Alex Katz (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. Over the succeeding decades, Katz kept the tradition of figurative painting alive when it had long been considered out of style.Â
Rendered with a delicacy not often found in prints of this era, Pamela in Grey feels almost like a graphite drawing (see an example here). Throughout his printmaking practice, Katz was keen on producing graphic images that were simple, using varied layering techniques to create depth. Pamela is a recurring subject in Katz’s work, regularly showing up named in the titles of various pieces.
This image is tender, and brimming with a deceptive detail despite the mostly flat planes. With downcast eyes, the figure basks in the bright sun--evident by the high contrast present in the print. Tendrils of hair have fallen out of her bun, and brush against her face as they move with the breeze. There is a depth and complexity to this figure, illustrated through the atmosphere Katz has implied in this print. Â
This print of Pamela is based off the painting Rackstraw and Pamela, 1976. The same image, rendered in blue, was used in a poster for the Michigan Opera Theatre, 76-77.
For Katz printmaking has always been an essential part of his process, and an integral part of his oeuvre. He began experimenting with printmaking while attending Cooper Union, where he earned his BA in 1949. Though he initially focused on painting, he returned to printmaking in the mid-1960s with much enthusiasm. Since then he has created more than 400 editions including lithographs, etchings, silkscreens, woodcuts, and various prints on metal cutouts.Â
The Brooklyn Museum holds an impression of Pamela in Gray in their permanent collection.
Questions about this piece? Contact us, call +1.416.704.1720, or visit our Toronto gallery.
"Pamela (Pamela in Gray)"
USA, 1976
Screenprint and lithograph in two colors on Copperplate Deluxe paper; torn edges
Signed "Alex Katz" and numbered "9/11 AP" by the artist in pencil, lower left
Edition: 30, 11 AP, 4 PP
28.5”H 21.5”W (sheet)
Printed by Styria Studio Inc., New York
Co-published by Brooke Alexander, INc., New York, and Marlborough Graphics Inc., New York
Very good condition.
Literature:Â
- Maravell 1983, cat. no. 88
- Alex Katz: Catalogue Raisonné, prints: 1947-2023, listed as cat. no. 89 on page 155
Notes: based on a detail from the painting Rackstraw and Pamela (1976; Sandler 1979, p 56; exh. cat. London 1997, pl. 9). Cf. the drawing Pamela (1987; Colby College Museum, Waterville, Maine).Â
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