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JIM DINE "HEART II" LITHOGRAPH, 1970JIM DINE "HEART II" LITHOGRAPH, 1970
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JIM DINE "HEART II" LITHOGRAPH, 1970

David Hockney, Sunflowers. Flowers are an essential and recurring motif throughout the artist's oeuvre. His fresh, vased arrangments highlight the simple pleasures and contentment of domestic life. In the 1990s, the artist made a slight diversion to focus on sunflowers. While the subject is rich with reference to titans such as Van Gogh, Monet, and Vermeer, Hockney's sunflowers are distinctly poignant, serving as a symbol of impermanence during a period of profound personal loss.David Hockney, Sunflowers. Flowers are an essential and recurring motif throughout the artist's oeuvre. His fresh, vased arrangments highlight the simple pleasures and contentment of domestic life. In the 1990s, the artist made a slight diversion to focus on sunflowers. While the subject is rich with reference to titans such as Van Gogh, Monet, and Vermeer, Hockney's sunflowers are distinctly poignant, serving as a symbol of impermanence during a period of profound personal loss.
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DAVID HOCKNEY "SUNFLOWERS II" ETCHING, 1995

Howard Hodgkin "Late Afternoon in the Museum of Art" USA, 1979 Etching on paper. "Late Afternoon" is a striking example of Hodgkin's printmaking from his 1979 series "The Museum of Art". Comprised of four prints, the series is exemplary of the artist's enmeshed style, blending abstract and representational qualities that culminate into evocative scenes.Howard Hodgkin "Late Afternoon in the Museum of Art" USA, 1979 Etching on paper. "Late Afternoon" is a striking example of Hodgkin's printmaking from his 1979 series "The Museum of Art". Comprised of four prints, the series is exemplary of the artist's enmeshed style, blending abstract and representational qualities that culminate into evocative scenes.
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HOWARD HODGKIN "LATE AFTERNOON" ETCHING, 1979

Hernan Bas, Miami American Artist, expressionistic figuration, Downhill at Dusk (the Runaway) USA, 2013 Hand-stenciled pigmented linen pulp, on cotton-base sheet Initialed by artist, bottom right 24"H 18"W (work) 29.75"H 24"W (framed) From an edition of 30 Very good condition.Hernan Bas, Miami American Artist, expressionistic figuration, Downhill at Dusk (the Runaway) USA, 2013 Hand-stenciled pigmented linen pulp, on cotton-base sheet Initialed by artist, bottom right 24"H 18"W (work) 29.75"H 24"W (framed) From an edition of 30 Very good condition.
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HERNAN BAS "DOWNHILL AT DUSK" 2013

Robert Motherwell “Untitled (Pink and Orange), from London Series II” 1971. This delicate screenprint displays all of the characteristics of Motherwell's most coveted artworks, this time executed in a more supple palette of blush pink and pale corn husk yellow.Robert Motherwell “Untitled (Pink and Orange), from London Series II” 1971. This delicate screenprint displays all of the characteristics of Motherwell's most coveted artworks, this time executed in a more supple palette of blush pink and pale corn husk yellow.
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ROBERT MOTHERWELL "LONDON SERIES II", 1971

Nicolas Party "Landscape" Poster, 2021. Midnight landscape featuring tall cypress tress in cool tones.Nicolas Party "Landscape" Poster, 2021. Midnight landscape featuring tall cypress tress in cool tones.
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NICOLAS PARTY "LANDSCAPE", 2021

Andy Warhol art for sale "In the Bottom of my Garden" 1956. "In the Bottom of My Garden" is a delightful paradigm from this era. Serving as the cover for his book by the same name, Warhol lends his signature aesthetic to realize an ethereal wonderland of fairies, cherubs, and abundant florals.Andy Warhol art for sale "In the Bottom of my Garden" 1956. "In the Bottom of My Garden" is a delightful paradigm from this era. Serving as the cover for his book by the same name, Warhol lends his signature aesthetic to realize an ethereal wonderland of fairies, cherubs, and abundant florals.
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ANDY WARHOL "IN THE BOTTOM OF MY GARDEN", 1956

Cathy Daley "Dancer X" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, however, it pushes further into abstraction as the figure is almost entirely stylized. The artist emphasizes elongated limbs and the crisscrossing of lines that compose her subject rather than human proportions. Cathy Daley "Dancer X" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, however, it pushes further into abstraction as the figure is almost entirely stylized. The artist emphasizes elongated limbs and the crisscrossing of lines that compose her subject rather than human proportions.
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CATHY DALEY "DANCER X" OIL PASTEL ON VELLUM, 2018

Cathy Daley "Ruffles" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, featuring her signature female form in a fluttering tutu that occupies the entire upper width of the image. Cathy Daley "Ruffles" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, featuring her signature female form in a fluttering tutu that occupies the entire upper width of the image.
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CATHY DALEY "RUFFLES" OIL PASTEL ON VELLUM, 2018

Andy Warhol artwork for sale, "Bird on a Fruit Branch" 1957. “Bird on a Fruit Branch” is emblematic of Warhol’s work during the late 1950s when he established his reputation with delicate and whimsical drawings of clothes, accessories, and stylized beauties in a distinctively elegant but playful aesthetic. Andy Warhol artwork for sale, "Bird on a Fruit Branch" 1957. “Bird on a Fruit Branch” is emblematic of Warhol’s work during the late 1950s when he established his reputation with delicate and whimsical drawings of clothes, accessories, and stylized beauties in a distinctively elegant but playful aesthetic.
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ANDY WARHOL "BIRD ON A FRUIT BRANCH", 1957

Sophie Calle, “Les Tombes: Father, Mother" France, 1990 Diptych Gelatin silver prints flush-mounted on aluminum in artist’s frames. Numbered and dated From an edition of 7 22"H 14.5"W (work) 23"H 15.5"W (framed) Very good condition.Sophie Calle, “Les Tombes: Father, Mother" France, 1990 Diptych Gelatin silver prints flush-mounted on aluminum in artist’s frames. Numbered and dated From an edition of 7 22"H 14.5"W (work) 23"H 15.5"W (framed) Very good condition.
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SOPHIE CALLE "FATHER, MOTHER" DIPTYCH, 1990

David LaChapelle "B.F.F." C-print. 2006. This work “B.F.F.” manifests some of the artists’ favorite ingredients: well-oiled, nearly-nude bodies, an affinity for fashion, and a celebration of material excess, all realized in a slick bright palette.David LaChapelle "B.F.F." C-print. 2006. This work “B.F.F.” manifests some of the artists’ favorite ingredients: well-oiled, nearly-nude bodies, an affinity for fashion, and a celebration of material excess, all realized in a slick bright palette.
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DAVID LACHAPELLE "B.F.F." C-PRINT, 2006

TONY SCHERMAN “PEONIES PUSH” ENCAUSTIC MONOPRINT, 2002TONY SCHERMAN “PEONIES PUSH” ENCAUSTIC MONOPRINT, 2002
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TONY SCHERMAN “PEONIES PUSH” ENCAUSTIC MONOPRINT, 2002

Andy Warhol artwork for sale "Truck" Screenprint, 1985. While a cargo truck may seem an unlikely subject for the legendary Pop artist, its symbol represents the impetus of industrialization. Set on a powder blue background, the truck is ignited by florescent shades of tangerine, grapefruit, and canary yellow as it launches down a cobalt highway. Andy Warhol artwork for sale "Truck" Screenprint, 1985. While a cargo truck may seem an unlikely subject for the legendary Pop artist, its symbol represents the impetus of industrialization. Set on a powder blue background, the truck is ignited by florescent shades of tangerine, grapefruit, and canary yellow as it launches down a cobalt highway.
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ANDY WARHOL "TRUCK" SCREENPRINT, 1985

Keith Haring, American Art, "Art Attack on AIDS" USA, 1988 Screenprint on oak veneer plywood Signed, dated, and numbered by artist Inscribed with the note "For Anthony" From an edition of 10 artist proofs 30”H 30”W 2”D (work) 31.5"H 31.5"W 2"D (framed) Very good condition. Provenance: Gallery Moos, TorontoKeith Haring, American Art, "Art Attack on AIDS" USA, 1988 Screenprint on oak veneer plywood Signed, dated, and numbered by artist Inscribed with the note "For Anthony" From an edition of 10 artist proofs 30”H 30”W 2”D (work) 31.5"H 31.5"W 2"D (framed) Very good condition. Provenance: Gallery Moos, Toronto
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KEITH HARING "ART ATTACK ON AIDS" SCREENPRINT, 1988

Cindy Sherman "For Chicago" Chromogenic print. 1986. This large-scale color photograph is a fantastic example of Sherman’s most audacious and experimental period of art-making. It presents a dark dream world, like looking into the depths of a snow globe. Cindy Sherman "For Chicago" Chromogenic print. 1986. This large-scale color photograph is a fantastic example of Sherman’s most audacious and experimental period of art-making. It presents a dark dream world, like looking into the depths of a snow globe.
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CINDY SHERMAN "FOR CHICAGO" CHROMOGENIC PRINT, 1986

Herb Ritts "Stefano Seated" Platinum print photograph, 1985. “Stefano Seated” is a wonderful example of Ritts’ ability to capture polished intimacy. The subject appears relaxed in the nude yet holds a modelesque grace posing with awareness of the camera. Like many Ritts photographs, this print is expertly rendered in contrasting tones of black and white.Herb Ritts "Stefano Seated" Platinum print photograph, 1985. “Stefano Seated” is a wonderful example of Ritts’ ability to capture polished intimacy. The subject appears relaxed in the nude yet holds a modelesque grace posing with awareness of the camera. Like many Ritts photographs, this print is expertly rendered in contrasting tones of black and white.
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HERB RITTS "STEFANO SEATED" PLATINUM PRINT PHOTOGRAPH, 1985

Jean Paul Riopelle, Canadian Post War Abstract Painter, "Cervidé" 1979 Lithograph Signed by artist, bottom right 19.5"H 16"W (work) 16.5"H 13"W (framed) Very good condition.Jean Paul Riopelle, Canadian Post War Abstract Painter, "Cervidé" 1979 Lithograph Signed by artist, bottom right 19.5"H 16"W (work) 16.5"H 13"W (framed) Very good condition.
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JEAN-PAUL RIOPELLE "CERVIDÉ" LITHOGRAPH, 1979

YVES GAUCHER "FUGUE JUANE" RELIEF PRINT, 1963YVES GAUCHER "FUGUE JUANE" RELIEF PRINT, 1963
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YVES GAUCHER "FUGUE JUANE" RELIEF PRINT, 1963

Kazuo Nakamura, Canadian Art Painters Eleven, "Untitled" Canada, 1957 Oil over string on 1/4 hardwood Signed by artist, bottom left 9"H 6"W (work) 9.5"H 6.75"W (framed) Very good condition.Kazuo Nakamura, Canadian Art Painters Eleven, "Untitled" Canada, 1957 Oil over string on 1/4 hardwood Signed by artist, bottom left 9"H 6"W (work) 9.5"H 6.75"W (framed) Very good condition.
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KAZUO NAKAMURA "UNTITLED" , 1957

In 1972, famous woman artist Louise Nevelson creates a suite of six prints for her Lead Intaglio series. The works in this series feature thin, embossed lead plates on CM Fabriano paper.In 1972, famous woman artist Louise Nevelson creates a suite of six prints for her Lead Intaglio series. The works in this series feature thin, embossed lead plates on CM Fabriano paper.
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LOUISE NEVELSON "NIGHT TREE" 1972

Louise Nevelson, American Art, "The Great Wall” Italy, 1970 Embossed lead on CM Fabriano paper Signed, titled, dated and numbered by the artist From an edition of 150 29.25"H 24.5"W (work) 30.25"H 25.5"W (framed) Published by Pace Editions, Inc. Very good condition. Note: the surface of this work has oxidized over time. Detailed condition report upon request. Original frame as issued (very good condition). Original Louise Nevelson Art for sale at Caviar20 Art Gallery TorontoLouise Nevelson, American Art, "The Great Wall” Italy, 1970 Embossed lead on CM Fabriano paper Signed, titled, dated and numbered by the artist From an edition of 150 29.25"H 24.5"W (work) 30.25"H 25.5"W (framed) Published by Pace Editions, Inc. Very good condition. Note: the surface of this work has oxidized over time. Detailed condition report upon request. Original frame as issued (very good condition). Original Louise Nevelson Art for sale at Caviar20 Art Gallery Toronto
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LOUISE NEVELSON "THE GREAT WALL" 1970

Edward Burtynsky, Canadian Contemporary Art, "Shipwreck #49" 2001, Bangladesh Giclée color print Signed by the artist, bottom right From an edition of 100 8.5"H 11"W (image) 11.25"H 14.75"W (sheet) Very good conditionEdward Burtynsky, Canadian Contemporary Art, "Shipwreck #49" 2001, Bangladesh Giclée color print Signed by the artist, bottom right From an edition of 100 8.5"H 11"W (image) 11.25"H 14.75"W (sheet) Very good condition
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EDWARD BURTYNSKY "SHIPBREAKING #49", 2001

Jack Chambers, Canadian Art, "Study of a Young Boy in Sweater" Spain, 1958 Graphite on paper Signed and dated by artist 19"H 11.5"W (work) 26.75"H 18.25"W (framed) Very good condition.Jack Chambers, Canadian Art, "Study of a Young Boy in Sweater" Spain, 1958 Graphite on paper Signed and dated by artist 19"H 11.5"W (work) 26.75"H 18.25"W (framed) Very good condition.
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JACK CHAMBERS "STUDY OF A YOUNG BOY" GRAPHITE ON PAPER, 1958

Jack Chambrs, Canadian Art, "Olga at the South Pole" Canada, 1965 Ink on paper 12"H 17.5"W (work) 18.75"H 23.75"W (framed) Very good condition.Jack Chambrs, Canadian Art, "Olga at the South Pole" Canada, 1965 Ink on paper 12"H 17.5"W (work) 18.75"H 23.75"W (framed) Very good condition.
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JACK CHAMBERS "OLGA AT THE SOUTH POLE" INK ON PAPER, 1965

JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971
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JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971

Joanne Tod, Canadian Art, “Bar Nunn, Wyoming” Canada, 2022 Watercolor on cold pressed Arches paper Signed verso 10"H 14"W (work) 14.75"H 18.5"W (framed) Very good conditionJoanne Tod, Canadian Art, “Bar Nunn, Wyoming” Canada, 2022 Watercolor on cold pressed Arches paper Signed verso 10"H 14"W (work) 14.75"H 18.5"W (framed) Very good condition
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JOANNE TOD “BAR NUNN, WYOMING” WATERCOLOR, 2022

Takao Tanabe, Canadian Art, "Untitled" Canada, 1958 Casein on board Signed and dated by the artist 21.75"H 29.75"W (work) 27.25"H 32.25"W (framed) Framed with museum glass Very good condition.Takao Tanabe, Canadian Art, "Untitled" Canada, 1958 Casein on board Signed and dated by the artist 21.75"H 29.75"W (work) 27.25"H 32.25"W (framed) Framed with museum glass Very good condition.
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TAKAO TANABE "UNTITLED" CASEIN ON BOARD, 1958

Jack Bush, Canadian Art, "Jeté en L'air" Serigraph Canada, 1974 Signed, dated, and numbered by the artist From an edition of 100 26.5”H 36.5”W (work) 35.75"H 45.75"W (framed) Framed with museum glass Very good conditionJack Bush, Canadian Art, "Jeté en L'air" Serigraph Canada, 1974 Signed, dated, and numbered by the artist From an edition of 100 26.5”H 36.5”W (work) 35.75"H 45.75"W (framed) Framed with museum glass Very good condition
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JACK BUSH "JETÉ EN L’AIR" SERIGRAPH, 1976

Edward Burtynsky, Canadian Art, "Rock of Ages #14, Abandoned Granite Section, E.L. Smith Quarry, Barre, Vermont" Chromogenic print, 1992 Signed by the artist in ink with printed title, date, and edition AP1 on an artist's label on verso 40"H 50"W (work) 49"H 59"W (framed) From an edition of 5 Very good condition.Edward Burtynsky, Canadian Art, "Rock of Ages #14, Abandoned Granite Section, E.L. Smith Quarry, Barre, Vermont" Chromogenic print, 1992 Signed by the artist in ink with printed title, date, and edition AP1 on an artist's label on verso 40"H 50"W (work) 49"H 59"W (framed) From an edition of 5 Very good condition.
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EDWARD BURTYNSKY "ROCK OF AGES #14, VERMONT" 1992

Harold Town, "Rudolph Valentino" Canada, 1970 Black and white lithograph From an edition of 50 Signed and dated by artist, top left. 20"H 13.75"W (work) 26.25"H 20.25"W (framed) Very good condition. Provenance: the Estate of Harold TownHarold Town, "Rudolph Valentino" Canada, 1970 Black and white lithograph From an edition of 50 Signed and dated by artist, top left. 20"H 13.75"W (work) 26.25"H 20.25"W (framed) Very good condition. Provenance: the Estate of Harold Town
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HAROLD TOWN "RUDOLPH VALENTINO" LITHOGRAPH, 1970

MICHAEL SNOW "WALKING WOMAN #14" GRAPHITE ON PAPER, 1963Michael Snow "Walking Woman #14" Graphite on paper. 1963. Snow uses a frottage technique which is executed by using an ancient technique of rubbing charcoal (or in this case graphite) over a rough or textured surface, like a frieze or tomb, to create a drawing or representation.
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MICHAEL SNOW "WALKING WOMAN #14" GRAPHITE ON PAPER, 1963

MARY PRATT "EVISCERATED CHICKENS" DRAWING, 1971Mary Pratt "Study for Eviscerated Chickens" Drawing, 1971. Pencil on paper. Mary Pratt portrays the obscenities of domestic life by rendering entrails of a raw chicken. A boisterous floral wallpaper serves as a lively backdrop to this otherwise grotesque scene.
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MARY PRATT "EVISCERATED CHICKENS" DRAWING, 1971

David Hockney, "Yves-Marie Hervé", London, 1974. Lithograph on Arches paper. Artist proof. David Hockney seated portrait.David Hockney, "Yves-Marie Hervé", London, 1974. Lithograph on Arches paper. Artist proof. David Hockney seated portrait.
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DAVID HOCKNEY "YVES-MARIE HERVÉ" LITHOGRAPH, 1974

CHRISTOPHER PRATT "GIRL WITH STRIPED TOWEL" DRAWING, 1973Christopher Pratt, "Girl with Striped Towel," Canada, 1972, Graphite on paper, Signed, dated, and titled by the artist. 20.75"H 10"W (visible) 28.5"H 17.25"W (framed) , Very good condition.
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CHRISTOPHER PRATT "GIRL WITH STRIPED TOWEL" DRAWING, 1973

Alex Colville, "Study for Woman Carrying Canoe" Canada, 1972 Pen, wash, and acrylic Signed and dated bottom right 9.75"H 12.75"W (sheet) 23.25"H 24.5"W (framed) Fischer Fine Art Ltd (London, UK) label verso Very good condition.Alex Colville, "Study for Woman Carrying Canoe" Canada, 1972 Pen, wash, and acrylic Signed and dated bottom right 9.75"H 12.75"W (sheet) 23.25"H 24.5"W (framed) Fischer Fine Art Ltd (London, UK) label verso Very good condition.
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ALEX COLVILLE "STUDY FOR WOMAN CARRYING CANOE" 1972

Andy Warhol artwork for sale, Untitled "Seated Gentleman" USA, circa 1950s Black ballpoint pen on manila paper Signed by artist, bottom left Stamped on verso by the Estate of Andy Warhol and the Andy Warhol Art Authentication Board, Inc. and numbered on the reverse. 16.5"H 13.75"W (work) Very good condition. Provenance: The Estate of Andy WarholAndy Warhol artwork for sale, Untitled "Seated Gentleman" USA, circa 1950s Black ballpoint pen on manila paper Signed by artist, bottom left Stamped on verso by the Estate of Andy Warhol and the Andy Warhol Art Authentication Board, Inc. and numbered on the reverse. 16.5"H 13.75"W (work) Very good condition. Provenance: The Estate of Andy Warhol
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ANDY WARHOL "SEATED GENTLEMAN" DRAWING, c. 1950s

Christiane Pflug, "From Carol's Window," Canada, 1962, Pencil on paper, Signed and dated by the artist, 9.5"H 12.5"W (work) 20"H 21.75"W (framed), Very good conditionChristiane Pflug, "From Carol's Window," Canada, 1962, Pencil on paper, Signed and dated by the artist, 9.5"H 12.5"W (work) 20"H 21.75"W (framed), Very good condition
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CHRISTIANE PFLUG "FROM CAROL'S WINDOW" 1962

Brian Jones "Looking Through" Pencil on paper. 1972. Pencil drawing by Brian Jones, serving as a small study for a larger painting.Brian Jones "Looking Through" Pencil on paper. 1972. Pencil drawing by Brian Jones, serving as a small study for a larger painting.
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BRIAN JONES "LOOKING THROUGH" PENCIL ON PAPER, 1972

Alex Colville, Canadian Artist, "Border Collie" Canada, 1973 Silkscreen printed in color Signed, dated, and numbered bottom right From an edition of 500 4.75"H 4.75"W (sheet) Very good condition. Michael Bell, Colville, Being Seen, The Serigraphs, Carleton University Art Gallery, Ottawa, 1994, p. 42 for Border Collie, reproducedAlex Colville, Canadian Artist, "Border Collie" Canada, 1973 Silkscreen printed in color Signed, dated, and numbered bottom right From an edition of 500 4.75"H 4.75"W (sheet) Very good condition. Michael Bell, Colville, Being Seen, The Serigraphs, Carleton University Art Gallery, Ottawa, 1994, p. 42 for Border Collie, reproduced
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ALEX COLVILLE "BORDER COLLIE" SILKSCREEN, 1973

JOYCE WIELAND "SLEEPING GODDESS" DRAWING, 1982"Sleeping Goddess (Study for Venus of Scarborough)" Canada, 1982 Colored pencil on paper Signed, dated, and titled with an inscription by the artist 15"H 22"W (work) Very good condition
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JOYCE WIELAND "SLEEPING GODDESS" DRAWING, 1982

Louise Nevelson "Winter Chord" Mixed media sculpture, 1975. Wood sculpture painted black with unique recesses and curvatures that expose geometric shapes within the form. Louise Nevelson "Winter Chord" Mixed media sculpture, 1975. Wood sculpture painted black with unique recesses and curvatures that expose geometric shapes within the form.
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LOUISE NEVELSON "WINTER CHORD" SCULPTURE, 1975

KOSSO ELOUL "LEANOT", 1980KOSSO ELOUL "LEANOT", 1980
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KOSSO ELOUL "LEANOT", 1980

MARY PRATT "PEACHES IN A PLASTIC POT" COLOR WOODCUT, 1995MARY PRATT "PEACHES IN A PLASTIC POT" COLOR WOODCUT, 1995
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MARY PRATT "PEACHES IN A PLASTIC POT" COLOR WOODCUT, 1995

MICHAEL SNOW "WALKING WOMAN FOLDAGE" MIXED MEDIA, 1965Michael Snow "Walking Woman Foldage" Mixed media, 1965. This work features four panels, each adorn with Snow's iconic walking woman silhouette. The panels are folded asymmetrically and sporadically spray painted blue, creating the illusion of movement.
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MICHAEL SNOW "WALKING WOMAN FOLDAGE" MIXED MEDIA, 1965

"Untitled" Canada, 1956 Silkscreen on paper Signed, dated, and numbered by artist From an edition of 90 30"H 24"W (work) Very good condition"Untitled" Canada, 1956 Silkscreen on paper Signed, dated, and numbered by artist From an edition of 90 30"H 24"W (work) Very good condition
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GUIDO MOLINARI "NOIR/BLANC" SCREENPRINT, 1956

"My Girlfriend Ophelia: The Cream of Denmark" Canada, 2013 Encaustic on canvas 42"H 48"W Signed, titled, and dated verso Very good condition."My Girlfriend Ophelia: The Cream of Denmark" Canada, 2013 Encaustic on canvas 42"H 48"W Signed, titled, and dated verso Very good condition.
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TONY SCHERMAN "MY GIRLFRIEND OPHELIA" 2013

Joyce Wieland "The Arctic Belongs to Itself" Lithograph, 1973. Canadian artist uses red lipstick pressed onto a lithographic stone to create a series of lipstick stains that mouth the words "The Arctic Belongs to Itself".Joyce Wieland "The Arctic Belongs to Itself" Lithograph, 1973. Canadian artist uses red lipstick pressed onto a lithographic stone to create a series of lipstick stains that mouth the words "The Arctic Belongs to Itself".
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JOYCE WIELAND "THE ARCTIC BELONGS TO ITSELF" LITHOGRAPH, 1973