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ANDY WARHOL "GREENGAGES A LA WARHOL" LITHOGRAPH, 1959ANDY WARHOL "GREENGAGES A LA WARHOL" LITHOGRAPH, 1959
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ANDY WARHOL "GREENGAGES A LA WARHOL" LITHOGRAPH, 1959

ANDY WARHOL "BAKED HAWAII" LITHOGRAPH, 1959ANDY WARHOL "BAKED HAWAII" LITHOGRAPH, 1959
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ANDY WARHOL "BAKED HAWAII" LITHOGRAPH, 1959

ANDY WARHOL "SALADE DE ALF LANDON", 1959ANDY WARHOL "SALADE DE ALF LANDON", 1959
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ANDY WARHOL "SALADE DE ALF LANDON", 1959

Original Canadian Art, Scott McFarland, “Opuntia Tomentosa” 2006 Digital pigment print From an edition of 3 Signed in ink, titled, dated by the artist, verso. 13"H 16.25”W (image) 24.5”H 27.25”W (framed) Excellent condition.Original Canadian Art, Scott McFarland, “Opuntia Tomentosa” 2006 Digital pigment print From an edition of 3 Signed in ink, titled, dated by the artist, verso. 13"H 16.25”W (image) 24.5”H 27.25”W (framed) Excellent condition.
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SCOTT MCFARLAND "OPUNTIA TOMENTOSA" 2006

ANDY WARHOL "A + P SURPRISE" LITHOGRAPH, 1959ANDY WARHOL "A + P SURPRISE" LITHOGRAPH, 1959
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ANDY WARHOL "A + P SURPRISE" LITHOGRAPH, 1959

Original Ellsworth Kelly, American Art, Minimalism, "Vivian Beaumont Theatre, Lincoln Centre" USA, 1965 Lithograph on Rives BFK paper Signed and annotated in pencil, lower edge A.P. aside from an edition of 100 41.5"H 26"W (work) 43.75"H 28.5"W (framed) Very good conditionOriginal Ellsworth Kelly, American Art, Minimalism, "Vivian Beaumont Theatre, Lincoln Centre" USA, 1965 Lithograph on Rives BFK paper Signed and annotated in pencil, lower edge A.P. aside from an edition of 100 41.5"H 26"W (work) 43.75"H 28.5"W (framed) Very good condition
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ELLSWORTH KELLY "VIVIAN BEAUMONT THEATER" LITHOGRAPH, 1965

LOUISE NEVELSON "SKY FIGURES", 1977Original Louise Nevelson artwork available for sale, "Sky Figures" USA, 1977 Etching, aquatint, and collage Signed, numbered, and titled by the artist. From an edition of 20 29.5"H 22.25"W (work) 33"H 25.25"W (framed) Framed with museum glass Very good condition Original Louise Nevelson Art for sale at Caviar20 Art Gallery Toronto
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LOUISE NEVELSON "SKY FIGURES", 1977

HELEN FRANKENTHALER "FLIRT" SCREENPRINT, 1995HELEN FRANKENTHALER "FLIRT" SCREENPRINT, 1995
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HELEN FRANKENTHALER "FLIRT" SCREENPRINT, 1995

George Earl Ortman "Peace" (from the Peace Portfolio I) 1970 SilkscreenGeorge Earl Ortman "Peace" (from the Peace Portfolio I) 1970 Silkscreen
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GEORGE EARL ORTMAN "PEACE PORTFOLIO" SILKSCREEN, 1970

Ibram Lassaw "Peace" (from the Peace Portfolio I), 1970. Silkscreen. A pioneer of abstract sculpture, Lassaw is celebrated for his distinct use of negative space, creating intricate maze-like compositions that seemingly defy gravity.Ibram Lassaw "Peace" (from the Peace Portfolio I), 1970. Silkscreen. A pioneer of abstract sculpture, Lassaw is celebrated for his distinct use of negative space, creating intricate maze-like compositions that seemingly defy gravity.
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IBRAM LASSAW "PEACE PORTFOLIO" SILKSCREEN, 1970

Kent Monkman "Weesageechak Teaches Hermes How to Trick the Four Leggeds" Acrylic on canvas. 2010.Kent Monkman "Weesageechak Teaches Hermes How to Trick the Four Leggeds" Acrylic on canvas. 2010.
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KENT MONKMAN "HOW TO TRICK THE FOUR-LEGGEDS", 2010

Scott McFarland is the most successful conceptual photographer from the third generation of artists associated with “The Vancouver School.” During his bachelor’s in visual art at UBC, McFarland studied alongside acclaimed artists such as Roy Arden and Liz Magor and worked as a studio assistant to Jeff Wall. McFarland’s large-scale photographs are compilations of multiple digital images printed within a single frame.Scott McFarland is the most successful conceptual photographer from the third generation of artists associated with “The Vancouver School.” During his bachelor’s in visual art at UBC, McFarland studied alongside acclaimed artists such as Roy Arden and Liz Magor and worked as a studio assistant to Jeff Wall. McFarland’s large-scale photographs are compilations of multiple digital images printed within a single frame.
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SCOTT MCFARLAND "ALOE PRINCIPIS" 2006

Sam Francis, Damp, Lithograph, 1969, While Francis is stylistically associated with the second generation of abstract expressionist painters (like Helen Frankenthaler) he spent most of the 1950s moving around and working/exhibiting in places including Paris, Mexico City, New York City, and Switzerland. As a result, he is somewhat independent of the collectives and "isms" that are normally used to describe post-war abstraction.Sam Francis, Damp, Lithograph, 1969, While Francis is stylistically associated with the second generation of abstract expressionist painters (like Helen Frankenthaler) he spent most of the 1950s moving around and working/exhibiting in places including Paris, Mexico City, New York City, and Switzerland. As a result, he is somewhat independent of the collectives and "isms" that are normally used to describe post-war abstraction.
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SAM FRANCIS "DAMP" LITHOGRAPH, 1969

An active and devoted printmaker, Alex Katz typically creates portraits and landscapes: subjects that he is personally connected to such as Soho cityscapes, the flora of rural Maine, and the people in his life. In 1957, Katz would meet his future wife "Ada" - over the course of the last fifty years, he has depicted her over 200 times. She is the most iconic subject in his oeuvre and is depicted with affection, sincerity, and devotion. An active and devoted printmaker, Alex Katz typically creates portraits and landscapes: subjects that he is personally connected to such as Soho cityscapes, the flora of rural Maine, and the people in his life. In 1957, Katz would meet his future wife "Ada" - over the course of the last fifty years, he has depicted her over 200 times. She is the most iconic subject in his oeuvre and is depicted with affection, sincerity, and devotion.
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ALEX KATZ "OLYMPIC SWIMMER" SCREENPRINT, 1976

JIM DINE "HEART II" LITHOGRAPH, 1970JIM DINE "HEART II" LITHOGRAPH, 1970
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JIM DINE "HEART II" LITHOGRAPH, 1970

David Hockney, Sunflowers. Flowers are an essential and recurring motif throughout the artist's oeuvre. His fresh, vased arrangments highlight the simple pleasures and contentment of domestic life. In the 1990s, the artist made a slight diversion to focus on sunflowers. While the subject is rich with reference to titans such as Van Gogh, Monet, and Vermeer, Hockney's sunflowers are distinctly poignant, serving as a symbol of impermanence during a period of profound personal loss.David Hockney, Sunflowers. Flowers are an essential and recurring motif throughout the artist's oeuvre. His fresh, vased arrangments highlight the simple pleasures and contentment of domestic life. In the 1990s, the artist made a slight diversion to focus on sunflowers. While the subject is rich with reference to titans such as Van Gogh, Monet, and Vermeer, Hockney's sunflowers are distinctly poignant, serving as a symbol of impermanence during a period of profound personal loss.
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DAVID HOCKNEY "SUNFLOWERS II" ETCHING, 1995

Howard Hodgkin "Late Afternoon in the Museum of Art" USA, 1979 Etching on paper. "Late Afternoon" is a striking example of Hodgkin's printmaking from his 1979 series "The Museum of Art". Comprised of four prints, the series is exemplary of the artist's enmeshed style, blending abstract and representational qualities that culminate into evocative scenes.Howard Hodgkin "Late Afternoon in the Museum of Art" USA, 1979 Etching on paper. "Late Afternoon" is a striking example of Hodgkin's printmaking from his 1979 series "The Museum of Art". Comprised of four prints, the series is exemplary of the artist's enmeshed style, blending abstract and representational qualities that culminate into evocative scenes.
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HOWARD HODGKIN "LATE AFTERNOON" ETCHING, 1979

Hernan Bas, Miami American Artist, expressionistic figuration, Downhill at Dusk (the Runaway) USA, 2013 Hand-stenciled pigmented linen pulp, on cotton-base sheet Initialed by artist, bottom right 24"H 18"W (work) 29.75"H 24"W (framed) From an edition of 30 Very good condition.Hernan Bas, Miami American Artist, expressionistic figuration, Downhill at Dusk (the Runaway) USA, 2013 Hand-stenciled pigmented linen pulp, on cotton-base sheet Initialed by artist, bottom right 24"H 18"W (work) 29.75"H 24"W (framed) From an edition of 30 Very good condition.
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HERNAN BAS "DOWNHILL AT DUSK" 2013

James Rosenquist “My Mind is an Empty Glass” USA, 1994. The work features five pairs of eyeglasses scattered about, each varying in style. Curiously, the left lens on three of the pairs are filled with frenetic dashes of tangerine, cherry red, and periwinkle, perhaps mimicking 3D glasses.James Rosenquist “My Mind is an Empty Glass” USA, 1994. The work features five pairs of eyeglasses scattered about, each varying in style. Curiously, the left lens on three of the pairs are filled with frenetic dashes of tangerine, cherry red, and periwinkle, perhaps mimicking 3D glasses.
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JAMES ROSENQUIST "MY MIND IS AN EMPTY GLASS" LITHOGRAPH, 1994

Robert Motherwell “Untitled (Pink and Orange), from London Series II” 1971. This delicate screenprint displays all of the characteristics of Motherwell's most coveted artworks, this time executed in a more supple palette of blush pink and pale corn husk yellow.Robert Motherwell “Untitled (Pink and Orange), from London Series II” 1971. This delicate screenprint displays all of the characteristics of Motherwell's most coveted artworks, this time executed in a more supple palette of blush pink and pale corn husk yellow.
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ROBERT MOTHERWELL "LONDON SERIES II", 1971

Nicolas Party "Landscape" Poster, 2021. Midnight landscape featuring tall cypress tress in cool tones.Nicolas Party "Landscape" Poster, 2021. Midnight landscape featuring tall cypress tress in cool tones.
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NICOLAS PARTY "LANDSCAPE", 2021

Andy Warhol art for sale "In the Bottom of my Garden" 1956. "In the Bottom of My Garden" is a delightful paradigm from this era. Serving as the cover for his book by the same name, Warhol lends his signature aesthetic to realize an ethereal wonderland of fairies, cherubs, and abundant florals.Andy Warhol art for sale "In the Bottom of my Garden" 1956. "In the Bottom of My Garden" is a delightful paradigm from this era. Serving as the cover for his book by the same name, Warhol lends his signature aesthetic to realize an ethereal wonderland of fairies, cherubs, and abundant florals.
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ANDY WARHOL "IN THE BOTTOM OF MY GARDEN", 1956

Cathy Daley "Dancer X" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, however, it pushes further into abstraction as the figure is almost entirely stylized. The artist emphasizes elongated limbs and the crisscrossing of lines that compose her subject rather than human proportions. Cathy Daley "Dancer X" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, however, it pushes further into abstraction as the figure is almost entirely stylized. The artist emphasizes elongated limbs and the crisscrossing of lines that compose her subject rather than human proportions.
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CATHY DALEY "DANCER X" OIL PASTEL ON VELLUM, 2018

Cathy Daley "Ruffles" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, featuring her signature female form in a fluttering tutu that occupies the entire upper width of the image. Cathy Daley "Ruffles" Oil pastel on vellum, 2018. This work is a paradigm of Daley’s practice, featuring her signature female form in a fluttering tutu that occupies the entire upper width of the image.
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CATHY DALEY "RUFFLES" OIL PASTEL ON VELLUM, 2018

Andy Warhol artwork for sale, "Bird on a Fruit Branch" 1957. “Bird on a Fruit Branch” is emblematic of Warhol’s work during the late 1950s when he established his reputation with delicate and whimsical drawings of clothes, accessories, and stylized beauties in a distinctively elegant but playful aesthetic. Andy Warhol artwork for sale, "Bird on a Fruit Branch" 1957. “Bird on a Fruit Branch” is emblematic of Warhol’s work during the late 1950s when he established his reputation with delicate and whimsical drawings of clothes, accessories, and stylized beauties in a distinctively elegant but playful aesthetic.
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ANDY WARHOL "BIRD ON A FRUIT BRANCH", 1957

Sophie Calle, “Les Tombes: Father, Mother" France, 1990 Diptych Gelatin silver prints flush-mounted on aluminum in artist’s frames. Numbered and dated From an edition of 7 22"H 14.5"W (work) 23"H 15.5"W (framed) Very good condition.Sophie Calle, “Les Tombes: Father, Mother" France, 1990 Diptych Gelatin silver prints flush-mounted on aluminum in artist’s frames. Numbered and dated From an edition of 7 22"H 14.5"W (work) 23"H 15.5"W (framed) Very good condition.
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SOPHIE CALLE "FATHER, MOTHER" DIPTYCH, 1990

David LaChapelle "B.F.F." C-print. 2006. This work “B.F.F.” manifests some of the artists’ favorite ingredients: well-oiled, nearly-nude bodies, an affinity for fashion, and a celebration of material excess, all realized in a slick bright palette.David LaChapelle "B.F.F." C-print. 2006. This work “B.F.F.” manifests some of the artists’ favorite ingredients: well-oiled, nearly-nude bodies, an affinity for fashion, and a celebration of material excess, all realized in a slick bright palette.
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DAVID LACHAPELLE "B.F.F." C-PRINT, 2006

TONY SCHERMAN “PEONIES PUSH” ENCAUSTIC MONOPRINT, 2002TONY SCHERMAN “PEONIES PUSH” ENCAUSTIC MONOPRINT, 2002
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TONY SCHERMAN “PEONIES PUSH” ENCAUSTIC MONOPRINT, 2002

Andy Warhol artwork for sale "Truck" Screenprint, 1985. While a cargo truck may seem an unlikely subject for the legendary Pop artist, its symbol represents the impetus of industrialization. Set on a powder blue background, the truck is ignited by florescent shades of tangerine, grapefruit, and canary yellow as it launches down a cobalt highway. Andy Warhol artwork for sale "Truck" Screenprint, 1985. While a cargo truck may seem an unlikely subject for the legendary Pop artist, its symbol represents the impetus of industrialization. Set on a powder blue background, the truck is ignited by florescent shades of tangerine, grapefruit, and canary yellow as it launches down a cobalt highway.
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ANDY WARHOL "TRUCK" SCREENPRINT, 1985

Keith Haring, American Art, "Art Attack on AIDS" USA, 1988 Screenprint on oak veneer plywood Signed, dated, and numbered by artist Inscribed with the note "For Anthony" From an edition of 10 artist proofs 30”H 30”W 2”D (work) 31.5"H 31.5"W 2"D (framed) Very good condition. Provenance: Gallery Moos, TorontoKeith Haring, American Art, "Art Attack on AIDS" USA, 1988 Screenprint on oak veneer plywood Signed, dated, and numbered by artist Inscribed with the note "For Anthony" From an edition of 10 artist proofs 30”H 30”W 2”D (work) 31.5"H 31.5"W 2"D (framed) Very good condition. Provenance: Gallery Moos, Toronto
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KEITH HARING "ART ATTACK ON AIDS" SCREENPRINT, 1988

Cindy Sherman "For Chicago" Chromogenic print. 1986. This large-scale color photograph is a fantastic example of Sherman’s most audacious and experimental period of art-making. It presents a dark dream world, like looking into the depths of a snow globe. Cindy Sherman "For Chicago" Chromogenic print. 1986. This large-scale color photograph is a fantastic example of Sherman’s most audacious and experimental period of art-making. It presents a dark dream world, like looking into the depths of a snow globe.
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CINDY SHERMAN "FOR CHICAGO" CHROMOGENIC PRINT, 1986

Herb Ritts "Stefano Seated" Platinum print photograph, 1985. “Stefano Seated” is a wonderful example of Ritts’ ability to capture polished intimacy. The subject appears relaxed in the nude yet holds a modelesque grace posing with awareness of the camera. Like many Ritts photographs, this print is expertly rendered in contrasting tones of black and white.Herb Ritts "Stefano Seated" Platinum print photograph, 1985. “Stefano Seated” is a wonderful example of Ritts’ ability to capture polished intimacy. The subject appears relaxed in the nude yet holds a modelesque grace posing with awareness of the camera. Like many Ritts photographs, this print is expertly rendered in contrasting tones of black and white.
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HERB RITTS "STEFANO SEATED" PLATINUM PRINT PHOTOGRAPH, 1985

Jean Paul Riopelle, Canadian Post War Abstract Painter, "Cervidé" 1979 Lithograph Signed by artist, bottom right 19.5"H 16"W (work) 16.5"H 13"W (framed) Very good condition.Jean Paul Riopelle, Canadian Post War Abstract Painter, "Cervidé" 1979 Lithograph Signed by artist, bottom right 19.5"H 16"W (work) 16.5"H 13"W (framed) Very good condition.
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JEAN-PAUL RIOPELLE "CERVIDÉ" LITHOGRAPH, 1979

YVES GAUCHER "FUGUE JUANE" RELIEF PRINT, 1963YVES GAUCHER "FUGUE JUANE" RELIEF PRINT, 1963
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YVES GAUCHER "FUGUE JUANE" RELIEF PRINT, 1963

Kazuo Nakamura, Canadian Art Painters Eleven, "Untitled" Canada, 1957 Oil over string on 1/4 hardwood Signed by artist, bottom left 9"H 6"W (work) 9.5"H 6.75"W (framed) Very good condition.Kazuo Nakamura, Canadian Art Painters Eleven, "Untitled" Canada, 1957 Oil over string on 1/4 hardwood Signed by artist, bottom left 9"H 6"W (work) 9.5"H 6.75"W (framed) Very good condition.
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KAZUO NAKAMURA "UNTITLED" , 1957

In 1972, famous woman artist Louise Nevelson creates a suite of six prints for her Lead Intaglio series. The works in this series feature thin, embossed lead plates on CM Fabriano paper.In 1972, famous woman artist Louise Nevelson creates a suite of six prints for her Lead Intaglio series. The works in this series feature thin, embossed lead plates on CM Fabriano paper.
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LOUISE NEVELSON "NIGHT TREE" 1972

Edward Burtynsky, Canadian Contemporary Art, "Shipwreck #49" 2001, Bangladesh Giclée color print Signed by the artist, bottom right From an edition of 100 8.5"H 11"W (image) 11.25"H 14.75"W (sheet) Very good conditionEdward Burtynsky, Canadian Contemporary Art, "Shipwreck #49" 2001, Bangladesh Giclée color print Signed by the artist, bottom right From an edition of 100 8.5"H 11"W (image) 11.25"H 14.75"W (sheet) Very good condition
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EDWARD BURTYNSKY "SHIPBREAKING #49", 2001

Jack Chambers, Canadian Art, "Study of a Young Boy in Sweater" Spain, 1958 Graphite on paper Signed and dated by artist 19"H 11.5"W (work) 26.75"H 18.25"W (framed) Very good condition.Jack Chambers, Canadian Art, "Study of a Young Boy in Sweater" Spain, 1958 Graphite on paper Signed and dated by artist 19"H 11.5"W (work) 26.75"H 18.25"W (framed) Very good condition.
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JACK CHAMBERS "STUDY OF A YOUNG BOY" GRAPHITE ON PAPER, 1958

Jack Chambrs, Canadian Art, "Olga at the South Pole" Canada, 1965 Ink on paper 12"H 17.5"W (work) 18.75"H 23.75"W (framed) Very good condition.Jack Chambrs, Canadian Art, "Olga at the South Pole" Canada, 1965 Ink on paper 12"H 17.5"W (work) 18.75"H 23.75"W (framed) Very good condition.
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JACK CHAMBERS "OLGA AT THE SOUTH POLE" INK ON PAPER, 1965

JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971
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JOYCE WIELAND "WHITE SNOW GOOSE" EMBROIDERED CREST, 1971

Joanne Tod, Canadian Art, “Bar Nunn, Wyoming” Canada, 2022 Watercolor on cold pressed Arches paper Signed verso 10"H 14"W (work) 14.75"H 18.5"W (framed) Very good conditionJoanne Tod, Canadian Art, “Bar Nunn, Wyoming” Canada, 2022 Watercolor on cold pressed Arches paper Signed verso 10"H 14"W (work) 14.75"H 18.5"W (framed) Very good condition
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JOANNE TOD “BAR NUNN, WYOMING” WATERCOLOR, 2022

Joanne Tod, Canadian Art, "Ambergris" Canada, 2022 Watercolor on cold pressed Arches paper Signed verso 23.75"H 18"W (work) 31.75"H 25.75"W (framed) Very good condition.Joanne Tod, Canadian Art, "Ambergris" Canada, 2022 Watercolor on cold pressed Arches paper Signed verso 23.75"H 18"W (work) 31.75"H 25.75"W (framed) Very good condition.
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JOANNE TOD "AMBERGRIS" WATERCOLOR, 2022

Takao Tanabe, Canadian Art, "Untitled" Canada, 1958 Casein on board Signed and dated by the artist 21.75"H 29.75"W (work) 27.25"H 32.25"W (framed) Framed with museum glass Very good condition.Takao Tanabe, Canadian Art, "Untitled" Canada, 1958 Casein on board Signed and dated by the artist 21.75"H 29.75"W (work) 27.25"H 32.25"W (framed) Framed with museum glass Very good condition.
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TAKAO TANABE "UNTITLED" CASEIN ON BOARD, 1958

Edward Burtynsky, Canadian Art, "Rock of Ages #14, Abandoned Granite Section, E.L. Smith Quarry, Barre, Vermont" Chromogenic print, 1992 Signed by the artist in ink with printed title, date, and edition AP1 on an artist's label on verso 40"H 50"W (work) 49"H 59"W (framed) From an edition of 5 Very good condition.Edward Burtynsky, Canadian Art, "Rock of Ages #14, Abandoned Granite Section, E.L. Smith Quarry, Barre, Vermont" Chromogenic print, 1992 Signed by the artist in ink with printed title, date, and edition AP1 on an artist's label on verso 40"H 50"W (work) 49"H 59"W (framed) From an edition of 5 Very good condition.
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EDWARD BURTYNSKY "ROCK OF AGES #14, VERMONT" 1992

Harold Town, "Rudolph Valentino" Canada, 1970 Black and white lithograph From an edition of 50 Signed and dated by artist, top left. 20"H 13.75"W (work) 26.25"H 20.25"W (framed) Very good condition. Provenance: the Estate of Harold TownHarold Town, "Rudolph Valentino" Canada, 1970 Black and white lithograph From an edition of 50 Signed and dated by artist, top left. 20"H 13.75"W (work) 26.25"H 20.25"W (framed) Very good condition. Provenance: the Estate of Harold Town
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HAROLD TOWN "RUDOLPH VALENTINO" LITHOGRAPH, 1970

MICHAEL SNOW "WALKING WOMAN #14" GRAPHITE ON PAPER, 1963Michael Snow "Walking Woman #14" Graphite on paper. 1963. Snow uses a frottage technique which is executed by using an ancient technique of rubbing charcoal (or in this case graphite) over a rough or textured surface, like a frieze or tomb, to create a drawing or representation.
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MICHAEL SNOW "WALKING WOMAN #14" GRAPHITE ON PAPER, 1963

MARY PRATT "EVISCERATED CHICKENS" DRAWING, 1971Mary Pratt "Study for Eviscerated Chickens" Drawing, 1971. Pencil on paper. Mary Pratt portrays the obscenities of domestic life by rendering entrails of a raw chicken. A boisterous floral wallpaper serves as a lively backdrop to this otherwise grotesque scene.
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MARY PRATT "EVISCERATED CHICKENS" DRAWING, 1971

David Hockney, "Yves-Marie Hervé", London, 1974. Lithograph on Arches paper. Artist proof. David Hockney seated portrait.David Hockney, "Yves-Marie Hervé", London, 1974. Lithograph on Arches paper. Artist proof. David Hockney seated portrait.
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DAVID HOCKNEY "YVES-MARIE HERVÉ" LITHOGRAPH, 1974