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During Covid, Tod (re)discovered watercolors. Despite the challenges of this period, Tod had an incredibly fruitful experience as she enthusiastically experimented with the medium. This unforgiving material has enabled the artist to be more spontaneous and playful, without compromising the technical mastery she is known for.
Tod's interest in the decorative arts and historical objects has remained constant throughout her career. Whether humble depression glass or prized porcelain, the artist treats each subject with equal care and precision.
"Greek Statue" depicts a classically posed marble statue. The male figure is crouched over a bent leg with a downcast gaze. Despite being made of hard stone, Tod's watercolor depicts the statue with an ethereal softness. Tod's palette is subtle yet evocative and effective in conveying the depth and detail of the statue. Like the best of her work, the statue is realized in her signature version of soft realism.
Tod's images of museum-owned objects stem from her interest in the paradoxes surrounding collecting antiquities, whether privately or institutionally. She cites the often-quoted statistic that the British Museum holds over 100,000 objects from ancient Greece. While there are numerous concerns surrounding their collection (particularly how it was acquired), it is simultaneously a beautiful and educational repository and "public" venue or resource. This notion of simultaneous homage and critique, or public vs. private, is a recurring theme throughout her oeuvre.
Joanne Tod's works can be found in most major public institutions across Canada, including the National Gallery of Canada, the Art Gallery of Ontario (AGO), and the MusĂ©e des beaux-arts de MontrĂ©al.Â
Questions about this piece? Contact us, call +1.416.704.1720, or visit our Toronto gallery.
"Greek Statue"
Canada, 2020
Watercolor on paper
Very good condition
Note: The price is $3,500 CAD
Note: Framed images coming soon
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