Edward Burtynsky (b. 1955) is one of Canada’s most successful photographers. A noted filmmaker, entrepreneur, and environmental advocate, he is known internationally for his incredibly detailed images documenting the processes and consequences of using the earth’s natural resources.
His images, which at times approach abstraction, present a bizarre tension between beauty and desecration. Over the years, he has crossed the globe exploring the mark of human development on the earth and its embedded political, social and economic consequences.
"Shipbreaking" is arguably Burtynsky's most distinctive body of work. He presents imagery that had hitherto been impossible to imagine; what happens to ocean liners when they are out of commission? Where do they end up and how are they dismantled? Mostly taken in Bangladesh, these striking and moody photographs in a distinctive palette are intriguing, disturbing, and curiously beautiful.Â
"Shipbreaking #30" is a stand-out from this iconic series. A lone ship sits at the back of the frame, upon an empty stretch of sand. On first glance it's challenging to perceive the size of the ship; upon closer inspection, two figures dotted in the foreground walking away from the vessel, and a smaller boat in the waters beyond the shore hint at its true scale.
Edward Burtynsky's work can be found in the permanent collection of countless museums including the National Gallery of Canada, the Guggenheim, TATE Modern (London), and MoMA to mention a few.
Questions about this piece? Contact us, call +1.416.704.1720, or visit our Toronto gallery.
"Shipbreaking #30, Chittagong, Bangladesh"
2001, Chromogenic print
Signed, numbered on label, verso
From an edition 5
39.5”H 49.75”W (image)
52”H 62”W (sheet)
Overall good condition. Full report on request.
Note: more images coming soon.
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