Abstraction

Helen Frankenthaler Aerie prints Caviar20 Helen Frankenthaler Aerie prints Caviar20
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HELEN FRANKENTHALER "AERIE" SCREENPRINT, 2009

TAKAO TANABE "OOZOA PINK", 1964TAKAO TANABE "OOZOA PINK", 1964
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TAKAO TANABE "OOZOA PINK", 1964

Caviar20 Frank Stella Eccentric Polygons Sanbornville Screenprint 1974Caviar20 Frank Stella Eccentric Polygons Sanbornville Screenprint 1974
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FRANK STELLA "ECCENTRIC POLYGON" SCREENPRINT, 1974

Helen Frankenthaler prints Caviar20 In the WingsHelen Frankenthaler prints Caviar20 In the Wings
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HELEN FRANKENTHALER "IN THE WINGS", 1987

Helen Frankenthaler prints Caviar20 Mauve CornerHelen Frankenthaler prints Caviar20 Mauve Corner
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HELEN FRANKENTHALER "MAUVE CORNER", 1969

Helen Frankenthaler prints Caviar20 Red LinesHelen Frankenthaler prints Caviar20 Red Lines
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HELEN FRANKENTHALER "RED LINES (GOLD BRUSH)" SCREENPRINT, 1970

Helen Frankenthaler prints Caviar20 Red LinesHelen Frankenthaler prints Caviar20 Red Lines
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HELEN FRANKENTHALER "RED LINES A" SCREENPRINT, 1970

Gene Davis prints Caviar20 SmithsonianGene Davis prints Caviar20 Smithsonian
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GENE DAVIS "SMITHSONIAN" SCREENPRINT, 1975

RITA LETENDRE "CONSTRUCTION" SILKSCREEN, 1969Caviar20 Rita Letendre prints
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RITA LETENDRE "CONSTRUCTION" SILKSCREEN, 1969

RITA LETENDRE "ELECTRIC DREAMS" SILKSCREEN, 1969Caviar20 Rita Letendre prints
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RITA LETENDRE "ELECTRIC DREAMS" SILKSCREEN, 1969

Caviar20 Rita Letendre art paintingCaviar20 Rita Letendre art painting
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RITA LETENDRE "SINA" PAINTING, 1972

RICHARD ANUSKIEWICZ prints Caviar20RICHARD Anuszkiewicz prints Caviar20
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RICHARD ANUSZKIEWICZ "ROSAFIED" SCREENPRINT, 1971

JULES OLITSKI "ORANGE SPRAY" SILKSCREEN 1970JULES OLITSKI "ORANGE SPRAY" SILKSCREEN 1970
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JULES OLITSKI "ORANGE SPRAY" SILKSCREEN 1970

Robert Motherwell "Basque Suite #7" 1971. This print is a paradigm of Motherwell's oeuvre: aggressive black forms create a confidant abstract arrangement, softened by decorative and soothing shades of blue.Robert Motherwell "Basque Suite #7" 1971. This print is a paradigm of Motherwell's oeuvre: aggressive black forms create a confidant abstract arrangement, softened by decorative and soothing shades of blue.

ROBERT MOTHERWELL "BASQUE SUITE #7", 1971

$7,500
LOUISE NEVELSON "REFLECTIONS II" 1983LOUISE NEVELSON "REFLECTIONS II" 1983

LOUISE NEVELSON "REFLECTIONS II" 1983

$4,500
LOUISE NEVELSON "PURPLE STRIPE" AQUATINT, 1973LOUISE NEVELSON "PURPLE STRIPE" AQUATINT, 1973

LOUISE NEVELSON "PURPLE STRIPE" AQUATINT, 1973

$3,500
JOSEF ALBERS "THE MET" SCREENPRINT, 1971JOSEF ALBERS "THE MET" SCREENPRINT, 1971
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JOSEF ALBERS "THE MET" SCREENPRINT, 1971

William Perehudoff, "Color Field Study in Red" (aka "Red Dawn") Gouache on paper Signed and dated 79 by the artist, bottom right 22.5"H 30"W (work) 25.75"H 33.25"W (framed) Very good condition Provenance: The Collection of Theo Waddington (London, UK), Fine Art Gallery Resale Gallery Caviar20 TorontoWilliam Perehudoff, "Color Field Study in Red" (aka "Red Dawn") Gouache on paper Signed and dated 79 by the artist, bottom right 22.5"H 30"W (work) 25.75"H 33.25"W (framed) Very good condition Provenance: The Collection of Theo Waddington (London, UK), Fine Art Gallery Resale Gallery Caviar20 Toronto
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WILLIAM PEREHUDOFF, "COLOUR FIELD STUDY IN RED" (aka "RED DAWN")

JEAN ARP "DE LA FAMILLE DES ÉTOILES" LITHOGRAPH, 1965JEAN ARP "DE LA FAMILLE DES ÉTOILES" LITHOGRAPH, 1965

JEAN ARP "DE LA FAMILLE DES ÉTOILES" LITHOGRAPH, 1965

$3,000
Gershon Iskowitz watercolor painting, 1977. This painting joyfully presents large merging forms of his favorite colors of the era; navy blue and aqua, lemon yellow, and cinnabar red. The entire surface is nearly taken over by these swelling bursts of color, a true celebration of color and medium.Gershon Iskowitz watercolor painting, 1977. This painting joyfully presents large merging forms of his favorite colors of the era; navy blue and aqua, lemon yellow, and cinnabar red. The entire surface is nearly taken over by these swelling bursts of color, a true celebration of color and medium.
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GERSHON ISKOWITZ "SERENADE" WATERCOLOR, 1977

Willem de Kooning, "The Man and the Big Blonde" USA, 1982 Offset lithograph printed in colors on wove paper Signed in the plate, numbered by hand (Cii/CL) or 102/150 From an edition of 150 (CL) 23.5"H 29"W (visible) 32"H 38"W (framed) Minor wear to frame Published by The Rainbow Art Foundation, available art for sale at Caviar20 Art Gallery TorontoWillem de Kooning, "The Man and the Big Blonde" USA, 1982 Offset lithograph printed in colors on wove paper Signed in the plate, numbered by hand (Cii/CL) or 102/150 From an edition of 150 (CL) 23.5"H 29"W (visible) 32"H 38"W (framed) Minor wear to frame Published by The Rainbow Art Foundation, available art for sale at Caviar20 Art Gallery Toronto
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WILLEM DE KOONING "THE MAN AND THE BIG BLONDE" LITHOGRAPH, 1982

Robert Motherwell "Africa Suite 6" Screenprint, 1970Robert Motherwell "Africa Suite 6" Screenprint, 1970

ROBERT MOTHERWELL "AFRICA SUITE #6" , 1970

$6,000
WILLEM DE KOONING "FIGURES IN A LANDSCAPE VI" LITHOGRAPH, 1980WILLEM DE KOONING "FIGURES IN A LANDSCAPE VI" LITHOGRAPH, 1980
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WILLEM DE KOONING "FIGURES IN A LANDSCAPE VI" LITHOGRAPH, 1980

Original Ellsworth Kelly, American Art, Minimalism, "Vivian Beaumont Theatre, Lincoln Centre" USA, 1965 Lithograph on Rives BFK paper Signed and annotated in pencil, lower edge A.P. aside from an edition of 100 41.5"H 26"W (work) 43.75"H 28.5"W (framed) Very good conditionOriginal Ellsworth Kelly, American Art, Minimalism, "Vivian Beaumont Theatre, Lincoln Centre" USA, 1965 Lithograph on Rives BFK paper Signed and annotated in pencil, lower edge A.P. aside from an edition of 100 41.5"H 26"W (work) 43.75"H 28.5"W (framed) Very good condition
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ELLSWORTH KELLY "VIVIAN BEAUMONT THEATER" LITHOGRAPH, 1965

LOUISE NEVELSON "SKY FIGURES", 1977Original Louise Nevelson artwork available for sale, "Sky Figures" USA, 1977 Etching, aquatint, and collage Signed, numbered, and titled by the artist. From an edition of 20 29.5"H 22.25"W (work) 33"H 25.25"W (framed) Framed with museum glass Very good condition Original Louise Nevelson Art for sale at Caviar20 Art Gallery Toronto

LOUISE NEVELSON "SKY FIGURES", 1977

$4,500
Original Jack Bush art for sale, Canadian Art, "The Searcher" Canada, 1952 Oil on masonite Signed and dated by artist, bottom right 17.25"H 25"W (work) Framed Very good condition Provenance: Estate of Jack BushOriginal Jack Bush art for sale, Canadian Art, "The Searcher" Canada, 1952 Oil on masonite Signed and dated by artist, bottom right 17.25"H 25"W (work) Framed Very good condition Provenance: Estate of Jack Bush

JACK BUSH "THE SEARCHER" OIL ON MASONITE, 1952

$45,500
Sam Francis, Damp, Lithograph, 1969, While Francis is stylistically associated with the second generation of abstract expressionist painters (like Helen Frankenthaler) he spent most of the 1950s moving around and working/exhibiting in places including Paris, Mexico City, New York City, and Switzerland. As a result, he is somewhat independent of the collectives and "isms" that are normally used to describe post-war abstraction.Sam Francis, Damp, Lithograph, 1969, While Francis is stylistically associated with the second generation of abstract expressionist painters (like Helen Frankenthaler) he spent most of the 1950s moving around and working/exhibiting in places including Paris, Mexico City, New York City, and Switzerland. As a result, he is somewhat independent of the collectives and "isms" that are normally used to describe post-war abstraction.

SAM FRANCIS "DAMP" LITHOGRAPH, 1969

$6,000
ROBERT MOTHERWELL "AFRICA SUITE #10" , 1970ROBERT MOTHERWELL "AFRICA SUITE #10" , 1970

ROBERT MOTHERWELL "AFRICA SUITE #10" , 1970

$6,000
Louise Nevelson "By the Lake" Working collage. 1996. This particular maquette has a few variations from the final print. Most notably the stark background is replaced with a cerulean blue and Nevelson's hand-written notes vanish. "By the Lake" is the only work in the series that appears on this muted blue background. This bold primary color is an anomaly in Nevelson's world.Louise Nevelson "By the Lake" Working collage. 1996. This particular maquette has a few variations from the final print. Most notably the stark background is replaced with a cerulean blue and Nevelson's hand-written notes vanish. "By the Lake" is the only work in the series that appears on this muted blue background. This bold primary color is an anomaly in Nevelson's world.

LOUISE NEVELSON "BY THE LAKE" WORKING COLLAGE, 1966

$5,000
In 1972, famous woman artist Louise Nevelson creates a suite of six prints for her Lead Intaglio series. The works in this series feature thin, embossed lead plates on CM Fabriano paper.In 1972, famous woman artist Louise Nevelson creates a suite of six prints for her Lead Intaglio series. The works in this series feature thin, embossed lead plates on CM Fabriano paper.
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LOUISE NEVELSON "NIGHT TREE" 1972

Louise Nevelson, American Art, "The Great Wall” Italy, 1970 Embossed lead on CM Fabriano paper Signed, titled, dated and numbered by the artist From an edition of 150 29.25"H 24.5"W (work) 30.25"H 25.5"W (framed) Published by Pace Editions, Inc. Very good condition. Note: the surface of this work has oxidized over time. Detailed condition report upon request. Original frame as issued (very good condition). Original Louise Nevelson Art for sale at Caviar20 Art Gallery TorontoLouise Nevelson, American Art, "The Great Wall” Italy, 1970 Embossed lead on CM Fabriano paper Signed, titled, dated and numbered by the artist From an edition of 150 29.25"H 24.5"W (work) 30.25"H 25.5"W (framed) Published by Pace Editions, Inc. Very good condition. Note: the surface of this work has oxidized over time. Detailed condition report upon request. Original frame as issued (very good condition). Original Louise Nevelson Art for sale at Caviar20 Art Gallery Toronto
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LOUISE NEVELSON "THE GREAT WALL" 1970

JULES OLITSKI "TORTUGA" 1985Jules Oltiski "Tortuga" Acrylic on linen. 1985.

JULES OLITSKI "TORTUGA" 1985

$18,500
JOAN MIRO "QUELQUES FLEURS #22", 1964JOAN MIRO "QUELQUES FLEURS #22", 1964
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JOAN MIRO "QUELQUES FLEURS #22", 1964

"The Persian II" Aquatint, lift-ground etching, and aquatint on Whatman paper. 1985. This bold aquatint is classic Motherwell; an imposing black form resembling a thick brushstroke, spilled ink, or even tar, is set against a dense field of rust. These intense colors are contrasted with a soft but saturated periwinkle blue. "The Persian II" Aquatint, lift-ground etching, and aquatint on Whatman paper. 1985. This bold aquatint is classic Motherwell; an imposing black form resembling a thick brushstroke, spilled ink, or even tar, is set against a dense field of rust. These intense colors are contrasted with a soft but saturated periwinkle blue.

ROBERT MOTHERWELL "THE PERSIAN II" AQUATINT, 1985

$4,750
ROBERT MOTHERWELL "PARIS SUITE (AUTUMN)" LITHO, 1980ROBERT MOTHERWELL "PARIS SUITE (AUTUMN)" LITHO, 1980

ROBERT MOTHERWELL "PARIS SUITE (AUTUMN)" LITHO, 1980

$5,750
Robert Motherwell "America-La France Variations II" Lithograph, 1984. In this dynamic print, Motherwell revels in the importance and beauty of collage in his approach to printmaking. Substituting heavy brush strokes for layers of ripped paper contrasted with more lines of color that appear to be created with a thick oil crayon, Motherwell creates an enigmatic and uplifting image through fragmentation and juxtaposition.Robert Motherwell "America-La France Variations II" Lithograph, 1984. In this dynamic print, Motherwell revels in the importance and beauty of collage in his approach to printmaking. Substituting heavy brush strokes for layers of ripped paper contrasted with more lines of color that appear to be created with a thick oil crayon, Motherwell creates an enigmatic and uplifting image through fragmentation and juxtaposition.

ROBERT MOTHERWELL "AMERICA-LA FRANCE VARIATIONS II" , 1984

$6,500
Buy original Robert Motherwell art, "America-La France Variations III" USA, 1984 Lithograph and collage Signed by the artist, lower left From an edition of 70 45.75"H 29"W (work) Very good condition. Published by Tyler Graphics Ltd. Literature: "Robert Motherwell: The Complete Prints 1940-1991 Catalogue Raisonne" pg. 267. Provenance: Kasmin (NYC) / The Dedalus FoundationBuy original Robert Motherwell art, "America-La France Variations III" USA, 1984 Lithograph and collage Signed by the artist, lower left From an edition of 70 45.75"H 29"W (work) Very good condition. Published by Tyler Graphics Ltd. Literature: "Robert Motherwell: The Complete Prints 1940-1991 Catalogue Raisonne" pg. 267. Provenance: Kasmin (NYC) / The Dedalus Foundation

ROBERT MOTHERWELL "AMERICA-LA FRANCE VARIATIONS III" , 1984

$5,000
ROBERT MOTHERWELL "AMERICA-LA FRANCE VIII" LITHOGRAPH, 1984ROBERT MOTHERWELL "AMERICA-LA FRANCE VIII" LITHOGRAPH, 1984
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ROBERT MOTHERWELL "AMERICA-LA FRANCE VIII" LITHOGRAPH, 1984

Jasper Johns, Cup 2 Picasso, Offset lithograph on wove paper, 1973, Caviar20, American Post-War ArtJasper Johns, Cup 2 Picasso, Offset lithograph on wove paper, 1973, Caviar20, American Post-War Art
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JASPER JOHNS "CUP 2 PICASSO" LITHOGRAPH, 1973

GERSHON ISKOWITZ "SUMMER LANDSCAPE #2", 1967GERSHON ISKOWITZ "SUMMER LANDSCAPE #2", 1967
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GERSHON ISKOWITZ "SUMMER LANDSCAPE #2", 1967

GERSHON ISKOWITZ "UNTITLED", 1969GERSHON ISKOWITZ "UNTITLED", 1969

GERSHON ISKOWITZ "UNTITLED", 1969

$6,000
GERSHON ISKOWITZ "AUTUMN-H", 1982GERSHON ISKOWITZ "AUTUMN-H", 1982
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GERSHON ISKOWITZ "AUTUMN-H", 1982

Jules Olitski, Untitled, Acrylic on paper and canvas, 1967, Caviar20Jules Olitski, Untitled, Acrylic on paper and canvas, 1967, Caviar20

JULES OLITSKI “UNTITLED”, 1967

$36,000
Gershon Iskowitz, Midnight No. 2, Lithograph, Aquatint, 1987, Caviar20Gershon Iskowitz, Midnight No. 2, Lithograph, Aquatint, 1987, Caviar20

GERSHON ISKOWITZ "MIDNIGHT NO. 2", 1987

$1,650
Gershon Iskowitz, Prelude #5, Oil on Canvas, 1968, Caviar20Gershon Iskowitz, Prelude #5, Oil on Canvas, 1968, Caviar20
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GERSHON ISKOWITZ "PRELUDE #5", 1968

JASPER JOHNS "EVIAN" LITHOGRAPH, 1972JASPER JOHNS "EVIAN" LITHOGRAPH, 1972
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JASPER JOHNS "EVIAN" LITHOGRAPH, 1972

Gershon Iskowitz, Carnival, Watercolor on Paper, 1977, Caviar20Gershon Iskowitz, Carnival, Watercolor on Paper, 1977, Caviar20
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GERSHON ISKOWITZ "CARNIVAL" WATERCOLOR, 1977

Joseph Albers, Homage to the Square Harvest Gold, Serigraph, 1965, Caviar20Joseph Albers, Homage to the Square Harvest Gold, Serigraph, 1965, Caviar20
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JOSEF ALBERS "HARVEST GOLD" 1965