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JOSEF ALBERS "THE MET" SCREENPRINT, 1971JOSEF ALBERS "THE MET" SCREENPRINT, 1971
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JOSEF ALBERS "THE MET" SCREENPRINT, 1971

HELEN FRANKENTHALER "A LITTLE ZEN" COLOR POCHOIR, 1970HELEN FRANKENTHALER "A LITTLE ZEN" COLOR POCHOIR, 1970
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HELEN FRANKENTHALER "A LITTLE ZEN" COLOR POCHOIR, 1970

ANDY WARHOL "FOOT WITH STRAWBERRIES" DRAWING, c.1950sANDY WARHOL "FOOT WITH STRAWBERRIES" DRAWING, c.1950s
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ANDY WARHOL "FOOT WITH STRAWBERRIES" DRAWING, c.1950s

SOL LEWITT "SUNSHINE TILE" CERAMIC, 1985SOL LEWITT "SUNSHINE TILE" CERAMIC, 1985
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SOL LEWITT "SUNSHINE TILE" CERAMIC, 1985

Andy Warhol and Keith Haring collaboration for "Montreaux Jazz Festival" 1986. available art for sale at Fine Art Gallery Caviar20Andy Warhol and Keith Haring collaboration for "Montreaux Jazz Festival" 1986. available art for sale at Fine Art Gallery Caviar20
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ANDY WARHOL "MONTREUX-DETROIT JAZZ FESTIVAL" SCREENPRINT, 1986

Andy Warhol "La Grande Passion" 1984. Pop art. Fine art Toronto.Andy Warhol "La Grande Passion" 1984. Pop art. Fine art Toronto.
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ANDY WARHOL "LA GRANDE PASSION" LITHO, 1984

ROY LICHTENSTEIN "WHAAM!" DIPTYCH LITHO, 1986ROY LICHTENSTEIN "WHAAM!" DIPTYCH LITHO, 1986
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ROY LICHTENSTEIN "WHAAM!" DIPTYCH LITHO, 1986

William Perehudoff, "Color Field Study in Red" (aka "Red Dawn") Gouache on paper Signed and dated 79 by the artist, bottom right 22.5"H 30"W (work) 25.75"H 33.25"W (framed) Very good condition Provenance: The Collection of Theo Waddington (London, UK), Fine Art Gallery Resale Gallery Caviar20 TorontoWilliam Perehudoff, "Color Field Study in Red" (aka "Red Dawn") Gouache on paper Signed and dated 79 by the artist, bottom right 22.5"H 30"W (work) 25.75"H 33.25"W (framed) Very good condition Provenance: The Collection of Theo Waddington (London, UK), Fine Art Gallery Resale Gallery Caviar20 Toronto
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WILLIAM PEREHUDOFF, "COLOUR FIELD STUDY IN RED" (aka "RED DAWN")

Cindy Sherman "Untitled #392" Gelatin silver print. 1976. Fine art Toronto.Cindy Sherman "Untitled #392" Gelatin silver print. 1976. Fine art Toronto.
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CINDY SHERMAN "UNTITLED #392" , 1976

ELLSWORTH KELLY "RED BLUE" , 1964Ellsworth Kelly "Red Blue" Screenprint, 1964.
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ELLSWORTH KELLY "RED BLUE" , 1964

$5,500
Marcel Dzama original drawing. Ink and watercolor, 2009.Marcel Dzama original drawing. Ink and watercolor, 2009.
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MARCEL DZAMA “OVERHEAD PORTÉ” DRAWING, 2009

Marcel Dzama original drawing. Ink and watercolor, circa 2000s.Marcel Dzama original drawing. Ink and watercolor, circa 2000s.
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MARCEL DZAMA “WHO'S THAT GIRL” DRAWING, c.2000s

Gershon Iskowitz watercolor painting, 1977. This painting joyfully presents large merging forms of his favorite colors of the era; navy blue and aqua, lemon yellow, and cinnabar red. The entire surface is nearly taken over by these swelling bursts of color, a true celebration of color and medium.Gershon Iskowitz watercolor painting, 1977. This painting joyfully presents large merging forms of his favorite colors of the era; navy blue and aqua, lemon yellow, and cinnabar red. The entire surface is nearly taken over by these swelling bursts of color, a true celebration of color and medium.
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GERSHON ISKOWITZ "SERENADE" WATERCOLOR, 1977

Charles Pachter expressionist portrait completed in 1962. This is an early example from the artist's ouevre.Charles Pachter expressionist portrait completed in 1962. This is an early example from the artist's ouevre.
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CHARLES PACHTER "FACE" SERIGRAPH, 1962

Elisabeth Frink, "Horse and Rider III" 1970 Lithograph Signed and numbered by artist, bottom right From an edition of 70 20"H 30"W (work) Framed with museum glass Very good condition, Caviar20 Fine Art Gallery TorontoElisabeth Frink, "Horse and Rider III" 1970 Lithograph Signed and numbered by artist, bottom right From an edition of 70 20"H 30"W (work) Framed with museum glass Very good condition, Caviar20 Fine Art Gallery Toronto
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ELISABETH FRINK "HORSE AND RIDER III" LITHOGRAPH, 1970

Elisabeth Frink, "Horse and Rider II" 1970 Lithograph Signed and numbered by artist, bottom right From an edition of 70 20"H 30"W (work) Framed with museum glass Very good condition, Caviar20 Fine Art Gallery TorontoElisabeth Frink, "Horse and Rider II" 1970 Lithograph Signed and numbered by artist, bottom right From an edition of 70 20"H 30"W (work) Framed with museum glass Very good condition, Caviar20 Fine Art Gallery Toronto
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ELISABETH FRINK "HORSE AND RIDER II" LITHOGRAPH, 1970

Charles Pachter "The Medium" 1962. Expressionist portrait, an early example from the artist's ouevre.Charles Pachter "The Medium" 1962. Expressionist portrait, an early example from the artist's ouevre.
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CHARLES PACHTER "THE MEDIUM" LITHOGRAPH, 1966

CHARLES PACHTER "MOLLY JOHNSON" SERIGRAPH, 1986CHARLES PACHTER "MOLLY JOHNSON" SERIGRAPH, 1986
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CHARLES PACHTER "MOLLY JOHNSON" SERIGRAPH, 1986

Charles Pachter barn painting featuring a rich palette of royal blue, turquoise, navy, cornflower, and a hint of salmon to depict a broad swath of sky. Completed in 2004.Charles Pachter barn painting featuring a rich palette of royal blue, turquoise, navy, cornflower, and a hint of salmon to depict a broad swath of sky. Completed in 2004.
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CHARLES PACHTER "HORIZON BARN" PAINTING, 2004

Robert Rauschenberg "Sky Rite (Stoned Moon0" Lithograph, 1969.Robert Rauschenberg "Sky Rite (Stoned Moon0" Lithograph, 1969.
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ROBERT RAUSCHENBERG "SKY RITE (STONED MOON)" LITHOGRAPH, 1969

Elisabeth Frink, "Horse and Rider I" 1970 Lithograph Signed and numbered by artist, bottom right From an edition of 70 20"H 30"W (work) Framed with museum glass, Caviar20 Art Gallery TorontoElisabeth Frink, "Horse and Rider I" 1970 Lithograph Signed and numbered by artist, bottom right From an edition of 70 20"H 30"W (work) Framed with museum glass, Caviar20 Art Gallery Toronto
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ELISABETH FRINK "HORSE AND RIDER I" LITHOGRAPH, 1970

EDWARD BURTYNSKY "DRYLAND FARMING #28, ARAGON SPAIN, 2010"EDWARD BURTYNSKY "DRYLAND FARMING #28, ARAGON SPAIN, 2010"
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EDWARD BURTYNSKY "DRYLAND FARMING #28, ARAGON SPAIN, 2010"

Louise Nevelson "American Book Award" Painted wood multiple. 1980.Louise Nevelson "American Book Award" Painted wood multiple. 1980.
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LOUISE NEVELSON "AMERICAN BOOK AWARD" SCULPTURE, 1980

Louise Nevelson "Night Blossom" Painted wood multiple, 1973.Louise Nevelson "Night Blossom" Painted wood multiple, 1973.
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LOUISE NEVELSON "NIGHT BLOSSOM", 1973

Original art, Harold Town Painters Eleven, "Untitled" Canada, 1979 Gouache and ink on paper Signed and dated by the artist, top left 8"H 12.5"W (work) 9"H 13.75"W (framed) Very good condition. Caviar20 Toronto Art GalleryOriginal art, Harold Town Painters Eleven, "Untitled" Canada, 1979 Gouache and ink on paper Signed and dated by the artist, top left 8"H 12.5"W (work) 9"H 13.75"W (framed) Very good condition. Caviar20 Toronto Art Gallery
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HAROLD TOWN "TOY HORSE" GOUACHE ON PAPER, 1979

Original Artwork, Abstract Expressionism, Frank Stella, "Gezira" from Black Series II USA, 1967 Lithograph Signed, numbered and dated by the artist Labelled AP aside from an edition of 100 15"H 21.75"W (work) Very good condition. Printed by Gemini G.E.L., Los Angeles, Toronto Fine Art Gallery Caviar20Original Artwork, Abstract Expressionism, Frank Stella, "Gezira" from Black Series II USA, 1967 Lithograph Signed, numbered and dated by the artist Labelled AP aside from an edition of 100 15"H 21.75"W (work) Very good condition. Printed by Gemini G.E.L., Los Angeles, Toronto Fine Art Gallery Caviar20
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FRANK STELLA "GEZIRA" LITHOGRAPH, 1967

CINDY SHERMAN "UNTITLED FILM STILL #59" PHOTOGRAPH, 1980CINDY SHERMAN "UNTITLED FILM STILL #59" PHOTOGRAPH, 1980
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CINDY SHERMAN "UNTITLED FILM STILL #59" PHOTOGRAPH, 1980

Original Mickalene Thomas Artwork "Untitled" (Black is Beautiful) USA, 2017 Inkjet print Signed and numbered by the artist From an edition of 100 14"H 11"W (work) 17"H 14"W (framed) Framed with museum glass Excellent condition Published by Nazraeli Press, Netherlands Note: a copy of Mickalene Thomas' 2018 book, "Black is Beautiful" is included with the print. Caviar20 Art GalleryOriginal Mickalene Thomas Artwork "Untitled" (Black is Beautiful) USA, 2017 Inkjet print Signed and numbered by the artist From an edition of 100 14"H 11"W (work) 17"H 14"W (framed) Framed with museum glass Excellent condition Published by Nazraeli Press, Netherlands Note: a copy of Mickalene Thomas' 2018 book, "Black is Beautiful" is included with the print. Caviar20 Art Gallery
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MICKALENE THOMAS "BLACK IS BEAUTIFUL" 2017

RAY MEAD "JAM" COLLAGE, 1982RAY MEAD "JAM" COLLAGE, 1982
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RAY MEAD "JAM" COLLAGE, 1982

JEAN McEWEN "UNTITLED" WATERCOLOR, 1989JEAN McEWEN "UNTITLED" WATERCOLOR, 1989
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JEAN McEWEN "UNTITLED" WATERCOLOR, 1989

WILLEM DE KOONING "FIGURES IN A LANDSCAPE VI" LITHOGRAPH, 1980WILLEM DE KOONING "FIGURES IN A LANDSCAPE VI" LITHOGRAPH, 1980
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WILLEM DE KOONING "FIGURES IN A LANDSCAPE VI" LITHOGRAPH, 1980

ANDY WARHOL "GREENGAGES A LA WARHOL" LITHOGRAPH, 1959ANDY WARHOL "GREENGAGES A LA WARHOL" LITHOGRAPH, 1959
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ANDY WARHOL "GREENGAGES A LA WARHOL" LITHOGRAPH, 1959

ANDY WARHOL "BAKED HAWAII" LITHOGRAPH, 1959ANDY WARHOL "BAKED HAWAII" LITHOGRAPH, 1959
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ANDY WARHOL "BAKED HAWAII" LITHOGRAPH, 1959

ANDY WARHOL "SALADE DE ALF LANDON", 1959ANDY WARHOL "SALADE DE ALF LANDON", 1959
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ANDY WARHOL "SALADE DE ALF LANDON", 1959

Original Canadian Art, Scott McFarland, “Opuntia Tomentosa” 2006 Digital pigment print From an edition of 3 Signed in ink, titled, dated by the artist, verso. 13"H 16.25”W (image) 24.5”H 27.25”W (framed) Excellent condition.Original Canadian Art, Scott McFarland, “Opuntia Tomentosa” 2006 Digital pigment print From an edition of 3 Signed in ink, titled, dated by the artist, verso. 13"H 16.25”W (image) 24.5”H 27.25”W (framed) Excellent condition.
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SCOTT MCFARLAND "OPUNTIA TOMENTOSA" 2006

ANDY WARHOL "A + P SURPRISE" LITHOGRAPH, 1959ANDY WARHOL "A + P SURPRISE" LITHOGRAPH, 1959
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ANDY WARHOL "A + P SURPRISE" LITHOGRAPH, 1959

Original Ellsworth Kelly, American Art, Minimalism, "Vivian Beaumont Theatre, Lincoln Centre" USA, 1965 Lithograph on Rives BFK paper Signed and annotated in pencil, lower edge A.P. aside from an edition of 100 41.5"H 26"W (work) 43.75"H 28.5"W (framed) Very good conditionOriginal Ellsworth Kelly, American Art, Minimalism, "Vivian Beaumont Theatre, Lincoln Centre" USA, 1965 Lithograph on Rives BFK paper Signed and annotated in pencil, lower edge A.P. aside from an edition of 100 41.5"H 26"W (work) 43.75"H 28.5"W (framed) Very good condition
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ELLSWORTH KELLY "VIVIAN BEAUMONT THEATER" LITHOGRAPH, 1965

LOUISE NEVELSON "SKY FIGURES", 1977Original Louise Nevelson artwork available for sale, "Sky Figures" USA, 1977 Etching, aquatint, and collage Signed, numbered, and titled by the artist. From an edition of 20 29.5"H 22.25"W (work) 33"H 25.25"W (framed) Framed with museum glass Very good condition Original Louise Nevelson Art for sale at Caviar20 Art Gallery Toronto
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LOUISE NEVELSON "SKY FIGURES", 1977

Original Jack Bush art for sale, Canadian Art, "The Searcher" Canada, 1952 Oil on masonite Signed and dated by artist, bottom right 17.25"H 25"W (work) Framed Very good condition Provenance: Estate of Jack BushOriginal Jack Bush art for sale, Canadian Art, "The Searcher" Canada, 1952 Oil on masonite Signed and dated by artist, bottom right 17.25"H 25"W (work) Framed Very good condition Provenance: Estate of Jack Bush
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JACK BUSH "THE SEARCHER" OIL ON MASONITE, 1952

HELEN FRANKENTHALER "FLIRT" SCREENPRINT, 1995HELEN FRANKENTHALER "FLIRT" SCREENPRINT, 1995
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HELEN FRANKENTHALER "FLIRT" SCREENPRINT, 1995

George Earl Ortman "Peace" (from the Peace Portfolio I) 1970 SilkscreenGeorge Earl Ortman "Peace" (from the Peace Portfolio I) 1970 Silkscreen
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GEORGE EARL ORTMAN "PEACE PORTFOLIO" SILKSCREEN, 1970

Ibram Lassaw "Peace" (from the Peace Portfolio I), 1970. Silkscreen. A pioneer of abstract sculpture, Lassaw is celebrated for his distinct use of negative space, creating intricate maze-like compositions that seemingly defy gravity.Ibram Lassaw "Peace" (from the Peace Portfolio I), 1970. Silkscreen. A pioneer of abstract sculpture, Lassaw is celebrated for his distinct use of negative space, creating intricate maze-like compositions that seemingly defy gravity.
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IBRAM LASSAW "PEACE PORTFOLIO" SILKSCREEN, 1970

Kent Monkman "Weesageechak Teaches Hermes How to Trick the Four Leggeds" Acrylic on canvas. 2010.Kent Monkman "Weesageechak Teaches Hermes How to Trick the Four Leggeds" Acrylic on canvas. 2010.
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KENT MONKMAN "HOW TO TRICK THE FOUR-LEGGEDS", 2010

Scott McFarland is the most successful conceptual photographer from the third generation of artists associated with “The Vancouver School.” During his bachelor’s in visual art at UBC, McFarland studied alongside acclaimed artists such as Roy Arden and Liz Magor and worked as a studio assistant to Jeff Wall. McFarland’s large-scale photographs are compilations of multiple digital images printed within a single frame.Scott McFarland is the most successful conceptual photographer from the third generation of artists associated with “The Vancouver School.” During his bachelor’s in visual art at UBC, McFarland studied alongside acclaimed artists such as Roy Arden and Liz Magor and worked as a studio assistant to Jeff Wall. McFarland’s large-scale photographs are compilations of multiple digital images printed within a single frame.
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SCOTT MCFARLAND "ALOE PRINCIPIS" 2006

Sam Francis, Damp, Lithograph, 1969, While Francis is stylistically associated with the second generation of abstract expressionist painters (like Helen Frankenthaler) he spent most of the 1950s moving around and working/exhibiting in places including Paris, Mexico City, New York City, and Switzerland. As a result, he is somewhat independent of the collectives and "isms" that are normally used to describe post-war abstraction.Sam Francis, Damp, Lithograph, 1969, While Francis is stylistically associated with the second generation of abstract expressionist painters (like Helen Frankenthaler) he spent most of the 1950s moving around and working/exhibiting in places including Paris, Mexico City, New York City, and Switzerland. As a result, he is somewhat independent of the collectives and "isms" that are normally used to describe post-war abstraction.
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SAM FRANCIS "DAMP" LITHOGRAPH, 1969

An active and devoted printmaker, Alex Katz typically creates portraits and landscapes: subjects that he is personally connected to such as Soho cityscapes, the flora of rural Maine, and the people in his life. In 1957, Katz would meet his future wife "Ada" - over the course of the last fifty years, he has depicted her over 200 times. She is the most iconic subject in his oeuvre and is depicted with affection, sincerity, and devotion. An active and devoted printmaker, Alex Katz typically creates portraits and landscapes: subjects that he is personally connected to such as Soho cityscapes, the flora of rural Maine, and the people in his life. In 1957, Katz would meet his future wife "Ada" - over the course of the last fifty years, he has depicted her over 200 times. She is the most iconic subject in his oeuvre and is depicted with affection, sincerity, and devotion.
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ALEX KATZ "OLYMPIC SWIMMER" SCREENPRINT, 1976

JIM DINE "HEART II" LITHOGRAPH, 1970JIM DINE "HEART II" LITHOGRAPH, 1970
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JIM DINE "HEART II" LITHOGRAPH, 1970

David Hockney, Sunflowers. Flowers are an essential and recurring motif throughout the artist's oeuvre. His fresh, vased arrangments highlight the simple pleasures and contentment of domestic life. In the 1990s, the artist made a slight diversion to focus on sunflowers. While the subject is rich with reference to titans such as Van Gogh, Monet, and Vermeer, Hockney's sunflowers are distinctly poignant, serving as a symbol of impermanence during a period of profound personal loss.David Hockney, Sunflowers. Flowers are an essential and recurring motif throughout the artist's oeuvre. His fresh, vased arrangments highlight the simple pleasures and contentment of domestic life. In the 1990s, the artist made a slight diversion to focus on sunflowers. While the subject is rich with reference to titans such as Van Gogh, Monet, and Vermeer, Hockney's sunflowers are distinctly poignant, serving as a symbol of impermanence during a period of profound personal loss.
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DAVID HOCKNEY "SUNFLOWERS II" ETCHING, 1995