Latest Aquisitions

Scott McFarland is the most successful conceptual photographer from the third generation of artists associated with “The Vancouver School.” During his bachelor’s in visual art at UBC, McFarland studied alongside acclaimed artists such as Roy Arden and Liz Magor and worked as a studio assistant to Jeff Wall. McFarland’s large-scale photographs are compilations of multiple digital images printed within a single frame.Scott McFarland is the most successful conceptual photographer from the third generation of artists associated with “The Vancouver School.” During his bachelor’s in visual art at UBC, McFarland studied alongside acclaimed artists such as Roy Arden and Liz Magor and worked as a studio assistant to Jeff Wall. McFarland’s large-scale photographs are compilations of multiple digital images printed within a single frame.

SCOTT MCFARLAND "ALOE PRINCIPIS" 2006

$1,250
Robert Motherwell “Untitled (Pink and Orange), from London Series II” 1971. This delicate screenprint displays all of the characteristics of Motherwell's most coveted artworks, this time executed in a more supple palette of blush pink and pale corn husk yellow.Robert Motherwell “Untitled (Pink and Orange), from London Series II” 1971. This delicate screenprint displays all of the characteristics of Motherwell's most coveted artworks, this time executed in a more supple palette of blush pink and pale corn husk yellow.

ROBERT MOTHERWELL "LONDON SERIES II", 1971

$4,500
Sam Francis, Damp, Lithograph, 1969, While Francis is stylistically associated with the second generation of abstract expressionist painters (like Helen Frankenthaler) he spent most of the 1950s moving around and working/exhibiting in places including Paris, Mexico City, New York City, and Switzerland. As a result, he is somewhat independent of the collectives and "isms" that are normally used to describe post-war abstraction.Sam Francis, Damp, Lithograph, 1969, While Francis is stylistically associated with the second generation of abstract expressionist painters (like Helen Frankenthaler) he spent most of the 1950s moving around and working/exhibiting in places including Paris, Mexico City, New York City, and Switzerland. As a result, he is somewhat independent of the collectives and "isms" that are normally used to describe post-war abstraction.

SAM FRANCIS "DAMP" LITHOGRAPH, 1969

$6,000
Robert Motherwell "Basque Suite #7" 1971. This print is a paradigm of Motherwell's oeuvre: aggressive black forms create a confidant abstract arrangement, softened by decorative and soothing shades of blue.Robert Motherwell "Basque Suite #7" 1971. This print is a paradigm of Motherwell's oeuvre: aggressive black forms create a confidant abstract arrangement, softened by decorative and soothing shades of blue.

ROBERT MOTHERWELL "BASQUE SUITE #7", 1971

$7,500
Diane Arbus "Groom Kissing his Bride" Gelatin silver print, 1966. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York.Diane Arbus "Groom Kissing his Bride" Gelatin silver print, 1966. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York.

DIANE ARBUS "GROOM KISSING HIS BRIDE", 1966

$18,500
David Hockney, Sunflowers. Flowers are an essential and recurring motif throughout the artist's oeuvre. His fresh, vased arrangments highlight the simple pleasures and contentment of domestic life. In the 1990s, the artist made a slight diversion to focus on sunflowers. While the subject is rich with reference to titans such as Van Gogh, Monet, and Vermeer, Hockney's sunflowers are distinctly poignant, serving as a symbol of impermanence during a period of profound personal loss.David Hockney, Sunflowers. Flowers are an essential and recurring motif throughout the artist's oeuvre. His fresh, vased arrangments highlight the simple pleasures and contentment of domestic life. In the 1990s, the artist made a slight diversion to focus on sunflowers. While the subject is rich with reference to titans such as Van Gogh, Monet, and Vermeer, Hockney's sunflowers are distinctly poignant, serving as a symbol of impermanence during a period of profound personal loss.

DAVID HOCKNEY "SUNFLOWERS II" ETCHING, 1995

$12,000
Andy Warhol "In the Bottom of my Garden" 1956. "In the Bottom of My Garden" is a delightful paradigm from this era. Serving as the cover for his book by the same name, Warhol lends his signature aesthetic to realize an ethereal wonderland of fairies, cherubs, and abundant florals.Andy Warhol "In the Bottom of my Garden" 1956. "In the Bottom of My Garden" is a delightful paradigm from this era. Serving as the cover for his book by the same name, Warhol lends his signature aesthetic to realize an ethereal wonderland of fairies, cherubs, and abundant florals.

ANDY WARHOL "IN THE BOTTOM OF MY GARDEN", 1956

$4,500
Kent Monkman "Weesageechak Teaches Hermes How to Trick the Four Leggeds" Acrylic on canvas. 2010.Kent Monkman "Weesageechak Teaches Hermes How to Trick the Four Leggeds" Acrylic on canvas. 2010.

KENT MONKMAN "HOW TO TRICK THE FOUR-LEGGEDS", 2010

FRANK STELLA "LES INDES" LITHOGRAPH, 1973FRANK STELLA "LES INDES" LITHOGRAPH, 1973

FRANK STELLA "LES INDES" LITHOGRAPH, 1973

$7,500
Louise Nevelson "By the Lake" Working collage. 1996. This particular maquette has a few variations from the final print. Most notably the stark background is replaced with a cerulean blue and Nevelson's hand-written notes vanish. "By the Lake" is the only work in the series that appears on this muted blue background. This bold primary color is an anomaly in Nevelson's world.Louise Nevelson "By the Lake" Working collage. 1996. This particular maquette has a few variations from the final print. Most notably the stark background is replaced with a cerulean blue and Nevelson's hand-written notes vanish. "By the Lake" is the only work in the series that appears on this muted blue background. This bold primary color is an anomaly in Nevelson's world.

LOUISE NEVELSON "BY THE LAKE" WORKING COLLAGE, 1966

$5,000
Cindy Sherman "For Chicago" Chromogenic print. 1986. This large-scale color photograph is a fantastic example of Sherman’s most audacious and experimental period of art-making. It presents a dark dream world, like looking into the depths of a snow globe. Cindy Sherman "For Chicago" Chromogenic print. 1986. This large-scale color photograph is a fantastic example of Sherman’s most audacious and experimental period of art-making. It presents a dark dream world, like looking into the depths of a snow globe.

CINDY SHERMAN "FOR CHICAGO" CHROMOGENIC PRINT, 1986

$10,500
Robert Rauschenberg "For Kennedy" 1994. This complex and patriotic image is a testament to Rauschenberg's unwavering socio-political engagement. Rich, layered images of the American Flag fill the sheet, demonstrating Rauschenberg's iconic collage work and signature aesthetic.Robert Rauschenberg "For Kennedy" 1994. This complex and patriotic image is a testament to Rauschenberg's unwavering socio-political engagement. Rich, layered images of the American Flag fill the sheet, demonstrating Rauschenberg's iconic collage work and signature aesthetic.

ROBERT RAUSCHENBERG "FOR KENNEDY", 1994

$6,500
Robert Mapplethorpe "Gardenia" Gelatin silver print, 1978. Shot overhead, this tranquil image captures a delicate flower subtly floating in a dark, contrasting bowl. Aside from the flower's shadow below, the still water is nearly inconspicuous, contributing to the air of grace and elegance that this piece evokes.Robert Mapplethorpe "Gardenia" Gelatin silver print, 1978. Shot overhead, this tranquil image captures a delicate flower subtly floating in a dark, contrasting bowl. Aside from the flower's shadow below, the still water is nearly inconspicuous, contributing to the air of grace and elegance that this piece evokes.

ROBERT MAPPLETHORPE "GARDENIA", 1978

$9,500
Herb Ritts "Stefano Seated" Platinum print photograph, 1985. “Stefano Seated” is a wonderful example of Ritts’ ability to capture polished intimacy. The subject appears relaxed in the nude yet holds a modelesque grace posing with awareness of the camera. Like many Ritts photographs, this print is expertly rendered in contrasting tones of black and white.Herb Ritts "Stefano Seated" Platinum print photograph, 1985. “Stefano Seated” is a wonderful example of Ritts’ ability to capture polished intimacy. The subject appears relaxed in the nude yet holds a modelesque grace posing with awareness of the camera. Like many Ritts photographs, this print is expertly rendered in contrasting tones of black and white.

HERB RITTS "STEFANO SEATED" PLATINUM PRINT PHOTOGRAPH, 1985

$6,500
ROBERT MOTHERWELL "AFRICA SUITE #10" , 1970ROBERT MOTHERWELL "AFRICA SUITE #10" , 1970

ROBERT MOTHERWELL "AFRICA SUITE #10" , 1970

$5,500
LARRY ZOX "PEACE PORTFOLIO" SCREENPRINT, 1970LARRY ZOX "PEACE PORTFOLIO" SCREENPRINT, 1970

LARRY ZOX "PEACE PORTFOLIO" SCREENPRINT, 1970

$1,295
Cindy Sherman, Pregnant Woman 2022, Since the late 1970's Cindy Sherman has donned an array of personas, disguises and costumes to explore how woman are perceived, presented and judged in Western culture. In this iconic and evocative work, released as a fundraiser for Planned Parenthood in New York City, Sherman becomes a pregnant urban woman. Cindy Sherman, Pregnant Woman 2022, Since the late 1970's Cindy Sherman has donned an array of personas, disguises and costumes to explore how woman are perceived, presented and judged in Western culture. In this iconic and evocative work, released as a fundraiser for Planned Parenthood in New York City, Sherman becomes a pregnant urban woman.

CINDY SHERMAN "PREGNANT WOMAN", 2002

$6,000
Andy Warhol "Bird on a Fruit Branch" 1957. “Bird on a Fruit Branch” is emblematic of Warhol’s work during the late 1950s when he established his reputation with delicate and whimsical drawings of clothes, accessories, and stylized beauties in a distinctively elegant but playful aesthetic.Andy Warhol "Bird on a Fruit Branch" 1957. “Bird on a Fruit Branch” is emblematic of Warhol’s work during the late 1950s when he established his reputation with delicate and whimsical drawings of clothes, accessories, and stylized beauties in a distinctively elegant but playful aesthetic.

ANDY WARHOL "BIRD ON A FRUIT BRANCH", 1957

$4,000
Sophie Calle, “Les Tombes: Father, Mother" France, 1990 Diptych Gelatin silver prints flush-mounted on aluminum in artist’s frames. Numbered and dated From an edition of 7 22"H 14.5"W (work) 23"H 15.5"W (framed) Very good condition.Sophie Calle, “Les Tombes: Father, Mother" France, 1990 Diptych Gelatin silver prints flush-mounted on aluminum in artist’s frames. Numbered and dated From an edition of 7 22"H 14.5"W (work) 23"H 15.5"W (framed) Very good condition.

SOPHIE CALLE "FATHER, MOTHER" DIPTYCH, 1990

$7,500
David LaChapelle "B.F.F." C-print. 2006. This work “B.F.F.” manifests some of the artists’ favorite ingredients: well-oiled, nearly-nude bodies, an affinity for fashion, and a celebration of material excess, all realized in a slick bright palette.David LaChapelle "B.F.F." C-print. 2006. This work “B.F.F.” manifests some of the artists’ favorite ingredients: well-oiled, nearly-nude bodies, an affinity for fashion, and a celebration of material excess, all realized in a slick bright palette.

DAVID LACHAPELLE "B.F.F." C-PRINT, 2006

$10,000
Louise Nevelson, American Art, "The Great Wall” Italy, 1970 Embossed lead on CM Fabriano paper Signed, titled, dated and numbered by the artist From an edition of 150 29.25"H 24.5"W (work) 30.25"H 25.5"W (framed) Published by Pace Editions, Inc. Very good condition. Note: the surface of this work has oxidized over time. Detailed condition report upon request. Original frame as issued (very good condition).Louise Nevelson, American Art, "The Great Wall” Italy, 1970 Embossed lead on CM Fabriano paper Signed, titled, dated and numbered by the artist From an edition of 150 29.25"H 24.5"W (work) 30.25"H 25.5"W (framed) Published by Pace Editions, Inc. Very good condition. Note: the surface of this work has oxidized over time. Detailed condition report upon request. Original frame as issued (very good condition).

LOUISE NEVELSON "THE GREAT WALL" 1970

$8,500
Keith Haring, American Art, "Art Attack on AIDS" USA, 1988 Screenprint on oak veneer plywood Signed, dated, and numbered by artist Inscribed with the note "For Anthony" From an edition of 10 artist proofs 30”H 30”W 2”D (work) 31.5"H 31.5"W 2"D (framed) Very good condition. Provenance: Gallery Moos, TorontoKeith Haring, American Art, "Art Attack on AIDS" USA, 1988 Screenprint on oak veneer plywood Signed, dated, and numbered by artist Inscribed with the note "For Anthony" From an edition of 10 artist proofs 30”H 30”W 2”D (work) 31.5"H 31.5"W 2"D (framed) Very good condition. Provenance: Gallery Moos, Toronto

KEITH HARING "ART ATTACK ON AIDS" SCREENPRINT, 1988

Cathy Daley "Ruffles" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, featuring her signature female form in a fluttering tutu that occupies the entire upper width of the image. Cathy Daley "Ruffles" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, featuring her signature female form in a fluttering tutu that occupies the entire upper width of the image.

CATHY DALEY "RUFFLES" OIL PASTEL ON VELLUM, 2018

$8,000
Friedel Dzubas, Collective, monotype, 1982, Caviar20Friedel Dzubas, Collective, monotype, 1982, Caviar20

FRIEDEL DZUBAS "COLLECTIVE" MONOTYPE, 1982

$6,000
Richard Diebekorn "Double X" Woodcut, 1987. Completed in 1987, "Double X" marks the artist's return to abstraction in the last chapter of his oeuvre, when he moved between geometric and lyrical styles. Serving as a pared-down example, this work is a unique synthesis of Diebenkorn's exploration of abstraction, making it an excellent output from the last decade of his career. Richard Diebekorn "Double X" Woodcut, 1987. Completed in 1987, "Double X" marks the artist's return to abstraction in the last chapter of his oeuvre, when he moved between geometric and lyrical styles. Serving as a pared-down example, this work is a unique synthesis of Diebenkorn's exploration of abstraction, making it an excellent output from the last decade of his career.
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RICHARD DIEBENKORN "DOUBLE X" WOODCUT, 1987

Mickalene Thomas "Keri On" 2019. In this work, Keri's peers over her shoulder at an exaggerated angle, her hand placed firmly on her hip, strengthening her stance as she looks back at the viewer. Typical of Thomas' muses she is both playful and assertive.Mickalene Thomas "Keri On" 2019. In this work, Keri's peers over her shoulder at an exaggerated angle, her hand placed firmly on her hip, strengthening her stance as she looks back at the viewer. Typical of Thomas' muses she is both playful and assertive.

MICKALENE THOMAS "KERI ON", 2019

$28,500
Andy Warhol, Untitled "Seated Gentleman" USA, circa 1950s Black ballpoint pen on manila paper Signed by artist, bottom left Stamped on verso by the Estate of Andy Warhol and the Andy Warhol Art Authentication Board, Inc. and numbered on the reverse. 16.5"H 13.75"W (work) Very good condition. Provenance: The Estate of Andy WarholAndy Warhol, Untitled "Seated Gentleman" USA, circa 1950s Black ballpoint pen on manila paper Signed by artist, bottom left Stamped on verso by the Estate of Andy Warhol and the Andy Warhol Art Authentication Board, Inc. and numbered on the reverse. 16.5"H 13.75"W (work) Very good condition. Provenance: The Estate of Andy Warhol

ANDY WARHOL "SEATED GENTLEMAN" DRAWING, c. 1950s

$44,000
General Idea, Canadian Art, "Artist's Conception; Miss General Idea Pageant 1971" Canada, 1971 Screenprint on wove paper Signed and numbered by artist From an edition of 10 40"H 26"W (work) 42.5"H 28.25"W (framed) Self-published Mild toning but overall very good condition.General Idea, Canadian Art, "Artist's Conception; Miss General Idea Pageant 1971" Canada, 1971 Screenprint on wove paper Signed and numbered by artist From an edition of 10 40"H 26"W (work) 42.5"H 28.25"W (framed) Self-published Mild toning but overall very good condition.

GENERAL IDEA, “ARTIST'S CONCEPTION; MISS GENERAL IDEA", 1971

$29,500
Andy Warhol "Truck" Screenprint, 1985. While a cargo truck may seem an unlikely subject for the legendary Pop artist, its symbol represents the impetus of industrialization. Set on a powder blue background, the truck is ignited by florescent shades of tangerine, grapefruit, and canary yellow as it launches down a cobalt highway.Andy Warhol "Truck" Screenprint, 1985. While a cargo truck may seem an unlikely subject for the legendary Pop artist, its symbol represents the impetus of industrialization. Set on a powder blue background, the truck is ignited by florescent shades of tangerine, grapefruit, and canary yellow as it launches down a cobalt highway.

ANDY WARHOL "TRUCK" SCREENPRINT, 1985

Joanne Tod "The Queen" Watercolor. 2022. With a delicate hand, Tod captures the Queen's likeness in this intimate and uplifting, close-cropped portrait. While it's not the first time Tod has taken inspiration from the Queen, here we have a much more personal and friendly depiction of the subject.Joanne Tod "The Queen" Watercolor. 2022. With a delicate hand, Tod captures the Queen's likeness in this intimate and uplifting, close-cropped portrait. While it's not the first time Tod has taken inspiration from the Queen, here we have a much more personal and friendly depiction of the subject.

JOANNE TOD "THE QUEEN" WATERCOLOR, 2022

$1,950
Sol LeWitt, Bands: Maroon, Aquatint, 1991, Caviar20Sol LeWitt, Bands: Maroon, Aquatint, 1991, Caviar20

SOL LEWITT "BANDS: MAROON" 1991

$8,000
David Hockney, "Yves-Marie Hervé", London, 1974. Lithograph on Arches paper. Artist proof. David Hockney seated portrait.David Hockney, "Yves-Marie Hervé", London, 1974. Lithograph on Arches paper. Artist proof. David Hockney seated portrait.

DAVID HOCKNEY "YVES-MARIE HERVÉ" LITHOGRAPH, 1974

$12,500
Nan Goldin "Joey with her New Breasts" Dye bleach print, 1999. Joey gently leans into the back of a chair, her chest bare and outwardly exposed. Joey's downward expression is partially hidden by her voluminous fringe, which contributes to her enigmatic presence and continuous glamour. Nan Goldin "Joey with her New Breasts" Dye bleach print, 1999. Joey gently leans into the back of a chair, her chest bare and outwardly exposed. Joey's downward expression is partially hidden by her voluminous fringe, which contributes to her enigmatic presence and continuous glamour.

NAN GOLDIN "JOEY WITH HER NEW BREASTS" 1999

$14,500
CHARLES PACHTER "BIRD OF PARADISE" ACRYLIC ON CANVAS, 2021CHARLES PACHTER "BIRD OF PARADISE" ACRYLIC ON CANVAS, 2021

CHARLES PACHTER "BIRD OF PARADISE" ACRYLIC ON CANVAS, 2021

$16,500
Jack Bush, Canadian Art, "Jeté en L'air" Serigraph Canada, 1974 Signed, dated, and numbered by the artist From an edition of 100 26.5”H 36.5”W (work) 35.75"H 45.75"W (framed) Framed with museum glass Very good conditionJack Bush, Canadian Art, "Jeté en L'air" Serigraph Canada, 1974 Signed, dated, and numbered by the artist From an edition of 100 26.5”H 36.5”W (work) 35.75"H 45.75"W (framed) Framed with museum glass Very good condition

JACK BUSH "JETÉ EN L’AIR" SERIGRAPH, 1976

$12,500
Edward Burtynsky, Canadian Contemporary Art, "Shipwreck #49" 2001, Bangladesh Giclée color print Signed by the artist, bottom right From an edition of 100 8.5"H 11"W (image) 11.25"H 14.75"W (sheet) Very good conditionEdward Burtynsky, Canadian Contemporary Art, "Shipwreck #49" 2001, Bangladesh Giclée color print Signed by the artist, bottom right From an edition of 100 8.5"H 11"W (image) 11.25"H 14.75"W (sheet) Very good condition

EDWARD BURTYNSKY "SHIPBREAKING #49", 2001

$1,850