Women Artists

Caviar20 presents an ever-changing selection of artwork by women across a diversified range of topics, subjects, themes, and mediums.

Louise Nevelson "American Book Award" Painted wood multiple. 1980.Louise Nevelson "American Book Award" Painted wood multiple. 1980.
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LOUISE NEVELSON "AMERICAN BOOK AWARD" SCULPTURE, 1980

LOUISE NEVELSON "SIX POINTED STAR" 1980LOUISE NEVELSON "SIX POINTED STAR" 1980
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LOUISE NEVELSON "SIX POINTED STAR" 1980

Louise Nevelson "Night Blossom" Painted wood multiple, 1973.Louise Nevelson "Night Blossom" Painted wood multiple, 1973.
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LOUISE NEVELSON "NIGHT BLOSSOM", 1973

Original Mickalene Thomas Artwork "Untitled" (Black is Beautiful) USA, 2017 Inkjet print Signed and numbered by the artist From an edition of 100 14"H 11"W (work) 17"H 14"W (framed) Framed with museum glass Excellent condition Published by Nazraeli Press, Netherlands Note: a copy of Mickalene Thomas' 2018 book, "Black is Beautiful" is included with the print. Caviar20 Art GalleryOriginal Mickalene Thomas Artwork "Untitled" (Black is Beautiful) USA, 2017 Inkjet print Signed and numbered by the artist From an edition of 100 14"H 11"W (work) 17"H 14"W (framed) Framed with museum glass Excellent condition Published by Nazraeli Press, Netherlands Note: a copy of Mickalene Thomas' 2018 book, "Black is Beautiful" is included with the print. Caviar20 Art Gallery
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MICKALENE THOMAS "BLACK IS BEAUTIFUL" 2017

HELEN FRANKENTHALER "FLIRT" SCREENPRINT, 1995HELEN FRANKENTHALER "FLIRT" SCREENPRINT, 1995
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HELEN FRANKENTHALER "FLIRT" SCREENPRINT, 1995

Cathy Daley "Dancer X" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, however, it pushes further into abstraction as the figure is almost entirely stylized. The artist emphasizes elongated limbs and the crisscrossing of lines that compose her subject rather than human proportions. Cathy Daley "Dancer X" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, however, it pushes further into abstraction as the figure is almost entirely stylized. The artist emphasizes elongated limbs and the crisscrossing of lines that compose her subject rather than human proportions.
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CATHY DALEY "DANCER X" OIL PASTEL ON VELLUM, 2018

Cathy Daley "Ruffles" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, featuring her signature female form in a fluttering tutu that occupies the entire upper width of the image. Cathy Daley "Ruffles" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, featuring her signature female form in a fluttering tutu that occupies the entire upper width of the image.
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CATHY DALEY "RUFFLES" OIL PASTEL ON VELLUM, 2018

Sophie Calle, “Les Tombes: Father, Mother" France, 1990 Diptych Gelatin silver prints flush-mounted on aluminum in artist’s frames. Numbered and dated From an edition of 7 22"H 14.5"W (work) 23"H 15.5"W (framed) Very good condition.Sophie Calle, “Les Tombes: Father, Mother" France, 1990 Diptych Gelatin silver prints flush-mounted on aluminum in artist’s frames. Numbered and dated From an edition of 7 22"H 14.5"W (work) 23"H 15.5"W (framed) Very good condition.
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SOPHIE CALLE "FATHER, MOTHER" DIPTYCH, 1990

Cindy Sherman "For Chicago" Chromogenic print. 1986. This large-scale color photograph is a fantastic example of Sherman’s most audacious and experimental period of art-making. It presents a dark dream world, like looking into the depths of a snow globe. Cindy Sherman "For Chicago" Chromogenic print. 1986. This large-scale color photograph is a fantastic example of Sherman’s most audacious and experimental period of art-making. It presents a dark dream world, like looking into the depths of a snow globe.
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CINDY SHERMAN "FOR CHICAGO" CHROMOGENIC PRINT, 1986

In 1972, famous woman artist Louise Nevelson creates a suite of six prints for her Lead Intaglio series. The works in this series feature thin, embossed lead plates on CM Fabriano paper.In 1972, famous woman artist Louise Nevelson creates a suite of six prints for her Lead Intaglio series. The works in this series feature thin, embossed lead plates on CM Fabriano paper.
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LOUISE NEVELSON "NIGHT TREE" 1972

Louise Nevelson, American Art, "The Great Wall” Italy, 1970 Embossed lead on CM Fabriano paper Signed, titled, dated and numbered by the artist From an edition of 150 29.25"H 24.5"W (work) 30.25"H 25.5"W (framed) Published by Pace Editions, Inc. Very good condition. Note: the surface of this work has oxidized over time. Detailed condition report upon request. Original frame as issued (very good condition). Original Louise Nevelson Art for sale at Caviar20 Art Gallery TorontoLouise Nevelson, American Art, "The Great Wall” Italy, 1970 Embossed lead on CM Fabriano paper Signed, titled, dated and numbered by the artist From an edition of 150 29.25"H 24.5"W (work) 30.25"H 25.5"W (framed) Published by Pace Editions, Inc. Very good condition. Note: the surface of this work has oxidized over time. Detailed condition report upon request. Original frame as issued (very good condition). Original Louise Nevelson Art for sale at Caviar20 Art Gallery Toronto
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LOUISE NEVELSON "THE GREAT WALL" 1970

JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971
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JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971

Joanne Tod, Canadian Art, “Bar Nunn, Wyoming” Canada, 2022 Watercolor on cold pressed Arches paper Signed verso 10"H 14"W (work) 14.75"H 18.5"W (framed) Very good conditionJoanne Tod, Canadian Art, “Bar Nunn, Wyoming” Canada, 2022 Watercolor on cold pressed Arches paper Signed verso 10"H 14"W (work) 14.75"H 18.5"W (framed) Very good condition
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JOANNE TOD “BAR NUNN, WYOMING” WATERCOLOR, 2022

MARY PRATT "EVISCERATED CHICKENS" DRAWING, 1971Mary Pratt "Study for Eviscerated Chickens" Drawing, 1971. Pencil on paper. Mary Pratt portrays the obscenities of domestic life by rendering entrails of a raw chicken. A boisterous floral wallpaper serves as a lively backdrop to this otherwise grotesque scene.
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MARY PRATT "EVISCERATED CHICKENS" DRAWING, 1971

Christiane Pflug, "From Carol's Window," Canada, 1962, Pencil on paper, Signed and dated by the artist, 9.5"H 12.5"W (work) 20"H 21.75"W (framed), Very good conditionChristiane Pflug, "From Carol's Window," Canada, 1962, Pencil on paper, Signed and dated by the artist, 9.5"H 12.5"W (work) 20"H 21.75"W (framed), Very good condition
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CHRISTIANE PFLUG "FROM CAROL'S WINDOW" 1962

JOYCE WIELAND "SLEEPING GODDESS" DRAWING, 1982"Sleeping Goddess (Study for Venus of Scarborough)" Canada, 1982 Colored pencil on paper Signed, dated, and titled with an inscription by the artist 15"H 22"W (work) Very good condition
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JOYCE WIELAND "SLEEPING GODDESS" DRAWING, 1982

Louise Nevelson "Winter Chord" Mixed media sculpture, 1975. Wood sculpture painted black with unique recesses and curvatures that expose geometric shapes within the form. Louise Nevelson "Winter Chord" Mixed media sculpture, 1975. Wood sculpture painted black with unique recesses and curvatures that expose geometric shapes within the form.
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LOUISE NEVELSON "WINTER CHORD" SCULPTURE, 1975

MARY PRATT "PEACHES IN A PLASTIC POT" COLOR WOODCUT, 1995MARY PRATT "PEACHES IN A PLASTIC POT" COLOR WOODCUT, 1995
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MARY PRATT "PEACHES IN A PLASTIC POT" COLOR WOODCUT, 1995

Joyce Wieland "The Arctic Belongs to Itself" Lithograph, 1973. Canadian artist uses red lipstick pressed onto a lithographic stone to create a series of lipstick stains that mouth the words "The Arctic Belongs to Itself".Joyce Wieland "The Arctic Belongs to Itself" Lithograph, 1973. Canadian artist uses red lipstick pressed onto a lithographic stone to create a series of lipstick stains that mouth the words "The Arctic Belongs to Itself".
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JOYCE WIELAND "THE ARCTIC BELONGS TO ITSELF" LITHOGRAPH, 1973

Louise Nevelson "Folded Nude" Drawing, circa 1930s. This simplistic piece features a nude woman, her arms held over her head as she exposes the soft curvatures of her body. Completed in pencil, this drawing captures the woman's essence with just a few lines.Louise Nevelson "Folded Nude" Drawing, circa 1930s. This simplistic piece features a nude woman, her arms held over her head as she exposes the soft curvatures of her body. Completed in pencil, this drawing captures the woman's essence with just a few lines.
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LOUISE NEVELSON "FOLDED NUDE" DRAWING, 1930

Annie Pootoogook "Woman Removing Coat" Drawing, 2002. Canadian woman artist, Inuit artist.Annie Pootoogook "Woman Removing Coat" Drawing, 2002. Canadian woman artist, Inuit artist.
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ANNIE POOTOOGOOK "WOMAN REMOVING COAT", 2002

Annie Pootoogook, Mother Breastfeeding, Drawing, 1994.Annie Pootoogook, Mother Breastfeeding, Drawing, 1994.
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ANNIE POOTOOGOOK "MOTHER BREASTFEEDING", 1994

Pat Steir, Large Line, Etching, 1967, Caviar20, Toronto GalleryPat Steir, Large Line, Etching, 1967, Caviar20, Toronto Gallery
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PAT STEIR "LARGE LINE" ETCHING, 1976

Nan Goldin, Jimmy Paulette and Taboo! Undressing, NYC, Cibachrome print, flush-mounted, 1991 USA, Caviar20, American PhotographerNan Goldin, Jimmy Paulette and Taboo! Undressing, NYC, Cibachrome print, flush-mounted, 1991 USA, Caviar20, American Photographer
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NAN GOLDIN "JIMMY PAULETTE AND TABOO! UNDRESSING, NYC" 1991

Diane Arbus, Woman With A Headless Dummy, Gelatin-silver print, 1956, Caviar20, American PhotographerDiane Arbus, Woman With A Headless Dummy, Gelatin-silver print, 1956, Caviar20, American Photographer
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DIANE ARBUS "WOMAN WITH A HEADLESS DUMMY", 1956

MARY PRATT "REFLECTION OF ORANGES" COLOR WOODCUT, 1996MARY PRATT "REFLECTION OF ORANGES" COLOR WOODCUT, 1996
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MARY PRATT "REFLECTION OF ORANGES" COLOR WOODCUT, 1996

Louise Nevelson, Sidney Janis Gallery Poster, Offset lithograph, 1963, Caviar20, American ArtistLouise Nevelson, Sidney Janis Gallery Poster, Offset lithograph, 1963, Caviar20, American Artist
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LOUISE NEVELSON "SIDNEY JANIS GALLERY EXHIBITION POSTER" 1963

Yayoi Kusama, Gertrude Stein Exhibition Poster, Offset lithograph, 1963, Caviar20, Japanese ArtistYayoi Kusama, Gertrude Stein Exhibition Poster, Offset lithograph, 1963, Caviar20, Japanese Artist
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YAYOI KUSAMA "GERTRUDE STEIN EXHIBITION" 1963

Louise Nevelson, Aquatint IV, Aquatint and etching in colors with collage on C. M. Fabriano paper, 1973, Caviar20Louise Nevelson, Aquatint IV, Aquatint and etching in colors with collage on C. M. Fabriano paper, 1973, Caviar20
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LOUISE NEVELSON “AQUATINT IV” 1973

Cindy Sherman, Untitled (Homage to Claude Cahun), Gelatin Silver Print, 1975, Caviar20Cindy Sherman, Untitled (Homage to Claude Cahun), Gelatin Silver Print, 1975, Caviar20
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CINDY SHERMAN "UNTITLED (HOMAGE TO CLAUDE CAHUN)" 1975

Cindy Sherman, Untitled (Marilyn Monroe), Chromogenic Print, 1982, Caviar20Cindy Sherman, Untitled (Marilyn Monroe), Chromogenic Print, 1982, Caviar20
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CINDY SHERMAN "UNTITLED (MARILYN MONROE)" 1982

Louise Nevelson, Animal Kingdom, Etching and drypoint, 1953, Caviar20Louise Nevelson, Animal Kingdom, Etching and drypoint, 1953, Caviar20
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LOUISE NEVELSON “ANIMAL KINGDOM” 1953

Louise Nevelson, Archaic Figure, Etching and drypoint, 1953, Caviar20Louise Nevelson, Archaic Figure, Etching and drypoint, 1953, Caviar20
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LOUISE NEVELSON “ARCHAIC FIGURE” 1953

Louise Nevelson, Jungle Figures, Etching and aquatint, 1953-1955, Caviar20 Louise Nevelson, Jungle Figures, Etching and aquatint, 1953-1955, Caviar20
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LOUISE NEVELSON "JUNGLE FIGURES III" ETCHING, 1953-1955

Louise Nevelson, American Artist, Pace Gallery, “The Stone Figures that Walk at Night” USA, 1953 Etching and drypoint Signed, titled and numbered by artist Artist proof, apart from an edition of 20 34”H 24.5”W (work) 35.75"H 33.25"W (framed) Provenance: Pace Editions, New York | Private CollectionLouise Nevelson, American Artist, Pace Gallery, “The Stone Figures that Walk at Night” USA, 1953 Etching and drypoint Signed, titled and numbered by artist Artist proof, apart from an edition of 20 34”H 24.5”W (work) 35.75"H 33.25"W (framed) Provenance: Pace Editions, New York | Private Collection
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LOUISE NEVELSON “THE STONE FIGURES THAT WALK AT NIGHT” 1953

Annie Pootoogook, My Mother and I, 2006, Caviar20Annie Pootoogook, My Mother and I, 2006, Caviar20
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ANNIE POOTOOGOOK "MY MOTHER AND I", 2006

SHERRIE LEVINE “PRESIDENT PROFILE” 1979SHERRIE LEVINE “PRESIDENT PROFILE” 1979
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SHERRIE LEVINE “PRESIDENT PROFILE” 1979

Louise, Lawler, Piero Manzoni (And Other Artists) White, Chromogenic Print, 1981/93, Caviar20Louise, Lawler, Piero Manzoni (And Other Artists) White, Chromogenic Print, 1981/93, Caviar20
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LOUISE LAWLER “PIERO MANZONI (AND OTHER ARTISTS) WHITE” 1981/93

Nan Goldin, Cody in the Dressing Room, Cibachrome print, flush-mounted, 1991, Caviar20Nan Goldin, Cody in the Dressing Room, Cibachrome print, flush-mounted, 1991, Caviar20
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NAN GOLDIN "CODY IN THE DRESSING ROOM" 1991

NAN GOLDIN "MOTEL WINDOW, PALENQUE, MEXICO" 1982Nan Goldin, Motel Window, Palenque Mexico, Dye destruction print, 1982, Caviar20
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NAN GOLDIN "MOTEL WINDOW, PALENQUE, MEXICO" 1982

Cindy Sherman, Luigi 7pm, Gelatin silver print, 1978, Caviar20Cindy Sherman, Luigi 7pm, Gelatin silver print, 1978, Caviar20
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CINDY SHERMAN "LUIGI 7 PM" 1978

Helen Frankenthaler, Plaza Real, Aquatint and Etching, 1987, Caviar20Helen Frankenthaler, Plaza Real, Aquatint and Etching, 1987, Caviar20
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HELEN FRANKENTHALER "PLAZA REAL" ETCHING, 1987

Jenny Holzer, The Future Is Stupid, Etched glass globe , 2000, Caviar20Jenny Holzer, The Future Is Stupid, Etched glass globe , 2000, Caviar20
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JENNY HOLZER "THE FUTURE IS STUPID", 2000

Louise Nevelson, Figure on a Horse, Drawing, 1930, Caviar20Louise Nevelson, Figure on a Horse, Drawing, 1930, Caviar20
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LOUISE NEVELSON "LADY GODIVA" DRAWING, 1930

Louise Nevelson, Male Model Posing, Drawing, 1930, Caviar20Louise Nevelson, Male Model Posing, Drawing, 1930, Caviar20
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LOUISE NEVELSON "MALE MODEL POSING" DRAWING, 1930

Carol Bove, White Columns, Silkscreen, 2014, Caviar20Carol Bove, White Columns, Silkscreen, 2014, Caviar20
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CAROL BOVE, "WHITE COLUMNS" SILKSCREEN, 2014

Joyce Wieland, Patriotism, Lithograph and blueprint, 1965, Toronto, Canada, Caviar20Joyce Wieland, Patriotism, Lithograph and blueprint, 1965, Toronto, Canada, Caviar20
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JOYCE WIELAND "PATRIOTISM" LITHO, 1965

Jenny Holzer, Black Garden, dyptique, 1997, Color silkscreens on cardboard, Caviar20Jenny Holzer, Black Garden, dyptique, 1997, Color silkscreens on cardboard, Caviar20
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JENNY HOLZER "BLACK GARDEN", 1997