{"title":"Fresh: Winter 2026","description":"\u003cp\u003e\u003cspan\u003eNew year, new art!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe’re starting 2026 with great new acquisitions from \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/products\/josef-albers-mitered-squares-cobalt-screenprint-1977?_pos=8\u0026amp;_sid=3e724ccf8\u0026amp;_ss=r\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.caviar20.com\/products\/josef-albers-mitered-squares-cobalt-screenprint-1977?_pos%3D8%26_sid%3D3e724ccf8%26_ss%3Dr\u0026amp;source=gmail\u0026amp;ust=1768634061181000\u0026amp;usg=AOvVaw00NcXp8QO1lz5SuWQp8w58\" target=\"_blank\"\u003eJosef Albers\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/products\/damien-hirst-psilocybin-2013?_pos=3\u0026amp;_sid=8170766cf\u0026amp;_ss=r\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.caviar20.com\/products\/damien-hirst-psilocybin-2013?_pos%3D3%26_sid%3D8170766cf%26_ss%3Dr\u0026amp;source=gmail\u0026amp;ust=1768634061181000\u0026amp;usg=AOvVaw0yUqbwv37URZZkd5-OMMW5\" target=\"_blank\"\u003eDamien Hirst\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/products\/henry-moore-mother-and-child-pl-6-etching-1987?_pos=1\u0026amp;_sid=e2c7ed41a\u0026amp;_ss=r\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.caviar20.com\/products\/henry-moore-mother-and-child-pl-6-etching-1987?_pos%3D1%26_sid%3De2c7ed41a%26_ss%3Dr\u0026amp;source=gmail\u0026amp;ust=1768634061181000\u0026amp;usg=AOvVaw0QBqkNavkrv2yN2fiqmZWp\" target=\"_blank\"\u003eHenry Moore\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/products\/robert-motherwell-in-celebration-lithograph-1977?_pos=1\u0026amp;_sid=6dae212ae\u0026amp;_ss=r\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.caviar20.com\/products\/robert-motherwell-in-celebration-lithograph-1977?_pos%3D1%26_sid%3D6dae212ae%26_ss%3Dr\u0026amp;source=gmail\u0026amp;ust=1768634061181000\u0026amp;usg=AOvVaw1qD_-pckhsfYxCYSR3OxH9\" target=\"_blank\"\u003eRobert Motherwell\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/products\/wolf-kahn-dark-pines-screenprint-2001\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.caviar20.com\/products\/wolf-kahn-dark-pines-screenprint-2001\u0026amp;source=gmail\u0026amp;ust=1768634061181000\u0026amp;usg=AOvVaw0YTxLD1qj0JO_BNB7uk4I9\" target=\"_blank\"\u003eWolf Kahn\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/all-artworks\/products\/glenn-ligon-black-tree-lithograph-2005\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.caviar20.com\/collections\/all-artworks\/products\/glenn-ligon-black-tree-lithograph-2005\u0026amp;source=gmail\u0026amp;ust=1768634061181000\u0026amp;usg=AOvVaw1Wbdvh0W3ONXgYzY0_0nNR\" target=\"_blank\"\u003eGlenn Ligon\u003c\/a\u003e\u003cspan\u003e \u0026amp; more!\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"balthus-jeune-fille-assise-lithograph-1994","title":"BALTHUS \"JEUNE FILLE ASSISE\" LITHOGRAPH, 1994","description":"\u003cp\u003eBalthus (1908-2001) is one of the most esteemed painters of the 20th century. \u003c\/p\u003e\n\u003cp\u003eRecognized for his dream-like compositions and taboo subject matter, Balthus uniquely blends elements of classicism \u003cspan\u003ewith themes of\u003c\/span\u003e modernity. His work is saturated with traditional technique, lending references to his moody, atmospheric scapes that are often imbued with Surrealist subtexts.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Jeune Fille Assise,\" or \"Young Girl, Seated,\" intimately portrays a figure reading on a lounger. Holding a page up to her face, the model sits comfortably with one leg propped up on the seat and her head lying against the back of the chair. \u003c\/span\u003e\u003cspan\u003eBalthus' markmaking is soft, diffusing the image and creating a blurred, almost voyeuristic  effect. This gently-rendered quiet moment captures the figure's innocence during this private and intimate moment of solitude.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBalthus is most infamously known for his infatuation with youth, portraying \u003cmeta charset=\"utf-8\"\u003esexually suggestive (and in some cases, blatantly erotic) depictions of pre-pubescent girls throughout his oeuvre. The controversial theme was a point of contention throughout his career and beyond, \u003ca href=\"https:\/\/www.nytimes.com\/2017\/12\/08\/nyregion\/we-need-to-talk-about-balthus.html\"\u003ewith a recent petition calling for additional context\u003c\/a\u003e to support his work on display at The Met.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2019, a new auction record of $19 million was established for Balthus' painting, \"Therese sur une banquette\" (1939). His work has been displayed internationally at the Tate, the Metropolitan Museum of Art, the Centre Pompidou, and the Art Institute of Chicago.\u003c\/p\u003e\n\u003cp class=\"text-light lot-details-font-md break-word\"\u003e\u003cspan id=\"MainContent_essay\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eQuestions about this artwork? \u003ca href=\"mailto:info@caviar20.com\"\u003eEmail us\u003c\/a\u003e, call +1.416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Jeune Fille Assise\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003efrom \u003cem\u003eDessins\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrance, 1994\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLithograph on Arches paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned \"Balthus\" and numbered \"125\/150\" in pencil, lower edge of plate\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom an edition of 150 with 15 APs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e29.5\"H 22\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e39.25\"H 31\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCo-published by Éditions de la Tempête and Éditions Enrico Navarra, Paris\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted at Atelier Desjobert, Paris\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eNote: This print is one of six from the portfolio \u003cem\u003eDessins, \u003c\/em\u003econtaining six lithographs in colours, on Arches paper, the full sheets loose, with a title page, text, and coliphon in a fabric-covered portfolio with embossed signature.\u003c\/span\u003e\u003c\/p\u003e","brand":"Balthus","offers":[{"title":"Default Title","offer_id":46742581117164,"sku":"08-25","price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Elizabeth-Balthus-young-girl-reading-1994_Thumbnail.jpg?v=1755890163"},{"product_id":"robert-motherwell-in-celebration-lithograph-1977","title":"ROBERT MOTHERWELL \"IN CELEBRATION\" LITHOGRAPH, 1975","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell?srsltid=AfmBOooHmXUaYHCqxIX9Q0MM8y9cG1SCsOTPDS15MLuFGx-zc2-nzZal\"\u003eRobert Motherwell\u003c\/a\u003e (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and established New York City as the center of the art world.    \u003cbr\u003eMotherwell was also the unofficial spokesman of the New York School, writing, teaching, and lecturing on behalf of the movement, his fellow artists, and the merits of abstraction.  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eToday, his work appears in museum collections around the world and is instantly recognizable for its boldness and black forms. Yet in addition to his impressive paintings, Motherwell is also revered as a printmaker. He is one of the most innovative and prolific printmakers of the 20th century. He was always searching for new techniques, whether at his own printmaking atelier, or collaborating with others, to expand his ideas and express his aesthetic. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"In Celebration\" was commissioned by the Stanford Law School in 1975. It is one of several notable works that Motherwell created in collaboration with master printer Ken Tyler (at \u003cmeta charset=\"utf-8\"\u003eTyler Graphics Ltd.)  \u003cbr\u003e\u003ca href=\"https:\/\/www.caviar20.com\/products\/robert-motherwell-rites-of-passage-ii-1980?_pos=1\u0026amp;_sid=066ee4902\u0026amp;_ss=r\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/products\/robert-motherwell-rites-of-passage-ii-1980?_pos=1\u0026amp;_sid=066ee4902\u0026amp;_ss=r\"\u003eClick here for another example of their collaboration created in 1980 at Tyler Graphics Ltd.\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis dynamic piece features e\u003cspan data-mce-fragment=\"1\"\u003elongated strips of unmodulated color, filling the image with alternating vertical and horizontal planes. \u003cmeta charset=\"utf-8\"\u003eIn typical Motherwell fashion, \"In Celebration\" showcases bold, black shapes against a powerful field of saturated red.\u003c\/span\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe simplicity of this work, like many of this era, seems to balance the spirit of abstract expressionism with minimalism. \u003c\/span\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCollage was an important element of Motherwell's practice and influenced how he made prints, particularly in the late 1970s and into the 80s. While red is a dominant color in Motherwell's prints, and arguably the most sought after by collectors, here we see the red background both enhanced and concealed by collage-like elements. \u003c\/span\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eQuestions about this artwork? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720 \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"In Celebration\"\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUSA, 1975 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOffset lithograph on Rives BFK paper \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSigned and numbered \"185\/200\" in pencil lower left, signed in plate upper right \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 200\u003c\/p\u003e\n\u003cp\u003e36\"H 25\"W (sheet)\u003c\/p\u003e\n\u003cp\u003eFramed\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e","brand":"Robert Motherwell","offers":[{"title":"Default Title","offer_id":46848602931436,"sku":"05-22x09-25","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Robert-Motherwell-In-Celebration-1975_icon_072910c2-ce70-44b2-abc0-5a5f205fa120.jpg?v=1650464312"},{"product_id":"edward-burtynsky-alberta-oil-sands-10-2007","title":"EDWARD BURTYNSKY \"ALBERTA OIL SANDS #10\" 2007","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\"\u003eEdward Burtynsky\u003c\/a\u003e is one of Canada’s most internationally renowned photographers.\u003c\/p\u003e\n\u003cp\u003eFor nearly a decade (1999-2008) Burtynsky focused on his \"Oil\" series which depicted the production and consequences of the global oil market in four countries: China, USA, Canada and Azerbaijan. He produced images of oil fields, refineries, automobiles, motorways, disposal and recycling areas, transportation, oil sands, and abandoned oil fields. \u003c\/p\u003e\n\u003cp\u003eThis image of the Alberta Oil Sands is one of the best-known works from Burtynsky’s Oil series. Rendered from an improbable vantage point and in strange, luminous hues, the image offers stunning precision and commanding clarity.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem data-start=\"17\" data-end=\"36\"\u003eAlberta Oil Sands\"\u003c\/em\u003e perfectly links globalization, oil, and the industrial sublime. Shot from the air around Fort McMurray, the vast, alien vistas—steam plants, tailing ponds, and ploughed earth stretching to a smoggy horizon—confront viewers with the reality of human impact.\u003c\/p\u003e\n\u003cp\u003eTheir monumental scale and formal beauty belie the devastation they depict. Here, the romantic sublime is inverted: the awe we feel stems not from nature’s immensity but from our own destructive power, as humanity appears less as nature’s subject than as its unrelenting deity.\u003c\/p\u003e\n\u003cp\u003eDespite the commentary on society and environmental capitalization, the image is incredibly beautiful with its sober palette, etherial reflections, and near-total abstraction.\u003c\/p\u003e\n\u003cp\u003eBurtynsky's work is represented in over 50 museum collections including The National Gallery of Canada, The Guggenheim, Victoria and Albert Museum, London and Bibliothèque National, Paris to mention a few.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003e\u003cspan\u003eContact us,\u003c\/span\u003e\u003c\/a\u003e call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Alberta Oil Sands #10, Fort McMurray, Alberta, 2007\"\u003c\/p\u003e\n\u003cp\u003e39 Megapixel Digital Capture\u003c\/p\u003e\n\u003cp\u003ePrinted in 2009: Digital Chromogenic Color Print\u003c\/p\u003e\n\u003cp\u003eSigned by the artist on label, verso\u003c\/p\u003e\n\u003cp\u003eEdition number 2 of 9\u003c\/p\u003e\n\u003cp\u003e39”W  49H” (image)\u003c\/p\u003e\n\u003cp\u003e41”W  51”H (framed)\u003c\/p\u003e\n\u003cp\u003eFramed with museum glass\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":46893761495276,"sku":"10-25","price":22500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Burtynsky-Alberta_01.jpg?v=1760639123"},{"product_id":"edward-burtynsky-three-gorges-dam-project-wushan-11-2002","title":"EDWARD BURTYNSKY \"WUSHAN #11, THREE GORGES DAM PROJECT\" 2002","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEdward Burtynsky\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e (b. 1955) is one of Canada's most successful photographers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHe is internationally renowned for his large-format photographs documenting the ramifications of industry on the environment. Burtynsky's work often presents a tension between wonder and desecration, reminding us of our simultaneous dependence and lack of concern for the planet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBurtynsky has worked extensively in China and his images have defined their astonishing growth and ambition in the 21st century. This work, taken from Burtynsky's 2002 \"China\" series, documents the massive geographical transformation required for the realization of the Three-Gorge Dam project. The Dam was created to control flooding along the Yangtze River but consequently lead to nearly 632 square kilometers of land being completely submerged by the newly created reservoir. \u003c\/span\u003e\u003cspan\u003eMore than one-million people were resettled and vast areas of fertile soil, forests, and ecosystems were submerged in order to accommodate the project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLike the best of Burtynsky's work, there is something both menacing and reverential in the depiction of the effects of such an epic engineering project. Scattered among rubble along the river's edge are two groups of people, taking in the destruction that surrounds them. \u003c\/span\u003eThis image, along with the Three Gorges Dam series, lays bare the violent tension between human progress and the natural world.\u003c\/p\u003e\n\u003cp\u003eIn 2008, a few years after completing his China series, Burtynsky began an extended project that focuses on the use of water as a resource, and the conflicts and complications embedded in humanity's relationship to it. See an example from the water series \u003ca href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\/products\/edward-burtynsky-xiaolangdi-dam-2-yellow-river-2011\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBurtynsky's work is represented in over 50 museum collections around the world ranging from The National Gallery of Canada, and the Solomon R. Guggenheim Museum, to Victoria and Albert Museum, London, and Bibliothèque National, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Wushan #3, Three Gorges Dam Project, Yangtze River, China, 2002\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePrinted 2003, on Kodak Supra Endura Paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned by the artist on label, verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEdition: AP2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e40\"H 50\"W (image)\u003c\/p\u003e\n\u003cp\u003e48\"H 58\"W (work)\u003c\/p\u003e\n\u003cp\u003e53\"H 62\"W (framed)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eVery good condition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":47019953324268,"sku":"10-25","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Edward-Burtynsky-Three-Gorges-Dam-Project-_11_01.jpg?v=1764276337"},{"product_id":"louise-nevelson-solitude-screenprint-collage-1986","title":"LOUISE NEVELSON \"SOLITUDE\" SCREENPRINT \u0026 COLLAGE, 1986","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCaviar20 is excited to be offering this evocative print by the inimitable \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/louise-nevelson\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLouise Nevelson\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e (\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e1899-1988\u003c\/span\u003e) - one of the most revered and unique sculptors of the 20th century.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eNevelson is renowned for her complex and distinctive artworks regardless of medium. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States and Italy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhile Nevelson's sculptures were almost entirely black (with a handful of excursions into gold or white), her prints included color. This engaging work is grounded by a flat, back shape in its background, but enlivened by color fragments above it. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe layered collaged and printed elements come together in a \u003cmeta charset=\"utf-8\"\u003echaracteristic assemblage of abstract forms, creating an architectural rhythm that feels both intimate and expansive.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e The mixed textures and tonal contrasts create a composition that has a sculptural presence. Interestingly it recalls some of \u003ca title=\"Robert Motherwell Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell\"\u003eRobert Motherwell's\u003c\/a\u003e prints and collages from the late 1970's and 1980's. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eHer use of actual cardboard alongside a printed cardboard-like surface is a powerful reminder of how inventive Nevelson was as a printmaker. As with many of her editioned works, Nevelson suggests a uniquely assembled artwork, despite being a multiple. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis work has an incredible surface texture (that isn't necessarily apparent in the photos), lending the piece a remarkable sense of tactility that echoes Nevelson's three-dimensional constructions. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOver the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May 2021, a new auction record of $1.35 million was set for one of her iconic white constructions. This result is still a bargain considering the auction records of male contemporaries such as John Chamberlain ($4.7 million) or Joseph Cornell ($7.7 million).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/www.caviar20.com\/products\/louise-nevelson-two-figures-1932?_pos=1\u0026amp;_sid=1a6dcbb07\u0026amp;_ss=r\" title=\"Louise Nevelson early drawing 1930's\"\u003eQuestions about this piece? \u003c\/a\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us,\u003c\/a\u003e\u003cspan\u003e call\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e, or visit our \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eToronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eUntitled (a.k.a. Solitude)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eUSA, 1986\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eScreenprint in colors with found paper and cardboard collage on wove paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned, dated, and numbered in pencil, with printer's blindstamp, lower edge\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom an edition of 125 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by Pace Editions, New York, for the Bella Abzug senate campaign\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e41\"H 28.25\"W\u003c\/span\u003e (sheet)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e43.75\"H 31.25\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"Louise Nevelson","offers":[{"title":"Default Title","offer_id":47020577882348,"sku":"11-25","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Louise-Nevelson-Untitled-1986_01.jpg?v=1764359034"},{"product_id":"jim-dine-ex-voto-etching-1996","title":"JIM DINE \"EX VOTO\" ETCHING, 1996","description":"\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/jim-dine\" title=\"Jim Dine works on paper Caviar20\"\u003eJim Dine\u003c\/a\u003e (b. 1935) was one of the key artists that shaped American Pop art in the 1960s. Like Jasper Johns and Andy Warhol, Dine appropriated quintessential American images in his work, experimenting with modes of reproduction and representation.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDine's work was included in many pivotal Pop Art exhibitions, including \"\u003ca href=\"https:\/\/www.artforum.com\/features\/the-new-paintings-of-common-objects-212213\/\"\u003eNew Paintings of Common Objects\u003c\/a\u003e\" at the Pasadena Art Museum (now the Norton Simon Museum), curated by Walter Hopps, that would later be cited as the first institutional survey of American Pop Art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eYet during Pop’s heyday, Dine remained on the periphery, focusing on Neo‑Dada “Happenings” with Claes Oldenburg and John Cage. He rejects being labeled a Pop artist, claiming his work is not cool or celebratory of consumer culture, but instead transforms everyday objects into noble subjects in the tradition of still life.\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis interest in ordinary objects as carriers of meaning is evident in this captivating print. The work's title, from the Latin \u003cem data-end=\"969\" data-start=\"960\"\u003eex voto\u003c\/em\u003e (“from the vow made”) refers to devotional offerings given in gratitude or as fulfillment of a vow. Dine adapts this tradition, turning the print into a secular votive: an intimate, contemplative object charged with memory, emotion, and personal ritual. Rather than depicting divine intervention, the work invites reflection on the object itself, bridging the symbolic weight with the introspective possibilities of contemporary art.\u003c\/p\u003e\n\u003cp\u003eFeaturing hearts, one of Dine's signature motifs alongside tools and neckties, this print is a stunning example of his oeuvre. The depth of color and dimensional presence of the hearts alongside the work's large scale is captivating. This work would make an excellent addition to a new or existing Dine or Pop Art collection.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eDine's work can be found in important public collections around the world including t\u003c\/span\u003e\u003cspan class=\"s1\"\u003ehe Musée des Beaux Arts de Montreal and MoMA, which have particularly important collections of his work. \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/www.tate.org.uk\/art\/artworks\/dine-tool-box-1-p04216\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e,\u003cspan\u003e call +1.416.704.1720, or visit our \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eToronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Ex Voto\"\u003c\/p\u003e\n\u003cp\u003e1996\u003c\/p\u003e\n\u003cp\u003eSoft-ground etching, aquatint, and power-tool abrasion in black, blue, and red ink on two sheets\u003c\/p\u003e\n\u003cp\u003eSigned, dated, and numbered 21\/30 in pencil, lower edge\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 30\u003c\/p\u003e\n\u003cp\u003ePrinted by Aldo Crommelynck, Atelier Crommelynck, Paris\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e40\"H 27\"H (each sheet)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e40\"H 54\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e43\"H 56.75\"W (framed)\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"Jim Dine","offers":[{"title":"Default Title","offer_id":47036917514476,"sku":null,"price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Jim-Dine-Ex-Voto_01.jpg?v=1764350425"},{"product_id":"henry-moore-mother-and-child-pl-6-etching-1987","title":"HENRY MOORE \"MOTHER AND CHILD - PL 6\" ETCHING, 1983","description":"\u003cp\u003eHenry Moore (1898-1986) is one of the most important Modernist sculptors. His large-scale semi-abstract sculptures can be seen not only in institutions around the world, but in many outdoor\/public spaces as well.\u003c\/p\u003e\n\u003cp\u003eMoore's aesthetic, whether expressed on paper or in three-dimensions, is simultaneously elegant yet slightly primitive. Moore's creations suggest they have been either reduced by time or the forces of nature but also demonstrate the artist's mastery at the stylization of the human body. \u003c\/p\u003e\n\u003cp\u003eCaviar20 has a particular interest in sculptors who included printmaking as part of their process (Jean Arp, Louise Bourgeois, Kosso Eloul etc.). \u003cmeta charset=\"utf-8\"\u003eHenry Moore is one of the leading 20th century sculptors\/printmakers.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDuring his lifetime, Moore created over 700 etchings, lithographs, etc., exploring all aspects of printmaking. The practice of printmaking was completely correspondent to his sculptures. He would explore the form or character in one medium and either later realize it in the other medium or vice versa. \u003cmeta charset=\"utf-8\"\u003e\u003ca title=\"Henry Moore prints exhibition tour organized by the British Council\" href=\"https:\/\/www.youtube.com\/watch?v=w_uxBC_8tGk\"\u003eTo learn more about Henry Moore's prints we recommend this video tour of an exhibition of Henry Moore's prints that was organized by the British Council.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThis etching is one of eight from Moore's \u003cem\u003eMother and Child\u003c\/em\u003e portfolio. A mother lays on the floor, holding a seated child in her outstretched arms. She gazes at her offspring, frozen in this precious moment. The figures are portrayed in Moore's sculptural style, their length and fullness coming through their two-dimensional portrayal.\u003c\/p\u003e\n\u003cp\u003eOn the title page of the portfolio, Moore includes a short descriptive text to describe his thoughts and reasoning behind the titular archetype:\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003eThe Mother and Child idea is one of my two or three obsessions. The subject itself is eternal and unending, a small form in relation to a big form, the big form protecting the small one and so on. It is such a rich subject, both humanly and compositionally, that I will always go on using it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFor art lovers in Toronto, Henry Moore has a special relevancy and connection. The Art Gallery of Ontario has the world's largest collection of Moore's work, including over 900 works, mostly donated by the artist in the early 1970's. Furthermore, Toronto has two major public Moore sculptures\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.thestar.com\/entertainment\/2013\/04\/03\/henry_moores_threeway_piece_no_2_a_reminder_of_a_bygone_toronto.html\" title=\"The Archer Henry Moore\"\u003e\"The Archer\" (in front of City Hall)\u003c\/a\u003e, and \"Large Two Forms\" (in Grange Park, behind the AGO).\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003e\u003cspan class=\"s4\"\u003eContact us,\u003c\/span\u003e\u003c\/a\u003e call +1.416.704.1720, or visit our \u003ca href=\"https:\/\/tbz8zgjjkz7m1km8-742712.shopifypreview.com\/pages\/contact\"\u003eToronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003ePlate Six, from \u003cem\u003eMother and Child\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eSigned, inscribed \"PL 6,\" and numbered \"50\/50\" in pencil, lower edge of plate\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eSigned in plate, lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEtching in sepia on Arches wove paper, 1983\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEmbossed with printers blindstamp\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 50 (+ 15 AP, 10 HC)\u003c\/p\u003e\n\u003cp\u003ePrinted by James Collyer and James Crossley, London\u003c\/p\u003e\n\u003cp\u003ePublished by Raymond Spencer Company Ltd., for the Henry Moore Foundation, Much Hadham, 1987\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e4\"H 5\"W (plate)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e15\"H 12.75\"W (sheet)\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003e17.5\"H 15.5\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eLiterature: Cramer 706\u003c\/p\u003e\n\u003cp\u003eReference: CGM 706\u003c\/p\u003e","brand":"Henry Moore","offers":[{"title":"Default Title","offer_id":47037519266028,"sku":"11-25","price":2750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Henry-Moore-Mother-and-Child-PL-6_01.jpg?v=1771530961"},{"product_id":"ryan-mcginley-crash-2002","title":"RYAN MCGINLEY \"CRASH\" 2001","description":"\u003cp\u003e\u003ca title=\"Ryan McGinley Crash 2001\" href=\"https:\/\/www.caviar20.com\/collections\/ryan-mcginley\"\u003eRyan McGinley\u003c\/a\u003e (b. 1977) is arguably the most renowned photographer of his generation. At 25 years old, he was the youngest artist to ever have a solo show at the Whitney (2003).\u003c\/p\u003e\n\u003cp\u003eOver the past two decades, McGinley has proven himself to be the successor to both Nan Goldin and Larry Clark with a unique documentary style that portrays the idealisms and realities of a generation.\u003c\/p\u003e\n\u003cp\u003eMcGinley's work captures the optimism, rebellion and hedonism experienced by friends and lovers in and around New York City. Artists, like the late Dash Snow and Dan Colen, regularly make appearances in his images.\u003c\/p\u003e\n\u003cp\u003e\"Crash\" is an image that sits at the perfect intersection of McGinley's most cherished elements: portraiture of youth who exist freely, at play in nature. This photograph is an iconic paradigm of his celebratory, sexy, and unapologetic practice.\u003c\/p\u003e\n\u003cp\u003eDuring this era, McGinley worked almost exclusively in a 40\" x 30\" print format. It is quite rare to find an image from the period in this more intimate size. This luminous portrait perfectly demonstrates Ryan McGinley's iconic mastery at portraying the fleeting feeling of youth.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWhile McGinley established his reputation with joyful images such as this one, he has gradually evolved into one of the most sought-after portrait photographers. Today, his work regularly appears in magazines including Vanity Fair and the New York Times magazine. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Crash\"\u003c\/p\u003e\n\u003cp\u003e2001\u003c\/p\u003e\n\u003cp\u003eChromogenic print\u003c\/p\u003e\n\u003cp\u003e13.75”H 11”W (sheet)\u003c\/p\u003e\n\u003cp\u003eVery good condition \u003c\/p\u003e","brand":"Ryan McGinley","offers":[{"title":"Default Title","offer_id":47038079828204,"sku":"11-25","price":4000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Ryan-McGinley-Swimming_01.jpg?v=1764438001"},{"product_id":"robert-motherwell-harvest-in-scotland-lithograph-collage-1973","title":"ROBERT MOTHERWELL \"HARVEST, IN SCOTLAND\" 1973","description":"\u003cp\u003eWhile \u003ca href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell?page=1\"\u003eRobert Motherwell\u003c\/a\u003e (1915-1991) is known as one of the most important and influential artists associated with Abstract Expressionism, he is also revered for his work and promotion of printmaking.\u003c\/p\u003e\n\u003cp\u003eThe inclusion of European cigarette graphics and labels from fine wines is one of the most distinctive aesthetic characteristics in his work. It also continues a tradition, established by Picasso and Braque during the heyday of Cubism, of incorporating the detritus of daily life into the artistic work. Where the Cubist’s incorporated collage into the painted canvas, Motherwell similarly developed a process of collage incorporated into print.\u003cbr\u003e \u003cbr\u003eThe “Summer Light Series” was a milestone series for Motherwell that allowed him to reintroduce collage into his printing practice. The series was started in 1972, and released in 1973 as Motherwell's first large-scale project at Gemini G.E.L., Los Angeles. The titles were derived from typography on the labels used as collage fragments. \u003cmeta charset=\"utf-8\"\u003eIn this print, the layered base is adorned with the packaging of Scotish Cheese brand \"Caithness,\" and German cigarette brand, \"Ernte 23.\" The German word \"ernte\" translates to \"harvest,\" a term which titles several prints in the series including this one.\u003cbr\u003e \u003cbr\u003eIn “Harvest, in Scotland,” we see the results of the new creation process, where a hybrid of lithographed print and collage would be collapsed into one print. Motherwell’s highly textured paper, seen here and in the rest of the series, would be accompanied by hand-culled found materials. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe maquettes for the prints were first assembled as a series of collages, which Gemini’s printers then used to create working templates. These informal studies were fully documented. Each component was printed with colorfast inks and hand-torn along stencils approved by the artist. Once printed, the individual elements were coated with adhesive and unified into a single composition by running them through the press.\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003eAs a result of Motherwell’s close attention to his studio works during the printing process, his works in all mediums were reference points for the prints. As such, his prints retain the artistic gesture of Abstract Expressionist painting in the ripped collaged papers and heavily textured bases.\u003cbr\u003e \u003cbr\u003eQuestions about this artwork? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e \u003cspan\u003eor call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Summer Light Series: Harvest, In Scotland\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eUSA, 1973\u003c\/p\u003e\n\u003cp\u003eLithograph and collage on arjomari paper, with yellow Georges Duchêne Hawthorne of Larroque handmade paper; Ernte cigarette label; Caithness cheese label; black Arches paper\u003c\/p\u003e\n\u003cp\u003eSigned \"Motherwell\" in pencil, numbered \"AP VI\", with artist blindstamp\u003c\/p\u003e\n\u003cp\u003ePublished by Gemini G.E.L., Los Angeles, with their blindstamp\u003c\/p\u003e\n\u003cp\u003e42\"H 24\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e45.5\"H 27.5\"W (framed)\u003c\/p\u003e\n\u003cp\u003eOverall very good condition. Full report by request.\u003c\/p\u003e\n\u003cp\u003eNote: this work is made with handmade paper and has deckled edges and a strong texture.\u003c\/p\u003e\n\u003cp\u003eCatalogue Raisonné: \u003ca href=\"https:\/\/dedalusfoundation.org\/robert-motherwell\/catalogues-raisonne\/prints-editioned-works\/view\/cr-144-summer-light-series-harvest-in-scotland\/\"\u003eCR 144\u003c\/a\u003e\u003c\/p\u003e","brand":"Robert Motherwell","offers":[{"title":"Default Title","offer_id":47052495388908,"sku":"12-25","price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Robert-Motherwell-Harvest-In-Scotland_01.jpg?v=1764702312"},{"product_id":"wolf-kahn-dark-pines-screenprint-2001","title":"WOLF KAHN \"DARK PINES\" SCREENPRINT, 2001","description":"\u003cp\u003e\u003cspan\u003eWolf Kahn (1927-2020) was a German-born American artist acclaimed for his stylized landscapes, which blend natural realism with the celebration of color in the spirit of Color Field artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHis luminous, lyrical images of forests and farmland combined realism with abstraction. Working intuitively, Kahn rejected any psychological underpinnings in his paintings. His landscapes, while grounded in the familiar, seem to exist beyond the realm of reality.\u003c\/p\u003e\n\u003cp\u003eTrees were a consistent subject that Kahn. Having worked as a lumberjack in his youth, the artist's enthusiasm for trees appears throughout his oeuvre. He often sought to translate the densely-layered hilly thickets of the American Northeast through his captivating, atmospheric artworks.\u003c\/p\u003e\n\u003cp\u003eIn \"Dark Pines,\" four bands of color make define the composition. At the base of the image, shades of verdant green, punctuated with magenta, blends into a primary yellow color field. The yellow alternates as being understood as both expressive color of sunlight. Tall, slender trees shoot up from the ground, their green and brown foliage mingling or almost submerged against a blue background. Kahn has scraped lines into this section, representing ghost-like presence of a densely-packed forrest. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis screenprint was commissioned by the Lincoln Center for Performing Arts (in New York City). The image showcases Kahn's ability to capture landscapes with vibrant hues and atmospheric depth. His color choices enliven the scene, resulting in an otherworldly atmosphere that teeters between abstraction and representation.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"Dark Pines\" offers an opportunity for collectors to add a signature Kahn motif to their collection.\u003c\/p\u003e\n\u003cp\u003eToday, Kahn's work is celebrated in museums across the globe, including the National Gallery of Canada (Ottawa), The Art Institute of Chicago, the Metropolitan Museum of Art  and The Museum of Modern Art (New York), the Museum of Fine Arts (Boston), the Hirshorn Museum and the Smithsonian (Washington, DC), the Los Angeles County Museum of Art, and the Museum of Art and Industry (Hamburg), among others.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\"Dark Pines\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eUSA, 2001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eScreenprint in colors on wove paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eSigned \"W Kahn\" numbered \"27\/108\" in pencil, lower edge\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eWith the blindstamp of the printer, Brand X Editions, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003ePublished by Lincoln Center for the Performing Arts, Inc., New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eFrom an edition of 108\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e28\"H 39.5\"W (sheet)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e31.75\"H 43\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Kahn","offers":[{"title":"Default Title","offer_id":47084362301676,"sku":"01-26","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Wolf-Kahn-Blue-Trees_01.jpg?v=1765575197"},{"product_id":"damien-hirst-psilocybin-2013","title":"DAMIEN HIRST \"PSILOCYBIN\" 2013","description":"\u003cp data-end=\"373\" data-start=\"248\"\u003eDamien Hirst (b. 1965) is one of the most divisive, high-profile, and arguably misunderstood artists of the contemporary era.\u003c\/p\u003e\n\u003cp data-end=\"735\" data-start=\"375\"\u003e(In)famous internationally for encapsulating a tiger shark in a tank of formaldehyde, Hirst is the most successful and prolific artist from the group known as the Young British Artists (YBAs). Themes of mortality and decay continue to pervade his practice, evident in installations resembling mirrored pharmacy cabinets and molecular examinations of narcotics.\u003c\/p\u003e\n\u003cp data-end=\"1240\" data-start=\"737\"\u003e\u003cem data-end=\"766\" data-start=\"754\"\u003e\"\u003c\/em\u003ePsilocybin\u003cem data-end=\"766\" data-start=\"754\"\u003e\" \u003c\/em\u003edepicts a grid of vividly coloured spots set against a pristine white ground. Produced using lenticular technology, the work introduces subtle movement: as the viewer shifts position, the dots appear to slide laterally, animating what might otherwise read as a static composition.\u003c\/p\u003e\n\u003cp data-end=\"1240\" data-start=\"737\"\u003eThe print is based on Hirst’s celebrated \"Spot\" paintings, a series of more than 1,400 works that employ coloured dots arranged in strict grid formations. The \"Spot\" works began in the late 1980's, but became iconic and reveered in the late nineties. They gave the illusion of being mechanically produced despite being painted. Some of the composition of colors were random, others calculated, and some (such as this work) are based on the chemical structure of narcotics and pharmaceuticals.\u003c\/p\u003e\n\u003cp data-end=\"1817\" data-start=\"1242\"\u003e\"Psilocybin\" deploys a visual language that is immediately bright and playful, yet charged with a sharp, cynical satire. Here, movement itself becomes a vehicle for meaning. At his most effective, Hirst layers complexity beneath apparent simplicity, and this lenticular edition is no exception.\u003c\/p\u003e\n\u003cp\u003eThis is a classic and iconic Damien Hirst from the 2000s in a domestically sized scale. It is an ideal work for a young collector. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Psilocybin\"\u003c\/p\u003e\n\u003cp\u003eLondon, 2013\u003c\/p\u003e\n\u003cp\u003eLenticular panel and digital print in colors on PETG plastic\u003c\/p\u003e\n\u003cp\u003eSigned and numbered 73\/100 in red marker, lower edge\u003c\/p\u003e\n\u003cp\u003ePublished by Other Criteria, London\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 100\u003c\/p\u003e\n\u003cp\u003e23\"H 15\"W  (work)\u003c\/p\u003e\n\u003cp\u003e24\"H 16\"W (framed)\u003c\/p\u003e\n\u003cp\u003eIn artist's original frame with UV filtering perspex glazing\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Damien Hirst","offers":[{"title":"Default Title","offer_id":47132443377900,"sku":"12-25","price":21500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Damien-Hirst-Psilocybin-lenticular_01.jpg?v=1766251418"},{"product_id":"josef-albers-mitered-squares-cobalt-screenprint-1977","title":"JOSEF ALBERS \"MITERED SQUARES - COBALT\" SCREENPRINT, 1976","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/josef-albers\"\u003eJosef Albers\u003c\/a\u003e (1888-1976) is affiliated with, or an active participant within numerous movements that have defined visual culture in the 20th century. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn the \"Mitered Squares\" series, Albers not only explores the relationship of gradient color but how we perceive complex geometric structures. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis screenprint, in an atypically small edition of 36, is a prime example demonstrating that Albers is one of the most important practitioners of minimalism and hard-edge abstraction...and possibly even Op art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAlbers was a student and later a professor at the Bauhaus in Germany. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAfter the prestigious academy was closed by the Nazis, Albers and his wife Anni (a noted textile designer) emigrated to the United States. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eWhile Albers is best known for his series “Homage to the Square”, he was a significant mentor and taught major artists including Robert Rauchenberg, Cy Twombly and Eve Hesse at Black Mountain College and Yale.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eArt Historians credit Albers for fusing elements of American and European abstraction while influencing minimalism, hard-edge painting and Op art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eHis work is instantly recognizable and collected internationally. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWhile some of Albers' geometric compositions are straightforward and simply flat, in \"Mitered Squares\" we are offered a composition to interpret: Are we looking at a recess, with a dark center at the base, or are we looking at a structure with a darkened small square \"roof\"?\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAlbers works can be found in institutions around the world. \u003ca title=\"Josef Albers Met Museum Mitered Squares\" href=\"http:\/\/www.metmuseum.org\/art\/collection\/search\/373665\"\u003eThe Metropolitan Museum (NYC) holds the preparatory materials used to create the \"Mitered Squares\"\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIt is quite rare to find single works from this important portfolio.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Mitered Square d\" (aka Cobalt)\u003c\/p\u003e\n\u003cp\u003eSigned and numbered \"17\/36\" by the artist in pencil, lower edge\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 36\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScreenprint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUSA, 1976\u003c\/p\u003e\n\u003cp\u003e19\"H 19\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e20.75\"H 20.75\"W (framed)\u003c\/p\u003e\n\u003cp\u003eNewly framed with museum glass.\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":47175521370348,"sku":"09-17x01-26","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Josef-Albersportfolio-Blue_01_e39bd52b-b19a-4b53-a8ae-03c5a503b6ad.jpg?v=1767734128"},{"product_id":"josef-albers-mitered-squares-butter-screenprint-1976","title":"JOSEF ALBERS \"MITERED SQUARES - BUTTER\" SCREENPRINT, 1976","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/josef-albers\"\u003eJosef Albers\u003c\/a\u003e (1888-1976) is affiliated with, or an active participant within numerous movements that have defined visual culture in the 20th century. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn the \"Mitered Squares\" works, Albers not only explores the relationship of gradient color but how we perceive complex geometric structures. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis screenprint, in an atypically small edition of 36, is a prime example demonstrating that Albers is one of the most important practitioners of minimalism and hard-edge abstraction...and possibly even Op art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAlbers was a student and later a professor at the Bauhaus in Germany. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAfter the prestigious academy was closed by the Nazis, Albers and his wife Anni (a noted textile designer) emigrated to the United States. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eWhile Albers is best known for his series “Homage to the Square”, he was a significant mentor and taught major artists including Robert Rauchenberg, Cy Twombly and Eve Hesse at Black Mountain College and Yale.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eArt Historians credit Albers for fusing elements of American and European abstraction while influencing minimalism, hard-edge painting and Op art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eHis work is instantly recognizable and collected internationally. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWhile some of Albers' geometric compositions are straightforward and simply flat, in \"Mitered Squares\" we are offered a composition to interpret: Are we looking at a recess, with a dark center at the base, or are we looking at a structure with a darkened small square \"roof\"?\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAlbers works can be found in institutions around the world. \u003ca href=\"http:\/\/www.metmuseum.org\/art\/collection\/search\/373665\" title=\"Josef Albers Met Museum Mitered Squares\"\u003eThe Metropolitan Museum (NYC) holds the preparatory materials used to create the \"Mitered Squares\"\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIt is quite rare to find single works from this important portfolio.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto Gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Mitered Square e\" (aka Butter)\u003c\/p\u003e\n\u003cp\u003eSigned and numbered by the artist in pencil, lower edge\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 36\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScreenprint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUSA, 1976\u003c\/p\u003e\n\u003cp\u003e19\"H 19\"W (sheet)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":47175524909292,"sku":"09-17x01-26","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Josef-Albersportfolio-Yellow_01.jpg?v=1767734400"},{"product_id":"frank-stella-creede-ii-litho-1970","title":"FRANK STELLA \"CREEDE II\" LITHO, 1970","description":"\u003cp\u003eWe are excited to be offering this amazing example from \u003ca title=\"Frank Stella Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/frank-stella?page=1\"\u003eFrank Stella's\u003c\/a\u003e iconic \u003cem\u003eCopper Series\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eOriginally sold as an album, it is quite rare to find individual examples from the series. It is also worth noting that Stella typically created editions of 100 - \"Creede II\" is from an edition of 70. \u003c\/p\u003e\n\u003cp\u003eThese prints revisit\/reinterpret one of Stella's most successful bodies of work; the Copper Series paintings from 1960-61. These paintings were some of the most celebrated and widely exhibited works from Stella's early career. Besides the captivating metallic coloring, these works were impactful for their highly original, curiously shaped canvases. Stella pushed painting to behave or appear more like sculpture. The color, mystery and ambition of these painting alluded to the strict palettes and ingenuity of early Cubism. \u003c\/p\u003e\n\u003cp\u003eIn 1970, Stella created a portfolio of 7 works, named after the mining towns in the mountains of Colorado that sourced silver and copper, active at the turn of the century. These lithographs were created using several screens of metallic copper paints and tinted varnishes.\u003c\/p\u003e\n\u003cp\u003eStella was an active printmaker and experimented with techniques to achieve a specific aesthetic. These works were first screenprinted before the lithographic inks and varnishes were applied - and as a result are far more complex than typical lithographs. Stella intentionally place the compositions of his early prints in the left corner as a strategy to emphasize his authorship of his prints. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eToday, this print can be found in several prominent collections including the \u003ca href=\"https:\/\/whitney.org\/collection\/works\/8122\"\u003eWhitney\u003c\/a\u003e,  \u003c\/span\u003e\u003ca title=\"Frank Stella Ophir Copper Series at the Buffalo AKG\" href=\"https:\/\/buffaloakg.org\/artworks\/p1970301-creede-ii-copper-series\"\u003eBuffalo AKG\u003c\/a\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003ca title=\"Frank Stella Copper Series Ophir copper prints\" href=\"https:\/\/www.moma.org\/collection\/works\/series\/62294\"\u003eMoMA (NYC)\u003c\/a\u003e\u003cspan\u003e, and the \u003c\/span\u003e\u003ca title=\"Frank Stella Copper Series Ophir print San Francisco\" href=\"https:\/\/www.famsf.org\/artworks\/ophir-from-the-copper-series\"\u003ede Young \/ Legion of Honor (San Francisco)\u003c\/a\u003e\u003cspan\u003e to mention a few. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cspan\u003e call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Creede II\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUSA, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned \"F. Stella\" numbered \"38\/70\" and dated \"70\" by the artist in pencil, lower right\u003c\/p\u003e\n\u003cp\u003eScreenprint and lithograph, printed at Gemini G.E.L\u003c\/p\u003e\n\u003cp\u003ePublished by Gemini G.E.L.\u003c\/p\u003e\n\u003cp\u003e16\"H 22\"W (artwork)\u003c\/p\u003e\n\u003cp\u003e16.75\"H 22.75\"W (Framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eReference: Axsom 40\u003c\/p\u003e","brand":"Frank Stella","offers":[{"title":"Default Title","offer_id":47179892523244,"sku":"07-15-01-26","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Frank-Stella-Copper-Series-Creede-II-1970_01.jpg?v=1767830071"},{"product_id":"michael-snow-appearance-1963","title":"MICHAEL SNOW \"APPEARANCE\" 1963","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/michael-snow\"\u003eMichael Snow\u003c\/a\u003e (b. 1929) is one of the most remarkable multi-disciplinary Canadian artists.\u003c\/p\u003e\n\u003cp\u003eSnow is renowned for a diverse body of work including experimental films, jazz recordings, sculpture, large-scale public art, and most famously the \"Walking Woman\" series. \u003c\/p\u003e\n\u003cp\u003eSnow introduced his iconic silhouette of a modern woman, supposedly modelled on friend and fellow musician \u003ca href=\"https:\/\/caviar20.com\/products\/michael-snow-carla-bley-photolitho-1965\" title=\"Michael Snow Carla Bley\"\u003eCarla Bley\u003c\/a\u003e, in 1962 at the Isaacs Gallery in Toronto. Over the next five years, Snow would realize this form in a multitude of incarnations; paintings, large-scale sculpture (notably at Expo 67), newspaper ads, street art, and even film.\u003c\/p\u003e\n\u003cp\u003eThis work is one of about ten examples of \"frottage\" executed by the artist using an ancient technique of rubbing with charcoal (or in this case graphite) over a rough or textured surface, like a frieze or tomb, to create a drawing or representation.\u003c\/p\u003e\n\u003cp\u003eThis particular work is exemplary as there are two figures stacked -- one with a full figure, the other in a portrait crop. The shapes interact with one another, and demonstrate Snow's playful and thoughtful creation process.\u003c\/p\u003e\n\u003cp\u003e\"Walking Woman\" is Snow's most influential and iconic creation. It is a fascinating intersection between Pop Art and Conceptual Art. His \"Walking Women\" rarely come to market and are highly sought-after by collectors. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eToday, Snow's work is held in numerous public collections including The MoMA (NYC), the Art Gallery of Ontario, and The National Gallery of Canada (Ottawa). In 1981, Snow was awarded the Order of Canada and upgraded to a companion in 2007 in recognition of his international contributions to visual arts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eCanada, 1963\u003c\/p\u003e\n\u003cp\u003eFrottage: Graphite on paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned and dated '63 by the artist \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e10\"H 7.5\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e16.5\"H 13.5\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFramed with museum glass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Michael Snow","offers":[{"title":"Default Title","offer_id":47183615197420,"sku":"01-26","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Michael-Snow-Appearance-1962_01.jpg?v=1767897469"},{"product_id":"paul-jenkins-phenomena-prevailing-winds-oil-1966","title":"PAUL JENKINS \"PHENOMENA: PREVAILING WINDS\" 1966","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/paul-jenkins\"\u003ePaul Jenkins\u003c\/a\u003e (1923-2012) was a major American abstract painter who formally established his practice in post-war France.   \u003c\/p\u003e\n\u003cp\u003eAlong with artists such as \u003ca href=\"https:\/\/caviar20.com\/collections\/all\/products\/sam-francis-turn-1972\" title=\"Sam Francis\"\u003eSam Francis\u003c\/a\u003e and \u003ca href=\"https:\/\/caviar20.com\/collections\/all\/products\/jack-youngerman-white-glide-wall-sculpture-1972\" title=\"Jack Youngerman Glide wall sculpture\"\u003eJack Youngerman\u003c\/a\u003e, Jenkins worked mostly in Paris in the 1950s. As a result his work developed in tandem with, rather than following, the New York School. \u003c\/p\u003e\n\u003cp\u003eLike the aforementioned artists, Jenkins came to Paris because of the now famous G.I. Bill which covered veterans' tuition and other expenses while studying. He would settle in Paris around 1953, and by 1960, he had a reputation on both sides of the Atlantic as one of the times most recognizable and commercially successful abstract artists. \u003c\/p\u003e\n\u003cp data-end=\"501\" data-start=\"71\"\u003eBy the 1960s, Jenkins had refined his practice in to a disciplined and intuitive method. He primed his canvases with white acrylic to create a luminous base, poured his own mixed hues onto tilted surfaces, and guided the paint with a brush or blunt knife, leaving no trace of the artists hand. He worked from all angles, wiping and layering white veils to maintain translucence, and finished with a matte varnish that preserved the painting’s quiet radiance.\u003c\/p\u003e\n\u003cp data-end=\"501\" data-start=\"71\"\u003e\u003cmeta charset=\"utf-8\"\u003eJenkins’ innovative approach aligned him with the Abstract Expressionists. Known for avoiding the paintbrush, the artist poured pigment directly onto his surfaces. \u003cmeta charset=\"utf-8\"\u003eThough frequently compared to Helen Frankenthaler and Morris Louis, Jenkins diverged in a crucial respect: where they worked on raw canvas, he consistently primed his surfaces to preserve luminosity. He is one of the only artists of his era to continuously explore the abstract potential of watercolors (see an example \u003ca href=\"https:\/\/www.caviar20.com%20%E2%80%BA%20products%20%E2%80%BA%20paul-jenkins-phenomena-sun-stalker-watercolor-1982\"\u003ehere\u003c\/a\u003e). \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"Phenomena: Prevailing Winds\" belongs to his series \u003cem data-start=\"83\" data-end=\"94\"\u003ePhenomena\u003c\/em\u003e, a term that underscores Jenkins’s interest in sensory experience over intellectual abstraction. Influenced by Jungian psychology and Eastern philosophy, Jenkins approached painting as a form of inward reflection. His engagement with mysticism and contemplative traditions shaped both his artistic language and his broader worldview, infusing the series with a philosophical depth rooted in perception, intuition, and lived experience.\u003c\/p\u003e\n\u003cp\u003eThis painting is exceptional not only in its visual qualities, but also in its scale; at eight by six feet, the composition is captivating and impossible to ignore.\u003c\/p\u003e\n\u003cp\u003eJenkins' works can be found in the permanent collections of many of the most prestigious institutions globally including the Tate (London), the Museum of Modern Art (NY), the Guggenheim Museum (NY), the Smithsonian Museum (NY), and the Stedelijk Museum (Amsterdam) to name a few. \u003c\/p\u003e\n\u003cp\u003eQuestions about this artwork? \u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Phenomena: Prevailing Winds\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUSA, 1966\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAcrylic on canvas\u003c\/p\u003e\n\u003cp\u003eSigned by the artist, face\u003c\/p\u003e\n\u003cp\u003eTitled, signed and dated, verso\u003c\/p\u003e\n\u003cp\u003e72”H 96”W (work)\u003c\/p\u003e\n\u003cp\u003e74\"H 98\"W (framed)\u003c\/p\u003e\n\u003cp\u003eOverall good condition. Full report available on request.\u003c\/p\u003e","brand":"Paul Jenkins","offers":[{"title":"Default Title","offer_id":47183669854444,"sku":"01-26","price":75000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Paul-Jenkins-Prevailing_01_1378b218-9b94-4bed-b9e8-af790b920ef7.jpg?v=1767901907"},{"product_id":"glenn-ligon-black-tree-lithograph-2005","title":"GLENN LIGON \"BLACK TREE\" LITHOGRAPH, 2005","description":"\u003cp\u003eGlenn Ligon's (b. 1960) practice is rooted in the examination of Black Identity within the context of American history, literature, and societal structures. His artworks build on the legacies of abstraction and conceptual art.\u003c\/p\u003e\n\u003cp\u003eHe is best known for his text-based works, which include elements from protest signs and writings by prominent African-American writers (such as James Baldwin, Zora Neale Hurston, and Ralph Ellison). By densely layered letters, Ligon's imagery evolves into abstraction as he creates scenes that simultaneously demand to be read while disrupting legibility.\u003c\/p\u003e\n\u003cp\u003eExecuted during the 2000s, a period when Ligon expanded beyond text-based works into abstraction, this lithograph features a stark, contemplative silhouette of a tree. Rendered in rippling droplets, the image vibrates visually, becoming less clear the longer it is examined.\u003c\/p\u003e\n\u003cp\u003eHere, abstraction invites reflection, prompting the viewer to consider their own interpretations and biases. This striking lithograph evokes both the formal and obstructed quality that Ligon is known for, exemplifying his ability to evoke layered meaning using minimalist strategies.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener noreferrer\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUntitled (Black Tree)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLithograph\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned, dated, and numbered \"23\/25\" in pencil, lower margin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom an edition of 25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e16\"H 12\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e29\"H 23\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"Glenn Ligon","offers":[{"title":"Default Title","offer_id":47218930024684,"sku":"01-26","price":4950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Glenn-Ligon-Black-Tree-_11_01.jpg?v=1768504449"}],"url":"https:\/\/www.caviar20.com\/collections\/fresh-winter-2026.oembed","provider":"Caviar20","version":"1.0","type":"link"}