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    ALEX KATZ "POPPY" SCREENPRINT, 1968

    $8,000 USD

    Andy Warhol unique fashion illustration circa 1950. With the lightest touch, Warhol renders the shoes with a gentle whimsy, an evocative style that is now synonymous with the artist's formative years as a commercial illustrator in New York City.

    ANDY WARHOL "FASHION SHOES" DRAWING, 1954

    $19,500 USD

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Canadian Art

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Original Canadian Art, Jack Bush, "Red M"  Canada, 1971  Serigraph  Printers proof, double estate stamped  From an edition of 100  24.5”H  32”W (work)  30"H 37.75"W (framed)  Very good condition  Provenance: Estate of Jack BushOriginal Canadian Art, Jack Bush, "Red M"  Canada, 1971  Serigraph  Printers proof, double estate stamped  From an edition of 100  24.5”H  32”W (work)  30"H 37.75"W (framed)  Very good condition  Provenance: Estate of Jack Bush
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JACK BUSH "RED M" SERIGRAPH, 1971

JACK BUSH "THREE AND BLUE LOOP" SERIGRAPH, 1971JACK BUSH "THREE AND BLUE LOOP" SERIGRAPH, 1971
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JACK BUSH "THREE AND BLUE LOOP" SERIGRAPH, 1971

1971 silkscreen by iconic Canadian color field artist, Jack Bush. Features earth and jewel tones of yellow, blue, green, pink, and brown.1971 silkscreen by iconic Canadian color field artist, Jack Bush. Features earth and jewel tones of yellow, blue, green, pink, and brown.
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JACK BUSH "LITTLE YELLOW" SILKSCREEN, 1972

Annie Pootoogook, Mother Breastfeeding, Drawing, 1994.Annie Pootoogook, Mother Breastfeeding, Drawing, 1994.
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ANNIE POOTOOGOOK "MOTHER BREASTFEEDING", 1994

Annie Pootoogook "Woman Removing Coat"  Drawing, 2002. Canadian woman artist, Inuit artist.Annie Pootoogook "Woman Removing Coat"  Drawing, 2002. Canadian woman artist, Inuit artist.
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ANNIE POOTOOGOOK "WOMAN REMOVING COAT", 2002

Joyce Wieland "The Arctic Belongs to Itself" Lithograph, 1973. Canadian artist uses red lipstick pressed onto a lithographic stone to create a series of lipstick stains that mouth the words "The Arctic Belongs to Itself".Joyce Wieland "The Arctic Belongs to Itself" Lithograph, 1973. Canadian artist uses red lipstick pressed onto a lithographic stone to create a series of lipstick stains that mouth the words "The Arctic Belongs to Itself".
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JOYCE WIELAND "THE ARCTIC BELONGS TO ITSELF" LITHOGRAPH, 1973

"My Girlfriend Ophelia: The Cream of Denmark"  Canada, 2013  Encaustic on canvas  42"H 48"W   Signed, titled, and dated verso  Very good condition."My Girlfriend Ophelia: The Cream of Denmark"  Canada, 2013  Encaustic on canvas  42"H 48"W   Signed, titled, and dated verso  Very good condition.
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TONY SCHERMAN "MY GIRLFRIEND OPHELIA" 2013

"Untitled"  Canada, 1956  Silkscreen on paper  Signed, dated, and numbered by artist   From an edition of 90  30"H 24"W (work)  Very good condition"Untitled"  Canada, 1956  Silkscreen on paper  Signed, dated, and numbered by artist   From an edition of 90  30"H 24"W (work)  Very good condition
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GUIDO MOLINARI "NOIR/BLANC" SCREENPRINT, 1956

MICHAEL SNOW "WALKING WOMAN FOLDAGE" MIXED MEDIA, 1965Michael Snow "Walking Woman Foldage" Mixed media, 1965. This work features four panels, each adorn with Snow's iconic walking woman silhouette. The panels are folded asymmetrically and sporadically spray painted blue, creating the illusion of movement.
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MICHAEL SNOW "WALKING WOMAN FOLDAGE" MIXED MEDIA, 1965

MARY PRATT "PEACHES IN A PLASTIC POT" COLOR WOODCUT, 1995MARY PRATT "PEACHES IN A PLASTIC POT" COLOR WOODCUT, 1995
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MARY PRATT "PEACHES IN A PLASTIC POT" COLOR WOODCUT, 1995

KOSSO ELOUL "LEANOT", 1980KOSSO ELOUL "LEANOT", 1980
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KOSSO ELOUL "LEANOT", 1980

JOYCE WIELAND "SLEEPING GODDESS" DRAWING, 1982"Sleeping Goddess (Study for Venus of Scarborough)"  Canada, 1982  Colored pencil on paper  Signed, dated, and titled with an inscription by the artist   15"H 22"W (work)  Very good condition
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JOYCE WIELAND "SLEEPING GODDESS" DRAWING, 1982

Alex Colville, Canadian Artist, "Border Collie"   Canada, 1973  Silkscreen printed in color  Signed, dated, and numbered bottom right  From an edition of 500  4.75"H 4.75"W (sheet)  Very good condition.  Michael Bell, Colville, Being Seen, The Serigraphs, Carleton University Art Gallery, Ottawa, 1994, p. 42 for Border Collie, reproducedAlex Colville, Canadian Artist, "Border Collie"   Canada, 1973  Silkscreen printed in color  Signed, dated, and numbered bottom right  From an edition of 500  4.75"H 4.75"W (sheet)  Very good condition.  Michael Bell, Colville, Being Seen, The Serigraphs, Carleton University Art Gallery, Ottawa, 1994, p. 42 for Border Collie, reproduced
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ALEX COLVILLE "BORDER COLLIE" SILKSCREEN, 1973

Brian Jones "Looking Through" Pencil on paper. 1972. Pencil drawing by Brian Jones, serving as a small study for a larger painting.Brian Jones "Looking Through" Pencil on paper. 1972. Pencil drawing by Brian Jones, serving as a small study for a larger painting.
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BRIAN JONES "LOOKING THROUGH" PENCIL ON PAPER, 1972

Christiane Pflug, "From Carol's Window," Canada, 1962, Pencil on paper, Signed and dated by the artist, 9.5"H 12.5"W (work)  20"H 21.75"W (framed), Very good conditionChristiane Pflug, "From Carol's Window," Canada, 1962, Pencil on paper, Signed and dated by the artist, 9.5"H 12.5"W (work)  20"H 21.75"W (framed), Very good condition
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CHRISTIANE PFLUG "FROM CAROL'S WINDOW" 1962

Alex Colville, "Study for Woman Carrying Canoe"   Canada, 1972  Pen, wash, and acrylic  Signed and dated bottom right  9.75"H 12.75"W (sheet)  23.25"H 24.5"W (framed)  Fischer Fine Art Ltd (London, UK) label verso  Very good condition.Alex Colville, "Study for Woman Carrying Canoe"   Canada, 1972  Pen, wash, and acrylic  Signed and dated bottom right  9.75"H 12.75"W (sheet)  23.25"H 24.5"W (framed)  Fischer Fine Art Ltd (London, UK) label verso  Very good condition.
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ALEX COLVILLE "STUDY FOR WOMAN CARRYING CANOE" 1972

CHRISTOPHER PRATT "GIRL WITH STRIPED TOWEL" DRAWING, 1973Christopher Pratt, "Girl with Striped Towel,"  Canada, 1972,  Graphite on paper,  Signed, dated, and titled by the artist.  20.75"H 10"W (visible)  28.5"H 17.25"W (framed) , Very good condition.
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CHRISTOPHER PRATT "GIRL WITH STRIPED TOWEL" DRAWING, 1973

MARY PRATT "EVISCERATED CHICKENS" DRAWING, 1971Mary Pratt "Study for Eviscerated Chickens" Drawing, 1971. Pencil on paper. Mary  Pratt portrays the obscenities of domestic life by rendering entrails of a raw chicken. A boisterous floral wallpaper serves as a lively backdrop to this otherwise grotesque scene.
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MARY PRATT "EVISCERATED CHICKENS" DRAWING, 1971

MICHAEL SNOW "WALKING WOMAN #14" GRAPHITE ON PAPER, 1963Michael Snow "Walking Woman #14" Graphite on paper. 1963. Snow uses a frottage technique which is executed by using an ancient technique of rubbing charcoal (or in this case graphite) over a rough or textured surface, like a frieze or tomb, to create a drawing or representation.
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MICHAEL SNOW "WALKING WOMAN #14" GRAPHITE ON PAPER, 1963

Harold Town, "Rudolph Valentino"  Canada, 1970  Black and white lithograph  From an edition of 50  Signed and dated by artist, top left.  20"H 13.75"W (work)  26.25"H 20.25"W (framed)  Very good condition.   Provenance: the Estate of Harold TownHarold Town, "Rudolph Valentino"  Canada, 1970  Black and white lithograph  From an edition of 50  Signed and dated by artist, top left.  20"H 13.75"W (work)  26.25"H 20.25"W (framed)  Very good condition.   Provenance: the Estate of Harold Town
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HAROLD TOWN "RUDOLPH VALENTINO" LITHOGRAPH, 1970

Edward Burtynsky, Canadian Art, "Rock of Ages #14, Abandoned Granite Section, E.L. Smith Quarry, Barre, Vermont"  Chromogenic print, 1992  Signed by the artist in ink with printed title, date, and edition  AP1 on an artist's label on verso  40"H 50"W (work)  49"H 59"W (framed)  From an edition of 5  Very good condition.Edward Burtynsky, Canadian Art, "Rock of Ages #14, Abandoned Granite Section, E.L. Smith Quarry, Barre, Vermont"  Chromogenic print, 1992  Signed by the artist in ink with printed title, date, and edition  AP1 on an artist's label on verso  40"H 50"W (work)  49"H 59"W (framed)  From an edition of 5  Very good condition.
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EDWARD BURTYNSKY "ROCK OF AGES #14, VERMONT" 1992

Jack Bush, Canadian Art, "JetĂ© en L'air"   Serigraph  Canada, 1974  Signed, dated, and numbered by the artist  From an edition of 100  26.5”H  36.5”W (work)  35.75"H 45.75"W (framed)  Framed with museum glass  Very good conditionJack Bush, Canadian Art, "JetĂ© en L'air"   Serigraph  Canada, 1974  Signed, dated, and numbered by the artist  From an edition of 100  26.5”H  36.5”W (work)  35.75"H 45.75"W (framed)  Framed with museum glass  Very good condition
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JACK BUSH "JETÉ EN L’AIR" SERIGRAPH, 1976

Takao Tanabe, Canadian Art, "Untitled"  Canada, 1958  Casein on board  Signed and dated by the artist  21.75"H 29.75"W (work)  27.25"H 32.25"W (framed)  Framed with museum glass  Very good condition.Takao Tanabe, Canadian Art, "Untitled"  Canada, 1958  Casein on board  Signed and dated by the artist  21.75"H 29.75"W (work)  27.25"H 32.25"W (framed)  Framed with museum glass  Very good condition.
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TAKAO TANABE "UNTITLED" CASEIN ON BOARD, 1958

Joanne Tod, Canadian Art, “Bar Nunn, Wyoming”   Canada, 2022  Watercolor on cold pressed Arches paper  Signed verso   10"H 14"W (work)  14.75"H 18.5"W (framed)  Very good conditionJoanne Tod, Canadian Art, “Bar Nunn, Wyoming”   Canada, 2022  Watercolor on cold pressed Arches paper  Signed verso   10"H 14"W (work)  14.75"H 18.5"W (framed)  Very good condition
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JOANNE TOD “BAR NUNN, WYOMING” WATERCOLOR, 2022

JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971
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JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971

Jack Chambrs, Canadian Art, "Olga at the South Pole"   Canada, 1965  Ink on paper  12"H 17.5"W (work)  18.75"H 23.75"W (framed)  Very good condition.Jack Chambrs, Canadian Art, "Olga at the South Pole"   Canada, 1965  Ink on paper  12"H 17.5"W (work)  18.75"H 23.75"W (framed)  Very good condition.
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JACK CHAMBERS "OLGA AT THE SOUTH POLE" INK ON PAPER, 1965

Jack Chambers, Canadian Art, "Study of a Young Boy in Sweater"   Spain, 1958  Graphite on paper  Signed and dated by artist  19"H 11.5"W (work)  26.75"H 18.25"W (framed)  Very good condition.Jack Chambers, Canadian Art, "Study of a Young Boy in Sweater"   Spain, 1958  Graphite on paper  Signed and dated by artist  19"H 11.5"W (work)  26.75"H 18.25"W (framed)  Very good condition.
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JACK CHAMBERS "STUDY OF A YOUNG BOY" GRAPHITE ON PAPER, 1958

Edward Burtynsky, Canadian Contemporary Art,  "Shipwreck #49"   2001, Bangladesh   Giclée color print  Signed by the artist, bottom right  From an edition of 100  8.5"H 11"W (image)  11.25"H 14.75"W (sheet)  Very good conditionEdward Burtynsky, Canadian Contemporary Art,  "Shipwreck #49"   2001, Bangladesh   Giclée color print  Signed by the artist, bottom right  From an edition of 100  8.5"H 11"W (image)  11.25"H 14.75"W (sheet)  Very good condition
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EDWARD BURTYNSKY "SHIPBREAKING #49", 2001

Kazuo Nakamura, Canadian Art Painters Eleven, "Untitled"  Canada, 1957  Oil over string on 1/4 hardwood  Signed by artist, bottom left  9"H 6"W (work)  9.5"H 6.75"W (framed)  Very good condition.Kazuo Nakamura, Canadian Art Painters Eleven, "Untitled"  Canada, 1957  Oil over string on 1/4 hardwood  Signed by artist, bottom left  9"H 6"W (work)  9.5"H 6.75"W (framed)  Very good condition.
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KAZUO NAKAMURA "UNTITLED" , 1957

YVES GAUCHER "FUGUE JUANE" RELIEF PRINT, 1963YVES GAUCHER "FUGUE JUANE" RELIEF PRINT, 1963
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YVES GAUCHER "FUGUE JUANE" RELIEF PRINT, 1963

Jean Paul Riopelle, Canadian Post War Abstract Painter, "Cervidé"  1979  Lithograph  Signed by artist, bottom right  19.5"H 16"W (work)  16.5"H 13"W (framed)  Very good condition.Jean Paul Riopelle, Canadian Post War Abstract Painter, "Cervidé"  1979  Lithograph  Signed by artist, bottom right  19.5"H 16"W (work)  16.5"H 13"W (framed)  Very good condition.
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JEAN-PAUL RIOPELLE "CERVIDÉ" LITHOGRAPH, 1979

TONY SCHERMAN “PEONIES PUSH” ENCAUSTIC MONOPRINT, 2002TONY SCHERMAN “PEONIES PUSH” ENCAUSTIC MONOPRINT, 2002
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TONY SCHERMAN “PEONIES PUSH” ENCAUSTIC MONOPRINT, 2002

Cathy Daley "Ruffles" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, featuring her signature female form in a fluttering tutu that occupies the entire upper width of the image. Cathy Daley "Ruffles" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, featuring her signature female form in a fluttering tutu that occupies the entire upper width of the image.
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CATHY DALEY "RUFFLES" OIL PASTEL ON VELLUM, 2018

Cathy Daley "Dancer X" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, however, it pushes further into abstraction as the figure is almost entirely stylized. The artist emphasizes elongated limbs and the crisscrossing of lines that compose her subject rather than human proportions. Cathy Daley "Dancer X" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, however, it pushes further into abstraction as the figure is almost entirely stylized. The artist emphasizes elongated limbs and the crisscrossing of lines that compose her subject rather than human proportions.
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CATHY DALEY "DANCER X" OIL PASTEL ON VELLUM, 2018

Jean-Paul Riopelle, Totem, Lithograph, 1979, An organic palette of ochre, periwinkle, and crimson, Canadian Artist, Jean-Paul Riopelle, Totem, Lithograph, 1979, An organic palette of ochre, periwinkle, and crimson, Canadian Artist,
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JEAN-PAUL RIOPELLE "TOTEM" LITHOGRAPH, 1979

Scott McFarland is the most successful conceptual photographer from the third generation of artists associated with “The Vancouver School.”   During his bachelor’s in visual art at UBC, McFarland studied alongside acclaimed artists such as Roy Arden and Liz Magor and worked as a studio assistant to Jeff Wall.  McFarland’s large-scale photographs are compilations of multiple digital images printed within a single frame.Scott McFarland is the most successful conceptual photographer from the third generation of artists associated with “The Vancouver School.”   During his bachelor’s in visual art at UBC, McFarland studied alongside acclaimed artists such as Roy Arden and Liz Magor and worked as a studio assistant to Jeff Wall.  McFarland’s large-scale photographs are compilations of multiple digital images printed within a single frame.
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SCOTT MCFARLAND "ALOE PRINCIPIS" 2006

Kent Monkman "Weesageechak Teaches Hermes How to Trick the Four Leggeds" Acrylic on canvas. 2010.Kent Monkman "Weesageechak Teaches Hermes How to Trick the Four Leggeds" Acrylic on canvas. 2010.
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KENT MONKMAN "HOW TO TRICK THE FOUR-LEGGEDS", 2010

Original Canadian Art, Scott McFarland, “Opuntia Tomentosa”   2006  Digital pigment print  From an edition of 3  Signed in ink, titled, dated by the artist, verso.  13"H 16.25”W (image)  24.5”H 27.25”W (framed)  Excellent condition.Original Canadian Art, Scott McFarland, “Opuntia Tomentosa”   2006  Digital pigment print  From an edition of 3  Signed in ink, titled, dated by the artist, verso.  13"H 16.25”W (image)  24.5”H 27.25”W (framed)  Excellent condition.
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SCOTT MCFARLAND "OPUNTIA TOMENTOSA" 2006

JEAN McEWEN "UNTITLED" WATERCOLOR, 1989JEAN McEWEN "UNTITLED" WATERCOLOR, 1989
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JEAN McEWEN "UNTITLED" WATERCOLOR, 1989

RAY MEAD "JAM" COLLAGE, 1982RAY MEAD "JAM" COLLAGE, 1982
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RAY MEAD "JAM" COLLAGE, 1982

General Idea "Mondo Cane Kama Sutra" 2001. This serigraph features a trio of florescent poodles arranged into what seems to be a menage Ă  trois.General Idea "Mondo Cane Kama Sutra" 2001. This serigraph features a trio of florescent poodles arranged into what seems to be a menage Ă  trois.
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GENERAL IDEA "MONDO CANE KAMA SUTRA" SERIGRAPH, 2001

Original art, Harold Town Painters Eleven, "Untitled"  Canada, 1979  Gouache and ink on paper  Signed and dated by the artist, top left   8"H 12.5"W (work)  9"H 13.75"W (framed)  Very good condition. Caviar20 Toronto Art GalleryOriginal art, Harold Town Painters Eleven, "Untitled"  Canada, 1979  Gouache and ink on paper  Signed and dated by the artist, top left   8"H 12.5"W (work)  9"H 13.75"W (framed)  Very good condition. Caviar20 Toronto Art Gallery
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HAROLD TOWN "TOY HORSE" GOUACHE ON PAPER, 1979

EDWARD BURTYNSKY "DRYLAND FARMING #28, ARAGON SPAIN, 2010"EDWARD BURTYNSKY "DRYLAND FARMING #28, ARAGON SPAIN, 2010"
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EDWARD BURTYNSKY "DRYLAND FARMING #28, ARAGON SPAIN, 2010"

Charles Pachter barn painting featuring a rich palette of royal blue, turquoise, navy, cornflower, and a hint of salmon to depict a broad swath of sky. Completed in 2004.Charles Pachter barn painting featuring a rich palette of royal blue, turquoise, navy, cornflower, and a hint of salmon to depict a broad swath of sky. Completed in 2004.
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CHARLES PACHTER "HORIZON BARN" PAINTING, 2004

CHARLES PACHTER "MOLLY JOHNSON" SERIGRAPH, 1986CHARLES PACHTER "MOLLY JOHNSON" SERIGRAPH, 1986
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CHARLES PACHTER "MOLLY JOHNSON" SERIGRAPH, 1986

Charles Pachter "The Medium" 1962. Expressionist portrait, an early example from the artist's ouevre.Charles Pachter "The Medium" 1962. Expressionist portrait, an early example from the artist's ouevre.
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CHARLES PACHTER "THE MEDIUM" LITHOGRAPH, 1966

Charles Pachter expressionist portrait completed in 1962. This is an early example from the artist's ouevre.Charles Pachter expressionist portrait completed in 1962. This is an early example from the artist's ouevre.
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CHARLES PACHTER "FACE" SERIGRAPH, 1962

Edward Burtynsky "Landscape Study #7, Utah" 1983. Landscape photography.Edward Burtynsky "Landscape Study #7, Utah" 1983. Landscape photography.
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EDWARD BURTYNSKY "LANDSCAPE STUDY #7, UTAH", 1983

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About Caviar20

Art resale experts Caviar20 focuses on the 20th century with an emphasis on works on paper. Troy Seidman, the founder, has a particular interest in sculpture, works on paper, photography and abstraction of the 60s and 70s. Our inventory includes turn of the millennium blue-chip artists, with an emphasis on works created between 1965-2005. 

Caviar20 has placed works in the permanent collections of the following institutions:

- Albright-Knox Art Gallery (Buffalo, New York)
- Burnaby Art Gallery (Burnaby, British Columbia) 
- Columbus Museum (Columbus, Georgia)
- Kunstmuseum Heidenheim (Germany)
- University Galleries, University of San Diego (California)
- Royal Bank of Canada (Toronto)

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