\u003e\n\u003cp\u003eFrom an edition of 150\u003c\/p\u003e\n\u003cp\u003eAcrylic and painted cast metal \u003c\/p\u003e\n\u003cp\u003eUSA, 1972\u003c\/p\u003e\n\u003cp\u003e9.25\"W 8.5\"H 4.25\"D \u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: available edition number is different from the example pictured. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Louise Nevelson","offers":[{"title":"Default Title","offer_id":47266325463276,"sku":"02-17x2-11-24x01-26","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Louise-Nevelson-Collegiate-1972_02.jpg?v=1778103179"},{"product_id":"martha-diamond-tower-bones-painting-1988","title":"MARTHA DIAMOND \"TOWER\/BONES\" PAINTING, 1987","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" style=\"color: rgb(0, 0, 0);\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMartha Diamond's (1944-2023) paintings captured the architectural and psychological essence of New York City. In dialogue with generations of abstract artists, Diamond is revered as one of America's most perceptive painters of the last five decades.\u003c\/p\u003e\n\u003cp\u003eDiamond's oeuvre was defined by architectural and urban fascination. Growing up in Queens, she was moved by the dynamism of visiting Manhattan as a child. These trips left her with a lasting impression of motion, imposing skylines, and evolving infrastructure.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDuring a period of over fifty years of living and working in Lower Manhattan, she witnessed periods of intense artistic, cultural, and architectural change. By developing a practice rooted in lived experiences, she \u003cmeta charset=\"utf-8\"\u003eimmersed herself and her viewers into the unique metropolitan kaleidoscope that was New York.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDiamond’s paintings, characterized by energetic brushwork and a rich engagement with color and surface, evoke New York’s soaring geometry as both structure and sensation. By combining spirited experimentation with perceptive observation, Diamond captures the emotion, character, and essence of the constructed spaces around her.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis painting is both intriguing and haunting, a true paradigm from her oeuvre. Rendered in shades of taupe, chocolate, chestnut and elephant grey with accents of tangerine, the painting depicts a soaring, evocative, hallucinatory construction. Evocative of a ribcage, the tower soars through a shroud of clouds. \u003cmeta charset=\"utf-8\"\u003eIn \"Tower\/Bones,\" Diamond offers her viewers a dizzying architectural limb emerging from mist, clouds, smog...or memory. \u003c\/p\u003e\n\u003cp\u003eDiamond's work is held in the permanent collections of the Art Institute of Chicago; the Brooklyn Museum, NY; the Guggenheim, NY; MFA, Boston; The Whitney, NY; among others. She was the subject of a major survey exhibition \u003ca href=\"https:\/\/museum.colby.edu\/exhibitions\/martha-diamond-deep-time\"\u003e\u003cem\u003eDeep Time\u003c\/em\u003e\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eorganized by the Colby College Museum of Art in Maine (2024), and The Aldrich Contemporary Art Museum in Connecticut (2025).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Tower\/Bones\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUSA, 1987\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e36\"H 24\"W (canvas)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e43.5\"H 31.5\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNewly framed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRobert Miller Gallery label verso (inventory number DIAM-0106)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRobert Millery Gallery stamped on canvas stretcher verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExhibition History: The Butler Institute of American Art (Youngstown, OH) in the 53rd Annual National Midyear Exhibition (June 25-August 20, 1989) Label verso. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Single owner. Acquired from the Robert Miller Gallery in January 1990. Copy of original bill of sale available. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNote: This painting will be included in the upcoming Catalogue Raisonné of all known paintings, prints, and drawings by Martha Diamond, organized by the Martha Diamond Trust.\u003c\/span\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003ca style=\"color: rgb(0, 0, 0);\" href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Martha Diamond","offers":[{"title":"Default Title","offer_id":47273639477484,"sku":"07-25","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Martha-Diamond-Tower-Bones_Thumbnail.jpg?v=1772559468"},{"product_id":"lee-bontecou-untitled-new-york-for-stockholm-1973","title":"LEE BONTECOU \"UNTITLED (STOCKHOLM)\" 1970","description":"\u003cp\u003eLee Bontecou (1931 - 2022) is an important and unique contributor to American abstraction during the 20th century.\u003c\/p\u003e\n\u003cp\u003eIn the late 1950's, Bontecou began exhibiting innovative and radical wall mounted sculptures. Using an array of mostly discarded or utilitarian materials--including mail sacks or components from discarded machines--Bontecou created 3-dimensional works that were highly ambiguous and intriguing.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDuring the 1960's Bontecou exhibited at Leo Castelli's eponymous gallery alongside Frank Stella and other major artists. All three of these artists blurred the distinctions and definition between painting and sculpture. \u003c\/p\u003e\n\u003cp\u003eVoids are one of Bontecou's signature motifs - yet the meaning behind them is debated and contested. Are these metaphors for war, genitlia, or portals into a mysterious dimension? \u003c\/p\u003e\n\u003cp\u003eLike many sculptors of her generation, Bontecou created complimentary drawings and prints. This work is a paradigm of her practice, depicting an ocular element and a void. Executed in silver ink over a black page, this print is visually striking and has a depth that evokes the overarching themes within her oeuvre.\u003c\/p\u003e\n\u003cp\u003eOver the last decade her work has been rediscovered by art historians, curators and collectors -- a similar phenomena to \u003ca rel=\"noopener\" title=\"Louise Nevelson\" href=\"https:\/\/www.caviar20.com\/collections\/louise-nevelson\/louise-nevelson\" target=\"_blank\"\u003eLouise Nevelson\u003c\/a\u003e. There has been tremendous resurgence in her reputation and market. This is an ideal piece for a (young) collector interested in American abstraction, sculpture, or women artists.  \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUntitled (Stockholm)\u003c\/p\u003e\n\u003cp\u003eUSA, 1970\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLithograph\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned in pencil, verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned and dated in plate, lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9\"H 12\"W (work)  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e22.25\"H 27.75\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFramed with museum glass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: while the image is the same as the 1973 edition included in the \u003cem\u003eNew York for Stockholm \u003c\/em\u003ePortfolio, this print predates that edition by three years. It was likely the original image that the 1973 work was taken from.\u003c\/p\u003e","brand":"Lee Bontecou","offers":[{"title":"Default Title","offer_id":47273785032940,"sku":"01-26","price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Lee-Bontecou-Untitled-Stockholm-1973_01.jpg?v=1770147004"},{"product_id":"damien-hirst-dumpling-last-supper-screenprint-1999","title":"DAMIEN HIRST \"DUMPLING: LAST SUPPER\" SCREENPRINT, 1999","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/damien-hirst\"\u003eDamien Hirst\u003c\/a\u003e is arguably the most successful living British artist. \u003c\/span\u003eSince the late 1980s, he has created installations, sculptures, paintings, prints, and drawings that examine the complex relationships between art and beauty, religion and science, and life and death. He established his reputation, as both an artist and curator, in the 1990's with a new generation of creators knowns as the Young British Artists (YBAs).\u003c\/p\u003e\n\u003cp\u003eHirst has become one of the art worlds' most recognized, discussed, and collected provocateurs. His earlier work, like his iconic sharks suspended in formaldehyde tanks incite strong, visceral responses that divide audiences on both sides of the pond.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Dumpling\" is one of thirteen screenprints from Hirst’s \u003cem\u003eThe Last Supper\u003c\/em\u003e series. Within the grouping, Hirst mimics pharmaceutical packaging but replaces the names of a medications with that of common British foods. The series \u003cspan\u003eis one of several\u003c\/span\u003e\u003cspan\u003e commissioned from British artists by Charles Booth-Clibborn, and published by his imprint, The Paragon Press, London.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThese oversized prints questions our credulous nature towards pharmaceuticals, suggesting that our trust and dependency toward modern medicine is akin to blind faith in religion. The number of prints in the suite echoes the number of disciples present at The Last Supper – demonstrating Hirst's attention to detail and intentionality throughout his oevre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1154\" data-start=\"767\"\u003eBy drawing connections between religion and medicine, Hirst suggests that we now place our trust in the latter and consume medication as unquestioningly as food. Drawing a further comparison between the mass commercialization of pharmaceuticals and fast food, Hirst highlights the omnipresence of both industries, as well as their physiological consequences, which often go unrecognized.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHirst first began including medical imagery and motifs in his work  as early as the 1980s. This work is exemplary of Hirst’s critical analysis of big pharma and his commitment to subverting and questioning its widespread acceptance...with his unmistakable cheeky British humor. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Dumpling\" is held in the permanent collections of the \u003ca href=\"https:\/\/www.moma.org\/collection\/works\/98979\"\u003eMoMA\u003c\/a\u003e, New York; the \u003ca href=\"https:\/\/www.thebroad.org\/art\/damien-hirst\/last-supper\"\u003eBroad\u003c\/a\u003e, LA; the \u003ca href=\"https:\/\/www.nationalgalleries.org\/art-and-artists\/85753\"\u003eNational Galleries\u003c\/a\u003e, UK; the \u003ca href=\"https:\/\/www.kemperart.org\/artist\/damien-hirst\"\u003eKemper Museum of Contemporary Art\u003c\/a\u003e; the \u003ca href=\"https:\/\/www.tate.org.uk\/art\/artworks\/hirst-dumpling-p11647\"\u003eTate\u003c\/a\u003e, London; the \u003ca href=\"https:\/\/www.nga.gov\/artworks\/173080-dumplings\"\u003eNational Gallery\u003c\/a\u003e, Washington, DC; and the \u003ca href=\"https:\/\/www.ngv.vic.gov.au\/explore\/collection\/work\/74310\/\"\u003eNational Gallery of Victoria\u003c\/a\u003e, Australia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Dumpling\" from \u003cem\u003eThe Last Supper\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eEngland, 1999\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eColor screenprint on Somerset wove paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned in pencil, lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom an edition of 150\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted at \u003cmeta charset=\"utf-8\"\u003eCoriander Studio, London\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by Paragon Press, London\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e60.5”H 40”W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e64.25\"H 44\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eFramed with plexiglass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLiterature: \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\u003cspan\u003e- Damien Hirst\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, exh. cat., Tate Modern, London, 2012, p.233 (illustrated)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Jeffrey Sherwin, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eFrom France to England, British Surrealism Opened Up\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, Bradford, 2014, p. 132 (illustrated)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Damien Hirst","offers":[{"title":"Default Title","offer_id":47300890558700,"sku":"02-26","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Damien-Hirst-Dumpling_01_6a89fede-9dcd-438c-9ee0-a525cd754543.jpg?v=1770920816"},{"product_id":"henry-moore-three-piece-reclining-figure-bronze-1963","title":"HENRY MOORE \"THREE PIECE RECLINING FIGURE\" BRONZE, 1963","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHenry Moore (1898-1986) is one of the most revered and influential British artists of the 20th century, and one of the most important Modernist sculptors. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhile he worked in a number of different media and styles, Moore is best known for his revolutionary work in bronze sculpture. His large-scale semi-abstract sculptures can be seen not only in institutions around the world, but in many outdoor public spaces as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe human figure is an essential motif in Moore’s oeuvre, a theme that he continuously explored throughout his illustrious career. \u003c\/span\u003eThis piece is a fantastic example of Moore’s work in bronze, albeit on a much more intimate scale.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFeaturing a segmented reclining figure, this piece is indicative of Moore’s exploration with composition and flow. Like the best of Moore’s work, the unusual proportions exist in harmony, maintaining an unexpected semblance of balance and continuity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eMoore's aesthetic, whether expressed on paper or in three-dimensions, is simultaneously elegant yet slightly primitive. Moore's creations suggest they have been either reduced by time or the forces of nature but also demonstrate the artist's mastery at the stylization of the human body. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eToday, Moore’s work is enjoyed across the globe with public sculptures spanning across 38 countries. His legacy is preserved by the Henry Moore Foundation, a registered charity in support of the arts, located in Perry Green, Hertfordshire where the artist lived and worked for 40 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor art lovers in Toronto, Henry Moore has a special relevancy and connection. The Art Gallery of Ontario has the world's largest collection of Moore's work, including over 900 works, mostly donated by the artist in the early 1970's. Furthermore, Toronto has two major public Moore sculptures\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Archer Henry Moore\" href=\"http:\/\/www.thestar.com\/entertainment\/2013\/04\/03\/henry_moores_threeway_piece_no_2_a_reminder_of_a_bygone_toronto.html\"\u003e\"The Archer\" (in front of City Hall)\u003c\/a\u003e, and \"Large Two Forms\" (in Grange Park, behind the AGO).\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Three Piece Reclining Figure\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e1963 (cast 1977)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eBronze\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEdition 5 of 9\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e4.5\"H 8.75\"W 4.75\"D \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eLiterature:\u003cbr\u003eHenry Moore Complete Sculpture 1915-1986\u003cbr\u003eHenry Moore Catalogue Raisonné: 1960-1969\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Henry Moore","offers":[{"title":"Default Title","offer_id":47301145592044,"sku":"02-26","price":999999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Henry-Moore-Sculpture-icon.jpg?v=1770927249"},{"product_id":"vasa-mihich-magenta-rush-triangle-1993","title":"VASA MIHICH \"MAGENTA RUSH TRIANGLE\" 1993","description":"\u003cp\u003e\u003ca title=\"Vasa Mihich acrylic sculpture Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/vasa-mihich\"\u003eVasa Mihich\u003c\/a\u003e is a renowned Los Angeles-based artist known for his sleek, colorful, and captivating acrylic sculptures. He was a Senior Professor of Design at the University of California, Los Angeles (UCLA) where he taught color theory for many years.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMihich is a master of acrylic and has worked with the material for nearly 50 years. His finest works, exemplified by this piece, feature colors that meld, recede, or transform into different shades.\u003c\/p\u003e\n\u003cp\u003eHis sculptures, with their different geometric planes suspended in acrylic, are dynamic and endlessly fascinating. Caviar20 is excited to offer this fine example of Mihich's iconic technique imagined through this captivating atypical form.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Magenta Rush\" features Vasa's signature electric palette, where vibrant shades of florescent orange, sky blue, deep pink, and light purple merge in fluid harmony, creating impressive ombres and entire angles of pure color. Receding and overlapping one other, the mingling hues provide endless intrigue and multiple ways to contemplate the work. \u003cmeta charset=\"utf-8\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAfter dedicating years of his career to education, Mihich now commits himself fully to his studio in Los Angeles where he continues to push the potential of sculpture with the acrylic medium. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Malibu Sunset Triangle\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAcrylic\u003c\/p\u003e\n\u003cp\u003eUSA, 1993\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncised signature and dated 93 by the artist\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e11.5\"W 8.25\"H 2.5\"D\u003c\/p\u003e\n\u003cp\u003eVery good condition. Detailed condition report by request\u003c\/p\u003e","brand":"Vasa Mihich","offers":[{"title":"Default Title","offer_id":47324165734636,"sku":null,"price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Vasa-Mihich--Magenta-Rush_8_H_thumbnail.jpg?v=1771621386"},{"product_id":"tony-scherman-banquos-funeral-1996","title":"TONY SCHERMAN “BANQUO'S FUNERAL\" 1996","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/tony-scherman\" title=\"Tony Scherman Caviar20\"\u003eTony Scherman\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(1950-2023) is one of Canada's the most distinctive artists. He is renowned internationally for his encaustic paintings, a notoriously difficult medium to work in.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScherman's allusions to both world and art history, are constants throughout his oeuvre. While his moody palette and sumptuous portraits (whether contemporary, historical or allegorical) reference a range of masters, his works remain visceral and contemporary. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThroughout his career, Scherman has created a striking body of work that often portrays and considers characters from history or 20th-century literature.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis work on paper comes from Scherman's series \u003ca href=\"https:\/\/tonyscherman.com\/banquos-funeral\"\u003e\u003cem data-start=\"905\" data-end=\"923\"\u003eBanquo's Funeral\u003c\/em\u003e\u003c\/a\u003e — a sustained meditation on the character of Banquo from \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMacbeth\u003c\/span\u003e\u003c\/span\u003e. In this series, Scherman reimagines the aftermath of Banquo’s murder, inventing a funeral that Shakespeare never stages.\u003c\/p\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"a552d1ca-8c45-4428-9750-1c80788b4e10\" dir=\"auto\" data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"857\" data-end=\"1553\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe works are not literal illustrations but psychological tableaux: fractured, dreamlike scenes that dwell on guilt, memory, and the uneasy persistence of the dead. As in much of Scherman’s practice, the narrative is pared down to charged fragments — faces, gestures, ceremonial details — allowing the historical and theatrical subject to feel immediate, intimate, and disquietingly present.\u003c\/p\u003e\n\u003cp data-start=\"857\" data-end=\"1553\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis work on paper depicts a feeling present at the funeral. It could be Banquo's soul leaving his body, or a distressed guest in anguish. With blue, teal, and red hues fading into a textured page, this work is hauntingly enticing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"857\" data-end=\"1553\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eScherman’s work can be found in nearly every public collection in Canada, as well as many international museums including LACMA (Los Angeles) and Centre Pompidou (Paris).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"857\" data-end=\"1553\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Banquo's Funeral\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCanada, 1996\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOil and mixed media on wax paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned, dated, and titled in pencil, lower edge\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e23\"H 17.5\"W (work)\u003c\/p\u003e\n\u003cp\u003e(framed)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"Tony Scherman","offers":[{"title":"Default Title","offer_id":47324243788012,"sku":"02-26","price":6000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Tony-Scherman-Banquo-1996_01.jpg?v=1771626401"},{"product_id":"mickalene-thomas-screen-test-screenprint-2024","title":"MICKALENE THOMAS \"SCREEN TEST\" SCREENPRINT, 2024","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/mickalene-thomas\" title=\"Mickalene Thomas prints and editions Caviar20\"\u003eMickalene Thomas\u003c\/a\u003e (b.1971) is an American artist exploring the intersection of popular culture and art history, through a contemporary Black female gaze. As an openly gay Black woman, \u003cmeta charset=\"utf-8\"\u003eThomas foregrounds sexuality, race, and representation, reconfiguring the conventions of portraiture to centre Black women as subjects of power, agency, and desire.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThomas frequently creates portraits of Black women—friends, lovers, and muses—who emanate a self-possessed confidence or studied nonchalance. \u003cmeta charset=\"utf-8\"\u003ePatterned grounds and layered surfaces frame her subjects, as she draws from a wide visual lexicon that includes Blaxploitation cinema, Pop Art, Cubism, Dada, and even Renaissance portraiture. As is characteristic of Thomas’ practice, these references do not function as quotation alone, but as reclamation—an assertion that Black femininity belongs unapologetically within, and at the centre of, art history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis textured screenprint invokes a typical “screen test” a playful nod to both Andy Warhol and the archetype of the Director and \"his\" casting couch. At once deeply intimate and playfully uninhibited, the model occupies the pictorial space with composure and authority, subtly reversing the dynamics of scrutiny traditionally embedded within portraiture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe title \u003cem data-end=\"1228\" data-start=\"1215\"\u003eScreen Test\u003c\/em\u003e evokes both cinematic audition and the mediated construction of identity. Thomas has long been attuned to the performative dimensions of selfhood: how beauty, glamour, and desirability are staged, consumed, and codified. \u003cmeta charset=\"utf-8\"\u003eHere, the “test” becomes a site of quiet defiance—less an audition than an assertion—where the subject controls the terms of visibility.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003eThis print is held in the permanent collection of the \u003ca href=\"https:\/\/www.moma.org\/collection\/works\/480717\" rel=\"noopener\" target=\"_blank\"\u003eMoMA\u003c\/a\u003e, New York. Thomas' works can be found in numerous permanent collections globally, including: the Musée des beaux-arts de Montréal; the Guggenheim, the Smithsonian, and the Whitney, New York; among many others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Screen Test\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUSA, 2024\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eScreenprint with black enamel ink and silver glitter hand additions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned, dated, and numbered \"17\/55\" in pencil, lower margin\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted and published by Brand X Editions to benefit Print Center New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom an edition of 55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e16\"H 16\"W (sheet)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e18.5\"H 18.5\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNewly framed with museum glass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Mickalene Thomas","offers":[{"title":"Default Title","offer_id":47328738476268,"sku":"02-26","price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Mickalene-Thomas-Screen-Test-2024_01.jpg?v=1771875581"},{"product_id":"michael-snow-silhouette-collage-1980","title":"MICHAEL SNOW \"SILHOUETTE\" COLLAGE, 1980","description":"\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/ywd29dwtejx6airp-742712.shopifypreview.com\/collections\/michael-snow\"\u003eMichael Snow\u003c\/a\u003e (1929-2023) is one of the most remarkable multi-disciplinary Canadian artists. He is renowned for a diverse body of work that ranges from experimental films and jazz recordings to sculptures and large scale public art. No matter the medium, Snow\u003c\/span\u003e\u003cspan\u003e’\u003c\/span\u003e\u003cspan\u003es unparalleled ability to alternate between populist and avant garde art remains consistent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Walking Woman,\" Snow's largest and best known body of work, features a silhouette of his friend and fellow musician \u003ca title=\"Michael Snow - Carla Bley\" href=\"https:\/\/caviar20.com\/products\/michael-snow-carla-bley-photolitho-1965\"\u003eCarla Bley\u003c\/a\u003e.\u003c\/span\u003e\u003cspan\u003e Snow would realize this form in a multitude of incarnations – paintings, large scale sculptures, newspaper ads, street art and film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAlong with silhouettes, Snow frequently used collage throughout his oeuvre. This work highlights the outline of a stylized cartoon or primitive figure. Set against a bright orange sheet, the brown shape presents a man standing head-on, with his arms hanging along his sides. His features are exaggerated, his extremities stretched and distorted, evoking a sense of comical hyperbole.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe layered physicality of this piece personifies the figure, emphasizing each curve and detail. Upon close inspection, a second layer of paper and ink are layered under the brown figure, emphasizing its form. With interacting elements, t\u003c\/span\u003ehis collage demonstrates Snow's playful and thoughtful creation process.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eToday, Snow's work is held in numerous public collections including The MoMA (NYC), the Art Gallery of Ontario, and The National Gallery of Canada (Ottawa). In 1981, Snow was awarded the Order of Canada and upgraded to a companion in 2007 in recognition of his international contributions to visual arts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUntitled (Silhouette)\u003c\/p\u003e\n\u003cp\u003eCanada, 1980\u003c\/p\u003e\n\u003cp\u003eCollaged paper\u003c\/p\u003e\n\u003cp\u003eSigned and dated by the artist, lower right\u003c\/p\u003e\n\u003cp\u003e17.75\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e”\u003c\/span\u003eH 11.75\u003cspan\u003e”\u003c\/span\u003eW (work)\u003c\/p\u003e\n\u003cp\u003e20\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e”\u003c\/span\u003eH 14\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e”\u003c\/span\u003eW (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Michael Snow","offers":[{"title":"Default Title","offer_id":47331694117100,"sku":"02-26","price":4000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Michael-Snow-Collage-1980_01.jpg?v=1771965812"},{"product_id":"ray-mead-yellow-composition-1996","title":"RAY MEAD \"YELLOW COMPOSITION\" 1996","description":"\u003cp data-start=\"84\" data-end=\"555\"\u003eA founding member of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePainters Eleven\u003c\/span\u003e\u003c\/span\u003e, Ray Mead (1921-1988) occupies a distinct place within the arc of postwar Canadian abstraction.\u003c\/p\u003e\n\u003cp data-start=\"84\" data-end=\"555\"\u003e\u003cmeta charset=\"utf-8\"\u003eMead immigrated to Canada and settled in Hamilton in 1946. He had important relationships with Walter Yarwood and Hortense Gordon. The later shared many of her lessons that she had absorbed from studying with \u003ca title=\"Hans Hofmann Caviar20\" href=\"https:\/\/www.caviar20.com\/products\/hans-hofmann-the-city-1940?_pos=1\u0026amp;_sid=becd32820\u0026amp;_ss=r\"\u003eHans Hoffmann\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp data-start=\"84\" data-end=\"555\"\u003e\u003cmeta charset=\"utf-8\"\u003eIn the early 1950s, Mead made several trips to New York City, intrigued by the nascent dominance of Abstract Expressionism. As a result, Mead's work reflected a synthesis of European Modernism and mid-century American abstraction. \u003c\/p\u003e\n\u003cp data-start=\"84\" data-end=\"555\"\u003e\u003cmeta charset=\"utf-8\"\u003eMead was not nearly as active as some of his contemporaries (notably Harold Town and William Ronald) after the demise of Painters Eleven. He took a significant amount of time off from being a studio artist in order to focus on graphic design.\u003c\/p\u003e\n\u003cp data-start=\"84\" data-end=\"555\"\u003eMead brought a designer’s clarity and an instinct for compression to his painting practice. His compositions are taut, economical, and resolutely frontal; fields of saturated colour interlocked with hard-edged forms that hover between geometry and organic forms.\u003c\/p\u003e\n\u003cp\u003eDespite the art market's predictable preference for works created during the 1950's, Mead is one member of Painters Eleven who arguably became more distinctive (and perhaps better!) towards the end of his life. His compositions become more confident and graphic, often alluding to the late works of Robert Motherwell.\u003c\/p\u003e\n\u003cp\u003eExecuted in a marigold with cadmium accents and a lower linear structure, this work on paper is a fine example from the last chapter of Mead's career.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Untitled\"\u003c\/p\u003e\n\u003cp\u003eCanada, 1996\u003c\/p\u003e\n\u003cp\u003eAcrylic on paper\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSigned and dated, lower left\u003c\/p\u003e\n\u003cp\u003e22\"H 30\"W (work)\u003c\/p\u003e\n\u003cp\u003e35\"H 42.5\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e","brand":"Ray Mead","offers":[{"title":"Default Title","offer_id":47331813228780,"sku":"02-26","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Ray-Mead-Untitled-_YellowComposition_-1996_01.jpg?v=1772125655"},{"product_id":"ray-mead-the-megaron-1975","title":"RAY MEAD \"THE MEGARON\" 1975","description":"\u003cp data-start=\"84\" data-end=\"555\"\u003eA founding member of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePainters Eleven\u003c\/span\u003e\u003c\/span\u003e, Ray Mead (1921-1988) occupies a distinct place within the arc of postwar Canadian abstraction.\u003c\/p\u003e\n\u003cp data-start=\"84\" data-end=\"555\"\u003e\u003cmeta charset=\"utf-8\"\u003eMead immigrated to Canada and settled in Hamilton in 1946. He had important relationships with Walter Yarwood and Hortense Gordon. The later shared many of her lessons that she had absorbed from studying with \u003ca title=\"Hans Hofmann Caviar20\" href=\"https:\/\/www.caviar20.com\/products\/hans-hofmann-the-city-1940?_pos=1\u0026amp;_sid=becd32820\u0026amp;_ss=r\"\u003eHans Hoffmann\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp data-start=\"84\" data-end=\"555\"\u003e\u003cmeta charset=\"utf-8\"\u003eIn the early 1950s, Mead made several trips to New York City, intrigued by the nascent dominance of Abstract Expressionism. As a result, Mead's work synthesized European Modernism and mid-century American abstraction. \u003c\/p\u003e\n\u003cp data-start=\"84\" data-end=\"555\"\u003e\u003cmeta charset=\"utf-8\"\u003eMead was not nearly as active as some of his contemporaries (notably Harold Town and William Ronald) after the demise of Painters Eleven. He took a significant amount of time off from being a studio artist in order to focus on graphic design.\u003c\/p\u003e\n\u003cp data-start=\"84\" data-end=\"555\"\u003eMead brought a designer’s clarity and an instinct for compression to his practice. Using painted surfaces and collaged paper, Mead creates interactions that have an inherent depth. This dynamic work on paper features long swaths of unmodulated color interlocked with hard-edged forms. Using economical compositional strategies, Mead creates a developed surface that is resolutely frontal. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe simplicity of this work, like many of this era, seems to balance the spirit of abstract expressionism with minimalism.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMead is one member of Painters Eleven who arguably became more distinctive (and perhaps better!) towards the end of his life. His compositions become more confident and graphic, often alluding to the late works of Robert Motherwell.\u003c\/p\u003e\n\u003cp\u003eThis graphic collage on paper is a fine example from the later part of Mead's career.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"The Megaron\"\u003c\/p\u003e\n\u003cp\u003eCanada, 1975\u003c\/p\u003e\n\u003cp\u003eCollage and acrylic on Arches paper\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSigned and dated lower center\u003c\/p\u003e\n\u003cp\u003e29.75\"H 20\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e34.5\"H 25.75\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Ray Mead","offers":[{"title":"Default Title","offer_id":47342857486572,"sku":null,"price":4000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Ray-Mead-The-Megaron-1975_01.jpg?v=1772218873"},{"product_id":"stanley-boxer-gulfingblissunderaparting-1980","title":"STANLEY BOXER \"GULFINGBLISSUNDERA- PARTING\" 1979","description":"\u003cp\u003eStanley Boxer (1926-2000) was an American artist renowned for his materially dense abstract paintings. Over four decades, his work redefined the possibilities of abstraction.\u003c\/p\u003e\n\u003cp\u003eBased in New York City, Boxer defined the conventions of his era. He trained at the famed Arts Students League after returning from WWII. Catching the eye of renowned critic Clement Greenberg, Boxer was often identified alongside the Color Field painters. However, he rejected this label (and any label), favouring a practice centred on materiality, texture and process.\u003c\/p\u003e\n\u003cp\u003eWithin his diverse output (including painting, sculpture, collage, and printmaking), Boxer navigated the various artistic ideologies of the time while maintaining a unique identity, marked by radiant and nuanced surfaces. He referred to himself as a \"practitioner,\" emphasizing \u003cem\u003epractice\u003c\/em\u003e as the key to excelling at art-making. Inspired by the German language and poets like e.e.cummings, Boxer titled his works by stringing together words without punctuation, spacing. He used these ambiguous, run-on titles in an attempt to verbally echo his gestures and process.\u003c\/p\u003e\n\u003cp\u003eBoxer was known to incorporate unconventional material (like string, sand, or glitter) on to the surface of his paintings. Here, swathes of paint are emphasized and shadowed by incorporating powder and glitter. By folding diverse elements into his thick impasto-painted canvas, Boxer offers an abstract consideration of pattern, texture, and color. We would argue that Boxer is at his best in the late 1970's \/ early 80's, where he presents nearly monochromatic surfaces mysteriously realized with a heavy impasto.\u003c\/p\u003e\n\u003cp\u003eBoxer's work is held in many notable public collections throughout the United States, including the Albright-Knox Art Museum, Buffalo; the Des Moines Art Center, Iowa; the Hirshhorn and the Kemper, Washington, DC; the MET and the Guggenheim, New York; the SFMoMA, San Francisco; and the Tate, London, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"GULFINGBLISSUNDERAPARTING\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUSA, 1979\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned and dated, verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e20\"H 44\"W\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Stanley Boxer","offers":[{"title":"Default Title","offer_id":47349821800684,"sku":"02-26","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Stanley-Boxer-painting_01_ceb659e4-3721-4c50-899d-5fabef71eabd.jpg?v=1772468537"},{"product_id":"caio-fonseca-yellow-composition-1995","title":"CAIO FONSECA \"SUN COMPOSITION\" 1995","description":"\u003cp\u003eCaio Fonseca (b. 1959) is an American artist whose practice is rooted in lyrical abstraction.\u003c\/p\u003e\n\u003cp\u003eKnown for creating balanced compositions with tonal harmonies, Fonseca is an artist deeply inspired by the spaces he inhabits. While he grew up in New York, Fonseca spent much time traveling and studying in Europe during the 80s and 90s. This time informed his artistic style, as he worked within the bounds of Neo Expressionism (as opposed to a broader movement toward conceptualism that was becoming popular in America).\u003c\/p\u003e\n\u003cp\u003eStriving beyond a graphic statement, Fonseca creates cumulative living surfaces that are unquestionably made by hand. Influenced strongly by music, his works come together in a visual rhythm, upholding a unique but intangible spirit.\u003c\/p\u003e\n\u003cp\u003eHis process involves layering, as he revisits surfaces from different angles, moments, and with different materials. This creates not only a textural depth but a rhythm and relationship that is balanced and intentional. \u003cmeta charset=\"utf-8\"\u003eIt's not unusual for Fonseca to title his works based on where they were executed.\u003c\/p\u003e\n\u003cp\u003eExecuted in gouache, this work on paper echoes the signature layering and depth of his paintings. \u003cmeta charset=\"utf-8\"\u003eTextured segments, accented with cyan and punctuated with faint lines, come together in a harmonious composition. The viewer experiences a sense of visual depth as they piece together the painted elements, while simultaneously feeling the artist's spatial experience at the time of creation. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFonseca's work is held in numerous public and private collections including: The Met, The Brooklyn Museum, The MoMA, and The Whitney, in New York; the Smithsonian and the Hirshhorn, in Washington, DC; the IVAM, Valencia, Spain; among many others.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"P. 95.105\" (Sun Composition)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1995\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGouache on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned on face, lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned, titled, dated on verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12.25\"H 16\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e19\"H 22.75\"W (framed)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Caio Fonseca","offers":[{"title":"Default Title","offer_id":47356960243948,"sku":"02-26","price":9500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Caio-Fonseca-Yellow-with-Blue-1995_01.jpg?v=1772725715"},{"product_id":"william-ronald-zachary-1993","title":"WILLIAM RONALD \"ZACHARY\" 1992-93","description":"\u003cp\u003eProlific and polemic, William Ronald (1926-1998) is one of the most accomplished and collected artists associated with the Painters Eleven group. \u003c\/p\u003e\n\u003cp\u003eFrustrated by the lack of representation of abstract painting, Ronald was pivotal in the founding of Painters Eleven in 1953. Their first show in 1954 was the first major commercial display of abstract art in Toronto to date.\u003c\/p\u003e\n\u003cp\u003eIn addition to pioneering the Modernism movement within Canada, Ronald was also well-regarded in the New York art scene of the 50s \u0026amp; 60s. He lived and worked there for several years, studying with Hans Hoffman and working on contract for Kootz Gallery alongside Adolph Gottlieb, William de Kooning, Robert Motherwell, Jackson Pollock, Mark Rothko, among others. He moved back to Toronto in 1964, bringing with him a newfound enthusiasm and passion.\u003c\/p\u003e\n\u003cp\u003eWith a maintained interest in automatic painting, Ronald used a vocabulary of symbols, often arranging them centrally within his compositions. \u003cmeta charset=\"utf-8\"\u003eThis jewel-toned painting demonstrates the vitality and dynamism of color for which Ronald is renowned.\u003c\/p\u003e\n\u003cp\u003eMade during the last years of his prolific career, \"Zachary\" is bursting with movement, texture, and layered colors. A dynamic, theatrical confidence echoes through the marks, the forms holding their own weight in within the composition. While upon first glance the light area surrounding the central form fades, its texture and atmospheric depth are activated the longer its examined.\u003c\/p\u003e\n\u003cp\u003ePaintings from Ronald's final years carried a confidence and gestural freedom that echo the gusto of his earliest work. This eye-catching canvas is a paradigm of Ronald's exuberance, and a wonderful example of his later style.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eRonald was regarded as a preeminent Canadian modernist in New York City and beyond, confirmed by the acquisition of his works by the Guggenheim and the MoMA in the 1960s. Today, his work is held in permanent collections of the AGO, Toronto; the Art Institute of Chicago; the Carnegie, Pittsburg; The Albright-Knox, Buffalo; the National Gallery of Canada; the Whitney, New York; among others.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us,\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecall 416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Zachary\"\u003c\/p\u003e\n\u003cp\u003eCanada, 1992-93\u003c\/p\u003e\n\u003cp\u003eOil and acrylic on canvas\u003c\/p\u003e\n\u003cp\u003eSigned and dated, lower left\u003c\/p\u003e\n\u003cp\u003eSigned, dated, titled, verso\u003c\/p\u003e\n\u003cp\u003e36\"H 48\"W (work)\u003c\/p\u003e\n\u003cp\u003eOverall good condition. Full report available on request.\u003c\/p\u003e\n\u003cp\u003eProvenance: \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA gift from the artist to his wife, Alana Ronald\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrivate Collection, Montreal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNote: price is $7,500 CAD\u003c\/span\u003e\u003c\/p\u003e","brand":"William Ronald","offers":[{"title":"Default Title","offer_id":47360245039340,"sku":"03-26","price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_William-Ronald-Zachary-1992-93_01_a1edb42f-af7e-4815-ba26-553cf118af86.jpg?v=1772814902"},{"product_id":"robert-goodnough-upward-lift-movement-1985","title":"ROBERT GOODNOUGH \"UPWARD LIFT MOVEMENT\" 1985","description":"\u003cp\u003eRobert Goodnough (1917-2010) was an accomplished abstract American painter, renowned for his iconic compositions that featured confetti-like arrangements of polygons.\u003c\/p\u003e\n\u003cp\u003eWhile tangentially associated with the Color Field painting, his earlier works were informed by Abstract Expressionisms bent towards gestural abstraction at its outset. \u003c\/p\u003e\n\u003cp\u003eDuring the 1950s, Goodnough was influenced by competing artistic trends of the day to bridge Cubism and gestural abstraction. He was included in the highly influential 9th Street Art Exhibition, curated by Leo Castelli in 1951. Goodnough was in good company amongst Motherwell, de Kooning, Frankenthaller, and others. The show heralded a new direction for abstraction in America, and the associated artists were collectively referred to as \"The New School,\" despite their obvious stylistic and ideological differences.\u003c\/p\u003e\n\u003cp\u003eThis painting is a fine example of Goodnough favoring a structured, geometric approach, after veering away from the loose and lyrical process of Abstract Expressionism. \u003cmeta charset=\"utf-8\"\u003ePerhaps implying a once solid surface, bunches of angular pastel shards are energetically arranged across this striking canvas.\u003c\/p\u003e\n\u003cp\u003eThere is a feeling of spontaneity and automatism in his forms, as they move side to side across a cream-colored canvas. The multicolored shards converge in the lower right above a teal base, evoking a sense of weight to the mass as a whole. Giving us a hint at direction with his title, Goodnough has orchestrated a synergistic scene that is vibrating with spirit.\u003c\/p\u003e\n\u003cp\u003eDuring his career, Goodnough exhibited at the prestigious \u003cspan\u003eTibor de Nagy and André Emmerich galleries. \u003c\/span\u003eToday, \u003cspan style=\"font-family: Garamond, sans-serif;\"\u003ehis\u003c\/span\u003e work can be found in numerous public collections including the MoMA, the Metropolitan Museum of Art, the Art Institute of Chicago, the Albright-Knox Art Gallery, and many more. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us,\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecall 416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Upward Lift Movement\"\u003c\/p\u003e\n\u003cp\u003eAcrylic and oil on canvas, 1985\u003c\/p\u003e\n\u003cp\u003eSigned on face, lower right\u003c\/p\u003e\n\u003cp\u003eSigned, titled and dated verso\u003c\/p\u003e\n\u003cp\u003e30”H 48”W (work)\u003c\/p\u003e\n\u003cp\u003e33\"H 51\"W (framed)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"Robert Goodnough","offers":[{"title":"Default Title","offer_id":47360403767532,"sku":"03-26","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Robert-Goodnough-Upward-Lift-Movement-1985_01.jpg?v=1772831009"},{"product_id":"robert-motherwell-flags-lithograph-1989","title":"ROBERT MOTHERWELL \"FLAGS\" LITHOGRAPH, 1989","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca title=\"Toronto art gallery collection featuring artwork by iconic abstract expressionist, Robert Motherwell\" href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell\"\u003eRobert Motherwell\u003c\/a\u003e (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and established New York City as the center of the art world for the second half of the 20th century.   \u003c\/p\u003e\n\u003cp\u003eMotherwell, an uncommonly gifted communicator, acted as the unofficial spokesman of the New York School--writing, teaching, and lecturing on behalf of the movement, his fellow artists, and the merits of abstraction.\u003c\/p\u003e\n\u003cp\u003eHis contributions to painting in the 20th century are matched only by his contributions to printmaking.  He was always searching for new techniques, whether at his own printmaking atelier, or collaborating with others, to expand his ideas and express his aesthetic.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"Flags\" is a superb impression from Motherwell. Featuring bold, black shapes against a powerful field of saturated red, this work is not easily forgotten. The dark brushstrokes are palpable, their edges bleeding into the crimson backdrop. Elegant and raw, this print masterfully balances the sprits of abstract expressionism with minimalism.\u003c\/p\u003e\n\u003cp\u003eUnsurprisingly, Motherwell's punchy red prints are the most collected and sought-after works in his oeuvre. \u003c\/p\u003e\n\u003cp\u003eAnother impression of this piece is held in the collection of the \u003ca href=\"https:\/\/walkerart.org\/collections\/artworks\/flags\"\u003eWalker Art Center\u003c\/a\u003e, Minneapolis.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"FLAGS\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUSA, 1989\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003eLithograph, embossing, and chine appliqué on cream Rives BFK mould-made paper; red Moriki handmade paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned \"RM\" and numbered \"31\/68\" in pencil by the artist, lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Tyler Graphics Ltd., Mount Kisco, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted by Lee Fundburg, Tyler Graphics Ltd.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWorkshop chop mark lower right; workshop number \"RM88-966\" in pencil, reverse lower left\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 68\u003c\/p\u003e\n\u003cp\u003e36.25\"H 30\"W (sheet)\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eCatalogue Raisonné: Engberg \u0026amp; Banach 470\u003c\/p\u003e\n\u003cp\u003eConcordance: B 408; TGL RM87\u003c\/p\u003e","brand":"Robert Motherwell","offers":[{"title":"Default Title","offer_id":47382404825324,"sku":"03-26","price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Robert-Motherwell-Flags-1989_01.jpg?v=1773341329"},{"product_id":"francis-bacon-second-version-tryptych-1944-lithograph-1989","title":"FRANCIS BACON \"SECOND VERSION, TRIPTYCH 1944\" LITHOGRAPH, 1989","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFrancis Bacon (1909-1992) is one of the most distinctive, provocative, and influential painters of the 20th century.  He is a true disrupter in the canon of Art History. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHis singular aesthetic was an intersection between abstraction and expressionistic portraiture. While the subjects in his paintings were often identified, distinctive features were typically smeared and distorted, often reflecting their inner turmoil or the artist's conflicting emotions related to his subject.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Second Version of Triptych, 1944\" is a 1988 reworking of \u003ca rel=\"noopener\" href=\"https:\/\/www.tate.org.uk\/art\/artworks\/bacon-three-studies-for-figures-at-the-base-of-a-crucifixion-n06171\" target=\"_blank\"\u003e\u003cem\u003eThree Studies for Figures at the Base of a Crucifixion\u003c\/em\u003e\u003c\/a\u003e. Created at the age of 78, it was the artist's last triptych. While the focal figures in the Second Version are comparable to the first, they are smaller on the larger canvases, plunged into a deep void. \u003c\/span\u003e\u003cspan class=\"s1\"\u003eBacon also changed the orange background to a deep crimson\/rust red, heightening the sense of inherent violence. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe distorted anthropomorphic creatures howl and scream, echoing the version he created during the Second World War. These figures recall the vengeful Greek Furies and Christian crucifixion imagery. Punishing those who go against the natural order, the Greek Furies are a pointed representation from Bacon, reflecting the horrors of war, the Holocaust, and a world order in flux.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVisceral and haunting, each \"figure\" maintains their independence and awful intensity. Harrowing postures, gnawing teeth, contorted limbs, and bulbous masses evoke a characteristic nightmarish essence that remains \u003cmeta charset=\"utf-8\"\u003eever present in Bacon's oeuvre.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis set of three lithographs was produced one year after the painting, at a time when Bacon's work was being shown globally. \u003cmeta charset=\"utf-8\"\u003eAs an intentional reworking of one of his most important paintings, this artwork would be a notable addition to any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eOver the years, this triptych of lithographs have regularly been split up, with each element being sold independently. It is increasingly rare to find a complete triptych like this one on the secondary market.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eToday, Bacon's canvases fetch astounding prices at auction, achieving a record of $142.4 million in 2014.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003eSecond Version, Triptych 1944\"\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eParis, 1989\u003c\/p\u003e\n\u003cp\u003eThe complete set of three lithographs in colors on Arches wove paper\u003c\/p\u003e\n\u003cp\u003eSigned and numbered \"34\/60\" in pencil, lower edge (each sheet)\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 60\u003c\/p\u003e\n\u003cp\u003ePublished by Michael Archimbaud for Librairie Séguier for IRCAM, Centre Pompidou, Paris, the full sheets\u003c\/p\u003e\n\u003cp\u003ePrinted by Art Estampe\u003c\/p\u003e\n\u003cp\u003e29.75\"H 22\"W (each sheet)\u003c\/p\u003e\n\u003cp\u003e36.25\"H 29.25\"W (each frame)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eLiterature: Bruno Sabatier, \u003cem\u003eFrancis Bacon: The Graphic Work,\u003c\/em\u003e no. 24.\u003c\/p\u003e\n\u003cp\u003eReference: Sabatier 24\u003c\/p\u003e","brand":"Francis Bacon","offers":[{"title":"Default Title","offer_id":47384385356012,"sku":"03-26","price":36000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Francis-Bacon-Triptych_001.jpg?v=1776189473"},{"product_id":"louise-nevelson-the-great-wall-1971","title":"LOUISE NEVELSON \"THE GREAT WALL\" 1970","description":"\u003cp\u003eCaviar20 is thrilled to present the esteemed work of \u003ca title=\"Toronto art gallery collection featuring artwork by iconic woman artist Louise Nevelson\" href=\"https:\/\/www.caviar20.com\/collections\/louise-nevelson\" target=\"_blank\"\u003eLouise\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eNevelson\u003c\/span\u003e\u003c\/a\u003e - one of the most revered and unique artists of the 20th century.  (Also, an artist who continues to be undervalued - compared to her male contemporaries...On the plus side, there is a tremendous opportunity for the savvy collector).\u003c\/p\u003e\n\u003cp\u003eAlthough Nevelson is best known for her work as a sculptor, like many of her American contemporaries, \u003cspan\u003eNevelson\u003c\/span\u003e explored the many different branches of printmaking, as the field experienced a mid-century renaissance.  \u003c\/p\u003e\n\u003cp\u003eNevelson expanded her practice as an artist by exploring printmaking. While her sculptural works used a consistent methodology, mostly favoring painted wood in black, her work as a printmaker was more experimental. Nevelson consistently tried different techniques. \u003c\/p\u003e\n\u003cp\u003e\"The Great Wall\" was one of six prints in Nevelson's Lead Intaglio series. The works in this series feature thin, embossed lead plates on CM Fabriano paper. While the project was a singular experiment, the outcome is a premier example of Nevelson's innovative work in three dimensions.\u003c\/p\u003e\n\u003cp\u003eNot surprisingly, works from this series can be found in several prominent museum collections including the \u003ca title=\"Louise Nevelson Tropical Leaves\" href=\"https:\/\/www.moma.org\/collection\/works\/102760\"\u003eMoMA\u003c\/a\u003e the United States Library of Congress, the Brooks Museum of Art, and several others.\u003c\/p\u003e\n\u003cp\u003eLouise Nevelson was Caviar20's fastest-selling artist in recent years. As interest in her work is compounding rapidly, her prints–like the rest of her work– are becoming less accessible. This is a fantastic piece for a young collector, or to complement an existing sculpture in your collection. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\"The Great Wall”\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eItaly, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eEmbossed lead on CM Fabriano paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSigned, titled, dated and numbered \"132\/150\" by the artist\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFrom an edition of 150\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e29.25\"H 24.5\"W (work)\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e30.25\"H 25.5\"W (framed)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePublished by Pace Editions, Inc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVery good condition. Detailed report upon request.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginal frame as issued (very good condition).\u003c\/p\u003e","brand":"Louise Nevelson","offers":[{"title":"Default Title","offer_id":47384609718508,"sku":"11-22x03-26","price":8500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Louise-Nevelson-The-Great-Wall-1970_15_581fb023-c262-423a-9da0-0bfba403c3b5.jpg?v=1778101234"},{"product_id":"jules-olitski-orange-spray-silkscreen-1970","title":"JULES OLITSKI \"ORANGE SPRAY\" SILKSCREEN 1970","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/jules-olitski\"\u003eJules Olitski\u003c\/a\u003e (1922-2007) is one of the most collected and accomplished artists associated with the color-field movement, if not 20th century American abstraction. \u003c\/p\u003e\n\u003cp\u003eOlitski came to prominence in the 1960's in New York City for his monochromatic paintings, elaborating on some of the techniques originated by Helen Frankenthaller. \u003c\/p\u003e\n\u003cp\u003eOlitski would represent the United States at the Venice Biennale in 1966. His success would continue through the decade. In 1969 he would receive a major honor from the Metropolitan Museum (New York City) when they hosted a solo show of his work. It was the first time the Met had dedicated an exhibition to a living artist. \u003c\/p\u003e\n\u003cp\u003eIn 1970 Olitski had a major creative\/technical breakthrough. He began spraying the paint on his canvases, creating works that were highly innovative and nuanced while continuing his tradition of (seemingly) monochromatic artworks.\u003c\/p\u003e\n\u003cp\u003eThis lithograph from 1970 is a paradigm of Olitski. At first glance it appears to be a solid mass of orange. Upon closer inspection one discovers that there is a layer of sprayed coral paint within the image (as well as little blocks or lines of other colors along the edges). \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnlike some of his contemporaries \u003c\/span\u003e\u003cspan\u003eassociated with color field painting, \u003c\/span\u003e\u003cspan\u003eOlitksi completed only completed a small number of multiples. \u003c\/span\u003e\u003cspan class=\"s1\"\u003eThis particular screenprint is a radiant example of the spirit of color. Between three tones of warm color lies a rhythm and voice that proudly reflects the work of Olitski.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Graphic Suite series #1 (magenta\/orange with tan)\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, numbered 35\/150 and dated '70 by the artist in pencil, lower edges\u003c\/p\u003e\n\u003cp\u003eSilkscreen\u003c\/p\u003e\n\u003cp\u003eUSA, 1970\u003c\/p\u003e\n\u003cp\u003e35\"H 26\"W (work)\u003c\/p\u003e\n\u003cp\u003e40\"H 31\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: this work is being reframed. Images coming soon\u003c\/p\u003e","brand":"Jules Olitski","offers":[{"title":"Default Title","offer_id":47406155301100,"sku":"03-26","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_olitski-orange-spray-1970_01.jpg?v=1774648107"},{"product_id":"christo-wrapped-staircase-paris-2002","title":"CHRISTO \"WRAPPED STAIRCASE, PARIS\" 2001","description":"\u003cp\u003eChristo and Jeanne-Claude are two of the most ambitious and audacious artists of the 20th century. \u003c\/p\u003e\n\u003cp\u003eTheir projects, both realized and proposed, are stunning examples of land art, installation and public sculpture. While their output consisted of large-scale temporary artworks, the couple also sold sketches, collages, and editions to finance their ambitious projects.\u003c\/p\u003e\n\u003cp\u003eSome of their most astounding works include wrapping the Pont-Neuf bridge in Pairs and the Reichstag in Berlin. In 2005 they unveiled \"The Gates\" in New York City's Central Park, which had been in development since 1979!\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe temporary nature of their work is perhaps its most alluring aspect. Only preparatory drawings, prints, and collages remain after the installations are dismounted. \u003c\/p\u003e\n\u003cp\u003eA combination of print and collage, \"Wrapped Staircase, Paris\" is an intimate and elegant image. A textured mockup of a winding staircase on the left is complimented by an annotated cross-section of Paris on its right, with a hand-written title at the top. Soft sandy tones compliment the black and white throughout, leaving viewers with a visually interesting and pleasing image that sparks the imagination.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Wrapped Staircase (project for the Rue de Paradis) Paris\"\u003c\/p\u003e\n\u003cp\u003eFrance, 2001\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOffset lithograph and screenprint, with collage of masking tape and map on Fabriano 300 g paper\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSigned and numbered in pencil, lower right\u003c\/p\u003e\n\u003cp\u003eArtist Proof 31\/50\u003c\/p\u003e\n\u003cp\u003eTitled in pencil, upper right\u003c\/p\u003e\n\u003cp\u003ePublished by Collection Lambert, Avignon, France\u003c\/p\u003e\n\u003cp\u003ePrinted by Domberger, Filderstadt (Stuttgart)\u003c\/p\u003e\n\u003cp\u003e11\"H 14\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e15.5\"H 19\"W (framed)\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eCatalogue Raisonné: listed as number 181 in the online edition of the CR (\u003ca href=\"https:\/\/arspublicata.com\/catalogue-raisonne\/christo-and-jeanne-claude-prints-and-objects-?search=wrapped+staircase\u0026amp;work=181\"\u003elink\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003eReference: Schellmann 181\u003c\/p\u003e","brand":"Christo","offers":[{"title":"Default Title","offer_id":47461956026604,"sku":"04-2026","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Christo-Wrapped-Staircase-Paris-Sketch_01.jpg?v=1775147287"},{"product_id":"andy-warhol-portrait-of-a-man-george-drawing-1956","title":"ANDY WARHOL \"PORTRAIT (GEORGE)\" DRAWING, 1956","description":"\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/andy-warhol\"\u003eAndy Warhol\u003c\/a\u003e \u003cmeta charset=\"utf-8\"\u003e(1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivalled influence on artists and image-making. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn recent years there has been new scholarship and increasing commercial interest in Andy Warhol's early works, material created prior to Pop Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring the 1950's Warhol established himself in New York City as a trendy illustrator contributing to a wide number of fashion publications and retailers. His simple line drawings were modern and gentle, with a subtle but unmistakably gay touch. In a short period of time, he created an aesthetic that was both versatile and distinctively his. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLike the consummate artist that he was, Warhol was frequently drawing. The images he created during this era, independent from his fashion commissions, were romantic, hopeful and unabashedly gay. \u003cmeta charset=\"utf-8\"\u003eIt is worth emphasizing that Warhol was almost exclusively dedicated to drawing during this era, only creating a handful of paintings - which were intended to be used for window displays. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTaschen, the legendary art book publisher, recently released the book\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Andy Warhol Love Sex Desire 1950-1962\" href=\"https:\/\/www.taschen.com\/pages\/en\/catalogue\/art\/all\/05345\/facts.andy_warhol_love_sex_and_desire_drawings_19501962.htm\"\u003eAndy Warhol: Love, Sex and Desire 1950-1962\u003c\/a\u003e which celebrates his drawings of the male form from the pre-Pop era. This drawing appears on page 58. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eThis portrait is a paradigm of Warhol's mastery of line and visionary framing. A reclining man with his hands behind his head looks forward with a soft gaze.\u003cspan\u003e \u003c\/span\u003eWith the lightest touch, Warhol masterly portrays this male ideal with the details of his relaxed pose and timeless elegance. Unique to this work is the man's upper lip, condensed with ink, a distinct deviation from Warhol's aesthetic that typically consists of contour lines. This drawing serves as an example of Warhol's expertise as a draftsman. \u003c\/p\u003e\n\u003cp\u003eAs the Warhol market continues to gallop to a stratosphere beyond, there are fewer and fewer examples of unique, original works in circulation.  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003eUntitled \"Portrait of a Man (George)\"\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003eUSA, circa 1950s\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003eBlack ballpoint pen on manila paper\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003e\u003cspan class=\"s1\"\u003eStamped on verso by the Estate of Andy Warhol and the Andy \u003c\/span\u003e\u003cspan class=\"s1\"\u003eWarhol Art Authentication Board, Inc. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003e16.25\"H \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e13\u003c\/span\u003e\u003cspan\u003e.75\u003c\/span\u003e\u003cspan\u003e\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003e23.5\"H \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e20.75\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003eWaviness in the side margins. Overall very good condition.\u003c\/p\u003e\n\u003cdiv class=\"lot-info\"\u003e\n\u003cp\u003eProvenance: The Estate of Andy Warhol\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Andy Warhol","offers":[{"title":"Default Title","offer_id":47489106051308,"sku":"04-22x04-26","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Andy-Warhol-Portrait-of-a-Man-George-1955_framed__icon_ae40ee01-7457-496b-9a8d-a0290ebf66b9.jpg?v=1650474758"},{"product_id":"frank-stella-sunapee-screenprint-1975","title":"FRANK STELLA \"SUNAPEE\" SCREENPRINT, 1974","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/frank-stella\"\u003eFrank Stella\u003c\/a\u003e (1936-2024) \u003cmeta charset=\"utf-8\"\u003eis one of our favorite 20th-century artists. He helped topple Abstract Expressionism, ushering in a new style and approach to art-making. His aesthetic encouraged Minimalism, Hard-edge abstraction, Op Art, and even Conceptual art. \u003c\/p\u003e\n\u003cp\u003eStella created the \"Eccentric Polygons\" series in 1974.  It is one of his last body of prints before he transitionned to the exuberant, Baroque-busy, elaborate style that defines his aesthetic to this day. Not surprisingly, these images were prominently featured in a 2016 retrospective at the Whitney Museum in New York City.\u003c\/p\u003e\n\u003cp\u003eThe \"Polygon\" paintings were created during 1965-1967, each form was created in four different color combinations. Their curious names, this example is called \"Sunapee\", come from small towns and locations in the White Mountains of New Hampshire where Stella and his father would go fishing during his youth.\u003c\/p\u003e\n\u003cp\u003eAesthetically, there is a subtle but significant difference between the canvases and the prints. Like many of Stella's multiples, there is a trompe-oeil effect; the sections of color appear to have been sketched in with a crayon yet bound in with a sharp outline. The canvases, on the other hand, had dense flat colors. Stella would intentionally use cheap tape on the paintings when sectioning the works so the color would bleed between the forms. \u003c\/p\u003e\n\u003cp\u003eImpressions of this print are held in the permanent collections of the \u003ca href=\"https:\/\/whitney.org\/collection\/works\/5739\"\u003eWhitney\u003c\/a\u003e, New York; and the \u003ca href=\"https:\/\/www.nga.gov\/artworks\/60619-sunapee\"\u003eNational Gallery\u003c\/a\u003e, Washington, DC.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Sunapee\"\u003c\/p\u003e\n\u003cp\u003eFrom Eccentric Polygons series\u003c\/p\u003e\n\u003cp\u003eUSA, 1974\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eColor lithograph and screenprint on Arches wove paper\u003c\/p\u003e\n\u003cp\u003eSigned, numbered \"43\/100\" and dated in pencil, lower right\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 100\u003c\/p\u003e\n\u003cp\u003ePublished by Gemini G.E.L., Los Angeles, with their blindstamp\u003c\/p\u003e\n\u003cp\u003ePrinted by Jeff Wasserman and Serge Lozingot\u003c\/p\u003e\n\u003cp\u003e22.5\"H 17.25\"W (work)\u003c\/p\u003e\n\u003cp\u003e30\"H 25\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eLiterature:\u003cbr\u003e- 1966: \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGemini G.E.L. Sequence List\u003c\/em\u003e. Los Angeles, California: Gemini G.E.L., unpublished, no. 546.\u003cbr\u003e- 1983: \u003cmeta charset=\"utf-8\"\u003eAxsom, Richard H.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Prints of Frank Stella: A Catalogue Raisonné, 1967-1982\u003c\/em\u003e. New York: Hudson Hills Press, 1983, no. 100.\u003cbr\u003e- 2011: \u003cmeta charset=\"utf-8\"\u003eRitchie, Charles.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGemini G.E.L. Online Catalogue Raisonné\u003c\/em\u003e. Washington, D.C.: National Gallery of Art, 2011, no. 51.8. http:\/\/www.nga.gov\/gemini\u003c\/p\u003e\n\u003cp\u003eCatalogue Raisonné: \u003cbr\u003e- Axsom 1983, no. 100; \u003cbr\u003e- Ritchie 2011, no. 51.8\u003c\/p\u003e","brand":"Frank Stella","offers":[{"title":"Default Title","offer_id":47535056912620,"sku":"11-15x2-12-17x3-05-21x04-26","price":7000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Frank-Stella-Sunapee-1974_01.jpg?v=1776542166"},{"product_id":"friedel-dzubas-interior-painting-1985","title":"FRIEDEL DZUBAS \"INTERIOR\" PAINTING, 1985","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/friedel-dzubas\"\u003eFriedel Dzubas\u003c\/a\u003e (1915-1994) was a Berlin-born, American abstract painter and a key artist associated with both the New York School and the Color Field movement. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDzubas studied art in Germany before fleeing the Nazi regime in 1939 and settling in New York City. By the 1940s, Dzubas circulated with some of the leading abstract painters in the city's vital art scene. He was close friends with Jackson Pollock and shared a studio with Helen Frankthaler in the '50s. During this time, Dzubas began exhibiting his own Abstract Expressionist paintings. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"UTF-8\"\u003eDzubas worked in close proximity to and strongly influenced the emerging color field painters. He shared a studio with Helen Frankenthaler as she began pouring and staining her canvases. The two evolved and each surpassed the techniques embraced by the Abstract Expressionists. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eDzubas’ technique involved applying thick layers of color over washes, scrubbing Magna paint into unprimed canvases. He then used various methods, often including brushing, and at times staining, to apply further color.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eFriedel Dzubas' works hang in the permanent collections of some of the most prestigious art institutions in the world; including, the Whitney Museum (NYC), the Guggenheim (NYC), the Smithsonian American Art Museum (DC), and the Albright-Knox Gallery (NY).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“Interior”\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eUSA, 1985\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003eMonoprint and paint on paper\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSigned and dated, lower right\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e31”H 24.5”W (work)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e44\"W 36\"W (framed)\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eVery good condition\u003c\/p\u003e","brand":"Friedel Dzubas","offers":[{"title":"Default Title","offer_id":47535154561260,"sku":"04-26","price":19500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Friedel-Dzubas-Untitled-work-on-Paper_01.jpg?v=1776365247"},{"product_id":"william-perehudoff-ac-85-42-painting-1985","title":"WILLIAM PEREHUDOFF \"AC-85-42\" PAINTING, 1985","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/william-perehudoff\"\u003eWilliam Perehudoff\u003c\/a\u003e (1918-2013) is one of the most cherished and collected Canadian abstract painters. His work is a prime example of how color field painting was expressed in Canada. Like Jack Bush, and some of his American contemporaries, he was encouraged and guided by legendary New York critic Clement Greenberg.\u003c\/p\u003e\n\u003cp\u003ePerehudoff is known for his simple and exuberant canvases that celebrate the interaction and power of color. He spent several summers at the University of \u003cspan\u003eSaskatchewan\u003c\/span\u003e's legendary Emma Lake Artist's Workshop where he worked and studied with Jules Olitski and Kenneth Noland during the 1960's. \u003c\/p\u003e\n\u003cp\u003eDuring his lifetime Perehudoff had recognition across Canada (and beyond). Today his works can be found in major public collections across the country. Even during his heyday, Perehudoff stayed in Saskatchewan preferring to paint at his family's farm.\u003c\/p\u003e\n\u003cp\u003eThis is a classic and easily recognizable example of Perehudoff's work from the 1980's. The background is \"stained\" and appears that diluted acrylic has been absorbed into the canvas, rather than being applied by brush or another tool. This subtle but dynamic element is surrounded by thick glossy strokes of pure, vibrant color.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"AC-85-42\"\u003c\/p\u003e\n\u003cp\u003eAcrylic on canvas\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned and dated by the artist, verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e32\"H 31\"W\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNote: the price is $27,500 CAD\u003c\/p\u003e","brand":"William Perehudoff","offers":[{"title":"Default Title","offer_id":47535266889964,"sku":"04-26","price":27500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_William-Perehudoff-Red-and-green-_AC-85-42_-1985_01.jpg?v=1776372440"},{"product_id":"herb-ritts-k-d-lang-cindy-crawford-la-1993","title":"HERB RITTS \"K.D. LANG \u0026 CINDY CRAWFORD, LA\" 1993","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHerb Ritts (1952-2002) was a Los Angeles-born photographer acclaimed for his celebrity portraits, nudes, and fashion photography from the 1970s onward. His dynamic career defied boundaries between art and commerce, blurring the lines between documentary and fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHis approach to portraiture and fashion photography is confident and minimal, with an emphasis on the textural and sculptural qualities of bodies. In the late 80s, his practice expanded beyond photography as he began directing major music videos, commercials, and ad campaigns. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRitts photographed many iconic supermodels and celebrities of the 1990s including Naomi Campbell, Cindy Crawford, and Madonna to name a few. He also had countless features in the top fashion and pop culture publications including Vanity Fair, Vogue, and Rolling Stone. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis iconic photograph features musician k.d. lang and supermodel Cindy Crawford. \u003cmeta charset=\"utf-8\"\u003eIt was f\u003cmeta charset=\"utf-8\"\u003eeatured in a groundbreaking \u003ca href=\"https:\/\/archive.vanityfair.com\/article\/1993\/8\/kd-lang-cuts-it-close\"\u003ecover story\u003c\/a\u003e for the 1993 issue of Vanity Fair, profiling lang. \u003cmeta charset=\"utf-8\"\u003eThe article took an in-depth look at the musician, including into her childhood, her experiences with fame, and her sexuality. Being photographed alongside a supermodel was lang's vision, and Crawford was thrilled to be a part of it (asked only the night before the shoot by Ritts).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn this expertly-toned photograph, the pair are transfixed with one another, perfectly positioned: lang in a barber's chair with shaving cream applied to her face and neck, and Crawford statuesquely standing over her. \u003cmeta charset=\"utf-8\"\u003eChallenging gender stereotypes, this photograph was considered bold and risqué for its time. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eNot only an iconic image in Ritts' oeuvre, the photograph represents a landmark moment in pop culture and queer visibility. Over 30 years after the photo was taken, it continues to live on in the collective cultural memory.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2003, The Herb Ritts Foundation was founded following the artist's untimely death. The foundation continues the artist's philanthropic efforts and art activism in support of HIV\/AIDS research and advocacy. The artist was the recipient of GLAAD Media's Pioneer Award in 2008.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“k.d. lang and Cindy Crawford, Los Angeles\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eUSA, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSilver Gelatin Photograph \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eNumber 12 from an edition of 25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned, titled, dated, and numbered in pencil, verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24\"H 20\"W (work)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e33.75\"H 29.25\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"Herb Ritts","offers":[{"title":"Default Title","offer_id":47538725355756,"sku":"04-26","price":40000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Herb-Ritts-K.D.-Lang-and-Cindy-Crawford-LA-1993_01.jpg?v=1776443493"},{"product_id":"tony-scherman-honey-dew-encaustic-2001","title":"TONY SCHERMAN \"HONEYDEW\" ENCAUSTIC, 2001","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/tony-scherman\"\u003eTony Scherman\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1950-2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work in encaustic (a mix of wax and oil, one of the most difficult mediums to work in).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScherman frequently alludes to the grandeur of past centuries, both in his subject matter and the technique of encaustic painting. The artist is continuing a tradition, of working with this material, that has been propelled through art history by a diverse number of canonical artists including Pieter Claesz, Caravaggio, and Cézanne.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStill lifes are one of Scherman's signature motifs. This lovely composition serves as a fantastic example of his aesthetic and technique. \u003c\/span\u003e\u003cspan\u003eThrough rich, textured layers of brushwork and delicate licks of color, Scherman expertly portrays a lustrous arrangement of fruit that fill and fall around a circular vessel. The cluster is illuminated by a single and direct light source that is further \u003c\/span\u003e\u003cspan\u003eintensified by Scherman's signature midnight background.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRich, textured layers of brushwork create a sumptuously colored composition that evokes the Old Master paintings. M\u003c\/span\u003e\u003cspan\u003eany of Scherman's works from the turn of the millennium have this strikingly dark background, evocative of \u003c\/span\u003e\u003ca title=\"Chiaroscuro\" href=\"https:\/\/en.wikipedia.org\/wiki\/Chiaroscuro\"\u003ec\u003c\/a\u003e\u003cspan\u003e\u003ca title=\"Chiaroscuro\" href=\"https:\/\/en.wikipedia.org\/wiki\/Chiaroscuro\"\u003ehiaroscuro\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScherman’s work can be found in nearly every public collection in Canada, as well as many international museums including LACMA (Los Angeles) and Centre Pompidou (Paris).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eUntitled (Honeydew)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCanada, 2001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEncaustic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSigned and dated, verso\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e30.25\"H 30.25\"W (work)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eProvenance:\u003cbr\u003eThe Sable-Castelli Gallery Limited, Toronto, ON\u003cbr\u003ePrivate Collection, Ontario\u003c\/p\u003e","brand":"Tony Scherman","offers":[{"title":"Default Title","offer_id":47538859901164,"sku":"04-26","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Cavia20_Tony-Scherman-fruit-bowl_01.jpg?v=1776785634"},{"product_id":"tony-scherman-rosa-parks-2013-15","title":"TONY SCHERMAN \"ROSA PARKS\" 2013-15","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/tony-scherman\" title=\"Tony Scherman Caviar20\"\u003eTony Scherman\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1950 - 2023) is one of the most distinctive Canadian artists. He is renowned internationally for his work, typically executed in encaustic, a mix of wax and oil paint (one of the most difficult mediums to work in).\u003c\/p\u003e\n\u003cp\u003eScherman's allusions to both history, and the history of visual art, are constants in his oeuvre. While his moody palette and sumptuous portraits (whether contemporary, historical or allegorical) reference a range of masters, his works remain visceral and contemporary. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScherman frequently alludes to the grandeur of past centuries, both in his subject matter and the technique of encaustic painting. The artist is continuing a tradition, of working with this material, that has been propelled through art history by a diverse number of canonical artists including Pieter Claesz, Caravaggio, and Cézanne.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis captivating portrait depicts American civil rights activist Rosa Parks. The work is from Scherman's \u003cem\u003eDifficult Women\u003c\/em\u003e series, in which Scherman shows women of principle or determination who be described as \"difficult;\" A label that–as he points out–is rarely applied to men. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRich, textured layers of brushwork create a sumptuously colored composition that evokes the Old Master paintings. M\u003c\/span\u003e\u003cspan\u003eany of Scherman's works from the turn of the millennium have this strikingly dark background, evocative of \u003c\/span\u003e\u003ca title=\"Chiaroscuro\" href=\"https:\/\/en.wikipedia.org\/wiki\/Chiaroscuro\"\u003ec\u003c\/a\u003e\u003cspan\u003e\u003ca title=\"Chiaroscuro\" href=\"https:\/\/en.wikipedia.org\/wiki\/Chiaroscuro\"\u003ehiaroscuro\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe series encompasses depictions of both historic and modern women, including Mary Magdalene, Simone de Bouvoir, Malala, Elizabeth I, the Last Witch of Salem, and an Unknown Suffragette, among others. Many of the haunting canvases were worked on for several years, until the artist felt he had captured his subject's essence. Scherman highlights that many of the paintings should not feel entirely finished, as the figures' stories cannot be contained. \u003c\/p\u003e\n\u003cp\u003eScherman’s work can be found in nearly every public collection in Canada, as well as many international museums including LACMA (Los Angeles) and Centre Pompidou (Paris).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Rosa Parks\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCanada, 2013-15\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEncaustic on canvas\u003c\/p\u003e\n\u003cp\u003eSigned, dated, titled by the artist on verso\u003c\/p\u003e\n\u003cp\u003e60\"H 54\"W (work)\u003c\/p\u003e\n\u003cp\u003e71\"H 65\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Tony Scherman","offers":[{"title":"Default Title","offer_id":47538964955372,"sku":"04-26","price":40000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Tony-Scherman-Rosa-Parks-2013_01.jpg?v=1776461571"},{"product_id":"robert-motherwell-harvest-with-orange-stripe-1973","title":"ROBERT MOTHERWELL \"HARVEST, WITH ORANGE STRIPE\" 1973","description":"\u003cp\u003eWhile \u003ca href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell?page=1\"\u003eRobert Motherwell\u003c\/a\u003e (1915-1991) is known as one of the most important and influential artists associated with Abstract Expressionism, he is also revered for his work and promotion of printmaking.\u003c\/p\u003e\n\u003cp\u003eThe “Summer Light Series” was a milestone series for Motherwell that allowed him to reintroduce collage into his printing practice. The series was started in 1972, and released in 1973 as Motherwell's first large-scale project at Gemini G.E.L., Los Angeles. The titles were derived from typography on the labels used as collage fragments. \u003cmeta charset=\"utf-8\"\u003eIn this print, the blue, black, cream, and orange layered base is adorned with the packaging of German cigarette brand, \"Ernte 23.\" The German word \"ernte\" translates to \"harvest,\" a term which titles several prints in the series.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe inclusion of European cigarette graphics and labels from fine wines is one of the most distinctive aesthetic characteristics in his work. It also continues a tradition, established by Picasso and Braque during the heyday of Cubism, of incorporating the detritus of daily life into the artistic work. Where the Cubist’s incorporated collage into the painted canvas, Motherwell similarly developed a process of collage incorporated into print.\u003cbr\u003e \u003cbr\u003eIn “Harvest, with Orange Stripe,” we see the results of the new creation process, where a hybrid of lithographed print and collage would be collapsed into one print. Motherwell’s highly textured paper, seen here and in the rest of the series, would be accompanied by hand-culled found materials. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe maquettes for the prints were first assembled as a series of collages, which Gemini’s printers then used to create working templates. These informal studies were fully documented. Each component was printed with colorfast inks and hand-torn along stencils approved by the artist. Once printed, the individual elements were coated with adhesive and unified into a single composition by running them through the press.\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003eAs a result of Motherwell’s close attention to his studio works during the printing process, his works in all mediums were reference points for the prints. As such, his prints retain the artistic gesture of Abstract Expressionist painting in the ripped collaged papers and heavily textured bases.\u003c\/p\u003e\n\u003cp\u003eAnother impression of this artwork is held in the permanent collection of the \u003ca href=\"https:\/\/www.nga.gov\/artworks\/72501-harvest-orange-stripe\"\u003eNational Gallery of Art\u003c\/a\u003e, Washington, DC.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us,\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecall 416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Summer Light Series: Harvest, with Orange Stripe\"\u003c\/p\u003e\n\u003cp\u003eUSA, 1973\u003c\/p\u003e\n\u003cp\u003eLithograph and collage. \u003c\/p\u003e\n\u003cp\u003ePaper: Georges Duchêne Hawthorne of Larroque handmade paper; Ernte cigarette label; gray Jeff Goodman paper; tan Jeff Goodman paper; black Arches paper\u003c\/p\u003e\n\u003cp\u003eSigned \"Motherwell\" and numbered \"Gemini II\" in pencil, lower right edge\u003c\/p\u003e\n\u003cp\u003eEdition: one of three Gemini G.E.L. impressions, numbered I-III\u003c\/p\u003e\n\u003cp\u003eWorkshop and artist chop marks, lower right corner\u003c\/p\u003e\n\u003cp\u003ePublished by Gemini G.E.L., Los Angeles\u003c\/p\u003e\n\u003cp\u003ePrinted by Dan Freeman and Ron McPherson, assisted by Robert Knisel and Gary Reams, Gemini G.E.L., Los Angeles\u003c\/p\u003e\n\u003cp\u003e36\"H 18.5\"W (work)\u003c\/p\u003e\n\u003cp\u003e39.75\"H 22.25\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eCatalogue Raisonné: CR 146\u003c\/p\u003e\n\u003cp\u003eConcordance: B 127; GGEL 480; NGA 34.7\u003c\/p\u003e\n\u003cp\u003eNote: this print is on handmade paper and has deckled edges and a strong texture. \u003c\/p\u003e","brand":"Robert Motherwell","offers":[{"title":"Default Title","offer_id":47587574448364,"sku":"04-26","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Robert-Motherwell-Summer-Light-Harvest-Orange-Stripe-1973_01.jpg?v=1777563880"},{"product_id":"edward-burtynsky-shipbreaking-39-2001","title":"EDWARD BURTYNSKY \"SHIPBREAKING #39\" 2001","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\"\u003eEdward Burtynsky\u003c\/a\u003e (b. 1955) is one of Canada’s most successful photographers. A noted filmmaker, entrepreneur, and environmental advocate, he is known internationally for his incredibly detailed images \u003c\/span\u003e\u003cspan\u003edocumenting the processes and consequences of using the earth’\u003c\/span\u003e\u003cspan\u003es natural resources. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis images, which at times approach abstraction, present a bizarre tension between beauty and desecration. Over the years, he has crossed the globe exploring the mark of human development on the earth and its embedded political, social and economic consequences.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Shipbreaking\" is arguably Burtynsky's most distinctive body of work. He presents imagery that had hitherto been impossible to imagine; what happens to ocean liners when they are out of commission? Where do they end up and how are they dismantled? Mostly taken in Bangladesh, these striking and moody photographs in a distinctive palette are intriguing, disturbing, and curiously beautiful. \u003c\/p\u003e\n\u003cp\u003e\"Shipbreaking #39\" is a stand-out from this iconic series. The sky is a striking blue, which is quite unusual for Burtynsky, as he generally captures photographs on overcast days with even lighting. This image contains no elements to indicate scale – like a ladder, person, or vehicle that may appear in other works. When combined, these elements come together in a dystopian landscape, truly alien and open to any interpretation. \u003c\/p\u003e\n\u003cp\u003eEdward Burtynsky's work can be found in the permanent collection of countless museums including the National Gallery of Canada, the Guggenheim, TATE Modern (London), and MoMA to mention a few.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\"Shipbreaking #39, Chittagong, Bangladesh\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e2001, Chromogenic print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned, numbered, and editioned verso mount\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom an edition of 3 of 10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e30”H 40”W (image)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e36”H 43”W (sheet)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eVery good condition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":47589844353260,"sku":"05-26","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Edward-Burtynsky-Shipbreaking_39-Bangladesh-2001_01.jpg?v=1777653516"},{"product_id":"edward-burtynsky-rock-of-ages-33-vermont-1991","title":"EDWARD BURTYNSKY \"ROCK OF AGES #33, VERMONT\" 1991","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\"\u003eEdward Burtynsky\u003c\/a\u003e (b. 1955) is Canada's most successful photographer.\u003c\/p\u003e\n\u003cp\u003eThrough masterful technique and frequently dizzying compositions, Burtynsky presents thought-provoking inquiries into the deconstructed territories built from humankind's mining of natural resources.\u003c\/p\u003e\n\u003cp\u003eHis images orchestrate a bizarre tension between beauty and desecration, documentary and abstraction. Many works show unbelievable aerial views and are presented with a level of detail normally impossible for the human eye to comprehend. \u003c\/p\u003e\n\u003cp\u003eBurtynsky's images of Vermont in the early 1990s established his career as we know it today. The quarries displayed cracked, fragmented, and abandoned terrains, evoking a Riopelle painting in rich whites, greys, and stabs of vibrant greens. His Quarries series is now perhaps his most recognized and beloved grouping.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBurtynsky has described these quarries as “organic architecture” and “inverted pyramids,” alluding to them as if they were structured voids. \u003c\/span\u003eWhile the image documents the environmental exploitation, the overall work has an incredible form with rich palette and texture. Cracked, fragmented, and abandoned terrains mirror sharp cubist cuts and geometric abstractions. \u003c\/p\u003e\n\u003cp\u003eBurtynsky's work can be found in the permanent collection of countless museums including the National Gallery of Canada, the Guggenheim, TATE Modern (London) and MoMA to mention a few.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener noreferrer\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Rock of Ages #33, Abandoned Section, Rock of Ages Quarry. Vermont. 1991\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e5x7 colour negative, printed 2000 on Kodak Professional Paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabelled, titled, numbered and dated on label, verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition number 1 of 10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e40\"H 30\"W (sheet)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e42.5\"H 35\"W (framed)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e \u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":47589856182508,"sku":null,"price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Edward-Burtynsky-RockofAges-33-Vermont-1991_01.jpg?v=1777654250"},{"product_id":"el-anatsui-paper-and-silver-2021","title":"EL ANATSUI \"PAPER AND SILVER\" 2024","description":"\u003cp class=\"p1\"\u003eEl Anatsui (b. 1944) is an acclaimed Ghanian sculptor working out of Nigeria. Known for his large-scale tapestry-like metallic sculptures created from discarded resources, Anatsui draws meaningful connections between consumption, waste, and the environment.  The artist is equally interested in decoration, through reuse, transformation, and a desire to connect to his continent and community throughout his practice.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBorn in Anyako, Ghana, Anatsui is the son of a master weaver of Kente cloth. He trained at Kwame Nkrumah University in Kumsai, and taught as a Professor of Sculpture at the University of Nigeria, Nsukka (UNN) for four decades. During his time at UNN, Anatsui began incorporating southeastern Nigerian symbolism into his work, alongside his pre-existing indigenous Akinkra and Ghanian motifs, ideologies, and symbolism. Shortly after this creatvie evolution, he became associated with the Nsukka Group--a collective united by the goal of revitalizing the practice of Uli (a traditional southeastern Nigerian art form characterized by abstract designs inspired by natural forms) and incorporate its motifs into contemporary art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEvoking political, historical, and visual references, Anatsui invites his viewers to engage with work that exists on its own terms. His fluid compositions take on different forms with each installation, responding directly to their environments and challenging long-held views on the parameters of sculpture. While they look like lusciously draped fabric from afar, the installations are made from sourced metal and carry weight both literally and figuratively. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAluminum bottle caps are a key material for the artist, as he admires their versatility in form and colour, and their direct reference to modern society through their apparent branding. He explains, \"The most important thing for me is the transformation. The fact that these ...each identifying a brand of drink, are no longer going back to serve the same role but are elements that could generate some reflection, some thinking, or just some wonder. This is possible because they are removed from their accustomed, functional context into a new one, and they bring along their histories and identities.\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Paper and Silver\" combines printmaking and collage to create a dazzling composition of clustered geometric fragments. To make this project, Anatsui collected, shaped, and combined aluminum bottle caps, anchoring them to a printed image of the same material and process. This technique invites a close inspection from viewers, as their first impression will not be complete; Only upon closer inspection are they rewarded with the dimensionality of the work, an intimate exchange between the artist and his audience. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAnatsui's work thrives with active audience participation, whether walking among his pieces or thinking about their place in the world in conjunction with the issues he highlights. Much of Anatsui's work is \u003ca href=\"https:\/\/elanatsui.art\/artworks\/el-anatsui-perspectives-2015\"\u003e\u003cspan class=\"s1\"\u003ecolossal\u003c\/span\u003e\u003c\/a\u003e in scale, so this piece offers a rare opportunity to display his meaningful artwork in an intimate setting.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHis work can be found amongst some of the most prestigious art collections globally, including the MET and the MOMA in New York, the Smithsonian in Washington, the Pompidou in Paris, and the Guggenheim in Abu Dhabi among \u003ca href=\"https:\/\/elanatsui.art\/collections\"\u003e\u003cspan class=\"s1\"\u003eothers\u003c\/span\u003e\u003c\/a\u003e. In 2023, Anatsui was awarded the reputable Hyundai Commission by the Tate Modern in London, and he created a \u003ca href=\"https:\/\/www.tate.org.uk\/whats-on\/tate-modern\/el-anatsui\"\u003e\u003cspan class=\"s1\"\u003ebreathtaking installation\u003c\/span\u003e\u003c\/a\u003e in the Turbine Hall of the museum. He was included in the 2023 Time's 100 list of the world's most influential people.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Paper and Silver\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e2024\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInkjet pigment print with irregular hand-cut edges conforming to the image, printed and hand-cut and hand-sculpted aluminum collage, copper wire\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSigned, dated, and numbered \"21\/30\" on label, verso\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom an edition of 30\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e30.5\"H 35\"W (work, approximately)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e32.5\"H 38.5\"W (framed)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublisher: Benefit Print Project\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVery good condition\u003c\/p\u003e","brand":"El Anatsui","offers":[{"title":"Default Title","offer_id":47590029426924,"sku":"05-26","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_El-Anatsui-Bottlecap-print_01.jpg?v=1777662726"},{"product_id":"charles-pachter-bay-watch-giclee-2012","title":"CHARLES PACHTER \"BAY WATCH\" GICLEE, 2012","description":"\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/charles-pachter\" title=\"Charles Pachter \"\u003eCharles Pachter\u003c\/a\u003e is one of the most collected and cherished Canadian artists. \u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003eHis iconic, uplifting and patriotic images have independently earned their place in the nation's museums.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003eFor the uninitiated, his work is accessible and beloved (notably his amazing hockey mural at Toronto's College Street subway station). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003eWhile Pachter’s work shares some characteristics with Jim Dine and David Hockney, his style is resoundingly charming, singular and uniquely Canadian. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003eQueen Elizabeth, barns, Hudson’s Bay Company (H.B.C) stripes, and the moose, are some of the icons that Pachter has repeatedly visited over the course of his career. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003eThis image is perfectly charming combination of Pachter’s iconic Canadiana repertoire, and also a clever wink and nod towards his own commissioned accessories collaboration (including towels, mugs, and Christmas ornaments) with Hudson's Bay Company. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003ePachter’s graphics are an ideal choice for starting a collection of Canadian art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003eQuestions about this artwork? \u003ca href=\"mailto:troy@caviar20.com\" target=\"_blank\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s3\"\u003eContact us\u003c\/span\u003e\u003c\/a\u003e \u003cspan data-mce-fragment=\"1\"\u003eor call +1.416.704.1720.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003e“Bay Watch”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003e\u003cspan\u003eGiclée\u003c\/span\u003e, from an edition of 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSigned, titled, numbered and dated by the artist\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003eCanada, 2014\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003e12”H 15.75”W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4463616978182797526gmail-p3\"\u003e\u003cspan class=\"m_4463616978182797526gmail-s2\"\u003e19”H 22.75”W (framed)\u003c\/span\u003e\u003c\/p\u003e","brand":"Charles Pachter","offers":[{"title":"Default Title","offer_id":47591210680556,"sku":"07-17x05-25","price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Charles-Pachter-Baywatch_01.jpg?v=1571438571"},{"product_id":"helen-frankenthaler-mary-mary-1990","title":"HELEN FRANKENTHALER \"MARY MARY\" 1990","description":"\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/helen-frankenthaler\"\u003eHelen Frankenthaler\u003c\/a\u003e (1928-2011) is one of the most revered abstract painters of the 20th century, and one of the most successful and collected female artists of all time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eShe was a key player in the evolution of Abstract Expressionism. \u003c\/span\u003e\u003cspan\u003eElaborating on techniques made famous by Jackson Pollock, specifically pouring paint directly onto (frequently) unprimed canvas, Frankenthaler led the next major movement in American Abstraction: Color Field painting. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe artist was a prolific and experimental printmaker. She worked with lithography, etchings, woodcuts, and screenprints. This work, like many in her oeuvre, was created with an elaborate process using several different printmaking techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrankenthaler's success in the realm of printmaking can be attributed to two frequent characteristics: her restraint and her color choices. Frankenthaler's prints are frequently less gestural than her paintings, realized with a \"lighter hand\" in more cohesive or gentle palettes. She allows shapes, washes, or wisps of color to be the dominant elements in these compositions.  \u003c\/p\u003e\n\u003cp\u003e\"Mary Mary\" is a bold output from Frankenthaler. Based on a painting on the same name, this screenprint and offset lithograph is masterfully composed. \u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003eThe delicacy of the forms and the diaphanous quality of the color fields are signature Frankenthaler, serving as an excellent example of her passion for printmaking.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWhile this piece is unquestionably abstract, it also manifests the sensuality and the tension evocative of her best works. This is an especially interesting impression, as it is signed and annotated in pencil by the artist, in addition to being signed in plate on the lower right. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrankenthaler has exhibited internationally and is represented in numerous major collections including the MoMA (New York), the Tate (London), and the National Gallery of Art (Washington). \u003cbr\u003e\u003c\/p\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-6\" data-turn-id=\"request-WEB:2c29490f-331c-4472-a375-108148798325-2\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"89d47a77-46b2-4036-82a2-70301537f912\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"572\" data-start=\"0\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“Mary Mary\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eUSA, 1990\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScreenprint and offset lithograph in colours on wove paper\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eSigned in plate, lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSigned, dated, and annotated in pencil by the artist, lower left\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAnnotated: \u003cbr\u003eP.Proof. Frankenthaler\u003cbr\u003efor Delmar Hendricks - a pleasure to work with you - sincerely Helen Frankenthaler\u003cbr\u003e11\/28.90\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePrinter's Proof\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePublished by the Lincoln Center for the Performing Arts, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePrinted by Brand X Editions, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e42\"H 32\"W (work) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e42.5\"H 32.5\"W (framed)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eVery good condition\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Helen Frankenthaler","offers":[{"title":"Default Title","offer_id":47591284244716,"sku":"05-26","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Helen-Frankenthaler-Mary-Mary-1990_01.jpg?v=1777751359"},{"product_id":"henry-moore-seated-figure-1973","title":"HENRY MOORE \"SEATED FIGURE\" 1973","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/henry-moore\"\u003eHenry Moore\u003c\/a\u003e (1898-1986) is one of the most important Modernist sculptors. His large-scale semi-abstract sculptures can be seen not only in institutions around the world, but in many outdoor\/public spaces as well.\u003c\/p\u003e\n\u003cp\u003eMoore's aesthetic, whether expressed on paper or in three-dimensions, is simultaneously elegant yet slightly primitive. Moore's creations suggest they have been either reduced by time or the forces of nature but also demonstrate the artist's mastery at the stylization of the human body. \u003c\/p\u003e\n\u003cp\u003eCaviar20 has a particular interest in sculptors who included printmaking as part of their process (Jean Arp, Louise Bourgeois, Kosso Eloul etc.). \u003cmeta charset=\"utf-8\"\u003eHenry Moore is one of the leading 20th century sculptors\/printmakers.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDuring his lifetime, Moore created over 700 etchings, lithographs, etc., exploring all aspects of printmaking. The practice of printmaking was completely correspondent to his sculptures. He would explore the form or character in one medium and either later realize it in the other medium or vice versa. \u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=w_uxBC_8tGk\" title=\"Henry Moore prints exhibition tour organized by the British Council\"\u003eTo learn more about Henry Moore's prints we recommend this video tour of an exhibition of Henry Moore's prints that was organized by the British Council.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThis lithograph is a paradigm of Moore's printed aesthetic. A seated figure is set on a platform, anchored by patchworked taupe textures. The figure is portrayed in his sculptural style, with length, fullness, and a quintessentially modern disposition.\u003c\/p\u003e\n\u003cp\u003eFor art lovers in Toronto, Henry Moore has a special relevancy and connection. The Art Gallery of Ontario has the world's largest collection of Moore's work, including over 900 works, mostly donated by the artist in the early 1970's. Furthermore, Toronto has two major public Moore sculptures\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Archer Henry Moore\" href=\"http:\/\/www.thestar.com\/entertainment\/2013\/04\/03\/henry_moores_threeway_piece_no_2_a_reminder_of_a_bygone_toronto.html\"\u003e\"The Archer\" (in front of City Hall)\u003c\/a\u003e, and \"Large Two Forms\" (in Grange Park, behind the AGO).\u003c\/p\u003e\n\u003cp\u003eThis work is held in the permanent collection of the \u003ca href=\"https:\/\/www.tate.org.uk\/art\/artworks\/moore-seated-figure-p02245\"\u003eTate\u003c\/a\u003e\u003ca href=\"https:\/\/www.tate.org.uk\/art\/artworks\/moore-stone-reclining-figure-ii-p02654\"\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003e\u003cspan class=\"s4\"\u003eContact us,\u003c\/span\u003e\u003c\/a\u003e call +1.416.704.1720, or visit our \u003ca href=\"https:\/\/tbz8zgjjkz7m1km8-742712.shopifypreview.com\/pages\/contact\"\u003eToronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Seated Figure\"\u003c\/p\u003e\n\u003cp\u003e1973\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eLithograph in nine colours on T.H. Saunders\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eSigned \"Moore\" in pencil, lower right edge\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eNumbered \"33\/75\" in pencil, lower left edge\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003ePrinted by Curwen Prints Ltd., London\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003ePublished 1975 by Henry Moore\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e13.5\"H 11\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e29\"H 33\"W \u003c\/span\u003e\u003cspan class=\"s1\"\u003e(framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eCatalogue Number: \u003ca href=\"https:\/\/catalogue.henry-moore.org\/objects\/8621\/seated-figure\"\u003eCGM 292\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003ePublished Reference: Henry Moore: Catalogue of Graphic Work, Volume 2, 1973-1975, by Patrick CRAMER, Alistair GRANT, David MITCHINSON.\u003c\/span\u003e\u003c\/p\u003e","brand":"Henry Moore","offers":[{"title":"Default Title","offer_id":47607550148844,"sku":"05-26","price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Henry-Moore-Seated-Figure-1973_01_793bf16d-9210-40d3-a4b4-b9b33833e50e.jpg?v=1778180753"},{"product_id":"hans-hofmann-untitled-gouache-1943","title":"HANS HOFMANN \"UNTITLED\" GOUACHE, 1943","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHans Hofmann (1880-1966) was a pre-eminent figure of postwar American art and one of the most important artists (and instructors) of the 20th century. Born in Germany, Hofmann immigrated to New York in 1932, bringing with him years of experience and influence from the European avant-garde.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith a career spanning nearly six decades, Hofmann's legacy is marked by extensive exploration, often synthesizing elements from various movements as he reimagined the abstract possibilities of color, form, and space.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn addition to a prolific oeuvre, Hofmann was a Modern art teacher credited for his profound influence on the next generation of artists. \u003c\/span\u003eOver the course of his illustrious teaching career, Hofmann was a mentor to Lee Krasner, Joan Mitchell, and Louise Nevelson, to name a few.\u003c\/p\u003e\n\u003cp\u003eHofmann's achievements also include major contributions to art theory, earning respect and acclaim from renowned critics such as Clement Greenberg. Notably his revolutionary idea of \"push and pull\" which promotes the use of contrasting color and form to create relational perspective on a two-dimensional plane. \u003c\/p\u003e\n\u003cp\u003eAlthough Hofmann was an important practitioner and instructor of abstraction, his work remained tethered, at least conceptually, to the representation or allusion of nature. A seemingly abstract composition could be filled with elements of motion and movement; which are essential ingredients of nature.  \u003c\/p\u003e\n\u003cp\u003eIn this dynamic and exemplary work on paper, landscape was likely an inspiration– though it is realized in an aesthetic that recalls the Fauves, or Robert and \u003ca href=\"https:\/\/www.caviar20.com\/products\/sonia-delaunay-fashion-drawing-1916?_pos=2\u0026amp;_sid=1421511b3\u0026amp;_ss=r\"\u003eSonia Delaunay\u003c\/a\u003e. Created in the early 1940's, arguably one of the most exciting periods of the artist career, this work is a paradigm of Hofmann's version of the world around him. \u003ca title=\"Hans Hofmann in the 1940s\" href=\"https:\/\/www.hanshofmann.org\/1940-1949\"\u003eClick here to learn more about Hofmann's extraordinary decade of creation and community during the 1940's\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca title=\"Hans Hofman Lava Christies\" href=\"https:\/\/www.christies.com\/lot\/lot-6110574\"\u003eIn 2017, Hofmann achieved an auction record of $8.8 million for his 1960 work \u003c\/a\u003e\u003ci\u003e\u003ca title=\"Hans Hofman Lava Christies\" href=\"https:\/\/www.christies.com\/lot\/lot-6110574\"\u003e\"Lava\"\u003c\/a\u003e. \u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003eToday, Hofmann's work can be found in many major public collections across the United States and beyond, including the \u003cmeta charset=\"utf-8\"\u003eMetropolitan Museum of Art (New York), the Museum of Fine Arts Boston, the Art Gallery of Ontario, and Städtische Galerie im Lenbachhaus (Munich).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Untitled\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUSA, 1943\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGouache on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, lower left\u003c\/p\u003e\n\u003cp\u003eEstate stamped and their inventory number verso (M 669\/23)\u003c\/p\u003e\n\u003cp\u003e17.75\"H 24\"W (work)\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e26.5\"H 32.5\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eProvenance: \u003cbr\u003eAndre Emmerich Gallery, New York City\u003cbr\u003eMarianne Friedland Gallery, Toronto\u003cbr\u003ePrivate Collection, Canada\u003c\/p\u003e","brand":"Hans Hofmann","offers":[{"title":"Default Title","offer_id":47608026890476,"sku":"05-26","price":12500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Hans-Hofmann-1943_01.jpg?v=1778182094"},{"product_id":"andy-warhol-cher-portrait-gelatin-silver-print-1","title":"ANDY WARHOL \"CHER (PORTRAIT)\" GELATIN SILVER PRINT, 1978","description":"\u003cp data-start=\"0\" data-end=\"415\"\u003eFrom 1976 until his death in 1987, \u003ca href=\"https:\/\/www.caviar20.com\/collections\/andy-warhol\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAndy Warhol\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e was rarely without a camera. \u003cmeta charset=\"utf-8\"\u003ePhotography was fundamental both to his artistic practice and his engagement with the world around him. Though long a devotee to Polaroids, Warhol acquired a 35mm camera in 1977 and proceeded to shoot, on average, at least a roll of film a day over the following decade.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"415\"\u003eLittle escaped his lens: he recorded discos, dinner parties, flea markets, wrestling matches, and the social rituals that defined downtown New York in the late 20th century. Friends, lovers, celebrities, socialites, business associates, and anonymous passersby all became subjects within Warhol’s restless photographic archive.\u003c\/p\u003e\n\u003cp data-start=\"417\" data-end=\"802\"\u003eWhile Warhol’s large-scale portraits established his reputation as one of Pop Art’s most celebrated image-makers and colourists, his black and white snapshots reveal a more immediate and intimate sensibility. Animated, candid, and often quietly joyful, these photographs capture people mid-conversation, mid-laugh, or absorbed within the atmosphere of a particular moment.\u003c\/p\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:c907c8e1-905b-43c3-8601-ded0da03bb0d-2\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"9625b2bf-f97f-40a7-8380-1b0037f783dc\" dir=\"auto\" data-message-model-slug=\"gpt-5-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eOf the tens of thousands of images Warhol produced between 1977 and 1987, only a small fraction were ever enlarged, lending these works the feeling of an expansive personal diary — spontaneous records of glamour, performance, labour, and everyday life collapsing into a single frame.\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis image features the legendary artist \u0026amp; icon Cher. Both Cher and Warhol were prominent figures in the 1970-80s NYC social scene, often attending the same events. Warhol captures Cher in an easy moment, as she smiles at him softly. The photograph records a quiet encounter between two Pop icons.\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eUSA, c.1978\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eUnique Gelatin Silver Print\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eStamped by the Estate of Andy Warhol, verso\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e10\"H 8'W (work)\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e16.5\"H 14\"W (framed)\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eVery good condition\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan\u003e\u003c\/span\u003eProvenance: The Estate of Andy Warhol; Private Collection, Canada\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Andy Warhol","offers":[{"title":"Default Title","offer_id":47608172871916,"sku":"05-26","price":12500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Andy-Warhol-Cher-_portrait_-photograph_01.jpg?v=1778271096"},{"product_id":"andy-warhol-sophia-loren-gelatin-silver-print-1983","title":"ANDY WARHOL \"SOPHIA LOREN\" GELATIN SILVER PRINT, 1983","description":"\u003cp data-start=\"0\" data-end=\"415\"\u003eFrom 1976 until his death in 1987, \u003ca href=\"https:\/\/www.caviar20.com\/collections\/andy-warhol\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAndy Warhol\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e was rarely without a camera. \u003cmeta charset=\"utf-8\"\u003ePhotography was fundamental both to his artistic practice and his engagement with the world around him. Though long devoted to Polaroids, Warhol acquired a 35mm camera in 1977 and proceeded to shoot, on average, at least a roll of film a day over the following decade.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"415\"\u003eLittle escaped his lens: he recorded discos, dinner parties, flea markets, wrestling matches, street scenes, and the vibrant social life that defined downtown New York in the era. Friends, lovers, celebrities, socialites, business associates, and anonymous passersby all became subjects within Warhol’s restless photographic archive.\u003c\/p\u003e\n\u003cp data-start=\"417\" data-end=\"802\"\u003eWhile Warhol’s large-scale portraits established his reputation as one of Pop Art’s most celebrated image-makers and colourists, black and white snapshots reveal a more immediate and intimate sensibility. \u003c\/p\u003e\n\u003cp data-start=\"417\" data-end=\"802\"\u003eOf the thousands of images Warhol produced between 1977 and 1987, only a small fraction were ever printed, lending these works the feeling of an expansive personal diary — spontaneous records of glamour, performance, labour, and everyday life collapsing into a single frame.\u003c\/p\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:c907c8e1-905b-43c3-8601-ded0da03bb0d-2\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"9625b2bf-f97f-40a7-8380-1b0037f783dc\" dir=\"auto\" data-message-model-slug=\"gpt-5-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis image shows Sophia Loren's signature and footprints in the courtyard of the Chinese Theatre in Hollywood. Warhol's long documented fascination with classic Hollywood figures and celebrity culture began from an early age. In 1984 Andy Warhol created the screenprint \"Sidewalk\", using these photographs as source material. \u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eUSA, c.1983\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eUnique Gelatin Silver Print\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eStamped by the Estate of Andy Warhol, verso\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e8\"H 10'W (work)\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e14\"H 16.5\"W (framed)\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eVery good condition\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1386\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan\u003e\u003c\/span\u003eProvenance: The Estate of Andy Warhol; Private Collection, Canada\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Andy Warhol","offers":[{"title":"Default Title","offer_id":47611765489900,"sku":"05-26","price":9500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Andy-Warhol-Sophia-Loren_s-Hands-1983-photograph_13_5122ab85-9b8a-44e4-84a9-818b186b963b.jpg?v=1779355386"},{"product_id":"andy-warhol-flowers-hand-colored-1974","title":"ANDY WARHOL \"FLOWERS (HAND COLORED)\" 1974","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/andy-warhol\"\u003eAndy Warhol\u003c\/a\u003e (1928-1987) is arguably the most important American artist of the 20th century. He not only helped to define Pop Art, but has made a profound and enduring effect on artists and image-making around the globe.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eFrom the inception of his career in the 1950s to his final works in 1987, printmaking played a key role in Warhol’s practice. From his first years in New York City, as an ambitious commercial illustrator, Warhol used stylized flowers in many of his designs whether in unique drawings or in advertisements. Of course in 1964 he debuted his iconic \u003ca href=\"https:\/\/www.moma.org\/collection\/works\/71491\" title=\"Andy Warhol Flowers 1964\"\u003eFlowers\u003c\/a\u003e series, a true highlight of his career and the era. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn focusing on a single subject and repeating it across mediums, Warhol referenced commercial and mechanical forms of reproduction commonly used in advertising and the media at large. Other than demonstrating his mastery of and passion for printmaking, the \u003cem\u003eFlowers\u003c\/em\u003e images embody Warhol's core tenant, engaging with questions of appropriation and production that are central to an understanding of his work as a whole.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eExactly a decade later Warhol produced the Hand Colored Flowers series using black screenprinted outlines and watercolor fill. The compositions are evocative of 19th century Japanese woodblock prints of delicately arranged flowers. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe Hand Colored Flowers series is reminiscent of Warhol's early 1950s illustrations and prints. While the aesthetic is quite different, the approach and execution is quite similar. The outlines are printed, but the elements of color are added by hand.  \u003c\/p\u003e\n\u003cp\u003eAs a result, each print differs slightly in hue and tone. Despite the beauty and elegance of this series, is less well known than other Warhol work from the 1970s. It is also relatively affordable compared to other Warhol prints from the era. One of the reasons for its affordability is that many examples from the edition have faded, to the point the hand colored elements have completely vanished. \u003ca title=\"Andy Warhol Hand Colored Flowers 1974\" href=\"https:\/\/www.caviar20.com\/collections\/andy-warhol\/products\/andy-warhol-hand-colored-flowers-screenprint-1974\"\u003eClick here\u003c\/a\u003e and \u003ca title=\"Andy Warhol Hand Colored Flowers 1974\" href=\"https:\/\/whitney.org\/collection\/works\/7355\"\u003ehere to see another example from this series\u003c\/a\u003e. This is a fantastic impression with bold, bright coloring. The vibrancy and intensity of the color is quite impressive and unusual. \u003ca href=\"https:\/\/whitney.org\/collection\/works\/7361\" title=\"Andy Warhol Hand Colored Flowers 1974\"\u003eCompare this example to the one held by the Whitney Museum.\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003eToday the Hand Colored Flowers portfolio is held in many prestigious institutional collections including the Art Institute of Chicago; the MoMA, and the National Gallery.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003e\"Flowers (Hand-colored) VI\" \u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003eFrom a portfolio of ten hand-colored screenprints, of the same name\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003eUSA, 1974\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003eScreenprint with hand-colored watercolor on ivory wove paper\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003eInitialed in graphite, lower right\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003eSigned and numbered in pencil, verso\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003eFrom an edition of 250\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003ePrinted by Alexander Heinrici, Studio Heinrici\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003ePublished by Peter M. Brant, Andy Warhol Multiples, Inc., Castelli Graphics\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003e41\"H 27.25\"W (sheet)\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003e42.75\"H 30.5\"W (framed)\u003c\/p\u003e\n\u003cp class=\"lot-info\"\u003eCatalogue Raisonné: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFeldman \u0026amp; Schellmann II.115 I\/I\u003c\/span\u003e\u003c\/p\u003e","brand":"Andy Warhol","offers":[{"title":"Default Title","offer_id":47611824144620,"sku":"05-26","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Andy-Warhol-Hand-Painted-Flowers_01_70fe773c-f3a0-42b9-91f4-8e2595fff2cb.jpg?v=1779390011"},{"product_id":"louise-nevelson-six-pointed-star-1982","title":"LOUISE NEVELSON \"SIX POINTED STAR\" 1980","description":"\u003cp\u003e\u003ca title=\"Toronto art gallery collection featuring the work of Louise Nevelson, iconic American woman artist\" href=\"https:\/\/www.caviar20.com\/collections\/louise-nevelson\" target=\"_blank\"\u003eLouise\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eNevelson\u003c\/span\u003e\u003c\/a\u003e (1899-1988) is one of the most revered and unique artists of the 20th century.  \u003c\/p\u003e\n\u003cp\u003eThere has been a tremendous renewal of interest and appreciation for Nevelson’s work in recent years. In 2021, a new auction record of $1.35 million was established for one of Nevelson’s signature wall sculptures. \u003c\/p\u003e\n\u003cp\u003eDespite such monumental achievements, Nevelson remains significantly undervalued compared to her male peers. While this is troubling and surprising, there is a great opportunity for savvy collectors to acquire top works that are bound to appreciate.\u003c\/p\u003e\n\u003cp\u003eWhile Nevelson is best known for her work as a sculptor, like many of her American contemporaries, \u003cspan\u003eNevelson\u003c\/span\u003e expanded her practice as an artist by exploring the many different branches of printmaking as the medium experienced a mid-century renaissance.  \u003c\/p\u003e\n\u003cp\u003e\"Six Pointed Star\"\u003cspan data-mce-fragment=\"1\"\u003e is a paradigm of Nevelson's printmaking practice. Nevelson utilized the rare printmaking technique of cast paper, whereby paper fiber or pulp is formed using a mold, and employed to create a relief. The striking features of the work have a classic Nevelson form and elaborately patterned texture,\u003c\/span\u003e in a \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emink-like color\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003eNot surprisingly this work can be found in several prominent museum collections including the \u003ca title=\"Louise Nevelson Tropical Leaves\" href=\"https:\/\/www.moma.org\/collection\/works\/102760\"\u003eMoMA\u003c\/a\u003e the United States Library of Congress, the Brooks Museum of Art, and several others. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\"Six Pointed Star”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eUSA, 1980\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCast paper relief\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSigned and numbered \"74\/90\" in pencil\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eFrom an edition of 90\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e40.5\"H 34\"W\u003cspan\u003e (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e42.5\"H 36\"W (framed with plexiglass)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePublished by Pace Editions, Inc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eVery good condition, in original Pace Editions issued frame\u003c\/span\u003e\u003c\/p\u003e","brand":"Louise Nevelson","offers":[{"title":"Default Title","offer_id":47634895306988,"sku":"05-23x05-26","price":8000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Louise-Nevelson-6-pointed-star_01_686616c6-d907-4994-b5e7-146ceb0a2d82.jpg?v=1779379284"},{"product_id":"gershon-iskowitz-blue-mauve-c-1980","title":"GERSHON ISKOWITZ \"BLUE MAUVE-C\" 1980","description":"\u003cp\u003e\u003cspan\u003eIt is hard to reconcile \u003c\/span\u003e\u003ca title=\"GERSHON ISKOWITZ PAINTING 1988 CAVIAR20\" href=\"https:\/\/www.caviar20.com\/collections\/gershon-iskowitz\"\u003eGershon Iskowitz's\u003c\/a\u003e\u003cspan\u003e (1921-1988) aesthetic with his personal history. As a Holocaust survivor, he experienced the darkest side of humanity yet built a life dedicated to creating art and beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jewish religious studies) in order to study art independently. The outbreak of war forced him to return to his hometown where he was conscripted to forced labor, then transferred to \u003ca title=\"Buchenwald Concentration Camp\" href=\"https:\/\/en.wikipedia.org\/wiki\/Buchenwald_concentration_camp\"\u003eBuchenwald\u003c\/a\u003e in 1944, one of the first and most notorious Nazi concentration camps. \u003c\/span\u003e\u003cspan\u003eUpon liberation, Iskowitz spent nearly 9 months recuperating in the hospital. He then studied at the Academy of Fine Art in Munich before immigrating to Canada.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor most of the 1950s, he incorporated representation into his art. By the 60s he had established a modest reputation in Toronto and beyond,  joining the Gallery Moos stable in 1964. The legend goes that in 1967 thanks to a Canadian Council grant, Iskowitz took a helicopter tour of the north. The experience of seeing the massive expanse of trees from above inspired a major redirection of his aesthetic and material and approach. \u003c\/p\u003e\n\u003cp\u003eReferencing nature, Iskowitz's abstract composition depicts the dynamic exchange of color and light. Deconstructed trees and skies morph together in a delightful blue, dotted with purple, pink, yellow, and green shapes. Unclear whether the viewer is looking up at the sky through trees, or down through the clouds at the forrest, this painting is a perfect example of Iskowitz's ability to distill the natural world into cleverly abstracted compositions.\u003c\/p\u003e\n\u003cp\u003eIt is also worth mentioning Iskowitz's commitment to supporting future generations of Canadian artists. After his blockbuster retrospective at the AGO in 1982, Iskowitz established an eponymous foundation that would give out an annual grant to a contemporary artist. \u003ca href=\"https:\/\/iskowitzfoundation.ca\/prize\/\" title=\"Gershon Iskowitz Prize\"\u003eClick here to learn about the Gershon Iskowitz Prize.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003e\u003cspan class=\"s4\"\u003eContact us,\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecall +1.416.704.1720, or visit our\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/tbz8zgjjkz7m1km8-742712.shopifypreview.com\/pages\/contact\"\u003eToronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Blue Mauve-C\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCanada, 1980\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e38\"H 33\"W (work) \u003c\/p\u003e\n\u003cp\u003e39.25\"H 34.25\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: price is $60,000 CAD\u003c\/p\u003e","brand":"Gershon Iskowitz","offers":[{"title":"Default Title","offer_id":47635102728428,"sku":"05-26","price":60000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Gershon-Iskowitz-Blue-Painting_01.jpg?v=1778874621"},{"product_id":"alexander-calder-tank-traps-i-litho-1973","title":"ALEXANDER CALDER \"TANK TRAPS I\" LITHO, 1973","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAlexander Calder’s signature creation is the mobile. One of the most delightful examples of Modernist sculpture, Calder’s works are instantly recognizable in museums around the world. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCaviar20 has a particular interest in sculptors who are simultaneously active as printmakers - along with Alexander Calder, \u003ca title=\"Richard Serra\" href=\"http:\/\/caviar20.com\/collections\/all\/products\/richard-serra-still-from-hand-catching-lead\"\u003eRichard Serra\u003c\/a\u003e, \u003ca title=\"Kosso Eloul\" href=\"http:\/\/caviar20.com\/products\/koso-eloul-elusive-framed-lithograph-1971\"\u003eKosso Eloul,\u003c\/a\u003e and \u003ca title=\"Louise Nevelson\" href=\"http:\/\/caviar20.com\/collections\/all\/products\/louise-nevelson-untitled-screen-print-1976\"\u003eLouise Nevelson\u003c\/a\u003e are prime examples.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eCalder was a prolific and active print maker. His prints are instantly recognizable because of his signature joyful palette and his flat geometric compositions. Occasionally he would flirt with figuration, using b\u003cspan\u003eold modernist shapes rendered in saturated primary colors. These creations \u003c\/span\u003e\u003cspan\u003eposses a voice that is distinctly Calder's, radiating with optimism and mystery. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e“Tank Traps I” is a paradigm of a Calder print. The artist strategically uses the color black to create \u003c\/span\u003e\u003cspan class=\"s1\"\u003eheavy outlines in his compositions, here indicating a series of orange and red pyramids against a churning sky. The repetition of pyramid shapes is something that Calder returned to frequently in his printmaking output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eCalder's works can be found in numerous museum collections around the world including The Whitney Museum of American Art, the Centre Georges Pompidou, Paris and the Museo Nacional Centro de Arte Reina Sofía in Madrid, to name a few.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Tank Traps I\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eColor lithograph, 1973\u003c\/p\u003e\n\u003cp\u003eSigned \"Calder\" in pencil, lower right\u003c\/p\u003e\n\u003cp\u003eNumbered \"63\/75\" in pencil, lower left and centre \u003c\/p\u003e\n\u003cp\u003eTitled \"Tank Traps I\" in pencil, verso\u003c\/p\u003e\n\u003cp\u003e29.25\"H  43.25\"W (work)\u003c\/p\u003e\n\u003cp\u003e33.75\"H 49\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Alexander Calder","offers":[{"title":"Default Title","offer_id":47635139526892,"sku":"05-26","price":15000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Alexander-Calder-Composition-with-pyramids-circles-and-clouds-1970_01_b18338a9-fdc4-43cc-bf0e-2aa69b491968.jpg?v=1779390669"},{"product_id":"rita-letendre-orage-jour-pastel-1992","title":"RITA LETENDRE \"ORAGE \/ JOUR\" PASTEL, 1992","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/rita-letendre\"\u003eRita Letendre\u003c\/a\u003e (1928-2021) is one of Canada’s leading abstract painters...and one of Caviar20's favourite artists. \u003c\/p\u003e\n\u003cp\u003eEarly in her career, Letendre was associated with Les Automatistes (which included Borduas and \u003ca href=\"https:\/\/www.caviar20.com\/products\/jean-paul-riopelle-paillettes-litho-1987?_pos=3\u0026amp;_sid=818fb4eaf\u0026amp;_ss=r\" title=\"Riopelle\"\u003eRiopelle\u003c\/a\u003e amongst others) in Montreal's avant-garde circles of the 1950s. However in the 1960's her aesthetic transformed and evolved and she embraced hard-edge abstraction. Her marriage to Kosso Eloul arguably had a tremendous impact on her artistic production, and for a number of years their artistic output shared many similarities. \u003c\/p\u003e\n\u003cp\u003eAround 1980, her style loosened significantly from her iconic chevron works that characterized the 1970s. Letendre began working more frequently on paper, and her aesthetic revisited some of the gestural techniques and formal approaches similar to when she launched her career in  Montreal.\u003c\/p\u003e\n\u003cp\u003eBy the 1990s her work became frequently atmospheric albeit realized with rich saturated colors. Her frequent use of pastels was an ideal approach to flood compositions with color. This intimate but impactful pastel is evocative of her best work from this era. Revealing titles such as \"Orage\" (French for \"storm\") acknowledge the influence of nature, such as the dramatic shifts of color inherent in weather and atmosphere, on the artist's work.  \u003c\/p\u003e\n\u003cp\u003eNearly every major institution in Canada has examples of her work in their permanent collections including the National Gallery, the Montreal Museum of Fine Arts and the Art Gallery of Ontario.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Orage \/ Jour\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCanada, 1992\u003cbr\u003e\u003cbr\u003ePastel on paper\u003c\/p\u003e\n\u003cp\u003eSigned, titled, and dated in pencil\u003c\/p\u003e\n\u003cp\u003e7.5\"H 11\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e13\"H 17\"W (framed)\u003c\/p\u003e\n\u003cp\u003eFramed by the Guilder with conservation glass\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: the price is $4,250 CAD\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca title=\"Rita Letendre pastel Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/all-artworks\/products\/rita-letendre-orage-jour-pastel-1992\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/rita-letendre\/products\/rita-letendre-orage-jour-pastel-1992-copy\" title=\"Rita Letendre pastel Caviar20\"\u003eClick here to see another example of a unique pastel drawing from this series.\u003c\/a\u003e\u003c\/p\u003e","brand":"Rita Letendre","offers":[{"title":"Default Title","offer_id":47652433428716,"sku":"05-26","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Rita-Letendre-Piece-02_01_f97bc405-6728-4a7e-9b76-972ef821ac1c.jpg?v=1779387714"},{"product_id":"rita-letendre-orage-jour-pastel-1992-copy","title":"RITA LETENDRE \"ORAGE II \/ JOUR\" PASTEL, 1992","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/rita-letendre\"\u003eRita Letendre\u003c\/a\u003e (1928-2021) is one of Canada’s leading abstract painters...and one of Caviar20's favourite artists. \u003c\/p\u003e\n\u003cp\u003eEarly in her career, Letendre was associated with Les Automatistes (which included Borduas and \u003ca title=\"Riopelle\" href=\"https:\/\/www.caviar20.com\/products\/jean-paul-riopelle-paillettes-litho-1987?_pos=3\u0026amp;_sid=818fb4eaf\u0026amp;_ss=r\"\u003eRiopelle\u003c\/a\u003e amongst others) in Montreal's avant-garde circles of the 1950s. However in the 1960's her aesthetic transformed dramatically as she embraced hard-edge abstraction. Her marriage to Kosso Eloul arguably had a tremendous impact on her artistic production, and for a number of years their artistic output shared many similarities. \u003c\/p\u003e\n\u003cp\u003eAround 1980, her style loosened significantly from her iconic chevron works that characterized the 1970s. Letendre began working more frequently on paper, and her aesthetic revisited some of the gestural techniques and formal approaches similar to when she launched her career in  Montreal.\u003c\/p\u003e\n\u003cp\u003eBy the 1990s her work became frequently atmospheric albeit realized with rich saturated colors. Her frequent use of pastels was an ideal approach to flood compositions with color. This intimate but impactful pastel is evocative of her best work from this era. Revealing titles such as \"Orage\" (French for \"storm\") acknowledge the influence of nature, such as the dramatic shifts of color inherent in weather and atmosphere, on the artist's work.\u003c\/p\u003e\n\u003cp\u003eThis artwork in particular has an undeniable proximity to representation. It is easy to believe that Letendre is depicting an incoming storm hovering over a body of water. \u003c\/p\u003e\n\u003cp\u003eNearly every major institution in Canada has examples of her work in their permanent collections including the National Gallery, the Montreal Museum of Fine Arts and the Art Gallery of Ontario.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Orage II \/ Jour\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCanada, 1992\u003cbr\u003e\u003cbr\u003ePastel on paper\u003c\/p\u003e\n\u003cp\u003eSigned, titled, and dated in pencil\u003c\/p\u003e\n\u003cp\u003e7.5\"H 11\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e13\"H 17\"W (framed)\u003c\/p\u003e\n\u003cp\u003eFramed by the Guilder with conservation glass\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: the price is $4,250 CAD\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/all-artworks\/products\/rita-letendre-orage-jour-pastel-1992\" title=\"Rita Letendre pastel Caviar20\"\u003eClick here to see another example of a unique pastel drawing from this series.\u003c\/a\u003e\u003c\/p\u003e","brand":"Rita Letendre","offers":[{"title":"Default Title","offer_id":47652811997420,"sku":"05-26","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Rita-Letendre-Piece-03_01_d8b77953-dcc5-47bf-986e-b4409682bc55.jpg?v=1779387813"},{"product_id":"helen-frankenthaler-sudden-snow-1987","title":"HELEN FRANKENTHALER \"SUDDEN SNOW\" 1987","description":"\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/helen-frankenthaler\"\u003eHelen Frankenthaler\u003c\/a\u003e (1928-2011) is one of the most revered abstract painters of the 20th century, and one of the most successful and collected female artists of all time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eShe was a key player in the evolution of Abstract Expressionism. \u003c\/span\u003e\u003cspan\u003eElaborating on techniques made famous by Jackson Pollock, specifically pouring paint directly onto (frequently) unprimed canvas, Frankenthaler led the next major movement in American Abstraction: Color Field painting. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe artist was a prolific and experimental printmaker. She worked with lithography, etchings, woodcuts, and screenprints. This work, like many in her oeuvre, was created with an elaborate process using several different printmaking techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrankenthaler's success in the realm of printmaking can be attributed to two frequent characteristics: her restraint and her color choices. Frankenthaler's prints are frequently less gestural than her paintings, realized with a \"lighter hand\" in more cohesive or gentle palettes. She allows shapes, washes, or wisps of color to be the dominant elements in these compositions.  \u003c\/p\u003e\n\u003cp\u003eAlthough \u003ca href=\"https:\/\/www.caviar20.com\/collections\/all-artworks\/products\/helen-frankenthaler-mary-mary-1990\" title=\"Helen Frankenthaler Sudden Snow 1987 Caviar20\"\u003eHelen Frankenthaler\u003c\/a\u003e did create a few series of prints, one of the defining characteristics of her printmaking output from the 1980's is its aesthetic diversity and her eagerness for unpredictability, especially with her palettes.\u003c\/p\u003e\n\u003cp\u003eIn \"Sudden Snow\" Frankenthaler has distributed, applied and removed color with something akin to a palette knife or squeegee. While rarely associated with either \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaul-Émile Borduas\u003c\/span\u003e or Gerhard Richter, this print recalls the oeuvre and techniques of both artists. There is little sense of staining or absorption, instead color interacts, confronts and merges with its neighbors.  Pale capri blue is tamed by pure white while simultaneously trying to dominate the \u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003ediaphanous \u003c\/span\u003e\u003c\/span\u003estone gray elements from the top of the composition. In the near center of the work is a subtle inclusion of violet, that creates a contrast that illuminates the piece. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWhile this piece is unquestionably abstract, the title and the palette allude to the dramatic spontaneity and power of winter.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis piece can be found in several prominent museum collections including \u003ca href=\"https:\/\/www.walkerart.org\/collections\/artwork\/sudden-snow\/\" title=\"Helen Frankenthaler Sudden Snow 1987 Walker collection\"\u003ethe Walker\u003c\/a\u003e, and \u003ca href=\"https:\/\/searchthecollection.nga.gov.au\/object\/120452\" title=\"Helen Frankenthaler the National Gallery of Australia\"\u003ethe National Gallery of Australia\u003c\/a\u003e. \u003cbr\u003e\u003c\/p\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-6\" data-turn-id=\"request-WEB:2c29490f-331c-4472-a375-108148798325-2\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"89d47a77-46b2-4036-82a2-70301537f912\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"572\" data-start=\"0\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“Sudden Snow\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eUSA, 1987\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTen color lithograph on white Arches Cover paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSigned, dated, and numbered by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFrom an edition of 50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePrinted and published by Tyler Graphics \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e31.75\"H 23.5\"W (work) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e40.5\"H 32.75\"W (Framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eVery good condition\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Helen Frankenthaler","offers":[{"title":"Default Title","offer_id":47652920164588,"sku":"05-26","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Helen-Frankenthaler-Sudden-Snow-1987_01_79b89a8f-a40b-47f2-b17f-35000c0b5cb0.jpg?v=1780589479"},{"product_id":"rita-letendre-orage-nuit-pastel-1992","title":"RITA LETENDRE \"ORAGE IV \/ JOUR\" PASTEL, 1992","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/rita-letendre\"\u003eRita Letendre\u003c\/a\u003e (1928-2021) is one of Canada’s leading abstract painters...and one of Caviar20's favourite artists. \u003c\/p\u003e\n\u003cp\u003eEarly in her career, Letendre was associated with Les Automatistes (which included Borduas and \u003ca title=\"Riopelle\" href=\"https:\/\/www.caviar20.com\/products\/jean-paul-riopelle-paillettes-litho-1987?_pos=3\u0026amp;_sid=818fb4eaf\u0026amp;_ss=r\"\u003eRiopelle\u003c\/a\u003e amongst others) in Montreal's avant-garde circles of the 1950s. However in the 1960's her aesthetic transformed dramatically as she embraced hard-edge abstraction. Her marriage to Kosso Eloul arguably had a tremendous impact on her artistic production, and for a number of years their artistic output shared many similarities. \u003c\/p\u003e\n\u003cp\u003eAround 1980, her style loosened significantly from her iconic chevron works that characterized the 1970s. Letendre began working more frequently on paper, and her aesthetic revisited some of the gestural techniques and formal approaches similar to when she launched her career in  Montreal.\u003c\/p\u003e\n\u003cp\u003eBy the 1990s her work became frequently atmospheric albeit realized with rich saturated colors. Her frequent use of pastels was an ideal approach to flood compositions with color. This intimate but impactful pastel is evocative of her best work from this era. Revealing titles such as \"Orage\" (French for \"storm\") acknowledge the influence of nature, such as the dramatic shifts of color inherent in weather and atmosphere, on the artist's work.\u003c\/p\u003e\n\u003cp\u003eThis artwork in particular has an undeniable proximity to representation. It is easy to believe that Letendre is depicting an incoming storm hovering over a body of water. \u003c\/p\u003e\n\u003cp\u003eNearly every major institution in Canada has examples of her work in their permanent collections including the National Gallery, the Montreal Museum of Fine Arts and the Art Gallery of Ontario.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Orage IV \/ Jour\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCanada, 1992\u003cbr\u003e\u003cbr\u003ePastel on paper\u003c\/p\u003e\n\u003cp\u003eSigned, titled, and dated in pencil\u003c\/p\u003e\n\u003cp\u003e7.5\"H 11\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e13\"H 17\"W (framed)\u003c\/p\u003e\n\u003cp\u003eFramed by the Guilder with conservation glass\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: the price is $4,250 CAD\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/all-artworks\/products\/rita-letendre-orage-jour-pastel-1992\" title=\"Rita Letendre pastel Caviar20\"\u003eClick here to see another example of a unique pastel drawing from this series.\u003c\/a\u003e\u003c\/p\u003e","brand":"Rita Letendre","offers":[{"title":"Default Title","offer_id":47657913483500,"sku":"05-26","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Rita-Letendre-Piece-04_01_50c0631a-b490-40b0-9529-3c7c99154a83.jpg?v=1779472821"},{"product_id":"rita-letendre-orage-vi-jour-pastel-1992","title":"RITA LETENDRE \"ORAGE VI \/ JOUR\" PASTEL, 1992","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/rita-letendre\"\u003eRita Letendre\u003c\/a\u003e (1928-2021) is one of Canada’s leading abstract painters...and one of Caviar20's favourite artists. \u003c\/p\u003e\n\u003cp\u003eEarly in her career, Letendre was associated with Les Automatistes (which included Borduas and \u003ca title=\"Riopelle\" href=\"https:\/\/www.caviar20.com\/products\/jean-paul-riopelle-paillettes-litho-1987?_pos=3\u0026amp;_sid=818fb4eaf\u0026amp;_ss=r\"\u003eRiopelle\u003c\/a\u003e amongst others) in Montreal's avant-garde circles of the 1950s. However in the 1960's her aesthetic transformed dramatically as she embraced hard-edge abstraction. Her marriage to Kosso Eloul arguably had a tremendous impact on her artistic production, and for a number of years their artistic output shared many similarities. \u003c\/p\u003e\n\u003cp\u003eAround 1980, her style loosened significantly from her iconic chevron works that characterized the 1970s. Letendre began working more frequently on paper, and her aesthetic revisited some of the gestural techniques and formal approaches similar to when she launched her career in  Montreal.\u003c\/p\u003e\n\u003cp\u003eBy the 1990s her work became frequently atmospheric albeit realized with rich saturated colors. Her frequent use of pastels was an ideal approach to flood compositions with color. This intimate but impactful pastel is evocative of her best work from this era. Revealing titles such as \"Orage\" (French for \"storm\") acknowledge the influence of nature, such as the dramatic shifts of color inherent in weather and atmosphere, on the artist's work.\u003c\/p\u003e\n\u003cp\u003eThis artwork in particular has an undeniable proximity to representation. It is easy to believe that Letendre is depicting an incoming storm hovering over a body of water. \u003c\/p\u003e\n\u003cp\u003eNearly every major institution in Canada has examples of her work in their permanent collections including the National Gallery, the Montreal Museum of Fine Arts and the Art Gallery of Ontario.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Orage IV \/ Jour\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCanada, 1992\u003cbr\u003e\u003cbr\u003ePastel on paper\u003c\/p\u003e\n\u003cp\u003eSigned, titled, and dated in pencil\u003c\/p\u003e\n\u003cp\u003e7.5\"H 11\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e13\"H 17\"W (framed)\u003c\/p\u003e\n\u003cp\u003eFramed by the Guilder with conservation glass\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: the price is $4,250 CAD\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/all-artworks\/products\/rita-letendre-orage-jour-pastel-1992\" title=\"Rita Letendre pastel Caviar20\"\u003eClick here to see another example of a unique pastel drawing from this series.\u003c\/a\u003e\u003c\/p\u003e","brand":"Rita Letendre","offers":[{"title":"Default Title","offer_id":47657947594988,"sku":"05-26","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Rita-Letendre-Piece-01_01.jpg?v=1779473752"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/collections\/Caviar20_VasaMihich_Blades-Main2.jpg?v=1674758022","url":"https:\/\/www.caviar20.com\/collections\/all-artworks.oembed?page=2","provider":"Caviar20","version":"1.0","type":"link"}