{"title":"Our 2025 Gift Guide","description":"\u003cdiv\u003eArt gifts make the best gifts!\u003c\/div\u003e\n\u003cdiv\u003eThis holiday season, we offer gifts that we know will be enjoyed all year round \u003c\/div\u003e\n\u003cdiv\u003eSee works by some of our favorite artists here, including Picasso, Andy Warhol, Salvador Dali, Alex Katz and Jeff Wall.\u003c\/div\u003e","products":[{"product_id":"salvador-dali-portrait-of-autumn-1980","title":"SALVADOR DALI \"PORTRAIT OF AUTUMN\" 1980, LITHO","description":"\u003cp\u003eGlorious, elaborate and eccentric - these are just a few of the words to describe Salvador Dali (1904-1989). \u003c\/p\u003e\n\u003cp\u003eHe is Surrealism's most accomplished and iconic practitioner.   \u003c\/p\u003e\n\u003cp\u003eProlific and endlessly inventive, Dali worked in almost every possible artistic medium; film, sculpture, photography, fashion and of course painting. \u003c\/p\u003e\n\u003cp\u003eSince the beginning of his career Dali worked in the graphic arts. Some of his earliest etchings date to the 1930's. \u003c\/p\u003e\n\u003cp\u003eThis exceptional work is from the \"Joy of Bacchus\" series.\u003c\/p\u003e\n\u003cp\u003eAdditional images available on request. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003eOr call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003eSigned and numbered by the artist \u003c\/p\u003e\n\u003cp\u003eFrom an edition of 350.\u003c\/p\u003e\n\u003cp\u003eLithograph on Arches\u003c\/p\u003e\n\u003cp\u003e29\"H 21\"W (sheet) \u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNote: available example number will be different from edition number pictured. \u003c\/span\u003e\u003c\/p\u003e","brand":"Salvador Dali","offers":[{"title":"Default Title","offer_id":3732202244,"sku":"08-15x2-11-16","price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Salvador-Dali_Autumn-JaponPaper_01-icon.jpg?v=1591027926"},{"product_id":"jenny-holzer-ceramic-chargers-2002","title":"JENNY HOLZER \"CERAMIC CHARGERS\", 2002","description":"\u003cp\u003eJenny Holzer's menacing (and sometimes humorous) \"\u003ca title=\"Jenny Holzer Truisms\" href=\"https:\/\/caviar20.com\/products\/copy-of-jenny-holzer-end-of-the-usa-inflammatory-essays-1982\"\u003eTruisms\u003c\/a\u003e\"  first appeared in the late 1970's in a variety of forms, but initially as a type of street art.\u003c\/p\u003e\n\u003cp\u003eOver the past four decades Holzer has created an impressive oeuvre consisting of objects, sculpture and public art...often revisiting the slogans and sayings she first embraced in the early 1980's. Holzer has focused on perhaps a dozen of the original \"Truisms\" and revisited them in an array of media ranging from billboards to t-shirts, from  \u003ca title=\"Jenny Holzer at the Albright-Knox\" href=\"http:\/\/www.albrightknox.org\/collection\/search\/piece:2273\/\"\u003emarble benches\u003c\/a\u003e to \u003ca title=\"Jenny Holzer Survival Series pencils\" href=\"https:\/\/caviar20.com\/products\/jenny-holzer-survival-pencils-1991\"\u003epencils\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHolzer's text-based pieces have provoked the public to consider the power structures that surround us. \u003c\/span\u003eIn today's frightening political climate, any element of humor or mischief inherent in her work has been eclipsed by satire, cynicism and fear. \u003c\/p\u003e\n\u003cp\u003eThis complementary set of beautifully glazed ceramic chargers boast two of Holzer's most famous slogans:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMoney Creates Taste\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll Things Are Delicately Interconnected \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a remarkable and affordable multiple by this inimitable artist. \u003c\/p\u003e\n\u003cp\u003eQuestions about this artwork? \u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003eVisit the gallery on Thursdays or by appointment. \u003c\/p\u003e\n\u003cp\u003eStamped signature, hand-numbered edition\u003c\/p\u003e\n\u003cp\u003eGlazed pottery with unglazed lettering\u003c\/p\u003e\n\u003cp\u003eProduced by Bennington Pottery, Vermont\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 175\u003c\/p\u003e\n\u003cp\u003eUSA, 2002\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e10.5\"W \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good condition \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNote: CHARGERS ARE SOLD AS A PAIR\u003c\/p\u003e\n\u003cp\u003eEdition number is different than images \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Jenny Holzer","offers":[{"title":"Default Title","offer_id":440719867921,"sku":"12-17x2-03-19x4-12-23","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20-Jenny-Holzer-Ceramics-icon.jpg.exporting.jpg?v=1603212938"},{"product_id":"michael-snow-the-audience-cast-relief-1996","title":"MICHAEL SNOW \"THE AUDIENCE\" CAST RELIEF, 1989","description":"\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eMichael Snow (1929-2023) was one of the most remarkable multi-disciplinary Canadian artists. He is renowned for a diverse body of work that ranges from experimental films and jazz recordings to sculptures and large-scale public art. No matter the medium, Snow\u003c\/span\u003e\u003cspan\u003e’\u003c\/span\u003e\u003cspan\u003es unparalleled ability to alternate between populist and avant-garde art remains unrivalled.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSnow's contribution to public art throughout his career is impressive, although arguably under-recognized. With major permanent sculptures throughout Toronto, Snow \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etransforms\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e some of the city's most iconic landmarks (\u003ca href=\"https:\/\/www.aci-iac.ca\/art-books\/michael-snow\/key-works\/flight-stop\/\" data-mce-href=\"https:\/\/www.aci-iac.ca\/art-books\/michael-snow\/key-works\/flight-stop\/\"\u003esuch as the Eaton Centre\u003c\/a\u003e)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e with\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e his lighthearted and\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e playful sensibility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn the 1980s, Snow was commissioned by the SkyDome (now Rogers Centre) to create \"The Audience\" on the stadium's exterior. The monumental sculpture (in two parts) features a total of fifteen animated spectators, each with a distinct look and energy, coming together to capture the essence of the spectators at a sporting event. \u003c\/p\u003e\n\u003cp\u003eThe sculpture itself was unveiled in 1989 when the SkyDome was opened. \u003c\/p\u003e\n\u003cp\u003eThis work, a paper pulp cast relief, is an intimate version of the legendary sculpture. The work's three-dimensional element expertly captures the dynamism of the spectators, making it an excellent domestically sized version of the original giant work. \u003c\/p\u003e\n\u003cp\u003eThis piece marks one of the few editions created by Snow in the 1990s. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eToday, Snow's work is held in numerous public collections including The MoMA (NYC), the Art Gallery of Ontario, and The National Gallery of Canada (Ottawa). In 1981, Snow was awarded the Order of Canada and upgraded to a companion in 2007 in recognition of his international contributions to visual arts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eQuestions about this piece? \u003ca title=\"Contact us\" href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\"The Audience\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eCanada, 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eCast relief \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHand-numbered from an edition of 500\u003c\/p\u003e\n\u003cp\u003eMounted plaque with date and title\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e9\"H 11\"W (work)\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e14\"H 14.25\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eVery good condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Michael Snow","offers":[{"title":"Default Title","offer_id":43876412817644,"sku":"07-23x09-24","price":1650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Micheal-Snow-The-Audience-1989_thumbnail.jpg?v=1727882377"},{"product_id":"andy-warhol-soup-can-bag-silkscreen-1966-ii","title":"ANDY WARHOL \"SOUP CAN BAG\" SILKSCREEN, 1966","description":"\u003cp\u003eIn 1962 \u003ca title=\"Andy Warhol Caviar20 inventory\" href=\"https:\/\/www.caviar20.com\/collections\/andy-warhol\"\u003eAndy Warhol\u003c\/a\u003e debuted his (soon to be infamous) Soup Can paintings as the Ferus Gallery in Los Angeles. While initially it was a commercial flop, in a short period of time the work would become an icon for the entire Pop Art movement and the artist himself.\u003c\/p\u003e\n\u003cp\u003eLater that year Warhol would begin working with screenprinting, which both mechanized and revolutionized his art practice.\u003c\/p\u003e\n\u003cp\u003eIn 1965, Warhol began to create soup cans in neon colors. In conjunction for an exhibit at the Institute of Fine Arts (Boston), he produced a limited number of silkscreen shopping bags with his beloved Campbell's soup in bold neon anchored by the company logo in royal blue and grape purple.\u003c\/p\u003e\n\u003cp\u003eThis shopping bag became the perfect symbol of the intersection between high culture and Pop Art, between consumerism and connoisseurship, and between scarcity and ubiquity. \u003c\/p\u003e\n\u003cp\u003eIt can't be emphasized enough how vital and groundbreaking the mid 60s were for the artist. In addition to the Soup Cans, he also introduced images of (a recently deceased) Marilyn Monroe, singlehandedly reviving the genre of portraiture. He also began producing films and promoting The Velvet Underground. Needless to say, this era was his creative zenith.  \u003c\/p\u003e\n\u003cp\u003eAs a result of all this activity, this work is highly sought-after by collectors as it is one of the only \"affordable\" works from the mid 60s. \u003c\/p\u003e\n\u003cp\u003eThis work can be found in numerous public collections including the \u003ca href=\"http:\/\/www.moma.org\/collection\/works\/7353?locale=en\" title=\"Andy Warhol Soup Can MoMA\"\u003eMoMA (NYC)\u003c\/a\u003e and the \u003ca href=\"https:\/\/www.nortonsimon.org\/collections\/browse_title.php?id=P.1969.071\" title=\"Warhol Soupcan at the Norton Simon Museum\"\u003eNorton Simon Museum\u003c\/a\u003e (California) amongst others. \u003c\/p\u003e\n\u003cp\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScreenprint in colors on shopping bag\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUSA, 1966\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24\"H 17\"W (work)\u003c\/p\u003e\n\u003cp\u003e27.50\"H 20.75\"W (Framed)\u003c\/p\u003e\n\u003cp\u003eOverall good condition.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeldman \u0026amp; Schellmann II.4a\u003c\/span\u003e\u003c\/p\u003e","brand":"Andy Warhol","offers":[{"title":"Default Title","offer_id":46557415014636,"sku":"05-16x2-11-16x3-03-17x4-05-17x4-06-19x05-24x06-25","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Andy-Warhol-Soup-Can-Bag-1966_01_5de11585-f2be-4f2a-89ae-5bf28189a815.jpg?v=1756845854"},{"product_id":"josef-albers-red-square-serigraph-1972","title":"JOSEF ALBERS \"RED SQUARE\" SERIGRAPH, 1972","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003ca title=\"Josef Albers Caviar20\" href=\"https:\/\/www.caviar20.com\/collections\/josef-albers\"\u003eJosef Albers \u003c\/a\u003e(1888-1976) is affiliated with numerous movements that have defined 20th century art. Historians credit Albers with fusing elements of American and European abstraction while influencing minimalism, hard-edge painting, and Op art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlbers was \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan\u003eboth a student and professor at the Bauhaus school in Germany. After the prestigious academy was closed by the Nazis, Albers and his wife Anni (a fantastically talented textile artist in her own right) emigrated to the United States.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThis piece is a classic and instantly recognizable example of Albers' signature motif. A particularly vibrant iteration of the Albers square, this screenprint is composed of various shades of red -- each packing its own punch. On the outer edge, a true red frames the composition. Then, a crimson square anchors the central current hue that sits in the middle. Done at a pleasant scale, this print offers a powerfully striking composition that is captivating, hypnotic, and far from simple.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn addition to being an influence on many artists, Albers was a beloved teacher and mentor to several major artists of the 20th century including Robert Rauschenberg, Cy Twombly, and Eva Hesse at Black Mountain College and Yale. His strict approach to abstraction inspired a generation of minimalists including Donald Judd and Robert Morris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“I-S JP” \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHomage to the square\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUSA, 1972\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eScreenprint\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned, dated, and numbered by artist in pencil, lower edge\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eNumber 50 from an edition of 100\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e15\"H 15\"W (image)\u003c\/p\u003e\n\u003cp\u003e30\"H 30\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e30.25\"H 30.25\"W (framed)\u003c\/p\u003e\n\u003cp\u003ePrinted at Sirocco Screenprints, New Haven, CT on German Etching\u003c\/p\u003e\n\u003cp\u003ePublished by Ives-Sillman, Inc., New Haven, for Jack Pollock of the Pollock Gallery, Toronto\u003c\/p\u003e\n\u003cp\u003eIves-Sillman chop mark lower right\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLiterature: \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDanilowitz 217.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":46592228524268,"sku":"06-25","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Josef-Albers-I-S-J-P-_RED_-1972_Thumbnail.jpg?v=1750953007"},{"product_id":"alex-katz-pamela-in-gray-screenprint-1976","title":"ALEX KATZ \"PAMELA IN GRAY\" SCREENPRINT, 1976","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/alex-katz\" title=\"Alex Katz prints Caviar20\"\u003eAlex Katz\u003c\/a\u003e (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOver the succeeding decades, Katz kept the tradition of figurative painting alive when it had long been considered out of style. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRendered with a delicacy not often found in prints of this era, \u003cem\u003ePamela in Grey\u003c\/em\u003e feels almost like a graphite drawing (see an example \u003ca href=\"https:\/\/www.caviar20.com\/collections\/alex-katz-people-places\/products\/alex-katz-frances-drawing-1977\" rel=\"noopener\" target=\"_blank\"\u003ehere\u003c\/a\u003e). Throughout his printmaking practice, Katz was keen on producing graphic images that were simple, using varied layering techniques to create depth. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePamela is a recurring subject in Katz’s work, regularly showing up named in the titles of various pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis image is tender, and brimming with a deceptive detail despite the mostly flat planes. With downcast eyes, the figure basks in the bright sun--evident by the high contrast present in the print. Tendrils of hair have fallen out of her bun, and brush against her face as they move with the breeze. There is a depth and complexity to this figure, illustrated through the atmosphere Katz has implied in this print.  \u003c\/p\u003e\n\u003cp\u003eThis print of Pamela is based off the painting \u003ca rel=\"noopener\" href=\"https:\/\/www.sothebys.com\/en\/buy\/auction\/2022\/contemporary-art-evening-sale-2\/rackstraw-and-pamela-2\" target=\"_blank\"\u003e\u003cem\u003eRackstraw and Pamela\u003c\/em\u003e\u003c\/a\u003e, 1976. The same image, rendered in blue, was used in a \u003ca rel=\"noopener\" href=\"https:\/\/issuu.com\/detroitopera\/docs\/bravo_1976-77_opera\" target=\"_blank\"\u003eposter\u003c\/a\u003e for the Michigan Opera Theatre, 76-77.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Katz printmaking has always been an essential part of his process, and an integral part of his oeuvre.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eHe began experimenting with printmaking while attending Cooper Union, where he earned his BA in 1949. Though he initially focused on painting, he returned to printmaking in the mid-1960s with much enthusiasm. Since then he has created more than 400 editions including lithographs, etchings, silkscreens, woodcuts, and various prints on metal cutouts. \u003c\/p\u003e\n\u003cp\u003eThe Brooklyn Museum holds an impression of \u003cem\u003ePamela in Gray\u003c\/em\u003e in their permanent collection.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Pamela (Pamela in Gray)\"\u003c\/p\u003e\n\u003cp\u003eUSA, 1976\u003c\/p\u003e\n\u003cp\u003eScreenprint and lithograph in two colors on Copperplate Deluxe paper; torn edges\u003c\/p\u003e\n\u003cp\u003eSigned \"Alex Katz\" and numbered \"9\/11 AP\" by the artist in pencil, lower left\u003c\/p\u003e\n\u003cp\u003eEdition: 30, 11 AP, 4 PP\u003c\/p\u003e\n\u003cp\u003e28.5”H 21.5”W (sheet)\u003c\/p\u003e\n\u003cp\u003ePrinted by Styria Studio Inc., New York\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eCo-published by Brooke Alexander, INc., New York, and Marlborough Graphics Inc., New York\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eLiterature: \u003cbr\u003e- Maravell 1983, cat. no. 88\u003cbr\u003e- Alex Katz: Catalogue Raisonné, prints: 1947-2023, listed as cat. no. 89 on \u003ca href=\"https:\/\/www.alexkatz.com\/print_archive\/catalogue_raisonne\"\u003epage 155\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eNotes: based on a detail from the painting \u003ca href=\"https:\/\/www.sothebys.com\/en\/buy\/auction\/2022\/contemporary-art-evening-sale-2\/rackstraw-and-pamela-2\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003eRackstraw and Pamela\u003c\/em\u003e\u003c\/a\u003e (1976; Sandler 1979, p 56; exh. cat. London 1997, pl. 9). Cf. the drawing \u003cem\u003ePamela\u003c\/em\u003e (1987; Colby College Museum, Waterville, Maine). \u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"Default Title","offer_id":46610376851692,"sku":"07-25","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Alex-Katz-Grey-Pamela-lithograph-1976_01.jpg?v=1755283908"},{"product_id":"riopelle-le-sablier-4-lithograph-1979","title":"RIOPELLE \"LE SABLIER 4\" LITHO, 1979","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/riopelle\"\u003eJean-Paul Riopelle\u003c\/a\u003e (1923-2002) is arguably the most successful post-war abstract painter from Canada. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWhile Americans have traditionally favored Jackson Pollock as the most influential Abstract Expressionist of the 20th century, Riopelle's stature in Europe is of competing importance for his version of 'automatic' action painting. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHis early canvases were densely intricate webs of constructed color created by using a palette knife. His later work both loosened up and became more structured as he experimented with composition and more specific or limited palettes. \u003c\/span\u003e\u003cspan class=\"s1\"\u003eRiopelle would also embrace a range of media, including works on paper and prints.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Le Sablier\" is from a small 1979 portfolio published by the illustrious Maeght. \u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis particular work boasts a surprisingly harmonious palette of blue, green, red, yellow, taupe, and peach.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Sablier\" is the French word for \"hourglass,\" and one could interpret some of these works as representations of the passage of time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis lithograph is a distinctive paradigm of Riopelle's printmaking. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eQuestions about this artwork? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us,\u003c\/a\u003e\u003cspan\u003e call +1.416.704.1720, or visit our Toronto gallery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\"Le Sablier 4\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLithograph\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 90\u003c\/p\u003e\n\u003cp\u003eFrance, circa 1979.\u003c\/p\u003e\n\u003cp\u003eSigned, titled, numbered \"65\/90\" in pencil, lower edges\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Maeght, Paris\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e21.5\"H 25.5\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e27.75\"H 31.25\"W (framed)\u003c\/p\u003e\n\u003cp\u003eFramed with museum glass\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Riopelle","offers":[{"title":"Default Title","offer_id":46848590610668,"sku":"01-15x09-25","price":4000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_JeanPaul-Riopelle-Le-Sablier-4_01.jpg?v=1761058349"},{"product_id":"robert-motherwell-in-celebration-lithograph-1977","title":"ROBERT MOTHERWELL \"IN CELEBRATION\" LITHOGRAPH, 1975","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/collections\/robert-motherwell?srsltid=AfmBOooHmXUaYHCqxIX9Q0MM8y9cG1SCsOTPDS15MLuFGx-zc2-nzZal\"\u003eRobert Motherwell\u003c\/a\u003e (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and established New York City as the center of the art world.    \u003cbr\u003eMotherwell was also the unofficial spokesman of the New York School, writing, teaching, and lecturing on behalf of the movement, his fellow artists, and the merits of abstraction.  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eToday, his work appears in museum collections around the world and is instantly recognizable for its boldness and black forms. Yet in addition to his impressive paintings, Motherwell is also revered as a printmaker. He is one of the most innovative and prolific printmakers of the 20th century. He was always searching for new techniques, whether at his own printmaking atelier, or collaborating with others, to expand his ideas and express his aesthetic. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"In Celebration\" was commissioned by the Stanford Law School in 1975. It is one of several notable works that Motherwell created in collaboration with master printer Ken Tyler (at \u003cmeta charset=\"utf-8\"\u003eTyler Graphics Ltd.)  \u003cbr\u003e\u003ca href=\"https:\/\/www.caviar20.com\/products\/robert-motherwell-rites-of-passage-ii-1980?_pos=1\u0026amp;_sid=066ee4902\u0026amp;_ss=r\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.caviar20.com\/products\/robert-motherwell-rites-of-passage-ii-1980?_pos=1\u0026amp;_sid=066ee4902\u0026amp;_ss=r\"\u003eClick here for another example of their collaboration created in 1980 at Tyler Graphics Ltd.\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis dynamic piece features e\u003cspan data-mce-fragment=\"1\"\u003elongated strips of unmodulated color, filling the image with alternating vertical and horizontal planes. \u003cmeta charset=\"utf-8\"\u003eIn typical Motherwell fashion, \"In Celebration\" showcases bold, black shapes against a powerful field of saturated red.\u003c\/span\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe simplicity of this work, like many of this era, seems to balance the spirit of abstract expressionism with minimalism. \u003c\/span\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCollage was an important element of Motherwell's practice and influenced how he made prints, particularly in the late 1970s and into the 80s. While red is a dominant color in Motherwell's prints, and arguably the most sought after by collectors, here we see the red background both enhanced and concealed by collage-like elements. \u003c\/span\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eQuestions about this artwork? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call +1.416.704.1720 \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"In Celebration\"\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUSA, 1975 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOffset lithograph on Rives BFK paper \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSigned and numbered \"185\/200\" in pencil lower left, signed in plate upper right \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 200\u003c\/p\u003e\n\u003cp\u003e36\"H 25\"W (sheet)\u003c\/p\u003e\n\u003cp\u003eFramed\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e","brand":"Robert Motherwell","offers":[{"title":"Default Title","offer_id":46848602931436,"sku":"05-22x09-25","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/products\/Caviar20_Robert-Motherwell-In-Celebration-1975_icon_072910c2-ce70-44b2-abc0-5a5f205fa120.jpg?v=1650464312"},{"product_id":"ed-ruscha-blue-suds-screenprint-1971","title":"ED RUSCHA \"BLUE SUDS\" SCREENPRINT, 1971","description":"\u003cp\u003eEd Ruscha (b. 1937) is \u003cmeta charset=\"utf-8\"\u003eknown internationally for his blending of conceptual approaches with pop sensibilities. Today he is firmly established as a leading figure in American 20th century art for his irreverence and creativity. \u003c\/p\u003e\n\u003cp\u003eIn 1962, Rusha was included in \u003cem\u003eNew Paintings of Common Objects\u003c\/em\u003e at the Pasadena Art Museum alongside Andy Warhol, Roy Lichtenstein and Wayne Thiebaud. This is widely considered the first museum exhibition of Pop Art.\u003c\/p\u003e\n\u003cp\u003eDespite an association with Pop art, Rusha's oeuvre transcends categorization. His enduring interest in language, imagery, and the American landscape has led to a diverse body of work including painting, photography, and printmaking (including artist books).\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRuscha had been dedicated to printmaking since his student days in the late 1950's. His prints are deliberate, clean and graphic, demonstrating impressive technical precision and compositional consideration. \u003c\/p\u003e\n\u003cp\u003e\"Blue Suds\" is from the Suds Suite, a series of three prints depicting soap suds in varying positions and hues. Rusha offers a deadpan look at the bubbles, not idealizing them, but offering a detailed glimpse of an oft overlooked object. With no covert social agenda, Rusha simply observes, and responds. There is something both banal and poetic in such imagery, a modern day \u003ca title=\"Vanitas\" href=\"https:\/\/en.wikipedia.org\/wiki\/Vanitas\"\u003evanitas\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003eExecuted in his signature minimalist aesthetic, this deliciously satisfying screenprint exemplifies Rusha's ongoing interest in adapting mundane elements into visual statements. \u003c\/p\u003e\n\u003cp\u003eEd Rusha has had retrospectives in New York; Washington, DC; London; Paris; and Munich, and was elected to the American Academy of Arts and Letters in 2001. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca rel=\"noopener\" href=\"https:\/\/www.caviar20.com\/pages\/contact\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Blue Suds\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUSA, 1971\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eScreenprint on white Arches paper, cut edges, bleed image\u003c\/p\u003e\n\u003cp\u003eSigned, dated and numbered 94\/100 by the artist in pencil, lower left\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 100\u003c\/p\u003e\n\u003cp\u003ePrinted by Cirrus Editions, Los Angeles\u003c\/p\u003e\n\u003cp\u003ePublished by Edizioni O, Milan\u003c\/p\u003e\n\u003cp\u003e18\"W 24\"H (sheet)\u003c\/p\u003e\n\u003cp\u003e22\"H 28\"W (framed) \u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eLiterature: Engberg 58 \u003cem\u003eMade in LA: Prints of Cirrus Editions\u003c\/em\u003e, Davis, ppg. 342-343.\u003c\/p\u003e","brand":"Ed Ruscha","offers":[{"title":"Default Title","offer_id":46893811433708,"sku":"10-25","price":9500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Ed-Ruscha-Blue-Suds-Lithograph-1971_01.jpg?v=1760640813"},{"product_id":"jeff-wall-schoolyard-vancouver-spring-2011","title":"JEFF WALL \"SCHOOLYARD, VANCOUVER – SPRING\" 2011","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJeff Wall (b.1946) is a Canadian conceptual photographer best known for images that appear spontaneous yet are in fact elaborately staged.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in Vancouver, where he still lives today, Wall received his MA from the University of British Columbia (UBC) in 1970. During this era, he\u003c\/span\u003e\u003cspan\u003e was influenced by conceptualism's spirit of experimentation and minimalism's use of industrial materials while focusing on photography. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBy the end of the decade, Wall established his signature approach of displaying color transparencies over light-boxes–a method typically used in advertising. \u003c\/span\u003e\u003cspan\u003eHe earned international acclaim for this innovative and subversive approach. Presentation aside, Wall was an important early adopter of digital-imaging technology, which has since revolutionized the medium of photography. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWall's subject matter commonly addressed socio-political issues or referenced feminist critical theory, while exploring both portraiture and narrative.  \u003c\/span\u003eHis images combine elements of cinema, painting, and literature into what he refers to as \"cinematography\". \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn this photograph of children playing in a sunlit schoolyard, Wall employs his characteristic method of staging everyday scenes with non-professional actors to produce what he calls \"near documentary\" images. Though the figures seem caught mid-motion, their crisp shadows betray a moment carefully composed rather than spontaneously captured. Many of his images reference or depict life in British Columbia. \u003c\/p\u003e\n\u003cp\u003eIn the foreground of this image, a group of boys of similar age appear absorbed in an indistinct game. Combining the saturated color and compositional depth of painting with the immediacy of photography, Wall constructs a layered image that invites sustained investigation and reflection on the nature and meaning of \"documentary\" truth.\u003c\/p\u003e\n\u003cp\u003eDue to the complexity of his practice and his international reputation, Jeff Wall's artworks do not frequently come on the secondary market. When they do, they are frequently in the mid six-figure range. This is an iconic image, in a relatively small edition, and thus a rare opportunity to acquire an accessible work by this master of photography. \u003c\/p\u003e\n\u003cp\u003eAn example of this photograph can be found in the permanent collection of the \u003ca href=\"https:\/\/www.mbam.qc.ca\/en\/works\/69121\/\"\u003eMusée des Beaux-Arts de Montréal\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us,\u003c\/a\u003e\u003cspan\u003e call +1.416.704.1720, or \u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" title=\"Caviar20 Toronto art gallery contact information\" target=\"_blank\"\u003evisit our Toronto Gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Schoolyard, Vancouver – Spring\"\u003c\/p\u003e\n\u003cp\u003eCanada, 2011\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInk-jet print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 15\u003c\/p\u003e\n\u003cp\u003eSigned bottom right\u003c\/p\u003e\n\u003cp\u003e32”H 39.25”W (image)\u003c\/p\u003e\n\u003cp\u003e39.25\"H 48.25\"W (framed)\u003c\/p\u003e\n\u003cp\u003eFramed with museum glass\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Jeff Wall","offers":[{"title":"Default Title","offer_id":46896835100908,"sku":"05-21x09-25","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Jeff-Wall-Schoolyard_01.jpg?v=1760973407"},{"product_id":"alex-katz-edges-sheet-9-etching-1997","title":"ALEX KATZ \"EDGES (SHEET 9)\" ETCHING, 1997","description":"\u003cp\u003eAdored by collectors and art lovers around the globe, \u003ca href=\"https:\/\/www.caviar20.com\/collections\/alex-katz\"\u003eAlex Katz\u003c\/a\u003e (b. 1927) is renowned for his elegant and distinctive version of figuration.\u003c\/p\u003e\n\u003cp\u003eKatz has been dedicated to art-making since the 1950's - however it wasn't until the 60's when he established his signature 'flat' figurative style. He is a true successor to the New York based Pop artists, notably Roy Lichtenstein, who returned to representation. Over the succeeding decades, Katz kept the tradition of figurative painting alive when it had gone terribly out of style.\u003c\/p\u003e\n\u003cp\u003eAn active and devoted printmaker, Katz typically creates images of subjects that he is personally connected to such as friends and family, his neighbourhood, the flora around his country house, etc.\u003c\/p\u003e\n\u003cp\u003eThis particular elegant and evocative work is from the \u003cem\u003eEdges\u003c\/em\u003e portfolio, consisting of 13 lithographs and a poem by Robert Creeley. The prints are playful and explorative, depicting flowers both growing and losing their petals.\u003c\/p\u003e\n\u003cp\u003eIn \"Sheet 9,\" daisies waft down the page, their petals shown in different positions. This print is particularly enjoyable due to the movement and full composition.\u003c\/p\u003e\n\u003cp\u003eFlora is a common subject for Katz, often depicted in bold and vibrant palettes and at a fairly large scale. The \u003cem\u003eEdges \u003c\/em\u003eportfolio presents more thoughtful, experimental imagery--poetic in nature and effect. Leaving out colour and fill, the plates represent the outlines, or edges, of stems, leaves, petals, and roots, offering framing for viewers to add fill the rest in. Is he sketching from life, or reminiscing? Or maybe responding to the poem by Creeley, excerpted below?\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003eI had entered the edges, static,\u003cbr\u003ehad been walking without attention,\u003cbr\u003ethinking of what I had seen, whatever,\u003cbr\u003ea flotsam of recollections, passive reflection.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe complete Edges portfolio is in the collection of the \u003ca href=\"https:\/\/museum.colby.edu\/?s=alex+katz+edges\"\u003eColby Museum of Art\u003c\/a\u003e (gifted by the artist). All 13 works were \u003ca href=\"https:\/\/museum-exhibitions.colby.edu\/exhibition\/surface-tension\/\"\u003erecently\u003c\/a\u003e included in a show at the same museum, \u003cem\u003eAlex Katz in Surface Tension: Etchings from the Collection \u003c\/em\u003e(2024-2025).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003c\/span\u003e\u003ca href=\"mailto:info@caviar20.com\"\u003eContact us\u003c\/a\u003e\u003cspan\u003e, call +1.416.704.1720, or \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Untitled [9]\"\u003c\/p\u003e\n\u003cp\u003eFrom \u003cem\u003eEdges\u003c\/em\u003e, a portfolio of 13 etchings and a poem by Robert Creeley\u003c\/p\u003e\n\u003cp\u003eUSA, 1997\u003c\/p\u003e\n\u003cp\u003eEtching on Rives heavyweight paper\u003c\/p\u003e\n\u003cp\u003eSigned \"Alex Katz\" and numbered \"24\/30\" by the artist in pencil along lower edge of plate area\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 30 with an additional 5 roman numerals\u003c\/p\u003e\n\u003cp\u003e15”H 12”W (sheet)\u003c\/p\u003e\n\u003cp\u003e10.75\"H 8.5\"W (plate)\u003c\/p\u003e\n\u003cp\u003e16.75\"H 14.5\"W (framed)\u003c\/p\u003e\n\u003cp\u003ePrinted by Simmelink\/Sukimoto Editions, Marina del Rey, California\u003c\/p\u003e\n\u003cp\u003eLetterpress by Carol Sturm of Nadja, Accord, New York\u003c\/p\u003e\n\u003cp\u003ePublished by Peter Blum Editions, New York\u003c\/p\u003e\n\u003cp\u003eFramed with museum glass\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003eLiterature: Alex Katz: Catalogue Raisonné, prints: 1947-2023, listed alongside the entire Edges portfolio (cat. nos. 309-321) on \u003ca href=\"https:\/\/www.alexkatz.com\/print_archive\/catalogue_raisonne\"\u003epages 232-233\u003c\/a\u003e. \u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"Default Title","offer_id":46933916877036,"sku":"10-25","price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Alex-Katz-Edges-_Daisy__01_f6be2826-0b63-4f9c-8aeb-5e8b2f15a0f1.jpg?v=1761843961"},{"product_id":"andy-warhol-shoes-polaroid-1980","title":"ANDY WARHOL \"SHOES\" POLAROID, 1980","description":"\u003cp\u003e\u003ca title=\"Toronto art gallery collection featuring work by Andy Warhol, iconic Pop artist\" href=\"https:\/\/www.caviar20.com\/collections\/andy-warhol\"\u003eAndy Warhol\u003c\/a\u003e began using the big-shot Polaroid camera in 1971 and continued using it religiously until his death in 1987. Despite the camera being discontinued in 1973, he continued to use it to capture the actors, artists, dancers, politicians, socialites, and Factory members of his world. \u003c\/p\u003e\n\u003cp\u003eWarhol's Polaroids were often used as preparatory works for his iconic portraits and other artworks. They also revealed his immediate personal vision, chronicling his surroundings and social life. \u003c\/p\u003e\n\u003cp\u003eShoes were a recurring motif throughout Warhol's oeuvre and helped launch his career and reputation. He became synonymous with shoes in the mid-1950s after a successful ad campaign for Miller \u0026amp; Sons.\u003c\/p\u003e\n\u003cp\u003eSee an early example of Warhol's shoe drawings \u003ca href=\"https:\/\/www.caviar20.com\/collections\/andy-warhol\/products\/andy-warhol-fashion-shoes-date\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003eIn the 1980s, he revisited the theme for the Diamond Dust Shoes series–a campaign for his friend Halston's fashion line. This polaroid was likely a study for that series.\u003c\/p\u003e\n\u003cp\u003eDepicting a collection of heels, this Polaroid is a glamorous and playfully composition. Shot from above, we can see the full form of each shoe, from the heels to the pointed toes. Their textures are highlighted by a characteristic strong flash, the metallic and patent elements glowing.\u003c\/p\u003e\n\u003cp\u003eThis Polaroid comes from Warhol's important and glamorous last chapter. With its inclusion of shoes–arguably one of his most important motifs–this Polaroid would make a wonderful addition to any new or existing collection.\u003c\/p\u003e\n\u003cp\u003eAs the Warhol market continues to gallop to a stratosphere beyond, there are fewer and fewer examples of unique, original works accessibly priced.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us\u003c\/a\u003e or call\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"tel:4167041720\"\u003e+1.416.704.1720\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eUntitled \"Shoes\"\u003c\/p\u003e\n\u003cp\u003eUSA, 1980\u003c\/p\u003e\n\u003cp\u003eUnique polaroid print (Polacolor 2)\u003c\/p\u003e\n\u003cp\u003eEmbossed signature \/ copyright, lower edge\u003c\/p\u003e\n\u003cp\u003eEstate of Andy Warhol stamp verso \u003c\/p\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cspan data-sheets-userformat='{\"2\":15341,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":1,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Gill Sans\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"4.25\\\"H 3.5\\\"W\"}'\u003e4.25\"H 3.5\"W (work)\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":15341,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":1,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Gill Sans\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"4.25\\\"H 3.5\\\"W\"}'\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":15341,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":1,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Gill Sans\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"4.25\\\"H 3.5\\\"W\"}'\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cspan data-sheets-userformat='{\"2\":15341,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":1,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Gill Sans\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"4.25\\\"H 3.5\\\"W\"}'\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cspan data-sheets-userformat='{\"2\":15341,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":1,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Gill Sans\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"4.25\\\"H 3.5\\\"W\"}'\u003e11.75\"H 10.5\"W (framed)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cspan data-sheets-userformat='{\"2\":15341,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":10066329}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":1,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Gill Sans\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"4.25\\\"H 3.5\\\"W\"}'\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eOverall very good condition.\u003c\/p\u003e\n\u003cp\u003eProvenance: The Estate of Andy Warhol, \u003cspan\u003eThe Andy Warhol Foundation for the Visual Arts, Inc. \u003c\/span\u003e\u003c\/p\u003e","brand":"Andy Warhol","offers":[{"title":"Default Title","offer_id":46936870158572,"sku":"10-25","price":9500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Andy-Warhol-Shoes-polaroid_01.jpg?v=1762017081"},{"product_id":"marina-abramovic-hands-as-energy-receivers-2014","title":"MARINA ABRAMOVIĆ \"HANDS AS ENERGY RECEIVERS\" 2014","description":"\u003cp\u003e\u003cspan\u003eThe inimitable Marina Abramović (b. 1946) is a Serbian-born performance-artist whose pioneering work has pushed the limits of the mind and body, and the relationship between artist and audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUsing her body as both the subject and the medium, Abramović explores the physical and psychological depths of pain, exhaustion, and danger in often physically gruelling performances. Her acclaimed performances have earned her global recognition and made her one of the world's most admired artists. (We highly recommend the HBO Documentary Marina Abramović: The Artist is Present”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn \"Hands as Energy Receivers,\" Abramović presents a composed, almost ritualistic gesture: she raises her hands above her head, palms facing outward, as if channeling or receiving an unseen force. Rendered in black and white, the image is spare yet charged, emphasizing the artist's stillness and intent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis image resonates with Abramović's broader practice. Her art often explores energy exchange, ritual, and the boundaries between the physical and metaphysical. In this image, Abramović both offers and accepts–a subtle yet powerful invocation of presence, transcendence, and the body's capacity to act as a conduit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbramović was recently the subject of a major retrospective at the \u003ca href=\"https:\/\/www.royalacademy.org.uk\/exhibition\/marina-abramovic\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eRoyal Academy\u003c\/a\u003e, London. Her work is held in major permanent collections including: the MoMA, New York; the Tate Museum, London; the Gallerie dell'Accademia, Venice; and the Fondation Louis Vuitton, Paris, among others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFew artists (living or dead) have influenced pop culture like Marina Abramović. Whether giving TEDTalks, training Lady Gaga, or collaborating on Givenchy couture shows, Abramović’s magnetism, singularity and widespread influence is undeniable. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuestions about this piece? \u003ca href=\"mailto:troy@caviar20.com\"\u003eContact us, \u003c\/a\u003ecall +1.416.704.1720, or visit our Toronto Gallery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Hands as Energy Receivers\" \u003cspan\u003e\u003c\/span\u003e2014\u003c\/p\u003e\n\u003cp\u003eSigned, dated, and numbered by the artist in pencil, verso\u003c\/p\u003e\n\u003cp\u003eBlack and white pigment print on wove paper\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Serpentine Gallery, London\u003c\/p\u003e\n\u003cp\u003eFrom an edition of 250 \u003c\/p\u003e\n\u003cp\u003e13\"H 13\"W (sheet)\u003c\/p\u003e\n\u003cp\u003e14\"H 14\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition \u003c\/p\u003e","brand":"Marina Abramović","offers":[{"title":"Default Title","offer_id":46996818690284,"sku":"11-25","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Marina-Abramovic-Hands-as-Energy-Recievers-2014_01.jpg?v=1763149638"},{"product_id":"marcel-dzama-nubbies-for-sale","title":"MARCEL DZAMA \"NUBBIES FOR SALE\" 2001","description":"\u003cp\u003eWith his unmistakable version of contemporary Surrealism, as comical as it is otherworldly, \u003ca title=\"Marcel Dzama\" href=\"https:\/\/www.caviar20.com\/collections\/marcel-dzama\"\u003eMarcel Dzama\u003c\/a\u003e is one of Canada's most internationally successful artists.\u003c\/p\u003e\n\u003cp\u003eBorn in Winnipeg in 1974, Dzama had an international reputation by the time he was 30. As one of the founding members of the\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/caviar20.com\/products\/royal-art-lodge-tree\"\u003eRoyal Art Lodge\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ein the 1990s, Dzama contributed to the renaissance of figurative art both in Canada and beyond.\u003c\/p\u003e\n\u003cp\u003eDzama's works are instantly recognizable for their subject and style. He presents seemingly banal characters or scenes and injects them with menacing, eerie, or twisted details, flirting with the absurd.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis work is classic Dzama in its mix of mystery and familiarity. At first glance, three woman in matching dresses hold offerings on trays. Upon closer inspection, they are holding creatures with human faces––offering nubbies for sale. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFull familiar and unsettling mystique, this simple scene evokes viewers to engage deeply with the surreal elements presented, as they attempt to weave together a tangible narrative.\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDzama's work can be found in a host of prestigious public and private collections including Paris' Centre Georges Pompidou, The Metropolitan Museum of Art in New York, the MoMA, Le Musée d’art contemporain de Montréal. He is particularly favored by celebrity collectors including Brad Pitt, Jim Carrey and Steve Martin.\u003c\/p\u003e\n\u003cp\u003eQuestions about this artwork? \u003ca href=\"mailto:info@caviar20.com\"\u003eEmail us\u003c\/a\u003e, call +1.416.704.1720, or\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003evisit our Toronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eUntitled (Nubbies for Sale)\u003c\/p\u003e\n\u003cp\u003eCanada, 2001\u003c\/p\u003e\n\u003cp\u003eInk, watercolor, rootbeer syrup on paper\u003c\/p\u003e\n\u003cp\u003eSigned by the artist, lower right \u003c\/p\u003e\n\u003cp\u003e14“H 11”W (sheet) \u003c\/p\u003e\n\u003cp\u003e23\"H 20\"W (framed)\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e\n\u003cp\u003eProvenance: Richard Heller Gallery, Santa Monica | Private Collection\u003c\/p\u003e","brand":"Marcel Dzama","offers":[{"title":"Default Title","offer_id":47020528763116,"sku":"11-25","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Marcel-Dzama-Nubbies-For-Sale_01.jpg?v=1763832137"},{"product_id":"pablo-picasso-carnaval-linocut-1965","title":"PABLO PICASSO \"CARNAVAL\" LINOCUT, 1965","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003ePablo Picasso (1881–1973) was one of the most transformative figures of 20th-century art. A restless innovator, his work reshaped the possibilities of representation across painting, sculpture, printmaking, and ceramics.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eMoving both fluidly and abruptly between styles, Picasso approached art-making as a continual process of reinvention, combining tradition and experimentation into a single, urgent language.\u003cmeta charset=\"utf-8\"\u003e Within his vast and mutable practice, motifs such as the clown, the king, the harlequin, the matador and the buffoon recur as potent symbols of performance, vulnerability, and the shifting masks of (masculine) identity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-start=\"2369\" data-end=\"2386\"\u003eTête de Bouffon\u003c\/em\u003e is at once playful and unsettled, an ambiguous portrait of the jester that evokes paradoxes of performance: the laughter that hides sadness, the mask that conceals the self, and the role that becomes identity. As the figure oscillates between mockery and melancholy, he is not just a performer, but a symbol of human contradiction and complexity.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"623\" data-end=\"1004\"\u003eThe figure's expression is highly ambiguous: the eyes, rendered with simple oval shapes, seem to peer out unevenly; a droplet-like form on one cheek could be a tear or a stylized flourish. The exaggerated crown flares into curling, organic shapes that suggest both festivity and distortion.\u003c\/p\u003e\n\u003cp data-start=\"1006\" data-end=\"1279\"\u003e\u003cmeta charset=\"utf-8\"\u003eCreated in 1965, \"Tête de Bouffon\" belongs to Picasso’s prolific late period, a time marked by an outpouring of prints in which he revisited lifelong motifs with a looser, more distilled graphic language. In these years, he returned repeatedly to the \u003cem\u003ecommedia dell’arte\u003c\/em\u003e figures of his earlier decades, reworking them with renewed immediacy and humor.\u003c\/p\u003e\n\u003cp data-start=\"1006\" data-end=\"1279\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe print reflects Picasso's late-style synthesis: A compression of decades of experimentation into bold contours, simplified forms, and an almost improvisational energy.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eQuestions about this piece? \u003ca href=\"mailto:info@caviar20.com\"\u003e\u003cspan class=\"s1\"\u003eContact us,\u003c\/span\u003e\u003c\/a\u003e call \u003ca href=\"tel:+1.416.704.1720\"\u003e\u003cspan class=\"s1\"\u003e+1.416.704.1720\u003c\/span\u003e\u003c\/a\u003e, or visit our \u003ca href=\"https:\/\/www.caviar20.com\/pages\/contact\"\u003eToronto gallery\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Carnaval\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrance, 1965\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLinocut in colors on Arches paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSigned \"Picasso\" and numbered in pencil along lower edge\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFrom an edition of 160\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by Le Patriote, Nice, France\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePrinted by Imprimerie Arnéra, Vallauris, France\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e29.5\"H 24.25\"W (sheet)\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e43.5\"H 38.5\"W (framed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVery good condition\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLiterature: BLOCH 1193; BAER 1356\u003c\/span\u003e\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"Default Title","offer_id":47024563749100,"sku":"12-25","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0074\/2712\/files\/Caviar20_Picasso-B.1193-Carnival_01.jpg?v=1764097633"}],"url":"https:\/\/www.caviar20.com\/collections\/our-2025-gift-guide.oembed","provider":"Caviar20","version":"1.0","type":"link"}