{"title":"Large Works","description":"Caviar20 fine art gallery presents an ever-changing selection of large-scale artworks by renowned artists with a diversified range of topics, subjects, themes, and mediums.","products":[{"product_id":"copy-of-yves-gaucher-fente-serigraph-1987","title":"YVES GAUCHER \"RB\/PS3\" PAINTING, 1990","description":"\u003cp\u003eYves Gaucher (1934-2000) is one of Quebec's most important and influential printmakers and painters.\u003c\/p\u003e\n\u003cp\u003eLike Harold Town, Gaucher first established his reputation as a printmaker in the late 1950's. \u003c\/p\u003e\n\u003cp\u003eLess than a decade later Gaucher focused on painting, aligning himself with other hard-edge abstract painters in Montreal (who along with \u003ca href=\"http:\/\/caviar20.com\/collections\/all\/products\/guido-molinari-drawing\" title=\"Guido Molinari Caviar20\"\u003eGuido Molinari\u003c\/a\u003e would be known as Les Plasticiens)\u003c\/p\u003e\n\u003cp\u003ePaintings by these artists posses an elusiveness or activity that their American counterparts never realized.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/canadianart.ca\/features\/2013\/03\/07\/why-the-plasticiens-matter-mnbaq\/\" title=\"Guido Molinari Les Plasticiens\"\u003eCaviar20 highly recommends this article\u003c\/a\u003e\u003cspan\u003e that contrasts Les Plasticiens efforts to what was happening in New York City during the late 1950's and into the sixties.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhen one engages with the color and composition there is something unstable and varying - as opposed to the visceral immediacy of a painting.\u003c\/p\u003e\n\u003cp\u003eGaucher would represent Canada at the Venice Biennale in 1966 (along with Alex Colville and Sorel Etrog) and continue to have an illustrious career. \u003c\/p\u003e\n\u003cp\u003eThis painting is a paradigm of his Barnett Newman-influenced minimalism. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\" data-mce-fragment=\"1\" data-mce-href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"RB \/ PS3\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAcrylic on canvas\u003c\/p\u003e\n\u003cp\u003eSigned, titled and dated 1990 by the artist verso. \u003c\/p\u003e\n\u003cp\u003e20”H 48”W (work)\u003c\/p\u003e\n\u003cp\u003eExcellent condition\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Yves Gaucher","offers":[{"title":"Default Title","offer_id":1156595236,"sku":"02-15","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/CAVIAR20-YVESGAUCHER-RB_PS3-ICON_de664e55-27c2-43a0-9b5d-89f6a3d092c1.jpg?v=1571438548"},{"product_id":"jules-olitski-mozart-night-1992","title":"JULES OLITSKI \"MOZART NIGHT\" 1992","description":"\u003cp\u003eJules Olitski (1922-2007) is one of Caviar20's favorite abstract artists of the 20th century.  Over the course of his career his aesthetic evolved in startling and fascinating ways.  \u003c\/p\u003e\n\u003cp\u003eIn the late 1980's Olitski embarked on a new chapter of art-making. Similar to previous eras, embracing an unconventional tool led to a distinct and new aesthetic. In the late 1960's using a spray gun led to his spray paintings...similarly at the end of the 80's Olitski took up the painter's mitt - typically used by household painters for affects using plaster on walls. \u003c\/p\u003e\n\u003cp\u003eHis work from the late 1980's and early 1990's is characterized by swirling interlocking forms created with a heavy impasto and thick brushwork in shimmering shades of purples, creams and orange highlights. \u003c\/p\u003e\n\u003cp\u003eThis large and impressive print is a great example from Olitski's \"Mitt Paintings\" period. It was commissioned by the illustrious Lincoln Center art program. Quite rare, this work rarely comes available on the secondary market. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Mozart Night\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, titled, dated, and numbered by the artist.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 108\u003c\/p\u003e\n\u003cp\u003eScreenprint in colors on wove paper\u003c\/p\u003e\n\u003cp\u003eUSA, 1992\u003c\/p\u003e\n\u003cp\u003e47\"H 36\"W (work)\u003c\/p\u003e\n\u003cp\u003e55\"H 43\"W (framed) \u003c\/p\u003e\n\u003cp\u003eFramed with plexiglass\u003c\/p\u003e\n\u003cp\u003eMinor wear to frame\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eNote: outside the Toronto-Montreal-New-York triangle this work is sold unframed\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Jules Olitski","offers":[{"title":"Default Title","offer_id":33009832721,"sku":"04-17x2-05-21","price":2450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Jules-Olitski-Mozart-Night-1992_01.jpg?v=1620993670"},{"product_id":"charles-pachter-be-leaf-me-painting-2016","title":"CHARLES PACHTER \"BE LEAF ME\" PAINTING, 2016","description":"\u003cp\u003eCharles Pachter (b. 1942) is one of the most collected and cherished Canadian artists. \u003c\/p\u003e\n\u003cp\u003eHis iconic, uplifting and patriotic images have independently earned their place in the nation's museums and the Canadian art canon. \u003c\/p\u003e\n\u003cp\u003eThe barn, along with \u003ca href=\"http:\/\/caviar20.com\/collections\/charles-pachter-prints\/products\/charles-pachter-queen-on-moose-1973\"\u003eQueen Elizabeth\u003c\/a\u003e and \u003ca href=\"http:\/\/caviar20.com\/collections\/charles-pachter-prints\/products\/charles-pachter-monarchs-of-the-north\"\u003ethe Moose\u003c\/a\u003e, forms a triad of icons that Pachter has repeatedly visited over the course of his career. However Pachter is also fascinated by other Canadian icons - including the canoe, the Monarch butterfly, the loon, Polar Bear, butter tarts and of course the Maple leaf. \u003c\/p\u003e\n\u003cp\u003eUtilizing Pachter’s iconic Canadian imagery of the maple leaf, “Be Leaf Me” displays a flat ground and expressively executed subject matter.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.artsy.net\/show\/caviar20-charles-pachter-the-barn-collection-2\" title=\"Charles Pachter the Barns Collection 2 exhibit\"\u003e\u003cspan class=\"s1\"\u003eThis work was included in our recent Charles Pachter exhibition, \"The Barns Collection 2\" Click here to see images.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eQuestions about this product? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e \u003cspan data-mce-fragment=\"1\"\u003eor call +1.416.704.1720 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned and dated on the verso. \u003c\/p\u003e\n\u003cp\u003eAcrylic on canvas with mixed media\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eCanada, 2016\u003c\/p\u003e\n\u003cp\u003e48\"H 24\"W (canvas)\u003c\/p\u003e\n\u003cp\u003eExcellent condition.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Charles Pachter","offers":[{"title":"Default Title","offer_id":12596003602491,"sku":"6-18","price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Charles-Pachter-Be-Leaf-Me__icon_6701fa71-c397-4e44-91b3-affadc1f1b3b.jpg?v=1571438583"},{"product_id":"general-idea-yen-scarf-1991","title":"GENERAL IDEA, “YEN SCARF”, 1991","description":"\u003cdiv id=\"id6\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/general-idea\"\u003e\u003cspan\u003eGeneral Idea\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e was founded in 1967 in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWith their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues including consumerism, media consumption, the cult of the artist, art collecting and AIDS.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe ¥en Boutique, created in 1991,  was a bold play on the contrast between luxury shopping and gallery acquisition, another strong statement by General Idea on consumption. ‘Yen Scarf’ is a perfect representation of the spirit of GI in this era, commenting on the rising economic dominance of Japan, both in the general world economy and the art world at the time. \u003c\/p\u003e\n\u003cp\u003eThe kiosk (which sporadically offered multiples for sale) was created by the group for museum display. The boutique format continued to hold interest for the group in the 1990s. The final boutique General Idea created was Boutique Coeurs volants, 1994\/2001.\u003c\/p\u003e\n\u003cp\u003eGI's dedication to creating multiples was tied to their critical interest in consumerism and art collecting\/shopping. AA Bronson explained, “General Idea was at once complicit in and critical of the mechanisms and strategies that join art and commerce, a sort of mole in the art world.”\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\" data-mce-href=\"mailto:troy@caviar20.com\" data-mce-fragment=\"1\"\u003eContact us\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e or call\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"tel:4167041720\" data-mce-href=\"tel:4167041720\" data-mce-fragment=\"1\"\u003e+1.416.704.1720\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Visit our Toronto gallery on\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca title=\"Contact information for Caviar20, Toronto fine art gallery\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" data-mce-href=\"https:\/\/www.caviar20.com\/pages\/contact\" data-mce-fragment=\"1\"\u003eThursdays or by appointment\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScreenprint on crêpe-de-Chine\u003c\/p\u003e\n\u003cp\u003e(Also, title card (offset on paper), in black linen-covered card box with gold hot-stamping)\u003c\/p\u003e\n\u003cp\u003eSigned and numbered by the artists\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 48\u003c\/p\u003e\n\u003cp\u003e55\"H 55\"W (scarf)\u003c\/p\u003e\n\u003cp\u003e15\"H 15\"W (box) \u003c\/p\u003e\n\u003cp\u003ePublished by Massimo De Carlo Arte Contemporanea\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003c\/div\u003e","brand":"General Idea","offers":[{"title":"Default Title","offer_id":19646617681979,"sku":"01-19","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_General-Idea-Yen-Scarf_icon_2.jpeg?v=1754516711"},{"product_id":"general-idea-going-thru-the-motions-1975","title":"GENERAL IDEA, “GOING THRU THE MOTIONS\" 1975","description":"\u003cdiv id=\"id6\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/general-idea\"\u003e\u003cspan\u003eGeneral Idea\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e was founded in 1967 in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe group was both prolific and multi-disciplinary long before it became de rigueur. They worked across a wide range of media including photography, sculpture, painting, mail art, video, installations, multiples, and performance.   \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eWith their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eT\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ehematic continuity was a key element for General Idea, who utilized longevity as an avenue to delve deeper into, build upon, and evolve with the complex and nuanced subject matter they took on.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThis early and iconic screenprint was created in tandem with their 1975 performance at the Art Gallery of Ontario, in Toronto. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Going Thru the Motions” was staged as a ‘rehearsal’ for the Miss General Idea beauty pageant. This conceptual parody was a 20-year running concept that was realized in various mediums or iterations. Classified as a “rehearsal,” a pageant queen roamed the isles of the AGO, directed by a mysterious offstage presence, commanding “action” and “cut.” An unknowing (?) gallery audience acted as a studio audience during the performance’s cinematic proceedings. “Going Thru the Motions,” was a performance, a pseudo film, and an exhibition poster...a truly multimedia work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGeneral Idea works from the early 1970s are exceptionally rare. Several elements in \"Going Thru the Motions\" appear in future works in their oeuvre notably the \"wavy hand\" (aka \"Hand of the Spirit\") and the woman's leg in lace-up \u003c\/span\u003estiletto. It appeared again in 1975 on the cover of the Glamour issue of “File Magazine,” GI's parody version of Life Magazine. \u003c\/p\u003e\n\u003cp\u003eGeneral Idea wrote in 1975 \"Glamour replaces Marxism as the single revolutionary statement of the twentieth century\" \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\" data-mce-fragment=\"1\" data-mce-href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e or call\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"tel:4167041720\" data-mce-fragment=\"1\" data-mce-href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Visit our Toronto gallery on\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca title=\"Contact information for Caviar20, Toronto fine art gallery\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eThursdays or by appointment\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"General Idea's Going Thru the Motions\"\u003c\/p\u003e\n\u003cp\u003eScreenprint on paper  \u003c\/p\u003e\n\u003cp\u003eFrom the signed edition of 70\u003c\/p\u003e\n\u003cp\u003e(Total edition was 300, only the first 70 were rubber-stamped signed and numbered)\u003c\/p\u003e\n\u003cp\u003e49\"H 33\"W (work)\u003c\/p\u003e\n\u003cp\u003e51\"H 36\"W (framed)\u003c\/p\u003e\n\u003cp\u003eNewly framed with plexiglass\u003c\/p\u003e\n\u003cp\u003eVery good condition. Detailed condition report by request. \u003c\/p\u003e\n\u003cp\u003eLiterature: \"Glamour is Theft: A User's Guide to General Idea\", Monk, pg. 44 (2016)\u003c\/p\u003e\n\u003cp\u003e\"General Idea: Editions 1967-1995\", Fischer, pg. 102 (2003)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"General Idea","offers":[{"title":"Default Title","offer_id":30882790309947,"sku":"10-19","price":12500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_General-Idea-Motions-1975_icon_bd68b97d-7708-4a6f-9b52-d8c1e9f1fae0.jpg?v=1571773094"},{"product_id":"edward-burtynsky-dryland-farming-13-2010","title":"EDWARD BURTYNSKY \"DRYLAND FARMING #13, SPAIN, 2010\"","description":"\u003cp\u003e\u003cspan\u003eEdward Burtynsky (b. 1955) is one of Canada's most successful photographers. A noted filmmaker, entrepreneur and environmental advocate, Burtynsky is known internationally for his incredibly detailed images documenting the processes and consequences of using the earth's natural resources. His images present a bizarre tension between beauty and desecration. The photographs present unbelievable aerial views with a level of detail normally impossible for the human eye to comprehend.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis work, taken from Burtynsky's Dryland Farming series, depicts the arid agricultural region of Mongeros, Spain. This region is sparsely populated and prone to droughts and high winds. The title refers to the complex technique used in dry areas to cultivate crops with limited moisture and irrigation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImages from this series showcase the vast expanse of farmland with winding rows and gridlike patterns. While the image documents the way human intervention has transformed a landscape, the overall image has a fascinating form with a rich palette and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDryland Farming \u003c\/em\u003eis a series within a larger body of work titled \u003cem\u003eWater. \u003c\/em\u003e\u003cem\u003eWater \u003c\/em\u003eexplores Burtynsky's career-long fascination with the visual and physical effects lack of water can have on the environment. Notably, water itself is often completely absent from the images in this body of work. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBurtynsky's work can be found in the permanent collection of many museums, including the National Gallery of Canada, the Guggenheim, The MoMA and the Tate Modern.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003e\u003cspan\u003eContact us\u003c\/span\u003e\u003c\/a\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003eDryland Farming #13, Monegros County, Aragon, Spain\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eChromogenic print\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned in ink, printed title, number, and date on artist label verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom an edition of 9\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e38.5\"H 51.5\"W (image)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e41\"H 54\"W (framed) \u003c\/p\u003e\n\u003cp\u003eFramed with museum glass\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcellent condition\u003c\/span\u003e \u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":34975546605721,"sku":"07-20","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Edward-Burtynsky-Dryland-Farming-13-Monegros-County-Aragon-Spain-2010_icon_5b9d931d-9416-498a-b13c-fd33457b5b41.jpg?v=1594125957"},{"product_id":"joanne-tod-the-screen-oil-on-polyester-1993","title":"JOANNE TOD “THE SCREEN”, 1993","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eJoanne Tod (b.1953) is a renowned Canadian artist and a master of figurative painting, on the same level of mastery as Alex Colville and Christopher Pratt. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTod has depicted a wide range of subjects throughout her illustrious career. The human figure, pattern, and interiors have been reoccurring and essential elements of Tod's oeuvre. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTod's representation of both public and residential scenes is part of a constant evolution inspired by her innate desire to experiment and stretch the possibility for imagining pictorial spaces. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“The Screen” depicts the renowned Henry Moore Sculpture Centre, an iconic and internationally acclaimed permanent exhibition at the Art Gallery of Ontario. Showcasing Tod's delicate, deliberate hand, the cumulation of soft strokes in this piece join together to render a gentle realism, the cornerstone of her aesthetic.\u003c\/p\u003e\n\u003cp\u003eDistinctive to this piece is the addition of a translucent polyester overlay anchored in the center of the work, creating an illusion of space that prompts the viewer to imagine what it’d be like to walk through the room and experience Moore's work first hand. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom a contemporary vantage point, it is easy to assume that Tod was engaging in an early form of institutional critique. Why does the most prominent museum in Ontario devout such significant real estate to a British artist...who has almost no connection to Toronto. \u003c\/p\u003e\n\u003cp\u003eFor Tod, the 1200 sq foot gallery was a symbol of the complexities of Modernism,  both locally and beyond. Tod recalls a series of milestones in Toronto that she considered; \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Toronto_City_Hall\" title=\"Toronto City Hall\"\u003ethe city's futuristic city hall designed by Viljo Revell completed in 1965\u003c\/a\u003e, the unveiling of the Henry Moore Gallery at the AGO in 1974, and it's ongoing redesign\/expansion that lasted until 1977.  The aesthetics of both large and small forms, whether in architecture, interiors, or in sculpture itself, fuse mid-century simplicity with the Brutalism of the mid-'70s. The visual elements and civic accomplishments are contrasted with the Moore sculpture in the left corner. Tod had always interpreted this Moore work as a depiction of a mushroom cloud, produced by the atom bomb.  A much darker, and tragic symbol of modernity. \u003c\/p\u003e\n\u003cp\u003eWorks from this era and in this scale are mostly found in public collections. This is a rare opportunity to acquire a masterpiece from one of Canada's most accomplished figurative painters. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eQuestions about this piece? Contact us or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“The Screen” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCanada, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOil on two layers of polyester \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned, titled, and dated verso\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e60”H  84”W \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eExcellent condition\u003c\/p\u003e","brand":"Joanne Tod","offers":[{"title":"Default Title","offer_id":41914507329772,"sku":"10-21","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Joanne-Tod-The-Screen-1993_icon_0c0dd272-b2d3-4390-8b58-cdf3487047ff.jpg?v=1635024752"},{"product_id":"jasper-johns-evian-lithograph-1971","title":"JASPER JOHNS \"EVIAN\" LITHOGRAPH, 1972","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eJasper Johns (b.1930) is one of the most celebrated artists of the 20th century. He had a major influence on the trajectory of American post-war art, encouraging the demise of Abstract Expressionism and the introduction of Pop Art.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn the 1950s, Johns rose to prominence with his unconventional painting approach and breakthrough subject matter. He appropriated everyday objects and simple schemas like maps, targets, letters, and numbers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThese banal and ubiquitous elements were frequently encountered in daily life but were irrelevant to art. By repeatedly employing and experimenting with these motifs, Johns turned them into a continuous series. Johns helped welcome representation back into painting and influenced the rise of Pop Art, which embraced depictions of everyday objects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIronically after nearly two decades of having figuration in his artwork, Johns began to embrace pure abstraction. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“Evian\" is an outstanding example of John's signature hybrid of the two methods. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eJohns explains: \"\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThere may or may not be an idea, and the meaning may just be that the painting exists\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn 1971 on the Long Island Expressway, Johns was captivated by a pattern on the side of a passing car door. Although it was fleeting, Johns was transfixed by seeing a version of cross-hatching: interlocking sections of diagonal, parallel lines. During the next decade (1972-1984) Johns enthusiastically embraced the crosshatching motif, realizing it with different colors, densities, and layers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn this lithograph on Angoumois paper, a minimal color field made of shades of grey and green is interrupted by several recognizable forms. The \u003cspan data-mce-fragment=\"1\"\u003escattered \u003c\/span\u003eimagery floats across the composition, offering a discrete glimpse of a clothes-hanger, a wheel, and a skull. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThroughout Johns' illustrious career he earned numerous honors and awards, including the Presidential Medal of Freedom, the National Medal of Arts, and the title of \"foremost living artist\" by The New York Times.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eJohns' works are highly sought by collectors and regularly sell for millions of dollars at auction. In 2010 one of Johns' works was sold for an astonishing $110 million. He has regularly been considered the most valuable living artist. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAdditional images available on request. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eQuestions about this piece? \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eContact us\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\"Evian\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eUSA, 1972\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSigned, dated, and numbered by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eContains publishers blindstamps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eLithograph in colors on Georges Duchene Calcaire paper, with full margins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eEdition 21\/64\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e43.25\"H 28.25\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e51\"H 36\"W (framed)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eVery good condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePublisher: Gemini G.E.L., Los Angeles \u003c\/span\u003e\u003c\/p\u003e","brand":"Jasper Johns","offers":[{"title":"Default Title","offer_id":42184177844460,"sku":"12-21","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_12_Jasper-Johns-Evian-1971_icon_f04087c5-6661-4c35-93c4-5d9566a4e002.jpg?v=1645114900"},{"product_id":"robert-motherwell-america-la-france-variations-iv-lithograph-1984","title":"ROBERT MOTHERWELL \"AMERICA-LA FRANCE VARIATIONS IV\" LITHOGRAPH, 1984","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca data-mce-fragment=\"1\" title=\"Toronto art gallery collection featuring artwork by iconic abstract expressionist, Robert Motherwell\" href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell\" data-mce-href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell\"\u003eRobert Motherwell\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up a quartet of abstract painters that radically defined Modern painting in America, establishing New York City as the new center of the art world.\u003c\/p\u003e\n\u003cp\u003eMotherwell was the unofficial representative of the New York School, writing and editing a journal, and lecturing on behalf of the movement, his fellow artists, and the merits of abstraction. \u003c\/p\u003e\n\u003cp\u003eMotherwell's contribution to the art historical canon is undisputed. This recognition is especially imbued as a result of the achievements Motherwell pursued as a printmaker. Motherwell is one of the most experimental and courageous printmakers of the 20th century. He constantly searched for new techniques to express and expand his ideas and aesthetic.\u003c\/p\u003e\n\u003cp\u003eMotherwell's works are instantly recognizable by their repeated motifs: large black forms, sometimes aggressive, sometimes spontaneous, that confidently devour the pictorial plane.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIn this work, we find exemplary Motherwell fashion; a bold, abstract black shape is set against a field of color. Neutral colors, such as taupe and cream are frequently used to accelerate the power of his black elements. Collaged into the work is a section from the cover of Arches paper amongst abstracted blocks of muted neutral colors. \u003cspan\u003eWhere the Cubists incorporated collage into the painted canvas, Motherwell similarly fused it with printmaking, still retaining the gestural spirit of Abstract Expressionism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMotherwell's finest prints are realized on heavily textured hand-made papers. \u003cmeta charset=\"utf-8\"\u003e\"America-La France Variations IV\" is exemplary of his signature aesthetic and exhibits exceptional character with naturally deckled edges. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell\/products\/robert-motherwell-american-la-france-variations-ix-litho-1984\" title=\"Robert Motherwell America-La France IX \"\u003eClick here\u003c\/a\u003e for another example from this iconic series.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e. Visit our Toronto gallery on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" title=\"Contact information for Caviar20, Toronto fine art gallery\"\u003eThursdays or by appointment\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"America-La France Variations IV\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUSA, 1984\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLithograph and collage in colors \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSigned and numbered in pencil by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003eFrom an edition of 68\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15293,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Gill Sans\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"351\/2\\\"W  451\/2\\\"H\"}'\u003e\u003cmeta charset=\"utf-8\"\u003e48\"H 32\"W (sheet)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15293,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Gill Sans\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"351\/2\\\"W  451\/2\\\"H\"}'\u003e\u003cmeta charset=\"utf-8\"\u003e50\"H 35.5\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublisher: Tyler Graphics, Ltd., Bedford, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003cbr\u003e\u003c\/p\u003e","brand":"Robert Motherwell","offers":[{"title":"Default Title","offer_id":42306132443372,"sku":"01-22","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Robert-Motherwell-America-La-France-Variations-IV_icon_065c235f-d23c-4484-ab15-f78917423885.jpg?v=1642201017"},{"product_id":"william-kentridge-portable-monument-2010","title":"WILLIAM KENTRIDGE “EIGHT FIGURES” 2010","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWilliam Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Kentridge balances universal experiences with the complexity of South African political history and society. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Johannesburg to two prominent lawyers active in anti-apartheid efforts, Kentridge’s proximity to the dissolution of apartheid gave him a unique social sensitivity. His upbringing would shape the socio-political lens that informed his work as an artist. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKentridge is somewhat of a polymath. Having pursued formal education across politics, fine art, miming, and theater, it comes as no surprise that his work cannot be contained to the bounds of a single medium. Charcoal and ink are often his first tools for creation. The density, darkness and texture of the medium is instantly recognizable throughout his oeuvre.. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=Dnweo-LQZLU\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eClick here to learn more about Kentridge’s artist process from inside his Johannesburg studio\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\"Eight Figures\" is an exceptional example of Kentridge's signature aesthetic and subject matter. Processions are a recurring motif throughout his oeuvre, appearing in various forms including sculpture, installation, video and prints. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKentridge's processions depict diverse characters in mysterious environments, marching for ambiguous reasons. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHere, eight individuals (a miner, farmer, nurse or doctor, architect, and porters) cross the page single file along a boardwalk under harsh, industrial lighting. Their procession fills the perimeters of the work, making it unclear whether they're alone or part of a larger group. While their reason for assembling is equivocal, the image is full of clues left to dissect the obscurity of their (perhaps existential) journey.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.gallery.ca\/magazine\/your-collection\/at-the-ngc\/william-kentridge-the-world-stage-of-more-sweetly-play-the-dance\" title=\"William Kentridge at the National Gallery\"\u003eThe National Gallery of Canada (Ottawa) recently presented an elaborate 8-channel video installation by Kentridge. Click here to learn more about this essential motif in his oeuvre. \u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eQuestions about this artwork? Contact us or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“Eight Figures” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSouth Africa, 2010\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLinocut with hand-painting in Indian ink on Hahnemühle paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSigned, numbered, and dated by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eFrom an edition of 40 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e42”H 81”W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e44\"H 81.75\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"William Kentridge","offers":[{"title":"Default Title","offer_id":42435217719532,"sku":"02-22","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_William-Kentridge-Eight-Figures-2010_icon_62959695-7f07-4e14-8ef1-7d0504242e9f.jpg?v=1644964982"},{"product_id":"william-kentridge-scribble-cat-2011","title":"WILLIAM KENTRIDGE “SCRIBBLE CAT” 2010","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWilliam Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Kentridge balances universal experiences with the complexity of South African political history and society. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Johannesburg to two prominent lawyers active in anti-apartheid efforts, Kentridge’s proximity to the dissolution of apartheid gave him a unique social sensitivity. His upbringing would shape the socio-political lens that informed his work as an artist. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKentridge is somewhat of a polymath. Having pursued formal education across politics, fine art, miming, and theater, it comes as no surprise that his work cannot be contained to the bounds of a single medium. Charcoal and ink are often his first tools for creation. The density, darkness and texture of the medium is instantly recognizable throughout his oeuvre.. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=Dnweo-LQZLU\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eClick here to learn more about Kentridge’s artist process from inside his Johannesburg studio\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\"Scribble Cat\" is a paradigm of Kentridge's work and is instantly recognizable for its strong aesthetic and composition of layered pages. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eKentridge's interest in cats stems back to his childhood when the prominent South African artist Cecil Skotnes gifted \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ehis parents a print of a cat for Christmas. Throughout his career, Kentridge has included cats as\u003c\/span\u003e an important and recurring motif in his work, realized in a variety of media and moods.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this work, six fragmented sheets are cleverly layered at various angles, to create a stylized and playful, yet slightly menacing feline. Despite the appearance of disorder from the background pages, the cat's glare possesses the viewer with a keen intensity, amplifying the tension in this piece. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eQuestions about this artwork? Contact us or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e“Scribble Cat” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eSouth Africa, 2010 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eSugarlift \u0026amp; spitbite aquatint, drypoint, and hand-painting on 6 shaped sheets of Hahnemuhle paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eSigned, numbered, and dated by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eFrom an edition of 30 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e40”H 70”W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e47.25\"H \u003cmeta charset=\"utf-8\"\u003e77.5\"W \u003c\/span\u003e(framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"William Kentridge","offers":[{"title":"Default Title","offer_id":42435363864812,"sku":"02-22","price":60000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_William-Kentridge-Scribble-Cat-2010_icon_dde6acab-1c4b-4617-bcbb-e073bcefa30f.jpg?v=1644965415"},{"product_id":"frank-stella-noguchis-okinawa-woodpecker-lithograph-1977","title":"FRANK STELLA \"NOGUCHI'S OKINAWA WOODPECKER\" LITHOGRAPH, 1977","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/frank-stella\"\u003eFrank Stella\u003c\/a\u003e (b. 1936) is one of our favorite 20th-century artists, he helped topple Abstract Expressionism and ushered in a new style and approach to art-making. His aesthetic encouraged Minimalism, Hard-edge abstraction, Op Art, and even Conceptual art. \u003c\/p\u003e\n\u003cp\u003eStella began printmaking in 1967 - and it immediately became an essential part of his practice. This work is from the \"Exotic Birds\", six print series from 1977. The series was expanded across multiple mediums with the prints serving as references for maquettes which were eventually realized as large-scale aluminum reliefs.\u003c\/p\u003e\n\u003cp\u003eThis important series marks a significant transition period for Stella. He introduces a degree of improvisation while layering \u003cmeta charset=\"utf-8\"\u003eelaborate patterns and texture that is absent in his signature geometric compositions that established his reputation. Here Stella rejects, and unequivocally distances himself, from the Minimalists. \u003c\/p\u003e\n\u003cp\u003eWhile the \"Exotic Birds\" series is defined by blooming curves that resemble voluminous plumage of extinct or endangered species, it is still connected to the rest of Stella's oeuvre for its technical similarities. The elegant French curves in the series were created with stencils, a process that recalls Stella's use of protractors and mathematical tools throughout his seminal years. \u003cmeta charset=\"utf-8\"\u003eOne could say that these prints are the bridge between Stella's minimalist\/geometric phase of his career and the hyper-colorful baroque \"later work\" that defined the 1980s until today. \u003c\/p\u003e\n\u003cp\u003e\"Noguchi's Okinawa Woodpecker\" is an exemplary output from this series. As the title suggests, this piece honors the Okinawa Woodpecker (aka \"Noguchi's Woodpecker), a critically endangered species affected by habitat loss due to industrial disruption in Japan.\u003c\/p\u003e\n\u003cp\u003eThe work features a pair of French curves, which flourish in the center of the page atop a delicate sage green border. A vibrant orange grid sits on the perimeter of the image, a recurring motif that is synonymous with Stella's mechanical aesthetic.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e. Visit our Toronto gallery on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eThursdays or by appointment\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Noguchi's Okinawa Woodpecker\"\u003c\/p\u003e\n\u003cp\u003eUSA, 1977\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLithograph and screenprint in colors on Arches paper\u003c\/p\u003e\n\u003cp\u003eSigned, dated, and numbered by the artist \u003c\/p\u003e\n\u003cp\u003eWith the blind stamp of the publisher\/printer Tyler Graphics Ltd.\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 50\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e33\"H 45\"W (work)\u003c\/p\u003e\n\u003cp\u003e42.75\"H 54.75\"W (framed) \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by Tyler Graphics Ltd., New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOverall very good condition, slightly attenuated color.\u003c\/p\u003e","brand":"Frank Stella","offers":[{"title":"Default Title","offer_id":42746854736108,"sku":"05-22","price":12500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Frank-Stella-NoguchisWoodpecker-1977_icon_6fd828d2-7544-4fb1-bab0-ca901a682d62.jpg?v=1652121140"},{"product_id":"robert-motherwell-american-la-france-variations-viii-lithograph-1984","title":"ROBERT MOTHERWELL \"AMERICA-LA FRANCE VIII\" LITHOGRAPH, 1984","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRobert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined Modern painting and established New York City as the center of the art world for the second half of the 20th century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eMotherwell was the unofficial spokesman of the New York School, writing and lecturing prolifically on behalf of the movement, his fellow artists, and the merits of abstraction.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHis work appears in museum collections around the world and is instantly recognizable for its boldness and black forms.  Yet in addition to his impressive paintings, Motherwell is also revered as a printmaker. He is one of the most innovative and prolific printmakers of the 20th century. He was always searching for new techniques, whether at his own printmaking atelier, or collaborating with others, to expand his ideas and express his aesthetic.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"America-La France Variations VIII\" was created at Tyler Graphics in 1984 along with the \u003ca href=\"https:\/\/www.caviar20.com\/search?q=america+la-france+variations\u0026amp;type=product\"\u003erest of the series\u003c\/a\u003e. It is notable for its dramatic vertical shape, and that it is the tallest print from the series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn this dynamic and long lithograph, Motherwell unites his signature gestural brushstrokes with torn paper and collage-like elements. \u003c\/span\u003e\u003cspan\u003eCollaged into the work is a section from the cover of Arches paper amongst abstracted blocks of blue, black, and neutral beige. There is a suggestion or a map, or a stylized beach. \u003c\/span\u003e\u003cspan\u003eWhere the Cubists incorporated collage into the painted canvas, Motherwell similarly fused it with printmaking, still retaining the gestural spirit of Abstract Expressionism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eQuestions about this artwork? \u003ca href=\"mailto:troy@caviar20.com\"\u003e\u003cspan class=\"s2\"\u003eContact us\u003c\/span\u003e\u003c\/a\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAmerica La France Variation VIII\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eLithograph and collage \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWhite Arches Cover mold-made paper, black German Etching paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eUSA, 1984\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSigned and numbered by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFrom an edition of 69\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e50\"H 21.5\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e57\"H 27.75\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Tyler Graphics Ltd.\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis work is included in \"Robert Motherwell: The Complete Prints 1940-1991 Catalogue Raisonne\" pg. 278.\u003c\/span\u003e\u003c\/p\u003e","brand":"Robert Motherwell","offers":[{"title":"Default Title","offer_id":42848812695788,"sku":"06-22","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Robert-Motherwell-America-La-France-Variations-8_icon_e433d764-64de-43e9-a052-0bc784fe7884.jpg?v=1655751765"},{"product_id":"robert-motherwell-american-la-france-variations-ii-lithograph-1984","title":"ROBERT MOTHERWELL \"AMERICA-LA FRANCE VARIATIONS III\" , 1984","description":"\u003cp\u003eRobert Motherwell (1915-1991) is one of the essential American abstract painters that radically defined post-war abstraction in New York City.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eToday, his work appears in museum collections around the world and is instantly recognizable for its boldness and black forms.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.phillips.com\/detail\/robert-motherwell\/NY010318\/8\" title=\"Motherwell auction record 2018 Phillips\"\u003eHis auction record was set in 2018 at $12.6 million USD\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eIn addition to his impressive paintings, Motherwell is also revered as one of the most innovative and prolific printmakers of the 20th century. He was always searching for new techniques, whether at his own printmaking atelier, or collaborating with others, to expand his ideas and express his aesthetic.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"America-La France Variations III\" was created at Tyler Graphics in 1984 along with\u003cspan\u003e \u003c\/span\u003ethe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/search?q=america+la-france+variations\u0026amp;type=product\" data-mce-href=\"https:\/\/www.caviar20.com\/search?q=america+la-france+variations\u0026amp;type=product\"\u003erest of this iconic series\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn this dynamic print, Motherwell revels in the importance and beauty of collage in his approach to printmaking. Substituting heavy brush strokes for layers of ripped paper contrasted with more lines of color that appear to be created with a thick oil crayon, Motherwell creates an enigmatic and uplifting image through fragmentation and juxtaposition. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eMany art fans think of Motherwell and his heavy calligraphic\/spilled ink forms of black. During the 1970's and especially the 80's, Motherwell embraced a lighter palette. The \"America-France Variations\" are emblematic of his light touch and interest in brighter hues, such as marigold yellow, pale sand and sky blue - well represented here. This particular print from the series has the lightest background and the most use of the hand-made sky blue torn paper. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLike the best of Motherwell's prints this work was created with heavily textured handmade papers. The sky blue paper elements are similarly hand-made at Tyler Graphics Ltd. and collaged onto\u003cspan\u003e \u003c\/span\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003ethe sheet\u003c\/span\u003e with naturally deckled edges. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCaviar20 is excited to be offering this uplifting and bold Robert Motherwell from the America-La France Variations series. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"America-La France Variations III\" was subsequently printed and published by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTyler Graphics Ltd. \u003c\/span\u003eas a poster for the 1987 exhibition \u003cem\u003eRobert Motherwell: The Collaged Image\u003c\/em\u003e at \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHurlbutt Gallery of the Greenwich Library, Connecticut.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eQuestions about this artwork? \u003ca href=\"mailto:troy@caviar20.com\"\u003e\u003cspan class=\"s2\"\u003eContact us\u003c\/span\u003e\u003c\/a\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\"America-La France Variations III\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eUSA, 1984\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eLithograph and collage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSigned by the artist, lower left\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFrom an edition of 70\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e45.75\"H 29\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVery good condition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Tyler Graphics Ltd.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLiterature: \u003cspan data-mce-fragment=\"1\"\u003e\"Robert Motherwell: The Complete Prints 1940-1991 Catalogue Raisonne\" pg. \u003c\/span\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e267\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNote: this work is sold unframed. Available example is a different number from the edition. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Kasmin (NYC) \/ The Dedalus Foundation\u003c\/p\u003e","brand":"Robert Motherwell","offers":[{"title":"Default Title","offer_id":42876524986604,"sku":"06-22x2-03-23-09-23","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Robert-Motherwell-America-La-France-Variations-II-1984_icon_2bbe4630-7534-4257-8001-10a5c11c47ad.jpg?v=1655827536"},{"product_id":"robert-motherwell-america-la-france-variations-iii-lithograph-1984","title":"ROBERT MOTHERWELL \"AMERICA-LA FRANCE VARIATIONS II\" , 1984","description":"\u003cp\u003eRobert Motherwell (1915-1991) is one of the essential American abstract painters that radically defined post-war abstraction in New York City.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eToday, his work appears in museum collections around the world and is instantly recognizable for its boldness and black forms.\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Motherwell auction record 2018 Phillips\" href=\"https:\/\/www.phillips.com\/detail\/robert-motherwell\/NY010318\/8\"\u003eHis auction record was set in 2018 at $12.6 million USD\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eIn addition to his impressive paintings, Motherwell is also revered as a printmaker. He is one of the most innovative and prolific printmakers of the 20th century. He was always searching for new techniques, whether at his own printmaking atelier, or collaborating with others, to expand his ideas and express his aesthetic.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"America-La France Variations II\" was created at Tyler Graphics in 1984 along with\u003cspan\u003e \u003c\/span\u003ethe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/search?q=america+la-france+variations\u0026amp;type=product\" data-mce-href=\"https:\/\/www.caviar20.com\/search?q=america+la-france+variations\u0026amp;type=product\"\u003erest of this iconic series\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn this dynamic print, Motherwell revels in the importance and beauty of collage in his approach to printmaking. Substituting heavy brush strokes for layers of ripped paper contrasted with more lines of color that appear to be created with a thick oil crayon, Motherwell creates an enigmatic and uplifting image through fragmentation and juxtaposition. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCollage has been an important element in art-making since the Cubists employed it at the beginning of the 20th century, using scraps of newspaper or product labels. Similarly Motherwell included fragments of cigarette packages, wine labels and the packaging of artist materials (such as Arjomari paper in this work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLike the best of Motherwell's prints this work was created with heavily textured handmade papers. The sky blue paper elements are similarly hand-made at Tyler Graphics Ltd. and collaged onto \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003ethe sheet\u003c\/span\u003e with naturally deckled edges. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCaviar20 is excited to be offering this uplifting and bold Robert Motherwell from the America-La France Variations series. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eQuestions about this artwork? \u003ca href=\"mailto:troy@caviar20.com\"\u003e\u003cspan class=\"s2\"\u003eContact us\u003c\/span\u003e\u003c\/a\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\"America-La France Variations II\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eUSA, 1984\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eLithograph and collage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSigned by the artist, lower left\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFrom an edition of 70\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e45.5\"H 29\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e48.5\"H 32.5\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVery good condition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Tyler Graphics Ltd.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLiterature: \u003cspan data-mce-fragment=\"1\"\u003e\"Robert Motherwell: The Complete Prints 1940-1991 Catalogue Raisonne\" pg. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e267\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Kasmin (NYC) \/ The Dedalus Foundation\u003c\/span\u003e\u003c\/p\u003e","brand":"Robert Motherwell","offers":[{"title":"Default Title","offer_id":42884089282796,"sku":"06-22","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Robert-Motherwell-America-La-France-Variations-III-1980_icon_532aa321-714f-4d25-b8e0-2378de283f1e.jpg?v=1655827570"},{"product_id":"thomas-ruff-star-16h-1992-2016","title":"THOMAS RUFF \"STAR 16H 08m\/-25°\" CHROMOGENIC PRINT, 1992","description":"\u003cp\u003eThomas Ruff (b. 1958) is a contemporary German photographer and one of the most prominent members of the Düsseldorf School.\u003c\/p\u003e\n\u003cp\u003eWhile Ruff is not considered an appropriation artist, his practice often includes adopting and manipulating a wide variety of existing photographic images to critique their creation, function, and their role in visual culture\/society. \u003c\/p\u003e\n\u003cp\u003eIn his \"Sterne\" (Stars) series beginning at the end of the 1980s, Ruff's childhood interests and professional limitations converge. Ruff had always been fascinated by the night sky and decided to attempt to document it. However, as a result of technical challenges, pollution, and light interference he realized that he was unable to produce the quality of images that would satisfy his exacting standards. \u003c\/p\u003e\n\u003cp\u003eRuff began to acquire hundreds of slides produced by the \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEuropean Southern Observatory (ESO). Their remote location in the Andes in Chile and their astrological technology enabled the ESO to create the types of images Ruff was striving to realize. In turn, Ruff began enlarging, manipulating, editing their images, and creating his own often supersized versions of the night sky. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis photograph is a fine example of Ruff's oeuvre on a monumental scale.\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eToday, examples of Thomas Ruff's work can be found in museum collections worldwide, including the Art Institute of Chicago; Dallas Museum of Art; Essl Museum, Berlin; Hirshhorn Museum and Sculpture Garden, Washington, DC; The MET; Moderna Museet, Stockholm; National Museum of Photography, Copenhagen; Guggenheim Museum, New York; and Stedelijk Museum Voor Actuele Kunst (S.M.A.K.), Ghent, among others.  \u003c\/p\u003e\n\u003cp\u003eQuestions about this artwork? \u003ca href=\"info@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003e\"Star 16h 08m\/-25°\"\u003c\/p\u003e\n\u003cp\u003e1992\/2006\u003c\/p\u003e\n\u003cp\u003eChromogenic print\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e55\"H 36.5\"W (image)\u003c\/p\u003e\n\u003cp\u003e62.5\"H 44.5\"W (framed)\u003c\/p\u003e\n\u003cp\u003eExcellent condition\u003c\/p\u003e","brand":"Thomas Ruff","offers":[{"title":"Default Title","offer_id":43000523686124,"sku":"07-22","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Thomas-Ruff-Star-16H-1992-2016_icon_4d2ef755-66cf-44c4-8e73-a6c9059883d2.jpg?v=1658588720"},{"product_id":"edward-burtynsky-rock-of-ages-14-vermont-1992","title":"EDWARD BURTYNSKY \"ROCK OF AGES #14, VERMONT\" 1992","description":"\u003cdiv class=\"page\" title=\"Page 20\"\u003e\u003cspan\u003eEdward Burtynsky (b. 1955) is one of Canada’s most successful photographers. A noted filmmaker, entrepreneur, and environmental advocate, he is known internationally for his incredibly detailed images documenting the processes and consequences of using the earth\u003c\/span\u003e\u003cspan\u003e’\u003c\/span\u003e\u003cspan\u003es natural resources. \u003c\/span\u003eHis images, which at times approach abstraction, present a bizarre tension between beauty and desecration.\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eOver the years, he has crossed the globe exploring the mark of human development on the earth and its embedded political, social and economic consequences.\u003c\/p\u003e\n\u003cp\u003eBurtynsky’s series of quarries, taken in Vermont in the early 1990s, are widely considered to be the images that cemented his reputation. These images of cracked, fragmented, and abandoned terrains also became a major catalyst in reviving the landscape photography genre. While the image documents environmental exploitation, the overall work has an incredible form and rich texture, with astonishing detail upon close viewing.\u003c\/p\u003e\n\u003cp\u003eEdward Burtynsky’s work can be found in the permanent collection of countless museums, including the National Gallery of Canada, the Guggenheim, the Tate Museum (London) and The MoMA.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\" data-mce-href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720 \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003c\/span\u003eRock of Ages #14, Abandoned Granite Section, E.L. Smith Quarry, Barre, Vermont\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eChromogenic print, 1992\u003c\/p\u003e\n\u003cp\u003eSigned by the artist in ink with printed title, date, and edition\u003c\/p\u003e\n\u003cp\u003eAP1 on an artist's label on verso\u003c\/p\u003e\n\u003cp\u003e40\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e”\u003c\/span\u003eH 50\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e”\u003c\/span\u003eW (work)\u003c\/p\u003e\n\u003cp\u003e49\u003cmeta charset=\"utf-8\"\u003e”H 59\u003cmeta charset=\"utf-8\"\u003e”W (framed)\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 5\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: additional images coming soon\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":43392177111276,"sku":"10-22","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Burtynsky-Rock-of-Ages-14-icon.jpg?v=1666013184"},{"product_id":"olafur-eliasson-your-reversed-berlin-c-print-2016","title":"OLAFUR ELIASSON \"YOUR REVERSED BERLIN\" MIXED MEDIA, 2016","description":"\u003cp\u003eOlafur Eliasson (b. 1967) is a critically acclaimed Icelandic-Danish artist recognized for his work across multiple mediums including installations, sculpture, painting, photography, and film. \u003c\/p\u003e\n\u003cp\u003eA long-time advocate of climate activism, Eliasson's work situates the viewer in immersive atmospheric environments, offering tangible experiences that epitomize the most ominous threat of our lifetime.\u003c\/p\u003e\n\u003cp\u003eEngulfed in multisensory experiences, Eliasson invites the audience to contemplate our interdependence with the earth while highlighting the significance of personal accountability in combating climate issues.\u003c\/p\u003e\n\u003cp\u003e\"Your Reversed Berlin\" features the Berlin cityscape shot from the artist's studio at an elevated vantage point. The same image is duplicated and inverted to fit into a circular reproduction, which is overlayed in the center of the work to complete the original image.\u003c\/p\u003e\n\u003cp\u003eColor filled-glass covers the surface of the second photo, its hue alternating based on varied lighting. The glass doubles as a mirror, confronting the viewer with their own reflection when standing directly in front of the work.\u003c\/p\u003e\n\u003cp\u003e\"Your Reversed Berlin\" \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewas commissioned by the Canadian Friends of the Israel Museum in consortium with Benefit Print Project to mark the 50th anniversary of the Israel Museum. \u003cmeta charset=\"utf-8\"\u003eIn 2022, the work \u003c\/span\u003ewas included in \u003ca href=\"https:\/\/www.hotmess.art\/olafur-eliasson-your-reversed-berlin-sphere-2016\/\" data-mce-href=\"https:\/\/www.hotmess.art\/olafur-eliasson-your-reversed-berlin-sphere-2016\/\"\u003eHot Mess\u003c\/a\u003e, an annual exhibition in Berlin that showcases the work of Berlin-based artists.  \u003c\/p\u003e\n\u003cp\u003eEliasson's work is featured in permanent collections around the world including Solomon R. Guggenheim Museum (New York), Centre for International Light Art (Unna, Germany), Museum of Contemporary Art (Los Angeles), and Colección Jumex, (Mexico City, Mexico).\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\" data-mce-href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Your Reversed Berlin\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColor-print on Fuji crystal archive II paper (matte) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMounted on dibond, color-effect filter glass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom an edition of 40\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e34\"H 34\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e35.5\"H 35.5\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Canadian Friends of the Israel Museum in consortium with Benefit Print Project.\u003c\/span\u003e\u003c\/p\u003e","brand":"Olafur Eliasson","offers":[{"title":"Default Title","offer_id":43498683203820,"sku":"11-22","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Olafur-Eliasson-Your-reversed-Berlin-Sphere_icon_6cfbe6d7-0ac2-4efe-9ffd-96061c91826f.jpg?v=1668624945"},{"product_id":"david-lachapelle-b-f-f","title":"DAVID LACHAPELLE \"B.F.F.\" C-PRINT, 2006","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn the early 1990s, David LaChapelle (b.1963) ushered in a new era of fashion photography. He created ground-breaking images with hyper-glossy, celebrity-obsessed, surrealism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eLaChapelle's best works take elements of Americana and inflate them with drama, kitsch, or unapologetic sexuality. This daring sensibility made him one of the most inventive and radical fashion photographers of the 1990s. \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThis work \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“B.F.F.”\u003c\/span\u003e\u003c\/i\u003e \u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003emanifests some of the artists’ favorite ingredients: well-oiled, nearly-nude bodies, an affinity for fashion, and a celebration of material excess, all realized in a slick bright palette. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThree women are pictured in various states of undress yet only one of them is a human being. The other two are artificial human-sized dolls, one lies vacant with its mask removed revealing its robotic interior. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThis unsettling image is a prime example of LaChapelle's fearless aesthetic.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe odd details of this scene are fascinating; a nature poster, a can of Diet Coke, and the cherry-red plastic floor where the models lay. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eLaChapelle \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eoften culls references from the lexicon of art history, in this work the composition and posing are eerily reminiscent of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOphelia\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e by John Evertt Millais.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTo this day, David LaChapelle continues to be a bold and prolific image-maker, working with icons such as Dolly Parton, Kanye West, and Cher. He has published and exhibited in galleries and museums internationally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eQuestions about this piece? \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eContact us\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“B.F.F.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eUSA, \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e2006\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eChromogenic print  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSigned, numbered, and dated \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eFrom an edition of 3 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e46\"H 60\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e47\"H 62.25\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eExcellent condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eNote: the images contain reflections due to the size of this work and the plexiglass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"David LaChapelle","offers":[{"title":"Default Title","offer_id":43530053615852,"sku":"11-22","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Untitleddesign.jpg?v=1669745988"},{"product_id":"edward-burtynsky-dryland-farming-28-aragon-spain-2010","title":"EDWARD BURTYNSKY \"DRYLAND FARMING #28, ARAGON SPAIN, 2010\"","description":"\u003cp\u003e\u003cspan\u003eEdward Burtynsky (b. 1955) is one of Canada's most successful photographers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA noted filmmaker, entrepreneur, and environmental advocate, Burtynsky is known internationally for his incredibly detailed images documenting the processes and consequences of using the earth's natural resources. His images present a bizarre tension between beauty and desecration. The photographs present unbelievable aerial views with a level of detail normally impossible for the human eye to comprehend.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis work, taken from Burtynsky's Dryland Farming series, depicts the arid agricultural region of Mongeros, Spain. This region is sparsely populated and prone to droughts and high winds. The title refers to the complex technique used in dry areas to cultivate crops with limited moisture and irrigation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImages from this series showcase the vast expanse of farmland with winding rows and gridlike patterns. While the image documents the way human intervention has transformed a landscape, the overall image has a fascinating form with a rich palette and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDryland Farming \u003c\/em\u003eis a series within a larger body of work titled \u003cem\u003eWater. \u003c\/em\u003e\u003cem\u003eWater \u003c\/em\u003eexplores Burtynsky's career-long fascination with the visual and physical effects lack of water can have on the environment. Notably, water itself is often completely absent from the images in this body of work. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBurtynsky's work can be found in the permanent collection of many museums, including the National Gallery of Canada, the Guggenheim, The MoMA, and the Tate Modern.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003e\u003cspan\u003eContact us\u003c\/span\u003e\u003c\/a\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Dryland Farming #28, Monegros County, Aragon, Spain, 2010\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2010\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eChromogenic print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist's studio label, signed in ink and with printed title and edition number\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom an edition of 9\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e39\"H 52\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcellent condition\u003c\/span\u003e \u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":43818410410220,"sku":"05-23","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Untitled2_b3f1d64a-86ce-4d4b-8334-f9b4d1d849c6.jpg?v=1683912997"},{"product_id":"harold-town-stretch-30-1969","title":"HAROLD TOWN \"STRETCH #30\" PAINTING, 1970","description":"\u003cp\u003e\u003ca title=\"Harold Town Stretch Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/harold-town\"\u003eHarold Town\u003c\/a\u003e (1924-1990) is renowned across Canada and beyond for his eclectic and dynamic body of work. \u003c\/p\u003e\n\u003cp\u003eIn the 1950s, Town established his reputation with a series of abstract monotypes (called \"Single Autographic Prints\"). He would exhibit these works at the Venice Biennale to great fanfare in Europe and beyond. By the 1960s, he was considered the most famous artist in Canada.  \u003c\/p\u003e\n\u003cp\u003eTown fearlessly experimented.  Consider how different his \"Toy Horse\" is from his \"Single Autographic Prints\" or even his \"Pop Star\/Icon\" works. In every decade, Town would switch gears and embark on new series with new material, courage and conviction.  \u003c\/p\u003e\n\u003cp\u003eUntil the late 1960's Town's abstract works were critically and commercially embraced. The \"Stretch\" series, and the response, was a major departure from his previous work.\u003c\/p\u003e\n\u003cp\u003eWas Town responding to emerging trends in the art world (such as Minimalism and hard-edge abstraction)? Town's oeuvre has little connection to minimalism, and he can arguably be understood as a maximalist, always aiming for extravagance, layers, and bravado. \u003c\/p\u003e\n\u003cp\u003eSurprisingly, the \"Stretch\" series debuted to critical ambivalence. Its production was short-lived, with only 30 paintings created over a brief two-year period from 1968 to 1970.\u003c\/p\u003e\n\u003cp\u003e\"Stretch #30\" is a smaller gem and the last canvas created in the series. Here a vibrant bubblegum pink backdrop hosts a trio of turquoise stretches that frame three-quarters of the canvas.\u003c\/p\u003e\n\u003cp\u003eA void of negative space exists both at the center of the work and where the stretches are notably absent at the bottom of the canvas. Neatly aligned, the arrangement masterfully highlights the negative space as an integral element within the composition.\u003c\/p\u003e\n\u003cp\u003eToday, the \"Stretch\" series looks remarkably contemporary. For the uninitiated, many assume this body of work to be brand new. The piece presents a rare opportunity to acquire one of the thirty canvases created during this brief and highly distinctive period of production.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\" data-mce-href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720 \u003c\/p\u003e\n\u003cp\u003eVisit our Toronto gallery on Thursdays or by appointment.\u003c\/p\u003e\n\u003cp\u003e\"Stretch #30\" \u003c\/p\u003e\n\u003cp\u003eCanada, 1970\u003c\/p\u003e\n\u003cp\u003eOil on canvas\u003c\/p\u003e\n\u003cp\u003eSigned and dated by the artist, top left\u003c\/p\u003e\n\u003cp\u003e48.5\"H 48.5\"W (work)\u003c\/p\u003e\n\u003cp\u003eFramed\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eProvenance: The Estate of Harold Town\u003c\/p\u003e\n\u003cp\u003eNote: the price is $43,000 CAD\u003c\/p\u003e","brand":"Harold Town","offers":[{"title":"Default Title","offer_id":45756130394348,"sku":"09-24","price":43000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Harold-Town-Stretch_30_thumbnail.jpg?v=1726863976"},{"product_id":"francoise-sullivan","title":"FRANÇOISE SULLIVAN \"UNTITLED\" PASTEL, 2000","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrançoise Sullivan (b. 1923) is a trailblazing force in Canadian art, recognized not only for her groundbreaking work in modern dance but also for her prolific and versatile contributions across multiple disciplines, including painting, sculpture, and photography.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSullivan began her career in the 1940s as a modern dancer, studying with renowned choreographers in New York before returning to Montreal towards the end of the decade. Upon her return, she became deeply involved with Les Automatistes and was a signator on the group's radical and revolutionary Refus Global manifesto.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith a multidisciplinary skillset, Sullivan seamlessly blends her diverse expertise into her visual artwork, creating vibrant, rhythmic compositions that embody the spontaneity of the Automatistes and the dynamic energy of her dance background.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe artist was first introduced to pastels during a 1996 trip to Greece. Attracted to the magnificent physicality and texture of the medium, she went on to create hundreds of drawings before the end of the decade.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis untitled work exemplifies Sullivan's exceptional command of pastels, showcasing her dynamic, rapid line work and the intensity of her colors.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe composition is divided into vertical cobalt planes that pulse with frenetic, back-and-forth strokes, evoking a sense of movement and energy. A crimson crack cuts through the center of the work, introducing a striking contrast and palpable tension that ripples through the sheet.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 2023, the Montreal Museum of Fine Arts hosted, \"I Let Rhythms Flow,\" a major exhibition celebrating Sullivan's 100th birthday. Today, her work is featured in museums across Canada including the Art Gallery of Ontario, the National Gallery of Canada (Ottawa), and the Museum of Contemporary Art (Montreal).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eQuestions about this piece? Contact us or call;+1.416.704.1720.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVisit our Toronto gallery on Thursdays or by appointment.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Untitled\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCanada, circa 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePastel\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSigned by artist, lower left\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e51.5\"H 45.75\"W (work)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e54.25\"H 47.25\"W (framed)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNote: the price is $18,500 CAD\u003c\/span\u003e\u003c\/p\u003e","brand":"Françoise Sullivan","offers":[{"title":"Default Title","offer_id":45794244002028,"sku":"10-24","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Francoise-Sullivan-Untitled-Pastel_fulledge.jpg?v=1729022129"},{"product_id":"kiki-smith-worm-1992","title":"KIKI SMITH \"WORM\" 1992","description":"\u003cp\u003e\u003cspan\u003eKiki Smith (b. 1954) is a celebrated American artist renowned for her multidisciplinary exploration of the human body and themes of existentialism, transformation, and the natural world through a feminist lens.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSmith's oeuvre is rich with raw and visceral depictions of the human and animal bodies realized through various media including sculpture, printmaking, drawing, and textiles. Her strong emphasis on the body revitalized figuration, marking a dynamic shift after years dominated by abstraction and minimalism. \u003c\/p\u003e\n\u003cp\u003eDrawing on anatomical representations, the artist highlights the body and individual organs, bones, and limbs, as a symbol of collective experiences related to themes of mortality, identity, and the body as a political battleground. The artist's abject portrayals confront the viewer with the uncomfortable truths of the external forces that shape and affect our internal worlds.  \u003c\/p\u003e\n\u003cp\u003eIn this work, the artist twists and contorts herself into a fetal position that occupies the center of the composition. With her face concealed, she dissolves into the depths of her surroundings, blurring the line between comfort and vulnerability. The curious title, \"Worm,\" along with details of the natural world, fosters a compelling dialogue on transformation. Is she the 'worm,' or a manifestation in the cycle of decomposition and renewal?\u003c\/p\u003e\n\u003cp\u003eThis work is included in the collection at \u003ca rel=\"noopener\" title='Kiki Smith \"Worm\" 1992 at MoMA' href=\"https:\/\/www.moma.org\/collection\/works\/69837\" target=\"_blank\"\u003ethe Museum of Modern Art (New York\u003c\/a\u003e) and the \u003ca title='Kiki Smith \"Work\" 1992 at the Metropolitan Museum of Art, New York.' href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/365963\" target=\"_blank\"\u003eMetropolitan Museum of Art (New York)\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eAmong many awards and accolades, Smith was recognized in 2006 by TIME Magazine as one of the \"TIME 100: The People Who Shape Our World.\" Today, her work is featured in prestigious collections across the globe including the Tate (London), the Centre Pompidou (Paris), and the Guggenheim (New York), to name a few.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eor call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eVisit our Toronto gallery on \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003e\u003cspan\u003eThursdays or by appointment\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\"Worm\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e1992\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003ePhotogravure, etching, and aquatint with collage, on various wove and Japon papers\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eSigned, dated, and numbered by the artist \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eFrom an edition of 50\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e43\"H 61.5\"W (work)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e49.25\"H 69\"W (framed)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003ePublished by Universal Limited Art Editions, West Islip, New York\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Kiki Smith","offers":[{"title":"Default Title","offer_id":45876445053164,"sku":"11-24","price":6000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Kiki-Smith-Worm-1992_thumbnail_c7c7f43c-da3a-4664-b3a2-802f91d6becd.jpg?v=1730744851"},{"product_id":"beverly-pepper-untitled","title":"BEVERLY PEPPER \"UNTITLED\" MONOTYPE, 1985","description":"\u003cp\u003e\u003cimg\u003e\u003cmeta charset=\"utf-8\"\u003eBeverly Pepper (1922-2020) was an internationally renowned artist, known for her large-scale outdoor sculptures. \u003c\/p\u003e\n\u003cp\u003eAlthough Pepper was raised and educated in New York, by her late twenties she was drawn to post-war Europe. She went overseas and continued her studies and professional evolution in Paris and Italy. Eventually, she would settle in Todi in Umbria (Central Italy) by the 60’s where her principal studio would be situated, however, she had somewhat of a bicoastal life shuttling between America and Europe. \u003c\/p\u003e\n\u003cp\u003ePepper is known for her innovations in large-scale metal sculpture, embracing and expanding the possibilities of cast iron, stainless steel, and Cor-ten. She was also active in land art, using organic materials such as hulled trees and earth. From the onset of her career Pepper’s works were either created or intended to be exhibited outdoors. It is important to emphasize that Pepper was working in an entirely male-dominated field of not only sculptors but also fabricators, steel workers, etc. There is a cited quote circulating that Pepper once said, \"Other women want diamonds and fur coats. I just want to live in a factory.\"\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Beverly Pepper Calgary\" href=\"https:\/\/www.calgary.ca\/arts-culture\/public-art\/ralph-klein-park-sentinels.html\"\u003eOne of Pepper's best-known and most impressive public sculptures can actually be found in Calgary, Alberta Canada.\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003eLike many leading American artists in the late 1970’s and 80’s Pepper was captivated by Garner Tullis’ Workshop. Tullis introduced Pepper to making monotypes with molds and paper pulp. Pepper created a small number of (true to form) oversized monoprints. This work is a paradigm of her collaboration with Tullis featuring one of her signature forms, sometimes referred to as a “medieval axe” with its mirrored blade or bit shape. The surface looks as if it has been weathered over decades and has a striking texture and patina. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\" data-mce-href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e or call +1.416.704.1720\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eVisit our Toronto gallery on \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" data-mce-href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003e\u003cspan class=\"s2\"\u003eThursdays or by appointment\u003c\/span\u003e\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Untitled\"\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eUSA, 1985\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cmeta charset=\"utf-8\"\u003eMonoprint on BFK Rives \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e42.5\"H  31\" W \u003c\/span\u003e(sheet)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e50.75\"H  38.5\" W \u003c\/span\u003e(framed)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePrinted at the Garner Tullis Workshop (\u003cmeta charset=\"utf-8\"\u003eEmeryville, California) \u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003c\/p\u003e","brand":"Caviar20","offers":[{"title":"Default Title","offer_id":45961629368556,"sku":"12-24","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Beverly-Pepper-Monotype_fulledge_2887ecb6-a856-44c1-b2d3-2d1ddb0c71b5.jpg?v=1733267657"},{"product_id":"larry-zox-red-range-painting-1975-76","title":"LARRY ZOX \"RED RANGE\" PAINTING, 1975-76","description":"\u003cp\u003e\u003ca title=\"Larry Zox Red Range painting Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/larry-zox\"\u003eLarry Zox\u003c\/a\u003e (1937-2006) was a central figure in the evolution of American abstraction. He played an essential role in the emergence of Color Field during the 1960s and 1970s, eventually evolving into the Lyrical Abstraction movement alongside Larry Poons, Pat Lipsky, and John Hoyland, among others.\u003c\/p\u003e\n\u003cp\u003eRaised in Des Moines, Iowa, Zox studied at the University of Oklahoma and went on to work under the tutelage of modernist Georg Grosz at the Des Moines Art Centre. Zox later moved to New York City and established his reputation by the mid-1960's, showing his geometric paintings in several prestigious galleries. His studio was located on 20th Street and he was surrounded and inspired by a melting pot of jazz musicians, artists, bikers, and boxers. In the 1970's his aesthetic softened as he transitioned away from hard-edge abstraction to something more gentle and layered. \u003c\/p\u003e\n\u003cp\u003eThe negative space of \"Red Range\" is quite charged by it's framing forms--With a skillfully arranged composition, Zox encourages a dynamic viewing experience. While engaging with his work, it's nearly impossible to keep your eyes fixated on just one area or element. Similar to Sam Francis, Zox plays with negative space to create a portal of sorts. \u003c\/p\u003e\n\u003cp\u003eIn some areas of the canvas, the central negative space mingles with the ribbons of carefully applied colour, both disrupting and reinforcing the structure. Because Zox applied paint directly onto unprimed canvas, some of the pigments subtly bleed into each other, adding to the charged dynamic of the work and encouraging further contemplation. \u003c\/p\u003e\n\u003cp\u003eLarry Zox had a retrospective at the Whitney Museum in 1973. Today, numerous museums including \u003ca href=\"http:\/\/collection.whitney.org\/object\/3408\"\u003ethe Whitney\u003c\/a\u003e, The Hirshhorn, The \u003ca href=\"https:\/\/www.moma.org\/collection\/works\/78377\"\u003eMoMA\u003c\/a\u003e, \u003ca href=\"http:\/\/www.tate.org.uk\/art\/artworks\/zox-orange-time-t01080\"\u003ethe Tate Modern\u003c\/a\u003e and the \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/481861?sortBy=Relevance\u0026amp;amp;ft=larry+zox\u0026amp;amp;offset=0\u0026amp;amp;rpp=20\u0026amp;amp;pos=1\"\u003eMetropolitan\u003c\/a\u003e hold his work in their collections.\u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720. \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVisit our Toronto gallery on\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" title=\"Contact information for Caviar20, Toronto fine art gallery\"\u003eThursdays or by appointment\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Red Range\"\u003c\/p\u003e\n\u003cp\u003eTitled and dated on a gallery label, verso\u003c\/p\u003e\n\u003cp\u003eZox copyright stamp on canvas and stretcher\u003c\/p\u003e\n\u003cp\u003eAcrylic on canvas\u003c\/p\u003e\n\u003cp\u003eUSA, 1975-76\u003c\/p\u003e\n\u003cp\u003e83\"H 41\"W\u003c\/p\u003e\n\u003cp\u003eFramed\u003c\/p\u003e\n\u003cp\u003eOverall good condition. Detailed condition report by request.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eProvenance:\u003cbr\u003e\u003c\/span\u003eAndre Emmerich Gallery Inc., New York, NY\u003cbr\u003eMedici-Berenson Gallery, Bay Harbor Islands, FL\u003cbr\u003ePrivate Collection, FL, acquired from the above, 1981\u003c\/p\u003e","brand":"LARRY ZOX","offers":[{"title":"Default Title","offer_id":46302853759212,"sku":"03-25","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Larry-Zox-Red-Range-Acrylic-on-canvas-1975-1976Thumbnail.jpg?v=1743174325"},{"product_id":"nan-goldin-my-hotel-room-valencia-spain-1988","title":"NAN GOLDIN \"MY HOTEL ROOM, VALENCIA, SPAIN\" 1987","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/nan-goldin\" title=\"Nan Goldin Caviar20 \"\u003eNan Goldin\u003c\/a\u003e (b. 1953) is unquestionably one of the most influential photographers of the 20th century. A successor to Diane Arbus and William Egglestone, her aesthetic and creative approach has had a tremendous impact on the realms of photography and fine art. She was the first to use the \"slide show\" format in a fine art setting, and elevated the familiar snapshot into an art form. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAlthough Goldin is widely recognized for her portraits, her interiors and still lifes constitute an equally significant aspect of her oeuvre. Her most recent work places an increased emphasis on travel, interiors and scenes that are void of people – yet despite their absence, the images remain full of life, mystery and ambiance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGoldin's images of interiors are unconventional vehicles for revealing parts of herself. \u003cmeta charset=\"utf-8\"\u003eHotel rooms are intimate places, temporary landing-pads with infinite potential. Acting as a self portrait of sorts, this photograph reveals Goldin's sleeping habits, reading material, convenience store purchases, outfit changes, and countless other minute details that reveal themselves as the photograph is examined.\u003c\/p\u003e\n\u003cp\u003eWhile the objects and arrangements in the room leave much to consider, the image acts also as an exploration of texture and colour for the artist. Boasting a vibrant yellow throw blanket over firm mattresses that have been pushed together; all the pillows stacked onto one bed; a stained, brown carpet; studied scraps of paper; boxes and boxes of Kodak film that is perfectly camouflaged against the garish blankets; a roll of toilet paper; a telephone; and several pumps strewn across the foreground...Goldin's image offers a topographic survey of her life, daring viewers to follow along.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWhile we can infer to what happened in the room, there's also an inherent emphasis on what is no longer. The ambiguity and intimacy present in this piece is a key theme throughout Goldin's photographic output.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis print was made using a positive-to-positive process where high-quality color prints are made directly from slides. These cibachrome (also sometimes known as ilfochrome) prints are known for their exceptionally vibrant and accurate colors, sharp image clarity with a luminous quality, and archival longevity.\u003cspan data-cid=\"6c1a3fef-4f8c-4e0d-ba73-e55b7a03842b\" class=\"pjBG2e\"\u003e\u003cspan class=\"UV3uM\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eQuestions about this artwork? \u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVisit our Toronto gallery on \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003e\u003cspan class=\"s2\"\u003eThursdays or by appointment\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My hotel room, Valencia, Spain\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987, Printed 1996\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned, titlted, dated, negative date and editioned AP 2 verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOversized cibachrome print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e25.6\"H  38.1\"W (image)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e33.75\"H 46.5\"W (frame)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFramed with museum glass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"Nan Goldin","offers":[{"title":"Default Title","offer_id":46360128782572,"sku":"05-25","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Nan-Goldin-My-hotel-room-Valencia-Spain-1987_Thumbnail_0be9b563-fdd1-47fe-a82a-438ced0d5dcf.jpg?v=1745699831"},{"product_id":"edward-burtynsky-dryland-farming-25-spain-2010","title":"EDWARD BURTYNSKY \"DRYLAND FARMING #25\" SPAIN, 2010\"","description":"\u003cp\u003e\u003ca title=\"Edward Burtynsky Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\"\u003eEdward Burtynsky\u003c\/a\u003e (b. 1955) is one of Canada's most successful photographers. A noted filmmaker, entrepreneur, and environmental advocate, Burtynsky is known internationally for his incredibly detailed images documenting the interaction of industry and natural resources.\u003c\/p\u003e\n\u003cp\u003eHis images present the tension between beauty and desecration, charting geological and social histories through periods of global industrial change. The landscape photographs document breathtaking aerial views with incredible, almost incomprehensible detail, and monumental perspectives which are colloquially beyond the human eye. \u003c\/p\u003e\n\u003cp\u003eShowcasing vast expanses of farmland with winding rows and patterns, the \u003cem\u003eDryland Farming\u003c\/em\u003e images that Burtynsky created in Spain have been called \"his most abstract and painterly to date.\"\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDryland Farming #25\u003c\/i\u003e depicts the arid agricultural region of Monegros, Spain. This region is sparsely populated and prone to droughts and high winds. The title refers to the complex technique used in dry areas to cultivate crops with limited moisture and irrigation.\u003c\/p\u003e\n\u003cp\u003eThis exceptional work echoes a transformed landscape. Burtynsky allows us to see the painterly patterns of the shimmering silver, purple-white and brown semi-desert landscape. While the image documents environmental exploitation, it is simultaneously seductive in its rich texture and graphic composition. This series in particular recalls the intricate abstract patterns of the work of Jean Dubuffet. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDryland Farming\u003c\/em\u003e is a series within a larger body of work titled \u003cem\u003eWater.\u003c\/em\u003e \u003cem\u003eWater\u003c\/em\u003e is an acclaimed and ambitious series that elevated Burtynsky's practice to new heights as he visited nine countries between 2007 and 2013 to explore the vital relationship between humans and water.\u003c\/p\u003e\n\u003cp\u003eExploring Burtynsky's career-long fascination with the visual and physical effects that a lack of water can have on the environment, the \u003ci\u003eWater \u003c\/i\u003eseries depicts religious and cultural traditions, the realities of climate change, and the urgency of resource depletion. Notably, water itself is often completely absent from the images in the series.\u003c\/p\u003e\n\u003cp\u003eBurtynsky's work can be found in over 50 museum collections, including the National Gallery of Canada, the Guggenheim, The MoMA, and the Tate Modern.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eQuestions about this piece? \u003ca href=\"mailto:info@caviar20.com\"\u003e\u003cspan class=\"s1\"\u003eContact us\u003c\/span\u003e\u003c\/a\u003e or call \u003ca href=\"tel:+1.416.704.1720\"\u003e\u003cspan class=\"s1\"\u003e+1.416.704.1720\u003c\/span\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVisit our Toronto gallery on \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003e\u003cspan class=\"s1\"\u003eThursdays or by appointment\u003c\/span\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Dryland Farming #25, Monegros County, Aragon, Spain, 2010\"\u003c\/p\u003e\n\u003cp\u003e2010, Canada\u003c\/p\u003e\n\u003cp\u003eSigned, stamped, and editioned by the artist, verso\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 9\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e39\"H 52\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e41\"H 54\"W (framed) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":46409802842348,"sku":"05-25","price":21000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Edward-Burtynsky-Dryland-Farming_Thumbnail.jpg?v=1746111497"},{"product_id":"edward-burtynsky-silver-lake-operations-2-australia-2007","title":"EDWARD BURTYNSKY \"SILVER LAKE OPERATIONS #2\" AUSTRALIA, 2007","description":"\u003cp\u003e\u003ca title=\"Toronto art gallery collection feauturing artwork by iconic photographer Edward Burtynsky\" href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\"\u003eEdward Burtynsky\u003c\/a\u003e is one of Canada’s most acclaimed photographers.\u003c\/p\u003e\n\u003cp\u003eHe is well-known for his captivating large-scale photographs documenting the ramifications of industrial production on the environment. Burtynsky's work often presents a tension between wonder and desecration, reminding us of our simultaneous dependence and concern for the planet.\u003c\/p\u003e\n\u003cp\u003eThis image is an aerial photograph of Lake Lefroy in Western Australia, from the \"Mining\" series. The photograph offers a topographic portrait alongside a rugged, gritty, and challenging aura emitted from the labour and dust that changed these lands permanently. It is also notable for its fantastic palette of squid-ink black (along the horizon) and range of greys, whites and camels punctuated by central forms of amber and rust. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eBurtynsky's work is represented in over 50 museum collections around the world ranging from The National Gallery of Canada, and the Solomon R. Guggenheim Museum, to Victoria and Albert Museum, London, and Bibliothèque National, Paris.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call \u003ca href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVisit our Toronto gallery on \u003ca title=\"Contact information for Caviar20, Toronto fine art gallery\" href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eThursdays or by appointment\u003c\/a\u003e. \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Silver Lake Operations #2, Lake Lefroy, Western Australia, 2007”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e39 Megapixel Digital Capture\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003ePrinted 2008, Digital Chromogenic Color Print\u003c\/p\u003e\n\u003cp\u003eSigned by the artist on label verso\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 9\u003c\/p\u003e\n\u003cp\u003e39\"H 49\"W (work)\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e40\"H 50\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003cbr\u003e\u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":46410024059116,"sku":"05-25","price":20750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Edward-Burtynsky-Silver-Lake-Operations-_2-Lake-Lefroy-Western-Australia-2007_Thumbnail.jpg?v=1746125250"},{"product_id":"alex-katz-purple-tulips-1-2021","title":"ALEX KATZ \"PURPLE TULIPS 1\" , 2021","description":"\u003cp\u003eAdored by collectors and art lovers around the globe, \u003ca title=\"Alex Katz Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/alex-katz\"\u003eAlex Katz\u003c\/a\u003e is renowned for his elegant and distinctive version of figuration.\u003c\/p\u003e\n\u003cp\u003eBorn in 1927, Katz has been dedicated to art-making since the 1950's - however it wasn't until the 60's when he established his signature 'flat' aesthetic. Over the succeeding decades, Katz kept the tradition of figurative painting alive as it had gone out of style. \u003c\/p\u003e\n\u003cp\u003eFor Katz, printmaking has always been an essential part of his process, and as an integral part of his oeuvre.\u003c\/p\u003e\n\u003cp\u003e\"Purple Tulips 1\" is one of seven large-scale images from the Flowers portfolio. See  another example from the portfolio here. \u003cmeta charset=\"utf-8\"\u003eFlowers have always been a favorite subject for Katz. He has been depicting and interpreting the flora and fauna or Maine including  goldenrods, dogwoods, lilies, and tulips for over 60 years.\u003c\/p\u003e\n\u003cp\u003eWith a soft pink backdrop, lush purple petals, and punchy green stems, \"Purple Tulips\" conveys both the energy and colours of Spring. The flowers boast a striking, graphic presence, their essence distilled and their timeless elegance on display. By turning his attention onto flora in the same way that he does with human subjects, Katz offers alluring floral compositions full of harmony and balance.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough a recent work, this is classic Alex Katz.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Purple Tulips 1\"\u003c\/p\u003e\n\u003cp\u003eUSA, 2021\u003c\/p\u003e\n\u003cp\u003eArchival pigment ink laser print on Innova Etching Cotton Rag paper, 315 gsm\u003c\/p\u003e\n\u003cp\u003eSigned \"Alex Katz\" and numbered \"80\/100\" by the artist in pencil, lower left\u003c\/p\u003e\n\u003cp\u003eArtist's and publisher's copyright stamp on verso, lower right\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 100\u003c\/p\u003e\n\u003cp\u003e32”H 47”W (sheet)\u003c\/p\u003e\n\u003cp\u003ePublished and Printed by Lococo Fine Art Publisher, St Louis, 2021\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eExcellent condition.\u003c\/p\u003e\n\u003cp\u003eLiterature: Alex Katz: Catalogue Raisonné, prints: 1947-2023, listed as cat. no. 734 alongside the entire Flowers portfolio (cat. nos. 731-737) on \u003ca href=\"https:\/\/www.alexkatz.com\/print_archive\/catalogue_raisonne\"\u003epages 398-400\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003eNote: this work is sold unframed\u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"Default Title","offer_id":46472923840748,"sku":"05-25","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Alex-Katz-Purple-Tulips-2021_Thumbnail.jpg?v=1748016155"},{"product_id":"alex-katz-goldenrod-archival-print-2021","title":"ALEX KATZ \"GOLDENROD\" PRINT, 2021","description":"\u003cp\u003eAdored by collectors and art lovers around the globe, \u003ca title=\"Alex Katz prints paintings and works on paper Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/alex-katz\"\u003eAlex Katz\u003c\/a\u003e is renowned for his elegant and distinctive version of figuration.\u003c\/p\u003e\n\u003cp\u003eBorn in 1927, Katz has been dedicated to art-making since the 1950's - however it wasn't until the 60's when he established his signature 'flat' figurative style. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOver the succeeding decades, Katz kept the tradition of figurative painting alive as it had gone out of style. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor Katz, printmaking has always been an essential part of his process, and as an integral part of his oeuvre.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Goldenrod\" \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eis one of seven large-scale images from the Flowers portfolio. \u003ca title=\"Alex Katz Purple Tulips print Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/alex-katz\/products\/alex-katz-purple-tulips-1-2021\"\u003eSee  another example from the portfolio here\u003c\/a\u003e. \u003c\/span\u003e\u003cspan\u003eFlowers have always been a favorite subject for Katz. He has been depicting and interpreting the flora and fauna or Maine including goldenrods, dogwoods, lilies, and tulips for over 60 years. \u003ca title=\"Alex Katz lilies print Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/alex-katz\/products\/alex-katz-edges-sheet-5-etching-1997\"\u003eClick here to see another example of Katz's flowers. \u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Goldenrod\" is a high-contrast, visually-striking composition \u003cmeta charset=\"utf-8\"\u003eoffering vibrant, golden yellow petals against a dramatic black backdrop. Katz creates a \u003cmeta charset=\"utf-8\"\u003evibrating continuous pattern with the two dominant colours volleying for attnetion. \"Goldenrod\" is curiously the only image in the Flowers portfolio with a black backdrop.\u003c\/p\u003e\n\u003cp\u003eThe detail in this print, translated through high-quality laser printing, is astounding, and an element that was very important to Katz when he was working on the production of the Flowers portfolio.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Goldenrod\"\u003c\/p\u003e\n\u003cp\u003eUSA, 2021\u003c\/p\u003e\n\u003cp\u003eArchival pigment ink laser print on Innova Etching Cotton Rag paper, 315 gsm\u003c\/p\u003e\n\u003cp\u003eSigned and numbered \"80\/100\" by the artist in pencil, lower left\u003c\/p\u003e\n\u003cp\u003eArtist's and publisher's copyright stamp on verso, lower right\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 100\u003c\/p\u003e\n\u003cp\u003e35”H 47”W (sheet)\u003c\/p\u003e\n\u003cp\u003ePublished and Printed by Lococo Fine Art Publisher, St Louis, 2021\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eLiterature: Alex Katz: Catalogue Raisonné, prints: 1947-2023, listed as cat. no. 732 alongside the entire Flowers portfolio (cat. nos. 731-737) on \u003ca href=\"https:\/\/www.alexkatz.com\/print_archive\/catalogue_raisonne\"\u003epages 398-400\u003c\/a\u003e. \u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"Default Title","offer_id":46476231835884,"sku":"05-25","price":18000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Alex-Katz-Goldenrod-2021_Thumbnail.jpg?v=1748024266"},{"product_id":"alex-katz-large-head-of-vincent-aquatint-1982","title":"ALEX KATZ \"LARGE HEAD OF VINCENT\" AQUATINT, 1982","description":"\u003cp\u003e\u003ca title=\"Alex Katz Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/alex-katz\"\u003eAlex Katz\u003c\/a\u003e (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOver the succeeding decades, Katz kept the tradition of figurative painting alive as it had gone out of style. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKatz typically portrays subjects that he is personally connected to, his neighborhoods (like SoHo cityscapes and the flora of Maine) and the people in his life. \"Large Head of Vincent\" captures Katz's son, a frequent subject in his oeuvre.\u003c\/p\u003e\n\u003cp\u003eThis larger than life portrait features Vincent from the neck up, wearing a dark red patterned collared shirt under a speckled, tan knit sweater. The profile is rendered in richly incised outlines and impactful planes of colour, distilling Vincent to his essence.\u003c\/p\u003e\n\u003cp\u003eAlthough an imposing size, there is a softness to depiction of this young man. With a relaxed expression and harmonious features, Vincent stands on inoffensive display. The close-cropped format draws viewers in to an intimate encounter with the sitter, as he is captured with a sense of immediacy and clarity.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA compelling exploration of personality, composition, and mystery, \"Large Head of Vincent\" exemplifies Katz's mastery of form, colour, and the dynamics of perception.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor Katz, printmaking has always been an essential part of his process, and as an integral part of his oeuvre.\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eHe first began experimenting with printmaking while attending Cooper Union, where he earned his BA in 1949. Though he focused on painting in his early career, he embraced printmaking in the mid-1960s with fervour, and has since created more than 400 editions of lithographs, etchings, silkscreens, woodcuts, and linoleum cuts.\u003c\/p\u003e\n\u003cp\u003eEditions of this print are in the permanent collections of \u003ca rel=\"noopener\" href=\"https:\/\/www.nga.gov\/artworks\/73066-ada-four-times-4\" target=\"_blank\"\u003eThe National Gallery of Art\u003c\/a\u003e, Washington, DC.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Large Head of Vincent\"\u003c\/p\u003e\n\u003cp\u003eUSA, 1982\u003c\/p\u003e\n\u003cp\u003eSugar lift aquatint in nine colors (printing plate cut along the contour) on Arches Cover paper; torn edges\u003c\/p\u003e\n\u003cp\u003eSigned \"Alex Katz\" and numbered \"41\/50\" by the artist in pencil, lower left of plate\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 50 \u003c\/p\u003e\n\u003cp\u003e61”H 35.5”W (sheet)\u003c\/p\u003e\n\u003cp\u003e63.25\"H 38.25\"W (framed)\u003c\/p\u003e\n\u003cp\u003ePrinted by Orlando Condeso, Condeso \u0026amp; Brokopp, New York\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Brooke Alexander, Inc., New York\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eLiterature: \u003cbr\u003e- Maravell 1983, cat. no. 131; exh. cat. New York 1987, cat. no. 33\u003cbr\u003e- Alex Katz: Catalogue Raisonné, prints: 1947-2023, listed as cat. no. 155 on \u003ca rel=\"noopener\" href=\"https:\/\/www.alexkatz.com\/print_archive\/catalogue_raisonne\" target=\"_blank\"\u003epage 175\u003c\/a\u003e\u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"Default Title","offer_id":46478707589356,"sku":"05-25","price":13000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Alex-Katz-Head-of-Vincent_Thumbnail.jpg?v=1748106471"},{"product_id":"louise-nevelson-morning-haze-relief-1978","title":"LOUISE NEVELSON \"MORNING HAZE\" RELIEF, 1978","description":"\u003cp\u003eCaviar20 is thrilled to present the work of inimitable \u003ca title=\"Louise Nevelson Morning Haze Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/louise-nevelson\"\u003eLouise\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003ca title=\"Louise Nevelson Morning Haze Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/louise-nevelson\"\u003eNevelson\u003c\/a\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough Nevelson is best known as a sculptor, like many of her contemporaries, \u003cspan\u003eNevelson\u003c\/span\u003e expanded her practice by exploring different branches of printmaking. As a printmaker Nevelson was particularly curious, consistently experimenting with different techniques and materials. \u003c\/p\u003e\n\u003cp\u003e\"Morning Haze\" is a paradigm of Nevelson's visual language and printmaking practice. Using the technique of cast paper, whereby paper fibre or pulp is formed into a mold, the result is an impressive dimensional relief. T\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ehe striking shapes and features of the work have Nevelson's signature arrangements, forms and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003eWhile the vast output of Nevelson's work is monochromatic black, this work is completed in a chalk white. The lightness creates soft shadows on the surface,  accentuating and elevating Nevelson's mysterious shapes and meticulous composition from the background. According to Nevelson, the color white \"summoned the early morning and emotional promise\" - hence the title \"Morning Haze\". \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eNot only is monochromatic white a rarity for Nevelson, but this diptych is the largest paper pulp work she ever created.  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Morning Haze”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eUSA, 1978\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCast paper relief\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSigned\u003c\/span\u003e\u003cspan\u003e, dated, a\u003c\/span\u003e\u003cspan\u003end numbered by the artist\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFrom an edition of 125\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e33\"H 45\"W (artwork)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e37\"H 48.75\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNote: Framed with plexiglass. Minor wear to frame. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003ePublisher: Pace Editions, Inc., NYC\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"Louise Nevelson","offers":[{"title":"Default Title","offer_id":46499022438636,"sku":"05-21-05-25","price":19500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Louise-Nevelson-Morning-Haze-1978_Thumbnail.jpg?v=1748546984"},{"product_id":"willem-de-kooning-untitled-screenprint-1972","title":"WILLEM DE KOONING \"UNTITLED\" SCREENPRINT 1972","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/willem-de-kooning?srsltid=AfmBOooxu5L8GJJiNWHLpWxGAei3bNBw3rUNWXfosAyg8tSjo1eOuKHV\"\u003eWillem de Kooning\u003c\/a\u003e (1904-1997) was one of the torchbearers of post-war American abstraction and one of the most important artists of the 20th century. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith a career spanning nearly seven decades, his oeuvre is marked by extensive exploration and stylistic experimentation. While his contemporaries focused on non-representational art, de Kooning's compositions were not quite categorically abstract.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis untitled composition displays key characteristics of his hybrid aesthetic. Featuring brushy, frenetic colours applied against a lighter, similarly layered background, the work acts as a study of the ways in which the colours and textures interact to balance the composition. The viewer is rewarded the longer they spend with the work, as it unveils subtle details and shifts. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSome of the lines and shapes evoke elements or poses that approach figuration -- this ambiguous hinting at the presence of a figure is a recurring motif through de Kooning's oeuvre, and acts to heighten the emotional intensity throughout his compositions.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePrints are not very common in de Kooning's body of work, and the works that he did publish were often black. As such, this untitled screenprint is somewhat of a rarity, and would make a unique addition to any collection.  \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.barrons.com\/articles\/three-paintings-by-williem-de-kooning-expected-to-fetch-a-total-of-50-million-01663359263\"\u003eIn 2018, de Kooning achieved an auction record of $68 million for his 1955 painting \"Women as a Landscape.\"\u003c\/a\u003e \u003cspan\u003eToday, \u003c\/span\u003ehis work can be found in every major public collection around the world including the Metropolitan Museum of Art (New York), the Museum of Contemporary Arts Tokyo, the San Francisco Museum of Modern Art, and the Art Gallery of Ontario.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUntitled\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUSA, 1972\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eScreenprint in colors on Arches wove paper\u003c\/p\u003e\n\u003cp\u003eSigned \"de Kooning\" and numbered \"63\/75\" in pencil, lower margin, with the blindstamp of the printer, Ives-Sillman\u003c\/p\u003e\n\u003cp\u003ePublished by Yale University Press\u003c\/p\u003e\n\u003cp\u003e24\"H 35.75\"W (sheet)\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e36.5\"H 47.75\"W (framed)\u003c\/p\u003e\n\u003cp\u003eOverall good condition\u003c\/p\u003e","brand":"Willem De Kooning","offers":[{"title":"Default Title","offer_id":46532665508076,"sku":"06-25","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Willem-De-Kooning-Untitled-Horizontal_Thumbnail.jpg?v=1749746092"},{"product_id":"sam-francis-untitled-lithograph-1989","title":"SAM FRANCIS \"APPLE GARDEN\" LITHOGRAPH, 1989","description":"\u003cp\u003e\u003ca title=\"Sam Francis Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/sam-francis\"\u003eSam Francis\u003c\/a\u003e (1923-1994) is one of the most distinctive and collected 20th-century abstract artists. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter serving in the Air Force in WWII, Francis returned to his native California and immersed himself in art making. By the end of the 1940s he was devoted to painting, leading him to learn, exhibit, and travel internationally.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eHis formative years were spent in Paris after moving there in 1950. \u003c\/span\u003e\u003cspan\u003eIn 1953 one of his canvases was included in the MoMA's seminal exhibition \"Twelve Artists\" which quickly led to his international reputation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStylistically, Francis is associated with the second-generation abstract expressionist artists. Although American, he was not tethered to New York City, instead spending the 1950s working\/exhibiting globally including Paris, Mexico City, Japan, and Switzerland. As a result, he is somewhat independent of the collectives and \"isms\" normally used to describe post-war abstraction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis untitled work from the final chapter of the artist's career stands as a powerful testament to his vibrant aesthetic. The composition is frenetic and richly colored, with drips, splotches, sprays, and marks mingling and converging. Interestingly, this lithograph could be considered an early hybridized digital artwork as Francis used the Aldus Superpaint program available on the Macintosh II computer to draw the light blue-green and light yellow-green plates for the final print. While not a pioneer, Francis can be considered a very early adopter of the computer as an artistic tool.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrancis' inimitable style is consistently present in his oeuvre--a combination of splatter and vaguely biomorphic forms executed in saturated primary colors. This print is no exception, and would make an enchanting addition to new and seasoned collectors alike.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener noreferrer\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\"Untitled\" SF-341 (aka. “Apple Garden”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eUSA, 1989\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLithograph in colours on wove paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eSigned by \"Sam Francis\" and numbered \"AP IX\" in pencil, lower edge\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eFrom an edition of 50, with 9 artist's proofs in Roman numerals\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003ePrinted and published by The Litho Shop, Inc., Santa Monica, California\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e46\"H 30\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eLiterature:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eLembark, C. \u003cem\u003eThe Prints of Sam Francis: A Catalogue Raisonné 1960-1990, Volume I.\u003c\/em\u003e Hudson Hills Press, 1992. pgs. 390-391, L.282, SF-341.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eReference: Lembark L.282; SF-341\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eNote: this subject is recorded in the Sam Francis Archive with the identification number SF-341.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":46549758083308,"sku":"06-25","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Sam-Francis-Untitled-_Sf-341_-1989_Thumbnail.jpg?v=1749929906"},{"product_id":"sam-francis-firewood-screenprint-1973","title":"SAM FRANCIS \"FIREWOOD\" SCREENPRINT, 1973","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/sam-francis\" title=\"Sam Francis Caviar20\"\u003eSam Francis\u003c\/a\u003e (1923-1994) is one of the most distinctive and collected 20th-century abstract artists. \u003c\/p\u003e\n\u003cp\u003eFrancis began painting during convalescence from an injury sustained during a plane crash whilst serving in WWII. Initially used as a distraction, he committed himself fully to painting upon his return to the United states in the mid 40's, pouring his focus in to artistic education. After receiving a Masters in art from UC Berkley in 1950, Francis moved to Paris which would serve a crucial role in helping develop his aesthetic language. By\u003cspan\u003e 1953 one of his canvases was included in the MoMA's seminal exhibition \"Twelve Artists\" which quickly led to his international reputation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStylistically, Francis is associated with the second-generation abstract expressionist artists and, to a lesser degree, the Parisian Tachists. Although American, he was not tethered to New York City, instead spending the 1950s as an expat, working and exhibiting in Paris, Mexico City, Japan, and Switzerland. As a result, he does not fit neatly in to the categories normally used to describe post-war abstraction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWith an explosive energy, this screenprint represents Francis' signature style. Featuring a combination of splatters and bimorphic forms executed in primary colours, the composition vibrates with verve. The primary blues, reds, and yellows are applied with slight transparency, emitting new hues as they mingle and overlap. The white space is activated by splatters from the central, cross-hatched lines. Francis' title gives us a hint as to where his mind was when creating the composition--and it's not difficult to see logs stacked; with nascent flames gathering around them.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eImpressions of this screenprint are in the collections of the \u003ca href=\"https:\/\/www.nga.gov\/artworks\/72359-firewood\" rel=\"noopener\" target=\"_blank\"\u003eNational Gallery of Art\u003c\/a\u003e, Washington, DC; the \u003ca href=\"https:\/\/walkerart.org\/collections\/artworks\/firewood\" rel=\"noopener\" target=\"_blank\"\u003eWalker Art Center\u003c\/a\u003e; the \u003ca href=\"https:\/\/www.denverartmuseum.org\/en\/object\/2014.63\" rel=\"noopener\" target=\"_blank\"\u003eDenver Art Museum\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\"Firewood\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eUSA, 1973\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScreenprint in colours on Arches 88 wove paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eSigned by \"Sam Francis\" and numbered \"16\/50\" in pencil, lower edge\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eFrom an edition of 50, with 10 artist's proofs\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003ePublished by Gemini G.E.L., Los Angeles with their blindstamps recto and in stamp, verso\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003ePrinted by Gary Reams and Robert Knisel\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e32\"H 39.75\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eGood condition\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eLiterature: Lembark, W. C. (1992). \u003cem\u003eThe Prints of Sam Francis: A Catalogue Raisonné, 1960-1990\u003c\/em\u003e. New York: Hudson Hills Press\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eReference: Lembark 1992, no. S15\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eProvenance: Albright-Knox Art Gallery, Buffalo, New York\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":46561592639724,"sku":"06-25","price":7000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Sam-Francis-Firewood_Thumbnail.jpg?v=1750364608"},{"product_id":"edward-burtynsky-silver-lake-operations-3-australia-2007","title":"EDWARD BURTYNSKY \"SILVER LAKE OPERATIONS #3\" AUSTRALIA, 2007","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\" title=\"Toronto art gallery collection feauturing artwork by iconic photographer Edward Burtynsky\"\u003eEdward Burtynsky\u003c\/a\u003e (b. 1955) is one of Canada’s most acclaimed photographers.\u003c\/p\u003e\n\u003cp\u003eHe is well-known for his captivating large-scale photographs documenting the ramifications of industrial production on the environment. Burtynsky's work often presents a tension between wonder and desecration, reminding us of our simultaneous dependence and lack of concern for the planet.\u003c\/p\u003e\n\u003cp\u003eThis image is an aerial photograph of Lake Lefroy in Western Australia, from the \"Mining\" series. The aerial view offers a survey of the area which--although deceivingly small in appearance--represents an almost incomprehensibly large area. \u003cmeta charset=\"utf-8\"\u003eThe very few identifiable objects (buildings, roads, cars) in this image offer a measure of scale for this striking scene.\u003c\/p\u003e\n\u003cp\u003eWhat, at first glance, appears to be a scarred landscape, is in reality evidence of nature transformed and resources spent. \u003cmeta charset=\"utf-8\"\u003eRusty red hues punctuates a range of white, grey, and sandy earth of the area, a fantastically gritty and rugged topographic portrait. \u003c\/p\u003e\n\u003cp\u003eFor Burtynsky, the mining images are symbolic. He explains: \"What this civilization leaves in the wake of progress may be the open and emptied earth, but in performing these incursions we also participate in the unwitting creation of gigantic monuments to our way of life.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eBurtynsky's work is represented in over 50 museum collections around the world ranging from The National Gallery of Canada, and the Solomon R. Guggenheim Museum, to Victoria and Albert Museum, London, and Bibliothèque National, Paris.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Silver Lake Operations #3, Lake Lefroy, Western Australia, 2007”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e39 Megapixel Digital Capture\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003ePrinted 2008, Digital Chromogenic Color Print\u003c\/p\u003e\n\u003cp\u003eSigned by the artist on label verso\u003c\/p\u003e\n\u003cp\u003eNumber 4 from an edition of 6\u003c\/p\u003e\n\u003cp\u003e39\"H 49\"W (work)\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e40\"H 50\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003cbr\u003e\u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":46564794106092,"sku":"06-25","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Ed-Burtynsky-Silverlake-operations-_3_Thumbnail.jpg?v=1750539127"},{"product_id":"charles-pachter-dawn-barn-painting-2020","title":"CHARLES PACHTER \"DAWN BARN\" PAINTING, 2020","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/charles-pachter\"\u003eCharles Pachter \u003c\/a\u003e(b. 1942) is one of the most collected and cherished Canadian artists. \u003c\/p\u003e\n\u003cp\u003eHis iconic, uplifting and patriotic images have independently earned their place in the nation's museums and the Canadian art canon. \u003c\/p\u003e\n\u003cp\u003eWhile Pachter’s work shares some characteristics with Jim Dine and David Hockney, his voice is resoundingly charming, singular, and uniquely Canadian.\u003c\/p\u003e\n\u003cp\u003eThe b\u003cspan\u003earn\u003c\/span\u003e, along with \u003ca title=\"Charles Pachter Queen on Moose 1973\" href=\"http:\/\/caviar20.com\/collections\/charles-pachter-prints\/products\/charles-pachter-queen-on-moose-1973\"\u003eQueen Elizabeth\u003c\/a\u003e and \u003ca title=\"Charles Pachter Moose Monarchs of the North\" href=\"http:\/\/caviar20.com\/collections\/charles-pachter-prints\/products\/charles-pachter-monarchs-of-the-north\"\u003ethe Moose\u003c\/a\u003e, form a triad of icons that Pachter has repeatedly visited over the course of his career. With these archetypes, the artist probes at Canadian symbols and colonial histories. His series of Barns perfectly captures his characteristic graphic style, displaying a quintessential Canadian landscape that is recognizable around the world.\u003c\/p\u003e\n\u003cp\u003eWhile Pachter has explored the power and charm of the solitary barn in a landscape, this large painting is striking for its fascinating and highly original palette. Here Pachter embraces the barn yet places in an environment that is terracotta rose with a clay-like pink. This is a rare occasion where Pachter embraces an expressionist and unconventional palette. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this artwork? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eEmail us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSigned and dated on the verso \u0026amp; lower right face\u003c\/p\u003e\n\u003cp\u003eAcrylic on canvas\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eCanada, 2017\u003c\/p\u003e\n\u003cp\u003e54\"W 30\"H (canvas)\u003c\/p\u003e\n\u003cp\u003eExcellent condition. \u003c\/p\u003e\n\u003cp\u003eNote: the price is 48,000 CAD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Charles Pachter","offers":[{"title":"Default Title","offer_id":46796259164396,"sku":"09-25","price":48000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Charles-Patcher-Dawn-Barn-painting_01.jpg?v=1757088064"},{"product_id":"edward-burtynsky-xiaolangdi-dam-2-yellow-river-2011","title":"EDWARD BURTYNSKY \"XIAOLANGDI DAM #2, YELLOW RIVER\" 2011","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEdward Burtynsky\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e (b. 1955) is one of Canada's most successful photographers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHe is renowned internationally for his large-scale photographs documenting the ramifications of industry on the environment. Burtynsky's work often presents a tension between wonder and desecration, reminding us of our simultaneous dependence and lack of concern for the planet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBurtynsky began an extended project in 2008 that focuses on the use of water as a resource, and the conflicts and complications embedded in humanity's relationship to it.\u003c\/p\u003e\n\u003cp\u003eBurtynsky has worked extensively in China and his images have defined their astonishing growth and ambition in the 21st century. The Xiaolangdi Dam is a perfect subject for the artist. \u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLike the best of Burtynsky's work, there is something both menacing and reverential in this depicting this epic engineering project. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSet on the Yellow River in Henan Province, China, the titular structure stands almost completely engulfed by a rushing deluge as it is released from the spillway. \u003cmeta charset=\"utf-8\"\u003eUpon close examination, details of the Dam are just visible through the spray. The otherworldly russet hue of the water comes from silt and sediment carried through the river. \u003cmeta charset=\"utf-8\"\u003eThe rushing burst of water looms dramatically, like a vast, whirling nebula. At once beautiful and foreboding, Burtynsky’s images lay bare the volatile tension between human progress and the natural world.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBurtynsky's work is represented in over 50 museum collections around the world ranging from The National Gallery of Canada, and the Solomon R. Guggenheim Museum, to Victoria and Albert Museum, London, and Bibliothèque National, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Xiaolangdi Dam #2, Yellow River, Henan Province, China, 2011\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDigital Chromogenic Color Print on Kodak Endura Premier Paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTitle, edition and materials on label on verso\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom an edition of 9\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e39\"H 52\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e40\"H 53\"W (framed) \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eVery good condition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":46829202964716,"sku":"09-25","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Edward-Burtinsky-Xiaolangdi-Dam__2_01.jpg?v=1758296267"},{"product_id":"chuck-close-self-portrait-lithograph-2007","title":"CHUCK CLOSE \"SELF-PORTRAIT\" LITHOGRAPH, 2007","description":"\u003cp\u003e\u003cspan\u003eChuck Close (1940-2021) was known for both his meticulous attention to detail and his innovative approach to the genre of portraiture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHaving pioneered the Photorealism movement in the 1960s, Close revolutionized portrait painting at a time when the genre was becoming neglected in favour of photography. \u003c\/span\u003e\u003cspan\u003eHis portraits experiment with color, scale, technique, and media, sitting somewhere between realistic and mildly psychedelic. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eClose continually reinvigorated his practice by questioning conventions of representation, producing a wide-ranging body of work that includes painting, printmaking, drawing, collage, daguerreotypes, Polaroid photography, and tapestries. He gained renown for his gridded paintings that appear abstract from close-up, and form a realistic, pixelated image from afar. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInterestingly, given his concentration on portraiture, Close suffers from prosopagnosia—the inability to recognize faces. \u003cmeta charset=\"utf-8\"\u003eA breakdown of facial features down to pixelated elements, Close’s portraits serve as a way of studying the human face—a kind of optical training for both artist and viewer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis self-portrait was created to benefit the Lincoln Center for the Performing Arts in New York. It exemplifies Close's distinctive style of using intricate patterns and layered color to construct a vivid and lifelike representation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComposed of vibrant, overlapping loops and swirls, the self-portrait is textured and dynamic, inviting close examination. The work captures Close's characteristic discerning gaze, as he portrays himself gazing solemnly ahead through his circular spectacles. Rendered with remarkable depth and dimensionality, this image celebrates the artist's lifelong exploration and admiration of identity and perception. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClose has been the subject of many important exhibitions globally, including a retrospective at the Museo Nacional Centro de Arte Reina Sofia de Madrid in 2006. He has participated in documentas V (1972) and VI (1977), and the Venice Biennale (1993, 1995, 2003). His work can be found in the collections of the Pompidou in Paris and the Tate Modern in London, among many others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Self-Portrait”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLithograph \u0026amp; Screenprint on Somerset paper with full margins\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNumbered \"10\/118\" signed \"Chuck Close\" and dated \"2007\" by the artist in pencil, lower edge\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 118 (+18 APs)\u003c\/p\u003e\n\u003cp\u003ePublished by Lincoln Center List Poster and Print Program\/Brand X Editions New York\u003c\/p\u003e\n\u003cp\u003e29.75\"H 23.5\"W (work)\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e38\"H 30\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e42.5\" 24.5\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eLiterature: Riley, 205\u003c\/p\u003e","brand":"Chuck Close","offers":[{"title":"Default Title","offer_id":46830702493932,"sku":"09-25","price":12500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Chuck-Close-Self-Portrait_01.jpg?v=1758299558"},{"product_id":"wolf-kahn-barn-and-forsythia-iii-screenprint-2003","title":"WOLF KAHN \"BARN AND FORSYTHIA III\" SCREENPRINT, 2003","description":"\u003cp\u003e\u003cspan\u003eWolf Kahn (1927-2020) was a German-born American artist acclaimed for his powerful landscapes, which masterfully combine elements of natural realism with the celebration of color embraced by the Color Field artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHis luminous, lyrical paintings of forests and farmland combined realism with the immediacy of Abstract Expressionism. Working intuitively, Kahn refused to overthink any psychological underpinnings in his paintings. His landscapes, while grounded in the familiar, seem to exist beyond the realm of reality.\u003c\/p\u003e\n\u003cp\u003eThis screenprint was made to commemorate the 2003 Mostly Mozart Festival at the Lincoln Center for the Performing Arts, New York. A periwinkle barn fades into a similarly-colored sky, sitting atop a yellow-green hill with a pink foreground. There is a shadowy forsythia bush in the right of the frame, rendered with frenetic brown lines and bright petals. The image showcases Kahn's ability to capture landscapes with vibrant hues and atmospheric depth. His color choices enliven the scene, resulting in an otherworldly atmosphere that teeters between abstraction and representation.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis enchanting, peaceful screenprint offers an opportunity for collectors to add a signature Kahn motif (the barn) to their collection.\u003c\/p\u003e\n\u003cp\u003eToday, Kahn's work is celebrated in museums across the globe, including the National Gallery of Canada (Ottawa), The Art Institute of Chicago, the Metropolitan Museum of Art  and The Museum of Modern Art (New York), the Museum of Fine Arts (Boston), the Hirshorn Museum and the Smithsonian (Washington, DC), the Los Angeles County Museum of Art, and the Museum of Art and Industry (Hamburg), among others.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\"Barn and Forsythia III\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eUSA, 2003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eScreenprint in colors on wove paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eSigned, numbered 75\/108, and dated in pencil, lower edge\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eWith the blindstamp of the printer, Brand X Editions, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003ePublished by Lincoln Center for the Performing Arts, Inc., New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eEdition: 108 (+18 APs)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e34.25\"H 44.25\"W (sheet)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e37.5\"H 48\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eFramed with glass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"Wolf Kahn","offers":[{"title":"Default Title","offer_id":46830821277932,"sku":"09-25","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Wolf-Kahn-Barn-and-Forsythia-III-2003_01.jpg?v=1758302890"},{"product_id":"joanne-tod-morning-at-the-met-painting-2007","title":"JOANNE TOD \"MORNING AT THE MET\" PAINTING, 2007","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/joanne-tod\"\u003eJoanne Tod\u003c\/a\u003e (b. 1953) is a renowned Canadian painter acclaimed for her unwavering approach to realism, technical precision, and critical wit. She is also one of the country's most celebrated living portrait artists.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eTod's images of museum-owned objects stem from her interest in the paradoxes surrounding collecting antiquities, whether privately or institutionally. She cites the often-quoted statistic that the British Museum holds over 100,000 objects from ancient Greece. While there are numerous concerns surrounding their collection (particularly how it was acquired), it is simultaneously a beautiful and educational repository and \"public\" venue or resource. This notion of simultaneous homage and critique, or public vs. private, is a recurring theme throughout her oeuvre.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Morning at the MET\" depicts ancient amphora vessels in a display case at the Metropolitan Museum in New York City. The vitrine that guards them captures reflections of the windows behind the viewer. By depicting not only the amphoras but also the display case, Tod immerses her viewers in the space of her painting, encouraging them to situate themselves in her composition. The amphora is a subject that Tod has depicted in several of her paintings of museum displays.\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eMarked first by verisimilitude, Tod's paintings reveal layers of meaning in time, offering paradoxes to her audience. The museum paintings balance institutional critique and celebration. Tod questions systems of display, ownership, and the fetishization of the \"precious\" object, asking what is beauty and what deserves to be presented in a vitrine.  \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoanne Tod's works can be found in most major public institutions across Canada, including the National Gallery of Canada, the Art Gallery of Ontario (AGO), and the Musée des beaux-arts de Montréal. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Morning at the MET\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCanada, 2007\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e64\"H 48\"W\u003c\/p\u003e\n\u003cp\u003eSigned, titled, and dated, verso\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: The price is $45,000 CAD\u003c\/p\u003e","brand":"Joanne Tod","offers":[{"title":"Default Title","offer_id":46863458435308,"sku":"09-25","price":45000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Joanne-Tod-Greek-Pottery_01.jpg?v=1759602288"},{"product_id":"joanne-tod-la-banque-2025","title":"JOANNE TOD \"LA BANQUE\" 2025","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/joanne-tod\"\u003eJoanne Tod\u003c\/a\u003e (b. 1953) is a renowned Canadian painter acclaimed for her unwavering approach to realism, technical precision, and critical wit. She is also one of the country's most celebrated living portrait artists.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eTod has frequently depicted institutional buildings such as banks, museums, and post offices to explore the architecture of authority and trust. These essential urban institutions shape our lives whether we acknowledge them or not. In her paintings, decorative elements such as columns and classical façades convey importance and permanence, while demanding our respect or even dependence. Tod highlights the aesthetic characteristics of these edifices, showing how power can be conveyed through beauty and awe.\u003c\/p\u003e\n\u003cp\u003eThis painting depicts the grand foyer of the Montreal headquarters for the Bank of Montreal, or BMO. It is one of the key landmarked buildings of \u003ca title=\"Place d'Armes Montreal BMO\" href=\"https:\/\/en.wikipedia.org\/wiki\/Place_d'Armes\"\u003ePlace d'Armes\u003c\/a\u003e. Located at 119 Rue Saint-Jacques, this building has been an iconic landmark since 1819. Constructed in a neoclassical style, the structure was inspired by the Roman Pantheon. The lavish lobby features 32 corinthian columns made with green syenite, gold capitals, and a decorated coffered ceiling. Tod visited the building to attend the unveiling of a portrait she was commissioned to paint of the departing CEO, William Downe.\u003c\/p\u003e\n\u003cp\u003eTod captures the ornate features of the historic building in \"La Banque\" in her signature brand of realism. There is both a precision and softness in her approach. One of Tod's painting strategies is applying thin layers of paint to emphasize and illuminate the brighter hues. While her treatment of light is typically attentive, it's emphasized in this canvas given the numerous light sources and almost entirely reflective surfaces. \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis painting is a paradigm of Tod’s ability to amplify interiors into charged, almost theatrical settings or portals. For Tod, portraying deep space is as much an entity as a subject sitting for a portrait.\u003c\/p\u003e\n\u003cp\u003eTod is originally from Montreal, so her Place d'Armes have a special resonance for her. See another painting from the series \u003ca href=\"https:\/\/www.caviar20.com%20%E2%80%BA%20products%20%E2%80%BA%20joanne-tod-new-york-life-2025\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoanne Tod's works can be found in most major public institutions across Canada, including the National Gallery of Canada, the Art Gallery of Ontario (AGO), and the Musée des beaux-arts de Montréal. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"La Banque\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCanada, 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e72\"H 54\"W\u003c\/p\u003e\n\u003cp\u003eSigned, titled, and dated, verso\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: The price is $75,000 CAD\u003c\/p\u003e","brand":"Joanne Tod","offers":[{"title":"Default Title","offer_id":46876632285420,"sku":"09-25","price":75000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Joanne-Tod-La-Banque_01_ea80650a-86e5-486b-bdfa-272dd1177032.jpg?v=1760717251"},{"product_id":"joanne-tod-new-york-life-2025","title":"JOANNE TOD \"NEW YORK LIFE\" 2025","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/joanne-tod\"\u003eJoanne Tod\u003c\/a\u003e (b. 1953) is a renowned Canadian painter acclaimed for her unwavering approach to realism, technical precision, and critical wit. She is also one of the country's most celebrated living portrait artists.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eTod has frequently depicted institutional buildings such as banks, museums, and post offices to explore the architecture of authority and trust. These essential urban institutions shape our lives whether we acknowledge them or not. In her paintings, decorative elements such as columns and classical façades convey importance and permanence, while demanding our respect or even dependence. Tod highlights the aesthetic characteristics of these edifices, showing how power can be conveyed through beauty and awe.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis painting is a portrait of the New York Life Insurance building, located at \u003ca title=\"Place d'Armes Montreal\" href=\"https:\/\/en.wikipedia.org\/wiki\/Place_d'Armes\"\u003ePlace d'Armes\u003c\/a\u003e in Old Montreal. The city was once known as a powerhouse of commerce, particularly in the 19th century, with most of the corporate headquarters based in this area. At the time of completion, circa 1899, this building was the tallest structure in the city and one of the most prestigious office buildings. Today this structure remains impressive, standing out with its striking red sandstone exterior, elegant clock tower and lavish interior. \u003c\/p\u003e\n\u003cp\u003eTod is originally from Montreal, so her Place d'Armes paintings have a special resonance for her. \u003ca href=\"https:\/\/www.caviar20.com\/collections\/all-artworks\/products\/joanne-tod-la-banque-2025\" title=\"Joanne Tod Place d'Armes paintings\"\u003eSee another painting from the series here.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eTod captures the decorative features of the historic building in \"New York Life.\" Painting in her signature realist style, she treats each surface with care, applying thin layers of paint to amplify the brighter hues. The veined marble dances alongside curved and impressive wrought-iron motifs, as the surfaces throughout glow. Tod's rendition of this doorway is captivating in its sense of depth, decoration, and warm glow.\u003c\/p\u003e\n\u003cp\u003eTod's expert treatment of light is exemplified in this canvas. The transition from natural light beyond the glass doors, to warm light in the foyer, and cooler light in the main space is balanced seamlessly. This painting is a paradigm of Tod’s ability to amplify interiors into charged, almost theatrical settings or portals. For Tod, portraying deep space is as much as a subject sitting for a portrait.\u003c\/p\u003e\n\u003cp data-start=\"250\" data-end=\"590\"\u003eWith her signature handling of perspective and light, Todd creates environments that draw the gaze past surface detail into recesses full of mystery. These spaces carry a weight of presence, reminding us that emptiness itself can be inhabited.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoanne Tod's works can be found in most major public institutions across Canada, including the National Gallery of Canada, the Art Gallery of Ontario (AGO), and the Musée des beaux-arts de Montréal. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"New York Life\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCanada, 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e72\"H 54\"W\u003c\/p\u003e\n\u003cp\u003eSigned, titled, and dated, verso\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eNote: The price is $75,000 CAD\u003c\/p\u003e","brand":"Joanne Tod","offers":[{"title":"Default Title","offer_id":46876709454060,"sku":"09-25","price":75000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Joanne-Tod-New-York-Life_01.jpg?v=1760045385"},{"product_id":"edward-burtynsky-iberia-quarries-3-paradais-portugal-2006","title":"EDWARD BURTYNSKY \"IBERIA QUARRIES #3, PARADAIS, PORTUGAL, 2006\"","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\"\u003eEdward Burtynsky\u003c\/a\u003e (b. 1955) is Canada's most successful photographer.\u003c\/p\u003e\n\u003cp\u003eA noted filmmaker, entrepreneur and environmental advocate, Burtynsky is best known internationally for his large scale images documenting the process and consequences of using the earth's natural resources.\u003c\/p\u003e\n\u003cp\u003eHis images, which at times approach abstraction, present a bizarre tension between beauty and desecration. Many works, and this is an exceptional example, show unbelievable aerial views and are presented with a level of detail normally impossible for the human eye to comprehend. \u003c\/p\u003e\n\u003cp\u003eThis work is from one Burtynsky's \u003cem\u003eQuarries\u003c\/em\u003e series during which he explored marble and granite quarrying in Vermont, Portugal, Italy, and Spain.\u003c\/p\u003e\n\u003cp\u003eThe images of cracked, fragmented and abandoned terrains mirror sharp cubist cuts and geometric abstractions. \u003cspan\u003eBurtynsky has described these quarries as “organic architecture” and “inverted pyramids,” alluding to them as if they were structured voids. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis work, photographed in Portugal, is a paradigm of Burtynsky's acclaimed \u003cem\u003eQuarries\u003c\/em\u003e series. Layers of un-mined marble and the ravine walls bear geometric patterns from the markings of individual blocks. The result is an illusory effect as if the mountain itself were created by human hand (not vice-versa). \u003c\/p\u003e\n\u003cp\u003eWhile the image documents the environmental exploitation, the overall work has an incredible form with rich palette and texture. This image has been published in countless periodicals and appears in the Steidl book on Burtynsky. \u003c\/p\u003e\n\u003cp\u003eHis work can be found in the permanent collection of countless museums including the National Gallery of Canada, the Guggenheim, TATE Modern (London) and MoMA to mention a few.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Iberia Quarries #3, Paradais, Portugal, 2006\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCanada, 2007\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eChromogenic print, printed 2007, flush-mounted\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned, titled, numbered and dated on label, verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNumber 3 from an edition of 6\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e59.5\"H 47.5\"W (work)\u003c\/p\u003e\n\u003cp\u003e62\"H 50\"W (framed)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance:\u003cbr\u003eRobert Koch Gallery, San Franisco\u003cbr\u003ePrivate Collection, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiterature:\u003cbr\u003eEwing, \u003cem\u003eEdward Burtynsky: Essential Elements\u003c\/em\u003e, p. 140\u003cbr\u003eMitchell, \u003cem\u003eEdward Burtynsky: Quarries\u003c\/em\u003e, p. 149\u003c\/span\u003e\u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":46898854756588,"sku":"10-25","price":33000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Edward-Burtynsky-Iberia-Quarries-_3_01_a975e6a4-3d73-437c-84d9-9c73116ab8af.jpg?v=1763152808"},{"product_id":"edward-burtynsky-amarc-3-arizona-2006","title":"EDWARD BURTYNSKY \"AMARC #3, ARIZONA\" 2006","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\"\u003eEdward Burtynsky\u003c\/a\u003e is Canada’s most successful photographer.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBurtynsky's images reveal a planet altered by human ambition. For nearly a decade (1999-2008), he focused on his \"Oil\" series which depicted the production and consequences of the global oil market in four countries: China, USA, Canada and Azerbaijan. He produced images of oil fields, refineries, automobiles, motorways, disposal and recycling areas, transportation, and oil sands. \u003c\/p\u003e\n\u003cp\u003eWhile some of the images in his oil series directly depict the extraction process, this image reflects the consequences of oil use. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAMARC (now 309th AMARG), commonly known as The Boneyard, is a US Air Force aircraft and missile storage facility in Tucson, Arizona.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBurtynsky captures a vast portrait without losing the visual details. Partially stripped and repaired jets sit row upon row, fading into the sides of the frame and mountains in the distance. These organized lines of planes become an almost minimalist installation in their precise repetition and pattern. There is something both \u003c\/span\u003ecommanding in style and content, representing not only the power of the US military but the consumption, sheer volume of equipment, and the global implications of these elements.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDespite the commentary on society and environmental capitalization, the image is incredibly beautiful with its sober palette, composition and curious military elegance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eToday Burtynsky's work can be found in the permanent collection of countless museums including the National Gallery of Canada, the Guggenheim, TATE Modern (London) and MoMA to mention a few.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"AMARC #3, Davis-Monthan SFB, Tucson, Arizona, 2006\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCanada, 2006\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e39 Megapixel Digital Capture\u003c\/p\u003e\n\u003cp\u003eDigital Chromogenic Colour Print, \u003cmeta charset=\"utf-8\"\u003ePrinted 2006, flush-mounted on board\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned, titled, numbered and dated on label, verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom an edition of 9\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e39\"H 49\"W (work)\u003c\/p\u003e\n\u003cp\u003e41\"H 51\"W (framed)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance:\u003cbr\u003eBryce Wolkowitz Gallery, New York\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":46898871271660,"sku":"10-25","price":27500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Edward-Burtynsky-AMARC_3-Davis-Monthan-AFB-2006_01.jpg?v=1763152073"},{"product_id":"richard-serra-swivel-etching-2011","title":"RICHARD SERRA \"SWIVEL\" ETCHING, 2011","description":"\u003cdiv id=\"id6\"\u003e\n\u003cp\u003eRichard Serra (1938-2024) is one of the most important and audacious sculptors of the 20th century. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOne of the leading exponents of Minimalism, Serra's steel sculptures stand in unshakable equilibrium, defying expectations and the logic of gravity. \u003cmeta charset=\"utf-8\"\u003eWhile his forms are minimal, their size and weight are always grand and imposing. His sculptures are increasingly site-specific and rarely domestically proportioned. \u003c\/p\u003e\n\u003cp\u003eOver the course of his career, Serra has occasionally turned to printmaking as an alternate and complementary mode of expression. Many of his editions are done monochromatically, in black. \u003c\/p\u003e\n\u003cp\u003e“Swivel” was produced in conjunction with an exhibition (\u003cem\u003eConstantin Brancuse and Richard Serra\u003c\/em\u003e) held at Fondation Beyeler, Switzerland, in 2011. The print depicts concentric scribbles, which combine to form a hive-like shape, punctuated by textured ink on the rest of the plate. Here, Serra considers torsion–the twisting of an object by torque. This is a notion that is at the forefront of his sculptural output at the time. \u003c\/p\u003e\n\u003cp\u003eFull of depth and movement, \"Swivel\" is a delightful example of Serra's printmaking practice. \u003cmeta charset=\"utf-8\"\u003eBecause of their limited output, Serra's prints perform strongly on the secondary market.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWork by Richard Serra is held in important public and private collections worldwide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Swivel\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eUSA, 2011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEtching in 1 color on Tiepolo paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSigned and dated in pencil, lower right, with the publisher's blindstamp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eNumbered \"20\/50\" in pencil, lower left\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eVerso with the work number RS11-3511 and the publisher's stamp\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eProduced by Gemini G.E.L., Los Angeles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFrom an edition of 50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e38.5\"H 31.5\"W (sheet)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e41.5\"H 34\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Richard Serra","offers":[{"title":"Default Title","offer_id":46958676574444,"sku":"10-25","price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Richard-Serra-Swivel-etching-2011_01.jpg?v=1762454427"},{"product_id":"edward-burtynsky-three-gorges-dam-project-wushan-11-2002","title":"EDWARD BURTYNSKY \"WUSHAN #11, THREE GORGES DAM PROJECT\" 2002","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEdward Burtynsky\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e (b. 1955) is one of Canada's most successful photographers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHe is internationally renowned for his large-format photographs documenting the ramifications of industry on the environment. Burtynsky's work often presents a tension between wonder and desecration, reminding us of our simultaneous dependence and lack of concern for the planet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBurtynsky has worked extensively in China and his images have defined their astonishing growth and ambition in the 21st century. This work, taken from Burtynsky's 2002 \"China\" series, documents the massive geographical transformation required for the realization of the Three-Gorge Dam project. The Dam was created to control flooding along the Yangtze River but consequently lead to nearly 632 square kilometers of land being completely submerged by the newly created reservoir. \u003c\/span\u003e\u003cspan\u003eMore than one-million people were resettled and vast areas of fertile soil, forests, and ecosystems were submerged in order to accommodate the project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLike the best of Burtynsky's work, there is something both menacing and reverential in the depiction of the effects of such an epic engineering project. Scattered among rubble along the river's edge are two groups of people, taking in the destruction that surrounds them. \u003c\/span\u003eThis image, along with the Three Gorges Dam series, lays bare the violent tension between human progress and the natural world.\u003c\/p\u003e\n\u003cp\u003eIn 2008, a few years after completing his China series, Burtynsky began an extended project that focuses on the use of water as a resource, and the conflicts and complications embedded in humanity's relationship to it. See an example from the water series \u003ca href=\"https:\/\/www.caviar20.com\/collections\/edward-burtynsky\/products\/edward-burtynsky-xiaolangdi-dam-2-yellow-river-2011\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBurtynsky's work is represented in over 50 museum collections around the world ranging from The National Gallery of Canada, and the Solomon R. Guggenheim Museum, to Victoria and Albert Museum, London, and Bibliothèque National, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Wushan #3, Three Gorges Dam Project, Yangtze River, China, 2002\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePrinted 2003, on Kodak Supra Endura Paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned by the artist on label, verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEdition: AP2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e40\"H 50\"W (image)\u003c\/p\u003e\n\u003cp\u003e48\"H 58\"W (work)\u003c\/p\u003e\n\u003cp\u003e53\"H 62\"W (framed)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eVery good condition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Edward Burtynsky","offers":[{"title":"Default Title","offer_id":47019953324268,"sku":"10-25","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Edward-Burtynsky-Three-Gorges-Dam-Project-_11_01.jpg?v=1764276337"},{"product_id":"friedel-dzubas-black-tondo-monotype-1982","title":"FRIEDEL DZUBAS \"BLACK TONDO\" MONOTYPE, 1982","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/friedel-dzubas\"\u003eFriedel Dzubas\u003c\/a\u003e (1915-1994) was a Berlin-born, American abstract painter and a key artist associated with both the New York School and the Color Field movement. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDzubas studied art in Germany before fleeing the Nazis in 1939 and settling in New York City. During the 1940s, Dzubas circulated with some of the leading abstract painters in the city's vital art scene, including Jackson Pollock, Willem de Kooning, Franz Kline, and Katherine Dreier. \u003c\/span\u003eDzubas participated in the legendary 9th Street Art Exhibition in 1951, a groundbreaking art exhibit featuring a number of his boundary-pushing contemporaries. This exhibition acted as an introduction to the New York School of postwar avant-garde artists. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDzubas worked in close proximity to, and was strongly influenced by the emerging color field painters. He shared a studio with Helen Frankenthaler as she began pouring and staining her canvases. The two evolved and each surpassed the techniques embraced by the Abstract Expressionists. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis work is exemplary of Dzubas' use and love of powerful colors. The painter did not delve into printmaking with the same intensity as his contemporaries. However like many of the leading American artists in the late 1970s and early 1980s he did experiment with cast pulp paper, a process in which paper is pulverized and pressed into moulds. The technique was embraced for its texture and the unique way in which colors were absorbed and presented. \u003c\/p\u003e\n\u003cp\u003eDzubas worked collaboratively with Garner Tullis-an innovative printmaker fascinated with paper-making. Tullis opened the International Institute of Experimental Printmaking in Santa Cruz in 1972, where he emphasized paper-making and collaboration with friends, contemporaries, and emerging artists. This monotype was created in Tullis' workshop.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThis work is a fine example of the artist's abstract use of color and form. A black-and-grey shroud anchors several floating shapes of pink, purple, periwinkle, green, salmon, and black. This composition is arranged in a way that evokes movement, and is visually alluring in its dark hues.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eToday Friedel Dzubas' works hang in the permanent collections of some of the most prestigious art institutions in the world; including, the Whitney Museum (NY), the Guggenheim (NY), the Smithsonian American Art Museum (NY), and the Albright-Knox (Buffalo). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us,\u003c\/a\u003e call 416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUntitled, aka Black Tondo (GT\/FD 1982 W2)\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eUSA, 1982\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003eUnique cast paper pulp monotype\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSigned and dated in pencil by the artist, bottom margin\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e33.75\" (diameter)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e37.5\"H 37.5\"W (framed)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNewly framed with non-reflective museum glass\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePrinted at the Garner Tullis Workshop (California) \u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by Experimental Printmaking, San Francisco\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eVery good condition \u003c\/p\u003e","brand":"Friedel Dzubas","offers":[{"title":"Default Title","offer_id":47020544524524,"sku":"11-25","price":5950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Friedel-Dzubas-82_01.jpg?v=1763670751"},{"product_id":"pablo-picasso-carnaval-linocut-1965","title":"PABLO PICASSO \"CARNAVAL\" LINOCUT, 1965","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003ePablo Picasso (1881–1973) was one of the most transformative figures of 20th-century art. A restless innovator, his work reshaped the possibilities of representation across painting, sculpture, printmaking, and ceramics.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eMoving both fluidly and abruptly between styles, Picasso approached art-making as a continual process of reinvention, combining tradition and experimentation into a single, urgent language.\u003cmeta charset=\"utf-8\"\u003e Within his vast and mutable practice, motifs such as the clown, the king, the harlequin, the matador and the buffoon recur as potent symbols of performance, vulnerability, and the shifting masks of (masculine) identity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-start=\"2369\" data-end=\"2386\"\u003eTête de Bouffon\u003c\/em\u003e is at once playful and unsettled, an ambiguous portrait of the jester that evokes paradoxes of performance: the laughter that hides sadness, the mask that conceals the self, and the role that becomes identity. As the figure oscillates between mockery and melancholy, he is not just a performer, but a symbol of human contradiction and complexity.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"623\" data-end=\"1004\"\u003eThe figure's expression is highly ambiguous: the eyes, rendered with simple oval shapes, seem to peer out unevenly; a droplet-like form on one cheek could be a tear or a stylized flourish. The exaggerated crown flares into curling, organic shapes that suggest both festivity and distortion.\u003c\/p\u003e\n\u003cp data-start=\"1006\" data-end=\"1279\"\u003e\u003cmeta charset=\"utf-8\"\u003eCreated in 1965, \"Tête de Bouffon\" belongs to Picasso’s prolific late period, a time marked by an outpouring of prints in which he revisited lifelong motifs with a looser, more distilled graphic language. In these years, he returned repeatedly to the \u003cem\u003ecommedia dell’arte\u003c\/em\u003e figures of his earlier decades, reworking them with renewed immediacy and humor.\u003c\/p\u003e\n\u003cp data-start=\"1006\" data-end=\"1279\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe print reflects Picasso's late-style synthesis: A compression of decades of experimentation into bold contours, simplified forms, and an almost improvisational energy.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eQuestions about this piece? \u003ca href=\"mailto:info@caviar20.com\"\u003e\u003cspan class=\"s1\"\u003eContact us,\u003c\/span\u003e\u003c\/a\u003e call \u003ca href=\"tel:+1.416.704.1720\"\u003e\u003cspan class=\"s1\"\u003e+1.416.704.1720\u003c\/span\u003e\u003c\/a\u003e, or visit our \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eToronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Carnaval\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrance, 1965\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLinocut in colors on Arches paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSigned \"Picasso\" and numbered in pencil along lower edge\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFrom an edition of 160\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by Le Patriote, Nice, France\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePrinted by Imprimerie Arnéra, Vallauris, France\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e29.5\"H 24.25\"W (sheet)\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e43.5\"H 38.5\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVery good condition\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLiterature: BLOCH 1193; BAER 1356\u003c\/span\u003e\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"Default Title","offer_id":47024563749100,"sku":"12-25","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Picasso-B.1193-Carnival_01.jpg?v=1764097633"},{"product_id":"jim-dine-ex-voto-etching-1996","title":"JIM DINE \"EX VOTO\" ETCHING, 1996","description":"\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/jim-dine\" title=\"Jim Dine works on paper Caviar20\"\u003eJim Dine\u003c\/a\u003e (b. 1935) was one of the key artists that shaped American Pop art in the 1960s. Like Jasper Johns and Andy Warhol, Dine appropriated quintessential American images in his work, experimenting with modes of reproduction and representation.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDine's work was included in many pivotal Pop Art exhibitions, including \"\u003ca href=\"https:\/\/www.artforum.com\/features\/the-new-paintings-of-common-objects-212213\/\"\u003eNew Paintings of Common Objects\u003c\/a\u003e\" at the Pasadena Art Museum (now the Norton Simon Museum), curated by Walter Hopps, that would later be cited as the first institutional survey of American Pop Art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eYet during Pop’s heyday, Dine remained on the periphery, focusing on Neo‑Dada “Happenings” with Claes Oldenburg and John Cage. He rejects being labeled a Pop artist, claiming his work is not cool or celebratory of consumer culture, but instead transforms everyday objects into noble subjects in the tradition of still life.\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis interest in ordinary objects as carriers of meaning is evident in this captivating print. The work's title, from the Latin \u003cem data-end=\"969\" data-start=\"960\"\u003eex voto\u003c\/em\u003e (“from the vow made”) refers to devotional offerings given in gratitude or as fulfillment of a vow. Dine adapts this tradition, turning the print into a secular votive: an intimate, contemplative object charged with memory, emotion, and personal ritual. Rather than depicting divine intervention, the work invites reflection on the object itself, bridging the symbolic weight with the introspective possibilities of contemporary art.\u003c\/p\u003e\n\u003cp\u003eFeaturing hearts, one of Dine's signature motifs alongside tools and neckties, this print is a stunning example of his oeuvre. The depth of color and dimensional presence of the hearts alongside the work's large scale is captivating. This work would make an excellent addition to a new or existing Dine or Pop Art collection.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eDine's work can be found in important public collections around the world including t\u003c\/span\u003e\u003cspan class=\"s1\"\u003ehe Musée des Beaux Arts de Montreal and MoMA, which have particularly important collections of his work. \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/www.tate.org.uk\/art\/artworks\/dine-tool-box-1-p04216\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e,\u003cspan\u003e call +1.416.704.1720, or visit our \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eToronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Ex Voto\"\u003c\/p\u003e\n\u003cp\u003e1996\u003c\/p\u003e\n\u003cp\u003eSoft-ground etching, aquatint, and power-tool abrasion in black, blue, and red ink on two sheets\u003c\/p\u003e\n\u003cp\u003eSigned, dated, and numbered 21\/30 in pencil, lower edge\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 30\u003c\/p\u003e\n\u003cp\u003ePrinted by Aldo Crommelynck, Atelier Crommelynck, Paris\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e40\"H 27\"H (each sheet)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e40\"H 54\"W (work)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e43\"H 56.75\"W (framed)\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"Jim Dine","offers":[{"title":"Default Title","offer_id":47036917514476,"sku":null,"price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Jim-Dine-Ex-Voto_01.jpg?v=1764350425"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/collections\/Caviar20_William-Kentridge-Scribble-Cat-2010_icon_0230a351-2884-4e18-bab8-e4f68524bca0.jpg?v=1653587740","url":"https:\/\/www.caviar20.com\/collections\/large-works.oembed?page=2","provider":"Caviar20","version":"1.0","type":"link"}